New York: Simon and Schuster, 1947. First Edition, Seventeenth Printing. Octavo, 323 pages; VG/VG-; spine yellow red and blue lettering, and floral design; dust jacket protected with a mylar covering; mild fading to spine; mild wear to dust jacket joints; price uncut '$6.95'; upper edge dyed red; full color illustrations throughout; pages clean; shelved Music.
Illustration [Dupont Only]
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Milwaukie, OR: Dark Horse Comics, Inc., 2013. First Edition, Third Printing. Quarto, unpaginated; VG/VG-; spine gray with white lettering; dust jacket protected with a mylar covering; mild shelf wear and scuffing; mild wear to upper edge of dust jacket all around; price uncut '$39.99 US/$43.99 CAN'; numerous full-page full color illustrations; pages clean; shelved Front Table.
London: Constable and Company Limited, 1920. Limited Edition, #100/100. Quarto, unpaginated; G; bound in publisher's green cloth, gilt 'Omar' to spine and front board; rear board with some mild rippling to cloth, some mild staining and rubbing to boards; top edge gilt; cracking to gutter at signature M, with first half of the text block beginning to separate from spine; Bookplate of J W Wadsworth to the front pastedown; with all 38 tipped in plates, six of which are in full color, the remainder largely black and white, although some have small splashes of color; numerous line drawings throughout; Limited Edition, #100/100 signed by Balfour.; shelved case 14.
The Kanthos Press, 1963. Limited Edition, 1/2000 Copies. Folio, unpaginated; VG; bound in publisher's black cloth, gilt titling to spine and front board, very mild shelfwear; housed in a VG- brown slipcase, slight splitting at head and tail; One of 2000 copies with 4 original lithographs laid-in, lithographs signed in the plate.; shelved above front case.
London: Adam and Charles Black, 1903. First Edition, Second Printing. Octavo, 246 pages; G; full contemporary binding of blue cloth; spine with gilt lettering and design, and yellow decoration; some shelf wear and scuffing; spine cocked; upper edge gilt; binding slightly shaken; previous owner's name at front free end paper; back hinge starting; contains numerous full color plates; pages clean; shelved Egypt.
New York: Simon and Schuster, 1965. First Edition, First Printing. Octavo, 90 pages; G+; spine black with pink label and white lettering; some wear and scuffing overall; price sticker at front cover; wear to corners; wear to head and tail of spine; small brown stain to back cover; binding shaken; brown and green illustrations throughout; pages clean; shelved Poetry--L.
London: Smith, Elder, & Co., 1853. First Edition, Extra-Illustrated. Octavo, 322 pages,  ads,  ads; VG; 'Bound by Ramage, London', with their gilt stamp, in full dark green polished calf, gilt tooling to boards, paneled spine with gilt tooling and titling, some sun-fading; mild wear and rubbing; top edge gilt; patterned endpapers, bookplate to front pastedown; with errata leaf; Extra-Illustrated with 29 plates bound in from various sources; shelved case 3.
London; New York: John Lane; Charles Scribner's Sons, 1896. Large Paper Edition, 1/150 Copies. Octavo, xiv, 136, ; VG-: bound in three quarter red calf, red cloth boards, paneled spine with gilt titling and tooling, rebacked with spine preserved; some mild rubbing and wear to binding; top edge of text block gilt; bookplate to front pastedown; Presumed Large Paper Edition, with limitation to verso of the half-title page, "Of this Edition 150 Copies have been printed." This is presumed to be one of the 150 British copies of the Large Paper Edition, as the 100 American copies have a different limitation as well as an additional Scribner's copyright at the bottom of the title page; shelved case 0.
New York: Harpercollins, 2005. First Edition, First Printing. Quarto, unpaginated; VG/VG; full binding of printed paper; spine black with red and white lettering; dust jacket protected with a mylar covering; mild shelf wear; signed flat at title page by Aldrin and Minor; pages clean; EF consignment; shelved Case 1.
London: The Tate Gallery, 1978-1981. First Edition. Quarto, 4 vols.; VG/VG-; full bindings of red cloth; spines gray with light labels, and black lettering; mild shelf wear; dust jackets protected with mylar coverings; mild shelf wear to upper and lower edges of dust jackets; contains black and white, and full color illustrations; pages clean; shelved above Native American History.
