![1418621 DUNCAN GRANT [signed]. Frances Spalding, 1950-, Duncan Grant](https://secondstorybooks.cdn.bibliopolis.com/images/noimage-req.png?auto=webp)
London: Chatto & Windus, 1997. Octavo, xv, 570 pages. In Very Good condition with a Good dust jacket. Spine is red with white print. Dust jacket has light edge wear. Price unclipped: “£25.00”. Boards in red cloth. Illustrated: b&w frontispiece portrait (drawing), b&w and color plates (photographs). Laid in: clipped book review. Inscribed in ink by the author on the title page. NOTE: Shelved in Netdesk Column F (ND-F). More
London, England: Thomas Gibson Bowles, 19th & Early 20th Century. A collection of 29 Vanity Fair lithographs, featuring works by several of the publication’s notable caricaturists, including James Tissot, working under the pseudonym “Coïdé” (1); Théobald Chartran, signed “T” (3); Carlo Pellegrini, signed “Ape” (7); and Sir Leslie Ward, signed “Spy” (18). Each print is individually matted and protected in a clear plastic wrap. Dimensions: Mat: 12 × 18 in.; visible image/sheet area: approximately 8 × 13¼ in. In Very Good condition with light age- toning. Shelved at Rockville Room C. More
England: 1790. Engraved by William Blake after William Hogarth’s painting. Published July 1, 1790 by John and Josiah Boydell, London. Sheet measures 19 x 25 in. In Good condition. Age toning throughout with scattered foxing particularly around the margins. Substantial paper loss to lower right corner, approximately 4.25 x 2.5 in. affecting part of the engraved inscription. Sheet is backed with cardboard and protected with clear plastic wrap. More
England: 1763. Designed and engraved by William Hogarth. Published 1 August 1763. The satirical print depicts the poet and clergyman Charles Churchill (1731–1764) as a bear-like “Russian Hercules,” part of Hogarth’s bitter visual response to attacks by Churchill and the radical politician John Wilkes. Sheet measures Approx. 18 × 21½ in. In Very Good condition. Age toning throughout with scattered foxing and brown spotting, primarily to the lower margin. Sheet is backed with cardboard and protected with clear plastic wrap. More
England: 1805. Engraving on paper. Engraved and published by Thomas Cook (British, c. 1744–1818) after an original painting by William Hogarth. Sheet measures 25 × 19 in. In Very Good condition. Age toning throughout with scattered foxing and brown spotting, primarily to the margins. Sheet is backed with cardboard and protected with clear plastic wrap. For shipping, the work will be carefully rolled and securely packaged. More
England: 1758. Engraving on paper. From Hogarth’s The Humours of an Election series. Sheet measures 25 × 19 in. In Very Good condition. Age toning throughout with scattered foxing and brown spotting, primarily to the margins. Sheet is backed with cardboard and protected with clear plastic wrap. For shipping, the work will be carefully rolled and securely packaged. More
England: c1832. Engraving on paper. From Hogarth’s The Humours of an Election series. Sheet measures 25 × 19 in. In Very Good condition. Age toning throughout with scattered foxing and brown spotting, primarily to the margins. Sheet is backed with cardboard and protected with clear plastic wrap. For shipping, the work will be carefully rolled and securely packaged. More
London: 1895. Lithograph titled "The Chieftain" . Printed signature lower right. Matted and sealed in a clear protective wrap. Mat measures 18 x 14 in. Image measures 12 x 8.5 in. In Very Good condition with age toning. More
1885. Etching on vellum. Signed “F. M. Spiegle” in graphite to lower right. Signed, dated “85”, and inscribed “N.Y.” in the plate to lower left. Sheet measures approximately 18 x 26 in. In Very Good condition. Age toning, scattered foxing along the margins and minor edge wear. Currently presented beneath a mat and protected with clear plastic wrap. For shipping, the work will be carefully rolled and securely packaged. More
England: John Boydell, 1772. Engraving on paper. The print reproduces Hogarth’s monumental painting The Good Samaritan made for the staircase of St. Bartholomew’s Hospital, London. Sheet measures 25 × 19 in. In Very Good condition. Age toning throughout with scattered foxing and brown spotting, primarily to the margins. Edge wear including loss to upper left margin. Sheet is backed with cardboard and protected with clear plastic wrap. For shipping, the work will be carefully rolled and securely packaged. More
![1415427 ORIGINAL HAND-COLORED AQUATINT ENGRAVINGS [Lot of 11]. Thomas Rowlandson](https://secondstorybooks.cdn.bibliopolis.com/pictures/1415427.jpg?width=320&height=427&fit=bounds&auto=webp&v=1785267886)
