Oxford: Oxford University Press, 2018. First Edition. Octavo, 395 pages. In Very Good condition with a Very Good dust jacket. Spine Orange with white lettering. Dust jacket shows modest shelf wear and edge wear. Text block is clean. Note: Shelved in Netdesk Column A, ND-A. More

New York: Random House, 2002. First Edition. Octavo, 517 pages. In Very Good condition with a Very Good dust jacket. Black spine with gilded and white lettering. Boards show light shelf wear. Signed and Inscribed to Jim Lehrer on title page. Note: Shelved in Locked Annex Area, ND-HV. More

New York: Vienna House, 1971. First Vienna House Edition, First Printing. Octavos, Two Volumes. In Very Good minus condition. Bound in publisher's green cloth with gold lettering to spines. Spine of Volume II mildly slanted. Mild shelf wear to boards. Light shelf wear and mild foxing to edges of text blocks. CONTENTS: Vol. I (299 pages) -- Vol. II (310 pages). [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Multi-Volume Area (ND-MV). More

London, UK: Faber and Faber Ltd, 2009. First Edition, First Printing. Small octavo, 221 pages. In Very Good condition with a Very Good minus dust jacket. Missing slipcase. Green and gray pictorial spine with white and yellow lettering. Dust jacket is protected with a mylar covering. Light bumping to head and tail of dust jacket spine. Mild bumping to corners of dust jacket. Rubbing to dust jacket covers. Water damage to inside of dust jacket. Light bumping to head and tail of spine. Mild cocking to spine. Mild bumping to corners. Light water damage on back pastedown. Signed flat by Ishiguro on title page. Shelved in Case 6. More

Hong Kong: Joint Publishing (H.K.) Co, Ltd., 1996. First Edition, First Printing. Quarto, 167 pages. In Very Good condition with a Good minus dust jacket. Spine is off-white with gold lettering. Dust jacket is protected with a mylar covering. Bumping to head and tail of dust jacket spine. Chipping to head of dust jacket spine. Bumping to corners of dust jacket. Warping to top edge of dust jacket. Major soiling and staining to dust jacket. Age-toning to dust jacket. Bumping to head of spine. Text block clean. Shelved in Chinese Art. More

New York: Simon and Schuster, 1976. First Edition, First Printing. Octavo, 313 pages. In Very Good condition with a Very Good minus dust jacket. Spine is off-white with orange and black lettering. Dust jacket is protected with a mylar covering, price uncut: "$8.95." Bumping to head and tail of dust jacket spine. Bumping and chipping to dust jacket corners. Small open tear on top edge of front cover of dust jacket. Age-toning to dust jacket. Bumping to head and tail of spine. Mild age-toning to text block. Inscribed and dated by Ehrlichman to author Jim Lehrer on front free end paper: "For Jim Lehrer, with fond recollection of that amazing news room in Dallas, obviously captured by Max on his way back from the Alamo-- Sincere regards, John Ehrlichman, 5.19.76." Shelved in Hardcover Mystery/Thriller. More

1959. Original 1959 "Musee du Louvre" La Vie Privee en Grece et a Rome exhibition poster in Very Good condition. Minor toning throughout. Creasing to edges. Measures 15.25" x 22". Shelved in Hallway. More

1958. Original 1958 "Galerie Carlier" Zendel exhibition poster in Very Good condition. Residual taper to top edge. Some bumping to edges. Minor toning throughout. Creasing to edges. Measures 15" x 22.25". Shelved in Hallway. More

1966. Original 1966 "Galerie Marcel Bernheim" J. Bancells exhibition poster in Very Good condition. Minor toning throughout. Creasing to edges. Measures 15" x 20.75". Shelved in Hallway. More

1974. Original 1974 "Ginette Signac" Jack Chambrin exhibition poster in Very Good condition. Minor toning throughout. Measures 15.75" x 23.75". Shelved in Hallway. More

1964. Original 1964 "Galerie Rene Drouet" L. Passavant exhibition poster in Very Good condition. Residual tape to top edge. Minor toning throughout. Measures 15" x 22". Shelved in Hallway. More

New York: The Literary Guild, 1933. Early Reprint. Octavo, xiv, 275 pages. In Good plus condition with a Good dust jacket. Spine is purple, yellow, and brown with faded red lettering. Dust jacket is protected with a mylar covering. Chipping with material loss to head and tail of dust jacket spine. Sunning to dust jacket spine. Soiling to dust jacket spine. Chipping with minor material loss to corners of dust jacket. Small open tear to bottom edge of back cover of dust jacket. Soiling to dust jacket covers. Age-toning to dust jacket. Bumping to head and tail of spine. Sunning to head and tail of spine. Age-toning to text block. Top edge of text block dyed purple. Sunning to top edge of text block. Shelved in Hardcover Fiction. More