London: Folio Society, 1998. Collector's Edition. Quarto, 151 pages; VG; in VG- burgundy slipcase; full binding of mustard cloth; spine with silver lettering; mild shelf wear to slipcase; small red stains to front of slipcase; mild shelf wear to book; upper edge stained burgundy; contains full color illustrations; pages clean; shelved Alcove Two.
Hodder and Stoughton, 1913. First Edition. Quarto, 113 pages; G+; bound in publishers faux-vellum white cloth with pale green and gilt ornamentation on front board, gilt lettering on spine; mild sun-fading to spine, some rubbing and wear to boards and spine, including head and tail of spine beginning to chip; foxing to pastedowns; boards bowed; gift inscription to recto of frontispiece; 10 tipped-in color plates, including frontispiece, some with light foxing; green endpapers; shelved case 14.
1845. Oblong folio, 24 plates; G; bound in quarter dark green calf, marbled paper boards; some wear and rubbing to binding; contains Plan de la Ville de Rome 1845, followed by 23 plates by Alessandro Moschetti; mild foxing to plates; The 23 plates are: Tempio della Concordia, Tempio di Antonino e Faustina, Tempio della Pace, Tempio di Venere e Roma, Avanzi del Foro di Nerva, Arco di Gallieno, Portico di Ottavia, Avanzi del Teatro di Marcelllo, Arco di Giano Quadrifronte, Tempio di Vesta, Arco di Druso, Sepolcro di Cecillia Metella, Piazza del Popolo, Trinita di Monti, Fontana di Trevi, Piazza Colonna, Foro Trajano, Piazza della Minerva, Piazza Navona, Basilica di S. Ma. Maggiore, Pantehon di Agrippa detta la Rotonda, Interno del Pantheon, Campidoglio; RR consignment; shelved above mythology.
West Plains MO: Russ Cochran, 1976, 1977, 1984. Limited Editions, #1959/2000. Quartos, 3 volumes; VG; bound in publisher's matching white burlap, gilt lettering to spines, brown leather labels with gilt lettering and color illustrated inlays to front covers; housed in publisher's dark brown slipcase with gilt lettering to spine; spines with mild rubbing and wear, boards with mild toning; Publisher's letter in volumes 1 and 2; all 3 volumes have matching limitation numbers, #1959/2000; profusely illustrated with hundreds of illustrations; with illustrations by J Allen St John, John C Burroughs, Morris Gollub, Hal Foster, Burne Hogarth, Frank Schoonover, Roy Krenkel, Reed Crandall, and Frank Frazetta; shelved front table.
London: Marcus Ward & Co., 1875. First Edition. Octavo, 140 pages; VG-; spine brown with gilt and black lettering and design; spine cocked; full binding of brown cloth; front cover decorated with black and gilt tooling, and illustrated panel; mild shelf wear; missing chips from crown and tail of spine; mild soiling to covers; hinges split; binding else sound; fingerprint stains on half of pages; contains six tipped-in full color plates; previous owner's name on half title; contains original advertisements; shelved case 14.
New York: Brentano's, . First Edition. Quarto, 317 pages; VG-; spine brown with black lettering and Clarke figure; full binding of gray cloth with black lettering and design; spine discoloration due to age; mild shelf wear; pasted down illustration on cover torn and lifted at lower right; pages poorly cut; back hinge split; mild foxing; pages and plates clean; last four pages uncut, numerous pages in the middle uncut; with 16 tipped-in color illustrations and 24 black and white printed illustrations; shelved case 14.
London: Hodder & Stoughton, 1915. First Edition. Quarto, 134 pages; VG; spine blue with gilt lettering and design; full cloth binding of light blue book cloth; mild fading to spine; mild soiling at head of spine; back hinge split; gilt design on front cover; 18 tipped-in color plates; pages clean; shelved case 14.
London: Nattali and Bond, 1855. Ninth Edition. Octavos, 3 volumes; VG; all volumes bound uniformly in unsigned full polished brown calf, paneled spines with gilt tooling, 2 green labels with gilt titling; housed in a custom slipcase, lined inside, cloth cover, both sides covered in marbled paper; all volumes with very light and mild wear, primarily to hinges and corners; top edge gilt; marbled endpapers; bookplate to front pastedowns; light scattered foxing; The Tour of Doctor Syntax has 31 hand-colored etched plates, The Second Tour with 24 hand-colored etched plates, and The Third Tour with 25 hand-colored etched plates.; 80 color illustrations by Thomas Rowlandson in total, including 3 frontispieces and two second title-pages with vignettes (Second title not present or called for in volume two); The title page calls for 81 plates, but the second title of volume two was never made; shelved case 0.