1810. Set of eleven hand-colored aquatint engravings. Each is individually matted, unframed and sealed in protective plastic wrap. Dimensions: mat 11 x 8 in.; image 7.5 x 5 in. In Very Good condition with light age toning. More
New York: Dodd, Mead & Company, 1885. Folio, unpaginated. In Fair condition. Blue spine with no lettering. Bound in publisher's cloth with gilt illustration and lettering to front board. Boards show moderate wear to corners and edges. Chipping to spine head and tail with wear along joints. Cracking to gutters. Text block shows age toning to edges, chipping to flyleaf, moderate foxing to verso of first free end page, and occasional light foxing throughout interior. Light offsetting to facing pages by some plates. "Amiens" by H. Toussaint plate loosed from binding toward rear pages. Shelved in Room X Glass Case 2. More
London, England: Leonard Smithers, 1896. Octavo. 170 pages. In Good condition. Spine is tan and worn with faint black lettering. Bound in tan paper with pictorial-covered boards. Boards show moderate age toning, rubbing, staining, and surface wear, with chipping and loss along edges and corners. Spine heavily worn with substantial loss to the covering. Fraying and loss at head and tail. Binding is slightly loose. Joints and hinges worn and weakened, with separation visible at the inner gutter. Pages age-toned with scattered foxing and occasional soiling. Includes four pages of advertisements. Shelved in Room A Octavo Overflow. More
![1416027 DAWE'S CHOICE SELECTIONS FOR THE SCRAP BOOK [Two volumes]. Henry Dawe](https://secondstorybooks.cdn.bibliopolis.com/pictures/1416027.jpeg?width=320&height=427&fit=bounds&auto=webp&v=1789589081)
[London?]: [Rudolph Ackermann?], [1834?]. Quarto, Two volumes. Unpaginated, with 153 Mezzotints. In Very Good condition. Half-bound in dark green leather with marbled-paper boards. Raised bands to green spines with gilt lettering and red morocco spine label Boards show mild shelf wear overall with bumping to corners and rubbing along edges. Spines show mild wear with scattered rubbing along edges, abrasions to head and tail, and faint cracking to leather. Leaves and plates age-toned with scattered foxing throughout and occasional discoloration and soiling. Armorial bookplate of Dundas of Dundas, with motto Essayez, to front pastedown. Marbled page edges and end papers. CONTENTS: Volume One, 77 plates--Volume Two, 76 plates. Shelved in Room X Glass case 1. More
London: Seely & Co., 1885. Limited Edition, #178/500. Folio, xvi, 386, (1) pages. Fair condition. Bound in vellum. Front cover has an ornate gilt design and a gilt border. The design is from the plate facing pg. 340, Albrecht Durer's "Figure and Leaves". Front and rear hinges are cracked, as it is with other copies we have seen due to the book's size and weight. Previous owners book plate on inside front cover, with its offset on the free front end paper. Boards are heavily soiled. Spine has gilt lettering and a small gilt design. Top 1/3 of the spine is torn from the front board. Spine ends are dented. Text block has deckled edges with tanning/dusting, otherwise pages are white showing no foxing. Text block is cracked. 43 black and white plates printed on rectos only after such artists as Courbet, Titian, J.M.W. Turner and Corot, among other famous fine artists. There are also 7 pen-sketches. The bookplate is from the library of William Henry Poor, early 20th Century stock broker and book collector. Shelved in Room Z Glass case 2. More
London: Seely & Co., 1885. Limited Edition, #218/500. Folio, xvi, 386, (1) pages. Good Plus condition. Bound in vellum. Front cover has an ornate gilt design and a gilt border.The design is from the plate facing pg. 340, Albrecht Durer's "Figure and Leaves". Front and rear hinges are cracked, as it is with other copies we have seen due to the book's size and weight. Previous owners book plate on inside front cover, with its offset on the free front end paper. Boards are heavily soiled, two of the corners are worn. Spine has gilt lettering and a small gilt design. Spine ends are still sharp with no dents or fraying. Text block has deckled edges with heavy tanning/dusting that on some pages creates a 1/8"-1/4" dust- colored border, otherwise pages are white showing no foxing. Text block is cracked. 43 black and white plates printed on rectos only after such artists as Courbet, Titian, J.M.W. Turner and Corot, among other famous fine artists. There are also 7 pen-sketches The bookplate is from the library of Parke Simmons, a book collector who was a member of The Grolier and Caxton Clubs. Shelved in Room Z in Glass case 2. More
