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New York: Nancy Spector, The Guggenheim Museum, 2002. Softcover Edition. folio, 522 pages; VG; in off-white iridescent cloth wraps, title on spine in shiny silver. Very light edgewear to wraps, small smudge to front cover; Indentations in textblock (like letter tabulations in an encyclopedia); textblock and pages clean and bright; two Guggenheim programs and an invitation to meet Matthew Barney loose within; scarce in softcover; shelved case 11.
Berkeley, California: University of California Press, 2005. First Edition, First Printing. Quarto, 222 pages, VG-/VG-; DJ, purple/gray pictorial spine, white lettering: mild overall wear to DJ, creasing with very slight material loss to head, slight wear to corners, DJ protected by mylar; black cloth boards, bright gold lettering to spine: front board somewhat shaken, binding sturdy; light age-toning to margins of interior (text and graphics unaffected), mild waving to leaves; mild fingerprint mark to ffep; SIGNED by Gilliam to half-title page ("20006" a possible reference to Washington, D.C.), imprint from signature visible to next page; INSCRIBED by Binstock to title page, dated 2005; volume published in conjunction with an exhibit at the Corcoran Gallery of Art in Washington, D.C. on display from October 15, 2005 to January 22, 2006; shelved Case 11.
New York: E. P. Dutton, Inc., 1982. First Edition, Third Printing. Quarto, 223 pages; VG/VG; spine white with white lettering; dust jacket with very mild wear; slight bumping to corners; interior clean; with full-color reproductions of all 208 Erté graphics that have been completed at the time the book went to the printer; shelved front table.
Washington, D.C. The Phillips Collection, 2009. First Edition, First Printing. Quarto, 1st ed. 127 Pages; VG condition; Spine is beige with white lettering; cloth binding; binding has minor bumping at the bottom of the boards, minor warping, and a small adhesive glob on the back board; features a card with compliments from the Phillips Collection; pages clear; shelved Modern Art.
Berlin, Germany: Galerie Nierendorf, 1980. Limited First Edition [#1018/3000]. Quarto, 224 pages, [2 unpaginated woodcuts], VG-/no DJ as issued; white gloss paper boards, black lettering: mild overall wear to boards; mild age-toning/wear to text-block; interior clean, replete with original artwork; contains three separate order forms to back of volume, with last page of last order form stuck to bottom turn-in of back paste-down; full title to interior reads: JUBILÄUM RÜCKBLICK DOKUMENTATION / 1920-1980 SECHZIG JAHRE GALERIE NIERENDORF / 1955-1980 FÜNFUNDZWANZIG JAHRE SEIT DEM NEUBEGINN / AUSSTELLUNG VOM 13.6.-18.11.1980 [English trans. Anniversary Review Documentation / 1920-1980 60 Years of the Gallery Nierendorf / 1955-1980 Twenty-five years since the New Beginning / Exhibition from June 13-November 18 1980]; First Edition published in June 1980 in a single print run, No. 1018 of 3000 copies, the thirteenth special catalog by Galerie Nierendorf; text in German; shelved Front Table.
New York: Harry N. Abrams, 1990. First Edition. Quarto, 319 pages; VG/VG; spine is pictorial (a multicolored painting) with black lettering; dust jacket has minimal wear along the top and bottom edges; binding and pages clear; signed by the artist on the and the author on the half title page; shelved case 11.
New York: Metropolitan Museum of Art; Franklin Library, 1987. First Edition Thus. Quartos, Twelve Volumes; VG; bound by the Franklin Library in full leather in twelve distinctive colors; gilt decorated spines and boards; four raised bands on spines; all edges of text blocks gilt; silk bookmarks bound in; No leaflet or other Franklin Library ephemera.; interiors clean; Volume Titles: 1) Greece and Rome; 2) Egypt and the Ancient Near East; 3) Europe in the Middle Ages; 4) The Renaissance in Italy and Spain: 5) The Renaissance in the North; 6) Europe in the Age of Monarchy; 7) Europe in the Age of Enlightenment and Revolution; 8) Modern Europe; 9) The United States of America; 10) Asia; 11) the Islamic World; 12) The Pacific Islands, Africa, and the Americas.; heavy, please contact for accurate shipping costs; shelved above easton press.
Paris, France: Éditions Cercle d'Art, 1966. First Edition. Square quarto; 189 pages, [1 blank page], [8 page index]; VG-/G+: white DJ, black lettering: closed tear to top edge and bottom edge of front cover, mild overall wear to covers, DJ protected by mylar; beige buckram boards, no lettering to spine, blue and red "Picasso" to front board: boards somewhat shaken, binding strong; slight fraying to cloth boards; slight bumping to corners; mild wear/waving to text-block; interior clean, replete with laid-in and tipped-in gloss images of Picasso's work; text in French; shelved Front Table.
New York: Rizzoli, 1986. First Edition, First Printing. Quarto, 320 pages; VG/VG-; Spine is blue with white lettering; dust jacket has mild rubbing on both covers, has mild wear at the top and bottom edges with a small closed tear at the top back fore edge corner; binding has minor fading and wear; pages have an estate stamp of Constantin Brancusi on the copyright page; shelved front table.
New York: Random House, 1967. First Edition, First Printing. Quarto; VG; Silver spine with black lettering; Covers in excellent shape, mild rubbing, binding tight; Of the eleven special parts included in this book, here are the contents and their condition in this copy: (1) castle pop-up: excellent condition; (2) red accordion pop-up: present, and emits sound, unusual to be working; (3) biplane pop-up: excellent condition; (4) Lou Reed record: in excellent condition, separated along perforation; (5) Chelsea Girls disc: present, attached, spring present; (6) folded polyhedron, present and attached with string to round sticker that originally sealed the pages within which it was found, the whole affixed by sticker to said pages, rubber band present, all in one piece and still able to be folded; (7) multicolored, three-panel nose pop-up: excellent condition, no tears to folds; (8) Hunt's Tomato Paste pop-up: excellent condition; (9) 'surprise' tabs printed with "Andy Warhol": all 8 of the stickers (4 stamped "Andy Warhol") intact with all perforations untouched; (10) silver balloon: as usual for this title, degraded and gluing together the pages on which it is found; (11) postcard: as usual for this title, missing; shelved case 11.