Washington, DC: International Monetary Fund, 1981. First Edition, Third Printing. Large Octavos, Three Volumes. In Very Good condition with Good condition dust jackets. Spines green with white lettering. Spines sunned. Mild shelf wear and scuffing to dust jackets and light discoloration throughout. Dust jacket of Volume I has moderate shelf wear and light scuffing with a half inch hole to front near head of spine, a one half inch closed tear with creasing to bottom front corner, a half inch closed tear to bottom rear near spine and chipping at tail of spine. Prices unclipped. Mild shelf wear to edges of boards. Minimal shelf wear and soiling to text blocks. CONTENTS: Vol. I "Chronicle" (663 pages) -- Vol. II "Analysis" (621 pages) -- Vol. III "Documents" (549 pages). [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Multi-Volume Area (ND-MV). More

Lewiston, ID: Confluence Press, 1999. First Edition, First Printing. Quarto, xvii, 249 pages. In Very Good condition. Spine is deep teal with dark yellow lettering. Bumping and minor chipping to tail of spine. Bumping to corners. Crease to top edge of front cover. Previous bookseller's sticker adhered to the back cover. Minor rubbing to covers. Text block clean. Dated and inscribed by Pinkham on title page. Shelved in Native Americans. More

London: Thomas Nelson and Sons, 1965. First Edition, First Printing. Quarto, 298 pages. In Very Good condition with a Good dust jacket. Red, orange, and green pictorial spine with off-white lettering. Dust jacket is protected with a mylar covering. Bumping and chipping with minor material loss to head and tail of dust jacket spine. Bumping and chipping to top edge of dust jacket. Small closed tear to top edge of front cover. Previous seller's sicker adhered to back cover of dust jacket. Bumping and minor chipping to corners of dust jacket. Age-toning to dust jacket. Minor cocking to spine. Sinking to text block. Foxing to text block. Shelved in British Art. More

20th century. Hand-carved African mask in the Punu tradition, featuring a white kaolin-painted face, stylized crested coiffure, almond-shaped eyes, and attached raffia collar. The serene facial expression and distinctive white pigmentation reflect the aesthetic associated with Gabonese spirit and ancestor masquerades. Carved from a single piece of wood and displaying attractive surface wear, pigment loss, and age-related patina throughout. Measures 15.5 in. x 19.25 in. x 10.25 in. Surface exhibits expected wear, scattered losses to paint, abrasions, scratches, and minor edge losses. Visible age cracking and handling wear throughout. Raffia shows fraying and losses consistent with age and use. No major structural breaks. More

20th century. Painted wood smoking stand. Measures 36 in. (height). Good overall vintage/used condition with visible age and wear. Painted wooden surfaces show scattered scuffs, scratches, rubbing, paint loss, discoloration, and surface grime consistent with use and display. Edges and corners show wear, especially around the base, tray, feet, and protruding elements. There are some small chips, abrasions, and finish losses, with oxidation/wear to metal fasteners or rivet details. The standing base appears intact but shows surface wear and soiling. More

early 20th century. Hand-carved wooden architectural door believed to originate from West Africa, featuring a traditional sliding-bar lock and carved central locking element. Constructed from heavy hand-hewn planks with mortise-and-tenon joinery, the door displays a rich aged patina, extensive wear from use, and attractive weathering throughout. The lock housing is decorated with simple incised linear motifs, while the overall form reflects the practical yet sculptural character of indigenous African architecture. Mounted on a custom metal display stand for presentation. The display stand runs vertically long the entirety of the backside (along the right edge). Door measures 24.5 in. x 48.5 in. Heavy age and use wear consistent with prolonged outdoor or architectural service. Surface losses, cracks, splits, abrasions, insect activity, and weathering throughout. More

20th century. Hand-carved and painted wooden figure depicting a standing man wearing a white cap, blue shirt, tie, and red trousers while carrying a camera. Executed in a colorful folk-art style associated with mid-20th-century West African carving traditions. The figure's expressive facial features, bright paintwork, and occupational subject matter reflect the popularity of depictions of photographers, civil servants, and other modern professions during the colonial and post-colonial era. Measures 12.5 in. x 3 in. x 2.5 in. In Very Good condition with mild wear. More