London: Seely & Co., 1885. Limited Edition, #375/500. Folio, xvi, 386, (1) pages. Very Good Minus Condition. Bound in vellum. Front cover has an ornate gilt design within a gilt border. The design is from the plate facing pg. 340, Albrecht Durer's Figure and Leaves. Boards and spine are protected by custom cloth dust jacket with gold lettering on the spine. Front and rear hinges are cracked, as it is with other copies we have seen due to the book's size and weight. Previous owners book plate on inside front cover, with its offset on the free front end paper that also has small pencil notations. Boards are lightly soiled, corners are sharp. Spine has gilt lettering and a small gilt design. Spine ends are still sharp with no dents or fraying. Text block has deckled edges with light tanning/dusting, otherwise pages are white showing no foxing. Some pages are uncut across the top edge. 43 black and white plates printed on rectos only after such artists as Courbet, Titian, J.M.W. Turner and Corot, among other famous fine artists. There are also 7 pen-sketches. Shelved in Room Z Glass case 2. More
Tabard Press, 1979. Quarto, 527 pages. In Fair plus condition with a Very Good dust jacket. Spine is white with black print. Price unclipped: “$85.00”. Boards in blue cloth. Text block has intermittent spine cracks. Illustrated: b&w and color. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: NOTE: Shelved in Locked Annex Area, Netdesk Column QB. More
London: Published for the British Academy by Oxford University Press, 1972. Quarto, xxxvi, 140 pages + 153 plates. In Good minus condition with a Fair minus dust jacket. Spine is black with white print. Dust jacket has edgewear with tears at spine ends and flap corners, tearing across entire top edge, bottom corner of front flap clipped. Boards in black cloth, gold print; light wear to spine caps and corners, mild soiling. Text block has spotting to edges, inscription in ink on front flyleaf. Illustrated: color frontispiece and plates. Small amount of related ephemera laid in. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Oversized Folios. More
London: Thomas Nelson and Sons, 1965. First Edition, First Printing. Quarto, 298 pages. In Very Good condition with a Good dust jacket. Red, orange, and green pictorial spine with off-white lettering. Dust jacket is protected with a mylar covering. Bumping and chipping with minor material loss to head and tail of dust jacket spine. Bumping and chipping to top edge of dust jacket. Small closed tear to top edge of front cover. Previous seller's sicker adhered to back cover of dust jacket. Bumping and minor chipping to corners of dust jacket. Age-toning to dust jacket. Minor cocking to spine. Sinking to text block. Foxing to text block. Shelved in British Art. More
Edinburgh: Scottish National Gallery of Modern Art, 1997. Quarto, 32, 155 pages. In Very Good condition. Spine is black with yellow print. Cover is illustrated; slight shelf wear. Illustrated: color frontispiece portrait, b&w and color plates. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex in quarto column. More
Rutherford: Fairleigh Dickinson University Press, 1971. First American edition. Octavo, 492 pages. In Very Good condition with a Very Good dust jacket. Spine is illustrated, black print. Dust jacket has price label on front flap. Boards in oatmeal cloth. Illustrated: b&w but with color plates. NOTE: Shelved in Netdesk Column BB. More
London: Sotheby Parke Bernet, 1979. Quarto, 536 pages. In Very Good condition with a Very Good dust jacket. Illustrated spine with white lettering. Dust jacket protected with a mylar covering. Mild general shelf wear. Fading to red dye on top edge of textblock. Interior pages clean. Shelved on the Front Table. More
Cambridge: The MIT Press, 1981. First MIT Press Edition. Large Octavos, Two Volumes. In Very Good condition. Volumes in matching gray cloth bindings, with gilt titling on navy title blocks to spines; housed in a navy cloth slipcase. Slipcase shows moderate scuffing and wear. Volumes are lightly sunned along the spines, with some crinkling at the heads and tails. Otherwise negligible wear to boards. Text blocks clean. Shelved in Room A. More
New Haven; London: Yale University Press, 2011. First Edition, First Printing. Quarto, ix, 440 pages. In Very Good condition with Very Good minus dust jacket. Spine pink with white lettering. Dust jacket protected with a mylar covering. Light rubbing and scratching to dust jacket. Bumping to dust jacket edges. Creasing to pages 431-440. Textblock sunken. Shelved in British Art. More