[London]: [Day & Son], . Folio; VG; bound in publisher's original full elaborately embossed calf over wooden boards, beveled edges; all edges gilt; mild wear and rubbing primarily to head and tail of spine, corners, mild wear to gilt; printed on 53 beautiful chromolithographic leaves on heavy cream stock in three reds, three blues, gold and black, each page featuring different borders; tissue-guards between about half the leaves; heavy; TP consignment; shelved above mythology.
New York: Abbeville press, 1979. Limited Edition (373/3000). Small Folio, 487 pages; VG; fully bound in grey cloth, spine has gilt lettering, front cover has gilt tooling around a pasted on image; binding has minimal shelf wear, has minimal bumping on the fore edge corners; pages clear; signed by the author on the limitation page; shelved front table.
Nürnberg: Verlegung des auxtoris Gedruckt bey Johann Ernst Adelbuler, 1731. Folio; G; bound in faded red cloth, faded titling to front cover; moderate wear, including fraying to corners, spine largely detached, remnants of cloth ties to boards; With title page, 42 pages of text in German, 14 maps of the celestial sphere, 77 terrestrial maps; all celestial and 73 terrestrial maps hand-colored contemporaneously; lacking allegorical frontispiece engraved by Casper Luyken and the portrait of Charles VI in black and white; the backs of the majority of maps with a child's drawings, majority in pencil, some crayon, circa 1880, very sparse pencil to the maps themselves; some scattered repair; title page missing the lower fore corner, does not impact text; With a fully global collection of maps, including the constellations, both the Copernican and Tychonic models of the orbits, maps of both hemispheres, Europe, Asia, Africa, and the Americas. Maps of North America do include the names of some Native American Tribes. Interestingly, the maps are inconsistent as to whether California is an island. The title vignette is a map of the world as seen from above the north pole, includes California as an island. All maps with emblematic cartouches and ornamented with engravings.; consignment; shelved map case.
New York: J. S. Redfield, 1847. Quarto, 112 pages; G; quarter bound in black cloth; spine has gold panel lining; binding has heavy wear, spine has severe cracking and detachment, with chunks missing at the top and bottom, has tearing along the sides; boards have bumping and fraying along the edges, have heavy discoloration small stain marks throughout; pages have severe age toning, have minor detachment at the front and back hinges, have minor foxing along the fore edge; shelved case 12.
Paris: Chez H. Agasse, 1805. 7, 114 plates; G; bound in full period tree-calf, paneled spine with two labels with gilt titling, gilt to panels; patterned endpapers; Page 7 and 'Addidion a l'explication des planches' both excised, trimmed on all edges, and loose within; Composition et Expression 1 (planche double) excised but present, Dessin 13 excised but present, Dessin 38 excised and missing, Gravure 8 excised and missing, Sculpture en Bois 1 excised, cut into pieces, with some pieces present; with 114/116 plates; shelved case 4.
New York: Century Co., . Limited Edition, #25/150. Large Quarto, 159 pages; VG; bound in white cloth, gilt pictorial and titling; top edge gilt; front gutter beginning to weaken; wear to the edges of the boards as well as some minor soiling; With frontispiece, 12 color tipped in plates mounted on heavy paper with captioned tissue-guards, 1 black and white tipped in plate mounted on heavy paper with captioned tissue-guard, 85 black and white illustrations; Variant of the British Limited Edition, this version intended for sale in the United States. The title page is largely identical, with the publisher and place changed, and the binding is also largely identical with the publisher changed on the spine and the windmill on the real cover not present. This variant also has one additional tipped in plate, a black and white illustration entitled 'Little Bo-peep'; Edition limited to 150 numbered copies, of which this is number 25. Signed by Rackham on the limitation page; LC consignment; shelved case 14.
London: The Trianon Press for The William Blake Trust, 1954. Limited Edition, #395/1600. Octavo, unpaginated; VG; bound in quarter tan calf, gilt titling to spine brown speckled paper-covered boards; top edge gilt; Housed in matching brown speckled paper-covered slipcase, tan calf edge; mild rubbing, primarily to spine, calf edges of slipcase; gift inscription to sfep; Printed on Arches pure rag paper, which was made to match what Blake originally used, and watermarked with his monogram; shelved case 0.