Haiti: 20th century. Signed folk art figure sculpture by artist "Victor," depicting an elderly gentleman in a bright yellow patterned shirt and red trousers. Hand-modeled in a hollow composite or clay-based material and painted in vibrant colors, the figure displays expressive facial features and strong folk-art character. Signed "Victor" and dated 1998 (appears to read '98) on the reverse. While the subject is unidentified, the figure bears a resemblance to Nelson Mandela and may have been inspired by the celebrated South African leader. Measures 5 in. x 20 in. x 4 in. More

20th century. Hand-carved and vividly painted Haitian folk art sculpture depicting a traditional tap-tap passenger bus. Executed in carved wood and decorated with colorful scenes of passengers, birds, fruit, geometric motifs, and French inscriptions including "Qui va lentement arrive sûrement." The vehicle is identified as a Mazda truck conversion, reflecting the brightly ornamented public transportation buses that have become cultural symbols of Haiti. Richly detailed on all sides, including seated roof passengers and hand-painted advertisements, the piece captures the energy and visual culture of Caribbean street life. Measures 17 in. x 16 in. x 7 in. In Very Good condition with minor chipping and paint loss. More

South Africa. A pair of carved stone bookends, each shaped as a stylized human face in profile with raised circular eyes, long vertical noses, minimal incised mouths, and squared architectural forms. The simplified facial design and polished dark stone match modern Shona-style stone carving from Zimbabwe, where sculptors often use serpentine and related hard stones. Dimensions approximately 9 x 3.75 x 2.5 inches In Very Good condition. Surface wear throughout, including scattered scratches, scuffs, and minor abrasions. Edge wear is visible, especially along corners and raised facial details. More

Ivory Coast. A carved and painted wooden Senufo bird figure, commonly known as a prosperity bird. The sculpture is modeled with an elongated, downward-curving beak, long, slender legs, an upright body, and large, vertical wings decorated with white-painted spots and incised linear details. The figure stands on a carved turtle-form base with geometric incised decoration. In Senufo tradition, bird figures are associated with fertility, protection, prosperity, initiation, and the transmission of knowledge within the community. The bird is often seen as a powerful emblem associated with ancestral continuity. The turtle-form base suggests endurance, spiritual grounding, and the connection between the earthly and spirit realms. Dimentions approximately 26 x 9 x 7.5 inches In Very Good condition. Surface wear throughout, including scratches, abrasions, and scattered chipping. Chipping is most noticeable along the edges of the turtle base, toes, tail, wing tips, and sides of the wings. A crack measuring approximately 4 inches is visible at the front of the turtle base. Fine cracks are present along the back of the bird. More

Nigeria. This cast brass head represents an Iyoba, or Queen Mother, in the Benin Kingdom style of Nigeria. It displays an idealized face with almond-shaped eyes, a broad nose, full lips, circular ears, a ringed neck, and a tall, textured headdress. These busts honor the Queen Mother’s significant role in royal lineage, spiritual protection, and the continuity of Benin kingship. Dimensions approximately 20 x 5.5 x 7 inches In Very Good condition, with surface wear such as oxidation, discoloration, rubbing, accumulated residue, and scattered abrasions. Minor casting irregularities are present, most notably at the right hairline and lower headdress. More

Ivory Coast or Liberia: 20th century. Large and visually impressive West African helmet mask or masquerade headdress, likely originating from the Voltaic region of West Africa (Burkina Faso, northern Côte d'Ivoire, or neighboring areas). The mask features a finely carved dark wooden face with stylized features, heavily adorned with cowrie shells and red trade-bead-style ornamentation. A dramatic elongated conical superstructure covered in aged textile extends behind the face, creating a powerful sculptural presence. The construction combines wood, cloth, cowrie shells, and fiber elements, reflecting traditional masquerade practices in which such masks were worn during ceremonial performances. The piece exhibits substantial age and authentic wear, including losses, fraying, surface wear, and repairs consistent with use and age. Mounted on cobtemporary stand. Dimensions: Approximately 9 in. x 5.5 in. x 4.5 in. Condition is consistent with age and use. Wear, fraying, losses, holes, and repairs to the textile covering. Scattered surface wear and abrasions to the wooden mask. Cowrie shell ornamentation appears substantially intact with possible minor losses. Red beadwork shows age-related wear. Overall presents well and retains a strong aged patina throughout. More