London: Tate Publishing, 2016. Facsimile. Octavo (oblong), 17 pages + 140 unnumbered pages. In Very Good condition. Spine is grey with cream print. Boards in grey cloth, illustrated pastedown, cream print. Illustrated: color plates. NOTE: Shelved in Netdesk Column Z. More
London: J. M. Dent & Sons, 1938. First Edition. Octavo, xx, 300 pages, plus frontispiece and plates. Rebound in bright red half binding with pink cloth boards; spine paneled with gilt fillets and a dark brown leather label with gilt titling; gilt top edge. In Good condition. Boards show moderate scuffing and wear, with rubbing along edges and at corners. Stain to cloth on front board, with sunning along the top and fore edges. Joints are cracked, with splitting near the top ends. Shallow loss of material to head of spine. Text bock edges are moderately worn and toned; some scattered stains on gilt top edge. Interior largely clean, with some light age toning throughout, and discoloration on endpapers and half title page due to contact with leather elements. Leather bookplate from former owner on front pastedown. Shelved in Room A. More
![1410153 THE LIFE OF JOSIAH WEDGWOOD [Two Volumes] [Fore-edge Paintings]. Eliza Meteyard](https://secondstorybooks.cdn.bibliopolis.com/pictures/1410153.jpg?width=320&height=427&fit=bounds&auto=webp&v=1773604983)
London: Hurst and Blackett, 1865-1866. First Edition. Octavos, 2 Volumes. In Very Good condition. Bound in contemporary dark green-blue morocco by Fazakerley of Liverpool with their gilt stamp, spines elaborately panelled and gilt decorated. General rubbing and wear. Scuffing to boards. Cracking to front hinge on Volume II. Edges of textblock gilt, with painted fore edges showing Wedgwood vases on both and a portrait on Volume I. With marbled endpapers and inner dentelles. Burgundy morocco gilt bookplate bookplates to front pastedowns of bookseller and collector William Foyle at Beeleigh Abbey. Tearing to front free endpaper in Volume II. Foxing toward front and rear of textblocks. Frontispiece portraits in each and black-and-white illustrations throughout. Shelved in Case 10. More
London, UK: V&A Publications, 2002. First Edition, First Printing. Quarto, xv, 524 pages. In Very Good condition with Very Good dust jacket. Spine teal with white lettering. Dust jacket protected with a mylar covering, price uncut: "£60.00." Mild rubbing and general shelf wear. Mild sun-fading to dust jacket. Textblock sunken. Shelved in British Art. More
New York, London, Paris: Artabras, 1990. Reprinted. Large Quarto, 256 pages. In Very Good condition with a Good dust jacket. Spine white with black lettering. Exterior has slight wear including minor edge wear. Boards have minimal wear. Text block has very slight wear. Lavender end papers. Frontispiece. Illustrated. First edition, later printing. NOTE: Shelved in Locked Annex, Quarto and Folio Case. Oversized book(s). Additional postage necessary expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates. More
London: The Paul Mellon Foundation for British Art, 1968. Quarto, Two volumes. In Good plus condition with Good minus dust jackets. Spines are white with black print. Dust jackets has light edge wear, mild shelf wear. Price clipped. Boards in green cloth; slight peripheral toning. Illustrated: b&w frontispiece portrait tipped in to each volume, b&w and color plates (color plates are tipped in) and text illustrations. CONTENTS: Vol. 1. Text and Catalogue (xvi, 292 pages) — Vol. 2. P;ates (xiii, 221 pages). [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Netdesk Column QB (ND-QB). More
1790 - 1810. A collection of five hand-colored copper engravings, German-language continental reissues after British satirical originals, circa 1790–1810. Centered on the celebrated composition “Rural Felicity; or Love in a Chase”, the scenes depict rustic courtship and playful erotic satire, emblematic of late Georgian popular print culture. Produced for private enjoyment, such prints reflect the moralizing, yet bawdy humor associated with British caricature of the period. Each sheet measures approximately 9.5 × 12.5 inches. In Good condition. Moderate age toning throughout with scattered foxing, stains, and surface soiling. Soft creases, edge wear, and occasional small edge tears and marginal losses are present. The engraved images remain intact and legible, with hand-coloring generally well preserved. Shelved Rockville Room E. More
Washington, DC; Surrey, UK: National Gallery of Art; Lund Humphries, 2010. First Edition, First Printing. Quarto, 230 pages. In Very Good condition with Very Good condition dust jacket. Spine is black with white and beige lettering. Dust jacket protected by mylar covering, has mild shelving wear along spine head and tail and mild creasing to tail fore corners. Boards fully bound in publisher's brown cloth, have mild bumping to tail fore corners. Shelved in British Art. More
