Zimbabwe. This abstract sculpture depicts two stylized human faces joined within a continuous looping form, expressing themes of unity, companionship, and family. Carved in serpentine stone with smooth, flowing contours and simplified facial features, the work reflects the organic forms and direct-carving tradition of the Zimbabwean Shona Sculpture Movement. The sculpture is inscribed "Ronie Uzeya" on the underside. Dimensions approximately 27 x 19 x 10 inches In Very Good condition with surface wear including random scratches and abrasions present throughout the surface, most notably along the base, including an approximately 7-inch-long scratch along the upper edge. Minor chips and natural fissures are visible. More

Congo. This hand-painted wooden mask, attributed to the Bayaka people of the Democratic Republic of the Congo, features a broad rectangular face with rounded edges, projecting ears, slit eyes, a long central nose, and an extended tongue-like mouth. The contrasting white, blue, black, and reddish-brown pigments reflect the bold visual style of Bayaka masquerade traditions. Dimensions approximately 14 x 9.5 x 3.25 inches In Good condition. Heavy surface wear, discoloration, staining, and abrasion throughout. Light cracks along the edges, with smoothed edge wear and pigment loss, noticeable around the eyes and forehead. More

Ivory Coast. This carved wooden ritual vessel is fashioned as a stylized animal with elongated heads projecting from either end, framing a hollowed central chamber fitted with a removable lid. Used to contain ritual substances or ceremonial offerings, these vessels played an important role in rites honoring ancestors and facilitating communication with the spiritual realm. Dimensions approximately 11.5 × 23 × 5 inches In Very Good condition. Surface scratches, abrasions, and general handling wear throughout. Random chips to the faces of several carved figures, base of the vessel and ears of animal heads. Age cracks are present at the necks of both animal heads. More

Congo. Carved from a single plank of hardwood, this elongated oval shield features a central field divided into nine recessed rectangular panels flanked above and below by stylized relief carvings of reptiles, likely crocodiles or lizards. The shield was made for ceremonial or prestige use rather than heavy combat. Its dark, naturally aged surface and softened relief indicate prolonged handling and age. The simplified carving reflects the sculptural economy characteristic of regional Songye traditions. Dimensions approximately 21.5 × 9.25 × 1.25 inches In very good condition. Surface wear includes minor abraisons, general discoloration, and oxidation of the wood surface. There is wear along the edges with scattered scratches throughout. A stable 2.5-inch crack extends through the mid-section of the upper reptile motif. More

Congo. Carved in a circular format, this painted wooden mask features stylized half-closed eyes, a triangular projecting nose, and geometric motifs arranged symmetrically across the surface, painted in red, cream, black, and blue pigments. Masks of this type were made mainly as decorative works inspired by Central African artistic traditions rather than for ceremonial use. The bold geometric design reflects the enduring influence of traditional Congolese visual language adapted for display. Dimensions approximately 12 × 11.25 inches. In Very Good condition with surface abrasion, discoloration, scattered scratches, and minor chipping on the edges and tip of the nose. More

Gabon. Hand-carved wooden four-face mask featuring a central elongated face flanked by three subsidiary faces in a symmetrical composition. Painted in black and white pigments with stylized motifs, almond-shaped eyes, and a carved cylindrical neck. Created as a decorative work inspired by traditional Central African carving traditions. Dimensions approximately 23.5 × 17 × 3 inches In Very Good condition. Surface soil and accumulated residue throughout. Heavy abrasion and rubbing to painted surfaces with scattered paint loss. Fine shallow surface cracking throughout. Moderate chipping along the outer edges. Partial loss to the carved mouth of the upper figure. Loss to the tip of the nose and minor losses to the left side of the face. Water staining is visible. White residue and accretion are present around the carved rattan-style base. More

Democratic Republic of the Congo. This hand-carved Bushoong mask features an elongated face with narrow eyes, a prominent triangular nose, a rectangular projecting mouth, and vertically rising horns. The surface displays carved geometric motifs and is painted in white pigment, reflecting Kuba aesthetic traditions. These masks were used in royal ceremonies, initiation rites, and funerary celebrations to embody ancestral authority and reinforce social hierarchy. Approximate dimensions: 15 x 7 x 8.5 inches. In Good condition. Moderate surface wear, including paint loss and peeling, light staining, abrasions, scratches, and edge wear. A 6-inch crack extends from the ear to the base of the upper right horn, with an additional 2-inch crack across the mid-right horn. Residue and dust are present within carved recesses. More