1840 - c.1860. Octavo, ; VG; bound in full pebbled green calf with gilt, paneled spine with gilt stamping and titling, marbled endpapers; bound by Riviere with their stamp; mild rubbing to hinges; Contains 12 original pen-and-ink drawings of a baby, each captioned and surrounded in a cartouche. Each leaf is mounted in the binding. Date presumed 1840 - c.1860, based on the binder's stamp; A unique collection of private baby drawings; shelved case 0.
Washington, DC: National Gallery of Art, 2013. First Edition, Second Printing. Quarto, 315 pages; VG/VG; spine is gray with black lettering; dust jacket has minor shelf wear and creasing along the top and bottom edges; binding has minimal shelf wear, has minimal detachment on the inner spine; contains several fold out illustrations, pages clear; shelved front table.
New York: George R Lockwood, ND [1870?]. Early Edition. Quarto; VG-; 334 pages; Tooled leather with gilt titling on spine, raised bands; VOL. 2 ONLY; Full color plates intact, protected by tissue guards; Gilt edges; Sewn-in silk bookmark; Marbled endpapers; Bookstore bookplate on front pastedown; Scuffing and some fraying to the edges of the boards and spine; Bumping/fraying to the corners; Some foxing to the edges of the text block; Toning to pages as typical; PS Consignment, shelved case 10.
Londres [i.e. Paris?]: 1779. Octavo, , 182 pages; VG; bound in period red morocco, rebacked with paneled gilt spine preserved; some wear to boards; text bock gilt; marbled endpapers; front pastedown with two bookplates and an old catalogue description; With a half-title and an additional engraved titlepage; illustrated with 29 plates inset, including the 'petits pieds' plate; The imprint is false; probably printed in Paris.; shelved case 3.
In aedibus Story-Scientia: Gandavi [Ghent], 1968. Limited Edition, #418/675. Folio, unpaginated; VG; bound in full vellum covered boards, gilt titling to spine, gilt illustration to front board; some vellum separating from the pastedowns, as expected; mild rubbing and wear to binding; This publication was issued to commemorate the hundred and fiftieth anniversary of the foundation of the State University of Ghent. This edition is limited to six hundred and seventy-five copies, of which seventy-five were numbered I to LXXV, and printed for the University Council, and six hundred, numbered 1 to 600, were to be offered for sale, of which this is #418; shelved front case.
London: Halton and Truscott Smith Ltd., 1924. Limited Edition (58/1000). Quarto, 36 pages + 86 plates; VG-; bound in full dark blue cloth, spine has gilt lettering, front cover has gilt lettering and tooling; binding has minor wear along the top and bottom edges, has bumping on the fore edge corners, spine has moderate discoloration; pages have gilt along the top edge, have minor age toning; shelved front table.
London: Effingham Wilson, 1833. First Edition. Octavo, 105 pages; VG; in original printed paper covered boards, advertisement printed on back cover; housed in custom burgundy chemise and box, gilt titling to spine of box; paper spine threatening to separate at front hinge; mild wear to boards; With fourteen wood engravings by George Cruikshank, 11 of which are full-page with tissue guards, plus three vignettes; shelved case 10.