London: The Studio, 1922. Quarto, ix, 36 pages, 95 leaves of plates. In Good minus condition. Spine is white with gold print, raised bands. Boards quarter bound with white vellum to spine and grey paper to boards, gold print on brown banner; wear to spine caps and corners, smudging/shelf wear, damp stain to rear panel. Text block has has gilt top edge, deckle edges; tanning to endpapers, slight occasional foxing. Illustrated: b&w and sepia photogravure reproductions of etchings, some are accompanied by guard sheets with descriptive letterpress. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex in column ND-QC. More
New Haven: Yale University Press, 1974. Abridged edition. Octavo, xiii, 461 pages. In Very Good condition. Spine is red with white print. Price unclipped: “$8.95”. Cover is red, white print, portrait. Illustrated: b&w. NOTE: Shelved in Netdesk Column W. More
London: John Castle, 1924. Limited edition, 114/200; Edition-de-luxe. Quarto, xxxviii pages + 80 leaves of plates. In Fair plus condition. Spine is black with gold print, raised bands. Boards quarter bound with black leather to spine and blue cloth to boards, mitred edges; wear to spine caps, hinges, and corners, light shelf wear, to cloth. Text block has gilt top edge; name in ink and embossed owner stamp on front endpapers, tanning to end papers. Illustrated: b&w and color plates; includes “frontispieces signed proofs of an original lithograph by Frank Brangwyn, R.A., and an original etching by W.P. Robins, R.E.”— limited edition page. Special features frontispieces signed by artists. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex, Quarto and Folio Case. More
London: The Art Publishing Co., 1929. First Edition. Quarto, 16 pages, plus [16] plates, each with a protective glassine sheet. In Good minus condition. Significant shelf wear to boards, with heavy soiling and discoloration near the edges, rubbing on all edges, bumping to fore corners with exposed board, and some peeling to paper on the rear board. Text block shows expected age toning and moderate edge wear. Offsetting on endpapers; faint, contemporary gift inscription on the front pastedown. Some very light toning along the plate edges. NOTE: Shelved in Locked Annex Area, Oversized Folios. More
![1402439 THE NATIONAL GALLERY [ THREE VOLUMES]. Edward Poynter](https://secondstorybooks.cdn.bibliopolis.com/pictures/1402439.jpg?width=320&height=427&fit=bounds&auto=webp&v=1755549630)
London, Paris, New York & Melbourne: Cassell and Company, 1899. "Limited Edition: #891/100" Quartos, Three Volumes. In Very Good minus condition. Tan spines with gilt lettering. Full Bindings in tan leather with gilt floral tooling. Boards show light shelf wear, moderate edge wear, with some cracking and fraying at extremities. Text blocks mildly age-toned, with moderate foxing to endpapers. Limited Edition, number 891 of 1000 copies. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Multi-Volume Area (ND-MV. More
London: The Paul Mellon Foundation, Routledge & Kegan Paul, 1968. Quarto, Two volumes in slipcase. In Good plus condition with a Good minus slipcase. Slipcase in gold paper, paper title label on front panel; mild edge wear, small surface tear on front panel, small vendor label on spine. Spines are blue with gold print. Boards in blue cloth. Text blocks have owner stamp on front endpapers. Illustrated: b&w; facsimile pages are grey with pencil sketches. CONTENTS: [Fasimile] (unpaged) — [Catalogue] vii, 56 pages. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex in column ND-QC. More
London: J.S. Virtue and Company Limited, 1883. Large Thick Octavo, viii, x, xii, 642 pages. In Good condition. Bound in the publisher's dark red cloth bearing gilt lettering to the spine. Boards have moderate wear including few, slight scratches/scuffs, rubbing to the joints/edges and slight sunning. Text block has slight wear including age toning and slight soiling to the edges. Ex-libris bookplate of the previous owner adhered to the front pastedown. Slight wear interiorly including light offsetting/soiling to the end papers, small open chip to the head edge to page vii and slight age toning to the text pages. Profusely illustrated. Revised edition based on the first edition, published 1878. Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire about rates. NOTE: Shelved in Netdesk Column L (ND-L). More
