1939-1941. Two Very Good typed pages measuring 8.5" x 11" each and stored in a Very Good matted wooden frame measuring 25.5" x 18". Some folds and wear along edges of pages. Probably written circa 1935, hand updated with 1940/1941, mailed to Ann Doyle at the Chicago Tribune in 1943. Original envelope included. Pages read: LANGSTON HUGHES My Career as a Writer I began to write verse in high school and became a member of the staff of our magazine and the editor of the Year Book upon graduation. (Central High School, Cleveland, Ohio, '20). My first poem to be published in a nationally known magazine appeared in the CRISIS in 1921. It was called "The Negro Speaks of Rivers". In 1925 I received the first award for poetry from the OPPORTUNITY MAGAZINE prize contest, the winning poem being "The Weary Blues". Since then I have also received awards from POETRY, PALMS, and the CRISIS for various poems. In 1925 Vachel Lindsay read three of my poems on his own program in the Little Theatre of the Wardman Park Hotel in Washington where I was working as a bus boy. In 1926 my first book of poetry appeared, in 1927 another and in 1930 my first novel, "Not Without Laughter"; in 1932 a selection of poems for young people, and a child's book about Haiti in collaboration with Arna Bontemps; and in 1934, a collection of short stories. On October 24, 1935, my first play, "MULATTO", was produced at the Vanderbilt Theatre in New York and ran for eleven months on Broadway. I have written, as well, during these years, a large number of articles, poems, and stories that, so far, have not appeared in book form. Many of my poems and some of my articles and stories have been translated into German, French, Spanish, Russian, Chinese, Japanese, and Dutch, in newspapers and magazines. And my novel has been published in England, Russia, and France, in book form and serially in WEN YI, a Chinese literary magazine. For this book, "Not Without Laughter", I was given the Harmon Gold Award for literature in 1931, a medal and $400.00. My writing has been largely concerned with the depicting of Negro life in America, and much of my work appeared in Negro magazines and newspapers. I have made a number of translations of the poems of Negro writers in Cuba and Haiti. In 1931-1932 I lectured throughout the South at the Negro schools and colleges there, and one of my main interests is the encouragement of literary ability among colored writers and the development of American Negro Literature insofar as I can aid in its development. In 1933 I was invited to assist in the preparation of a scenario for a Negro motion picture to be made in Moscow. The winter of 1934 I spent in Mexico, where I translated a number of Mexican and Cuban stories. In 1935 I was granted a Guggenheim Fellowship for creative work. For further biographical information see LIVING AUTHORS, WHO'S WHO; AMERICA'S YOUNG MEN, PORTRAITS IN COLOR by Mary White Ovington; or the introduction by Carl Van Vechten to my first book of poems, "The Weary Blues". Also CURRENT BIOGRAPHY. And THE BIG SEA, autobiography. /// LANGSTON HUGHES BOOKS THE WEARY BLUES, poems, Knopf, 1926 FINE CLOTHES TO THE JEW, poems, Knopf, 1927 NOT WITHOUT LAUGHTER, novel, Knopf, New York and London, 1930; Gihel, Moscow, 1933; Rider, Paris, 1934 THE DREAM KEEPER, selected poems, Knopf, 1932 POPO AND FIFINA, child's story of Haiti written in collaboration with Arna Bontemps, Macmillan, 1932 THE WAYS OF WHITE FOLKS, stories, Knopf, New York; Allyn and Unwin, London, 1934 THE BIG SEA, autobiography, Knopf, 1940 [handwritten] BOOKLETS DEAR LOVELY DEATH, poems, Privately printed, 1931 THE NEGRO MOTHER, recitations, Golden Stair Press, 1931 SCOTTSBORO LIMITED, a play and four poems, Golden Stair Press, 1932 CONTRIBUTED POEMS OR ARTICLES TO: Asia, Theatre Arts, Woman's Home Companion, Travel, Nation, New Republic, Survey Graphic, Poetry, Vanity Fair, The Crisis, The World Tomorrow, Opportunity, Labor Defender, Herald Tribune BOOKS, Scribner's, Debate, American Mercury, New Yorker, Daily Worker, Brooklyn Daily Eagle, The Oracle, New Masses, Esquire, Kosmo's, Modern Story, Fiction Parade, American Spectator, and many anthologies, including O'Brien's, Untermeyer's, and Nancy Cunard's Negro. MULATTO, first play, produced at the Vanderbilt Theatre, New York, October 24, 1935, with Rose McClendon in the leading role. Other plays include Troubled Island, and Joy to My Soul done in Cleveland by the Gilpin Players. SONGS "Four Negro Songs," John Alden Carpenter; "Breath of A Rose," William Grant Still; "Sea Charm," Edward Harris, and others by Burleigh, Handy, etc. AWARDS Opportunity Poetry Prize, 1925; Palms Intercollegiate Poetry Award, 1927; Harmon Award of Literature, 1931; selected by Dr. Charles Austin Beard in 1934 as one of America's twenty-five "most interesting" personages with a "socially conscious" attitude. A Guggenheim Fellowship, 1935. Rosenwald Fellowship, 1941. [handwritten]. More