New York: The Dial Press, 1976. First U.S. Edition, First Printing. Small quarto; 96 pages; VG/VG; spine graphic pastel with black drop shadow text; dust jacket protected with mylar; price unclipped reading "$6.46", mild shelfwear to dust jacket, including a small missing section at the center of the bottom edge of the rear cover; textblock clean; ink name of former owner to half-title; color and black and white illustrations throughout; shelved above Case 14. More

New York: Harcourt, Brace and Company, 1932. First Edition, First Printing. Octavo; xv, 135 pages; G+/none; quarter red cloth binding over green striped paper boards with silver titling to spine; mild shelfwear to covers, including light scrapes, chips, mild staining to the spine, and a small amount missing from the head of the spine; mild foxing to textblock, with brown top edge dye and deckled fore edge; signed flat by Brown on ffep; shelved case 0. More

Boston: Houghton Mifflin Company, 1927. Limited Edition, 1/520 Copies. Octavo, vii, 289 pages, 16 leaves of plates; VG; bound in publisher's quarter buckram, painted paper boards, very light shelfwear; in publisher's cardboard slipcase, Fair condition with spine and lower edge detached, moderate rubbing and wear; Alain Locke's copy, with his ownership signature to the ffep, dated 1929 and offset onto front pastedown, his bookplate (by Harlem Renaissance painter Aaron Douglas of an art deco depiction of an African woman’s face set in front of a sunburst) affixed to the front pastedown, and Howard University Libraries presentation bookplate to the ffep; tipped-in note on the second rear endpaper 'For Alain Locke - affectionately, A. Rud....... "Of this edition five hundred and twenty copies have been printed for the United States of America, of which five hundred are for sale." shelved case 1. More

New York: Boni & Liveright, 1926. First Edition, Second Printing. Octavo, 109 pages; G/none; bound in publisher's black cloth, yellow stamping; some general rubbing and wear, particularly along extremities; text block sunken; webbing visible to both front and rear gutters; yellow illustrated endpapers; ownership signature of Benjamin Brawley to the ffep, some scattered pencil marginalia, with certain passages marked with lines, presumed in Brawley's hand; First Edition, Second Printing; shelved case 2. More

New York: George H. Doran Company, 1925. First Edition, Second Printing. Octavo, 196 pages; G+; bound in publisher's orange cloth, black stamping to spine and front board; some general shelfwear and rubbing; ownership signature of Benjamin Brawley to the ffep, some scattered pencil marginalia, with certain passages marked with lines, presumed in Brawley's hand; First Edition, Second Printing, with 'B' on copyright page; shelved case 2. More

New York: The Macmillan Company, 1920. First Edition, First Printing. Octavo, 331 pages; G; bound in publisher's blue cloth, gilt titling to spine; general shelfwear and rubbing, stain to rear cover, some discoloration, bumping to corners; spine cocked; ffep with a full-page inscription by Kathryn Magnolia Johnson on June 14, 1921, one year after she published 'Two Colored Women with the American Expeditionary Forces' with Addie Waites Hunton. "To Eunice [Hunton] On the day of her graduation from Smith College, with the hope that the book and the following poem may be of some help and inspiration for a future pregnant with the possibilities for service." The poem below from 'The Winds of Fate' by Ella Wheeler Wilcox.; with a business card of Eunice Hunton Carter loose within, single fold to lower fore corner; shelved case 1. More

New York: Windmill Books, Inc., 1968. First Edition, First Printing. Quarto, unpaginated; Fair/Fair; spine yellow with black lettering; dust jacket protected with a mylar covering, price uncut '$6.73', significant wear and rubbing to jacket, including large chips missing, large series of closed tears along upper half of front cover, head of spine missing; with SImon & Schuster Library Edition sticker to tail of spine; bumping to head and tail of spine; boards heavily worn and damaged, including crayon and water-staining; text block with finger-smudges and crinkles to pages; shelved case 14. More

Baton Rouge, LA: Louisiana State University Press, 1967. First Edition, First Printing. Small quarto; viii, 304 pages; VG-/VG; spine pinkish red with gold and black text; dust jacket protected with mylar; price unclipped reading "$17.50", mild shelfwear to dust jacket including creasing at the head of the spine, a few small dents, a small chip to the lower edge of the front cover, and the upper corner of the front flap clipped (price is in the lower corner); mild foxing to textblock with burgundy top edge dye; endpapers feature offset from dust jacket and adhesive from previous mylar cover; signed by Rose on half-title dated November 29, 1974; black and white photographs throughout; shelved Jazz. More

New York: Random House, 1995. First Edition, Second Printing. Octavo, 643 pages; VG-/VG-; spine white with black lettering; dust jacket protected with a mylar covering, price uncut '$25.95'; light shelfwear and rubbing; small closed tear and related fold to upper edge of rear cover of dust jacket; small bump to lower edge of rear board, larger bump to upper edge of rear board; inscribed on the ffep to Aram Bakshian from Colin Powell 'With admiration and thanks for your great help on the most important speech I've ever had to give.'; additionally with an autogrpah note signed by Colin Powell on his letterhead, with some bleed, reading '29 Oct Dear Aram, The speech kit arrived. Very impressive! Many Thanks'; shelved case 5. More

New York: Harper & Brothers Publishers, 1928. First Edition, First Printing. Octavo; x, 207 pages; G; three-quarters black cloth binding over printed paper boards; mild shelfwear to covers, including bumped edges, light fraying to the head of the spine, and two small worm holes in the spine; textblock clean with red top edge dye and deckled fore edge; illustrated endpapers printed in yellow and blue, ink name to ffep, worming at gutter from front endpaper reaching in to pinprick at page preceding page 1 and at rear endpaper with no pinpricks visible within; black and white illustrations throughout, with select illustrations printed in yellow and blue as well; pencil underlining on pages 2, 4, 8, and 9; mild textblock splits at signature boundaries; shelved below front counter. More