Sculpture/Pottery [Dupont Only]
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New York: Tudor Publishing Company, 1963. First Edition. Octavo, 223 pages; VG/G+; in G+ gray slipcase; full binding of blue-green cloth; spine white with black lettering; moderate shelf wear and soiling to dust jacket; large closed tear at lower edge of back cover, small closed tear at top edge of back cover; small chip missing from lower left corner of front cover; chips missing from head of spine; soiling to flap folds; price cut; contains numerous black and white photos; signed flat at half title by Jianou; pages clean; shelved Front Table.
Cape Town: Struik Winchester, 1988. Limited Edition (1220/2000). Quarto, Pages; VG/VG; spine is beige with gold lettering; dust jacket has minimal shelf wear; binding has minimal shelf wear and minor bumping on the fore edge corners; pages clear; signed by the photographer on the ffep; housed in beige publisher's slipcase; shelved front table.
New York: Hacker Art Books, 1969. Reprinted. Octavo; VG-; blue spines with gilt text; 10 volumes in 3 books: v. 1, Text, pp 385; v. 2, Illustrations; v. 3, Illustrations; first published in 1923; cloths show mild wear to exteriors; lightly sunned spines; strong boards; text blocks have slight wear to exterior edges; profusely illustrated; interiors clean; additional shipping may be necessary due to size/weight restrictions for international/expedited orders; shelved above Case 1.
London: Phaidon, 1971. Second Edition. Quarto; VG- Hardcover w/ G+ Dustjacket; White spine with Red text; Dustjacket has some edgewear, moderate shelfwear, adhesive remnant near bottom corner of rear cover, otherwise clean; Boards strong, bumping to corners, some small black marks on front cover, wrinkling along tail edge of spine, otherwise clean; Textblock clean save Author's Signature on front endpaper; 365 pp; Signed by Author; shelved Sculpture.
New York: Harper & Brothers, 1929. Octavo; G-/no DJ; Hardcover w/out DJ; Spine, black with gold print; Boards quarter bound with black cloth to spine and decorative paper to boards, tattering to spine caps and corners, tear to front bottom edge, wear to hinges; Text block has stain to bottom edge, name in ink and nameplate on front pastedown, cracked hinges, mild staining to first page, mild age-toning to paper; 253 pages, illustrated (b&w drawings).
New York: Rock Foundation, 1988. First Edition. Folios, 3 volumes, VG/no DJs as issued; gray cloth boards, black lettering to spines: very mild overall wear to boards, spines faded beige (lettering clear and legible); minimal wear to clean text-blocks; interiors clean; VOLUME 3.1 [COSMIC GAMES]; VOLUME 3.2 [THE LABYRINTH & OTHER PATHS TO OTHER WORLDS]; VOLUME 3.3 [THE WORLD TURNED UPSIDE DOWN]; frontispieces; volumes housed in VG- brown cloth slipcase; shelved front table.
Firenze [Florence], Italy: Giunti Editore, 2010. First Edition, First Printing. Quarto, 429 pages, G+; blue gloss paper boards, white lettering: spine cocked, boards somewhat shaken, binding strong; bumping to head, tail, and corners; small tear to top corner of back board; slight wave to text-block, light scuffing to bottom of text-block, top and fore-edge clean; mild liquid staining with buckling to margins of endpapers and interior, text and graphics unaffected; interior replete with full-color graphics and plates, gloss leaves; text in Italian; shelved Front Table.
Milano, Italy: Silvana Editoriale, 2006. Quarto, 303 pages, VG-; paperback, gloss paper covers with flaps, spine maroon with white lettering: mild edgewear; mild staining to spine, lettering unaffected; very light age-toning/mild wear to text-block, small diagonal scratch to top; interior clean and replete with full-color graphics and plates of Renaissance wooden sculpture, with many works featuring the Madonna and Child; text in Italian; shelved Sculpture.
Milano, Italy: Skira, 2006. First Edition. Square quarto, VG-/VG; DJ, black spine, white lettering: minimal wear to DJ, protected by thick VG- plastic covering; text-block clean; marginalia in pencil to Kuspit's introductory essay (pages 9-37); interior replete with black-and-white and full-color gloss images and plates of Paley's works; mild occasional imperfections to interior, graphics unaffected; SIGNED by Paley to half-title page; shelved Front Table.