London; Paris: J. Dodsley; De L'Imprimerie de Monsieur, 1789. A unique collection of both the original French and the English translation of the famed novel, together with an awe-inspiring collection of proofs before letters by esteemed French artists. Three volumes housed in a custom three-part black and red leather box, gilt titling to spine, box solid, some wear and cracking; Paul et Virginie is bound in full burgundy morocco, triple gilt rules to boards, spine with gilt titling and tooling, all edges of text block gilt, marbled endpapers, bookplate to front endpaper; Unsigned binding, but early invoice states it was bound by Derome., Paris: De L'Imprimerie de Monsieur, 1789. with half-title, 12mo., xxxv, 243 pages, with 4 black and white plates, foxing to plate edges; "Prix, papier vélin d'Essone, 6. liv."; Both volumes of Paul and Mary are bound in matching full green morocco with elegant gilt tooling, paneled spines similarly gilt; all edges of text blocks gilt; doublures burgundy morocco with matching design to boards, embroidered silk endpapers facing doublures, marbled endpapers following; incredibly tight binding; bookplate to marbled endpaper; Bound by Chambolle-Duru with their gilt stamp to front doublure; London: printed for J. Dodsley, Pall-Mall, ; With an Autograph Letter Signed by Saint-Pierre, addressed "Au Citoyen Le Danois" (André Bazile Le Danois de La Soisière), a member of the Council of Ancients. Measuring ~9 x 6.7 inches (~23 x 17 cm.), with integral address leaf attached. Small tear to upper left corner where seal was attached, small archival repair to upper right corner, neither impacting and writing. Four Postal stamps present on integral address leaf. Actual text is 25 lines in Saint-Pierre's hand, responding to a letter by Le Danois about a meeting, countering his proposed date of the 8th with the 10th. He then goes on to discuss how he was tricked by a man that he had not seen for 20 years, as well as by a young woman. He defends himself that he in no way was compromising the interests of the Republic. The letter is dated "Paris, ce 7 ventose an 7" ( February 26th, 1799); With invoice circa 1895 from E. F. Bonaventure, with a handwritten description of the three volumes in purple ink. "Unique copy in an exquisite Binding by Chambolle extra illustrated with rare set all proofs before letters" "1. Set of proofs by [Achille] Devéria 2. Set of proofs by Corboald 3. Set of proofs ??? 4. Set of proofs Medallions in color 5. Set of proofs Medallions [in color] by Dutailly [Guyot sculp] 6. Set of proofs by Desenne 7. Set proofs by [Jean-Michel] Moreau 8. Set proofs by [Tony] Johannot 9. Set proofs by Corboald (small) 10. Set proofs by Lery[?] 11. Set proofs by [Jean-Antoine-Valentin] Foulquier 12. Autographed Letter In All 70 Plates, All proofs" Shelved case 0.
Paris: Librairie Floury, 1929. First Edition, 1/200. Quarto, 247,  VG/VG; protected in original waxed glassine, mild chipping; original etching as frontispiece, illustrated with sixteen full-page illustrations with paper-guards, ten in color, and numerous in-text black and white illustrations; limited to 200 copies; shelved case 11.
Paris: Henry Creuzevault, 1953. Limited Edition, #15/140. Folio (10" x 15"), 52 leaves in 26 signatures in original paper folded cover (covered in a glassine protective wrapper); Fine; Bound in cloth sleeve covered in paper with a box enclosure. Number 15 of 140 copies, on Rives paper. Printed by Janine Daragnès on May 11, 1953. With 21 original etchings by Buffet, including 7 full page and 3 double-page, plus one on cover; plus a separate suite of 23 drawings, including 3 double-page drawings. Limited edition reissue of 1939 work, with illustrations by Bernard Buffet (1928-1999), signed by Giono and Buffet, with a foreword by Pierre Bergé.; shelved case 11.
Paris: Editions Excelsior, 1930. Limited Edition, #141/302. Large octavo, 192 pages; VG; housed in matching red cardboard chemise and slipcase with gilt; chemise has tape repair; pages are loose in gatherings, as issued; with 14 original etchings loose in rear, 14 colored illustrations, and colored headbands and vignettes; Limited edition of 302 numbered copies. One of 265 copies on vellum of Rives, of which this is number 141; scarce; shelved case 11.
London: William Heinemann, 1908. Limited Edition, #857/1000. Quarto, 134 pages; VG; bound in publisher's gold-pictorial full vellum, top edge gilt, others untrimmed; yellow silk ties; mild rubbing and wear to vellum; Limited to 1000 numbered copies for sale in Great Britain and Ireland, this is copy #857 signed by Rackham; with 40 color plates mounted on heavy brown paper with lettered tissue-guards and 30 drawings in black and white; shelved case 14.
London: George G. Harrap & Co. Ltd, 1929. Limited Edition, #449/775. Quarto. 231 pages; VG; bound in the publisher's original vellum boards, gilt title and tooling to spine and front board; pictorial endpapers, top edge of text block gilt; vellum with mild staining and wear; small wax initials to front pastedown; bookplate to verso of ffep; lacking original box; some pages uncut; illustrated with color frontispiece and 12 color plates, plus in-text black and white illustrations, number 449? of 575 copies for England signed by Arthur Rackham; shelved case 14.