McClellan, George

ANATOMY IN ITS RELATION TO ART [...]

Philadelphia and London: W.B. Saunders & Company, 1901. First Edition. Quarto, 142 pages plus one hundred and twenty-six plates (one as frontispiece). In Good plus condition. Bound in half black leatherette with red leather boards and gilt titling to spine. Spine is slightly skewed; has chipping at endcaps and on raised bands, and has scuffing and creasing to leather throughout. Boards have light bumping to fore corners, shelfwear to edges, scuffing to leatherette, black staining to leather, and rubbing throughout. Text block has speckled edges; has scuffing and age-toning to edges and dust soiling to top edge; has a small tear to lower inner corner of frontispiece plate (image unaffected), separation to top edge of plates 123 and 124, a large split to gutter between plates 124 and 125, a small tear to lower inner corner of plate 125 (image unaffected), scuffing to rear endpaper, and age-toning, light scuffing, and splitting to gutters throughout. Shelved in Netdesk Office, Case #1..

1417348

Shelved Rockville Bookstore

Price: $400 save 25% $300

NOTES

Anatomy in Its Relation to Art explores the close connection between scientific knowledge of the human body and the visual representation of the human figure. The book emphasizes that artists can create more convincing and expressive drawings and paintings by understanding the structure of bones, muscles, and proportions beneath the skin. Rather than treating anatomy as purely a medical subject, the work presents it as an essential foundation for artistic study, showing how the body’s physical structure influences posture, movement, balance, and expression. In this way, it reflects the period’s broader interest in combining scientific observation with artistic practice, encouraging artists to look beyond surface appearance and understand the underlying mechanics of the human form.