Burkina Faso. Hand-carved bird shoulder mask from the Bobo society of Burkina Faso, made of wood and painted with black and beige linear and dotted geometric motifs. The stylized avian form features a tall vertical crest, a projecting beak, broad, outstretched wings, and a tapered breast, exemplifying the bold abstract forms characteristic of Bobo ceremonial sculpture. Traditionally worn on the shoulders during masquerade performances, these bird forms embody spiritual beings linked to fertility, renewal, and the agricultural cycle. Dimensions approximately 32.5 x 13 x 6 inches In Very Good condition. Surface wear, abrasions, scattered paint loss, staining, accumulated residue, and discoloration are present throughout. Minor chipping and losses occur along edges and high points, including both sides of the head. There is a fine 3-inch crack at the center of the breast. More

Gabon. Hand-carved wooden figure from the Bakota society of Gabon. The figure is constructed with a metal sheet wrapped over a carved wooden form, with geometric incised decoration and applied metal elements defining the face, coiffure, and side panels. The stylized ancestral form is typical of Bakota reliquary figures, traditionally associated with the guardianship of ancestral remains. Mounted on a wooden display stand. Dimensions approximately 29.5 x 13 x 3 In very good condition. good condition, with surface wear throughout, oxidation, and patina to the metal sheet, especially around the face, eyes, and edges. Scattered scratches, abrasions, dents, and rubbed areas are present, with wear and abrasions visible at the wooden base. Fine hairline crack at the base where the two feet join. More

Burkina Faso. A hand-carved and hand-painted wooden mask attributed to the Mossi (Mosi) people of Burkina Faso depicts a stylized antelope form. It features an elongated oval face with a projecting ridge nose, cylindrical facial elements, pierced geometric motifs, and tall arched horns. Painted in black, white, red, and blue pigments, the mask embodies themes of agricultural fertility, social order, and ancestral protection. Dimensions are approximately 22 x 4 x 9 inches. In Very Good condition with heavy accumulated residue, abrasions, pigment loss, a shrinkage crack at the horn apex, natural knot-related cracking on the proper left cheek, and wear to the lower edge. The lower edge shows noticeable wear, losses, and softening from handling and use. More

Mali. This carved wooden panel, likely a granary door from the Dogon people of Mali, features low-relief geometric and anthropomorphic motifs typical of Dogon symbolism. These doors served both functional and symbolic roles, safeguarding grain and invoking spiritual protection, fertility, prosperity, and ancestral presence. Dimensions approximately 17.5 x 26 x 2.5 inches. In Very Good condition with general wear, abrasions, scratches, dust accumulation, and handling marks throughout. A prominent vertical crack, approximately 12 inches long, extends from the left-center dome motif to the lower edge. Additional vertical and scattered cracks are present, especially in the central and right sections. More

20th Century. Limited Artist's Proof. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. "AP 24" written in graphite. In Very Good condition with mild age toning. Mat measures 18 x 25 in. Shelved at Rockville. More

20th Century. Limited Artist's Proof. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. AP/5" written in graphite. In Very Good condition with mild age toning. Mat measures 18 x 24 in. Shelved at Rockville. More

20th Century. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. "Artist Proof" written in graphite. In Very Good condition with mild age toning. Mat measures 18 x 25 in. Shelved at Rockville. More

20th Century. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. In Very Good condition with mild age toning. Mat measures 17 x 20 in. Shelved at Rockville. More

20th Century. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. In Very Good condition with mild age toning. Mat measures 17 x 20 in. Shelved at Rockville. More

20th Century. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. In Very Good condition with mild age toning. Mat measures 17 x 20 in. Shelved at Rockville. More

20th Century. Limited Edition: #80/100. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. Numbered to bottom left in graphite. In Very Good condition with mild age toning. Mat measures 17 x 20 in. Shelved at Rockville. More

20th Century. Limited Edition: #41/50. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. Numbered to bottom left in graphite. In Very Good condition with mild age toning. Mat measures 18 x 20 in. Shelved at Rockville. More

20th Century. Limited Edition: #41/50. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. Numbered to bottom left in graphite. In Very Good condition with mild age toning. Mat measures 18 x 20 in. Shelved at Rockville. More

20th Century. Limited Edition: #41/50. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. Numbered to bottom left in graphite. In Very Good condition with mild age toning. Mat measures 18 x 20 in. Shelved at Rockville. More

20th Century. Artist Proof. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. "Artist Proof" written in graphite. In Very Good condition with mild age toning. Mat measures 18 x 20 in. Shelved at Rockville. More

20th Century. First Proof. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. "1st Proof" written in graphite. In Very Good condition with mild age toning. Mat measures 18 x 20 in. Shelved at Rockville. More

20th Century. First Proof. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. "First Proof" written in graphite. In Very Good condition with mild age toning. Large stain on mat in left upper corner, does not tend to image. Mat measures 18 x 20 in. Shelved at Rockville. More

20th Century. Limited Edition: #41/50. Original matted wood engraving preserved under shrink wrap. Signed to bottom right in graphite. Numbered to bottom left in graphite. In Very Good condition with mild age toning. Mat measures 18 x 20 in. Shelved at Rockville. More