London: Sotheby's, 2001. Quarto, Two volumes continuously paged: 732 pages. In Good plus condition. Spines are cream with red print. Covers are illustrated, red print; slight edge wear, crease to spine of first volume. Illustrated: color. Sotheby auction catalog for 26, 27, 28 June 2001. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. More
Los Angeles, CA: Berggruen Institute, 2021. First Edition, First Printing. Octavo, unpaginated. Spine blue with white lettering. Mild shelf wear, including rubbing/staining to covers; interior pages clean. Shelved in Art History. More
Oxford: Published for the British Academy by Oxford University Press, 2003. Quarto, L (50), 142 pages + 12 pages of color plates. In Very Good condition with a Good plus dust jacket. Spine is black with yellow print. Dust jacket has light shelf wear. Boards in blue cloth with gold print. Illustrated: black and white, with color plates. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Netdesk Column QC (ND-QC). More
London: John Murray, 1903. Quarto, xi, 157 pages. In Fair condition. Spine is white with gold print. Boards in cream vellum, gilt design and print; wear to spine caps and corners, smudging/shelf wear, warping. Text block has has gilt top edge, deckle edges; name in ink on front flyleaf, intermittent spine breaks, puckering to paper. Illustrated: b&w plates with tissue guards. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. More
London: Printed by Luke Hanfard & Sons, for Leigh and Sotheby ... [et al.], 1808. Quarto, xxxix, 327 pages. In Fair condition. Spine is brown with gold print, raised bands. In clear plastic sleeve. Boards in red leather with stamped gilt design; tattering to spine caps, wear to edges, hinges, and corners, tear to front hinge, toning to spine, stain to front panel, mild shelf wear. Text block has gilt edges; bookplates and name in ink on front endpapers, cracked hinges, occasional foxing, marginal notation on pages 290-291. Illustrated: b&w engravings, two folded lithographs (one in color). “Intended as a continuation to the ‘Anecdotes of Painting’ by the late Horace Earl of Orford”— title page. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Net Desk work area. More
London: Printed for T. Payne ... [et al.], 1793. Quarto, xiv, 479, 56 pages. In Good condition. Spine is brown with gold print. Boards half bound with brown leather to spine and corners and tan paper to boards; paper has toning, mild stains and smudging. Text block has marbled endpapers; hinges repair with binder’s tape, name in pencil on front endpapers, penciled notation on an unnumbered index page, slight occasional foxing. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. More
Octavo, Two volumes, unnumbered leaves. In Fair plus condition. Spines are brown with gold print on red and green banners. Boards in brown leather, wear to spine caps, edges and corners, torn hinges, toning to spine, small surface tears. Text blocks have cracked hinges with first volume front panel almost detached, bookplate on front pastedowns. Illustrated: engraved portraits.There are no title pages or publisher information. Other than captions for portraits, there is no text other than “European Magazine” at top of each portrait. Each portrait’s caption identifies original source of engraving. Portraits of leading British political, religious, military, and cultural persons from initial years of nineteenth century. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Netdesk office, Case #3. More
London: Routledge, 1994. Octavo, xiv, 266 pages. In Good minus condition with a Good minus dust jacket. Ex-library with usual markings, including call number label on spine, library stamps to endpapers, and title page verso, barcode label on front flyleaf, labels on rear pastedown.Spine is black with white print, yellow barcode label. Dust jacket in mylar. Small vendor label on rear panel. Boards in black cloth. Illustrated: b&w. NOTE: Shelved in Netdesk Column R. More
Oxford: Oxford University Press, 2009. Octavo, xxv, 598 pages. In Good condition with a Good dust jacket. Spine is black with white and brown print. Dust jacket has light edge wear. Boards in black cloth. Slight wear to spine caps and corners. Text block has embossed name stamp on title page. Illustrated: b&w frontispiece portrait and text illustrations (photographs), color plates. NOTE: Shelved in Netdesk Column R. More
London: Maak Gallery, 1993. Quarto (oblong), xiv pages. In Very Good condition. Spine is purple without print. Cover is purple with blue print. Illustrated: 14 color plates. Laid in: Signed handwritten letter from artist (1 sheet). [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Oversized Ephemera Shelf. More
