London, Paris, New York: Offices of the Studio, 1909. Quarto, vi, 42 pages. In Very Good minus condition. Bound in the publisher's green cloth with green lettering to pictorial paper label to the front. Boards show moderate wear exteriorly including light soiling and rubbed edges. Text block has mild wear to the edges. Gift inscription to the front free end paper. Frontispiece. Illustrated with several plates protected with tissue guard. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. More

London: George Routledge and Sons, 1882-1927. First Editions. 24mos., 29 volumes. In Good to Very Good condition. Contains: 1883 in yellow cloth-backed pictorial boards. 1884 in glazed limp pictorial wrapper, with another variant with border stained brown. 1885 in yellow cloth-backed pictorial boards. Two copies of the same variant. 1886 in hand-painted limp covers, satin ribbon stitching, gilt edges. Two copies of the same variant, each with a different painting. 1887: Hand-painted limp cream parchment. Painting with some smearing. 1888 in blue cloth-backed pictorial boards. 1889 in black cloth-backed pictorial boards. Text block detached from boards. 1890 in black cloth-backed pictorial boards. 1891 in yellow cloth-backed pictorial boards. 1892 in green cloth-backed pictorial boards. Schuster & Engen 12.10a, although calling for a tan cloth spine. 1893 in yellow cloth-backed pictorial boards, green edges 1894 in tan cloth-backed pictorial boards, turquoise endpapers. Two copies. 1895 in orange cloth-backed pictorial boards. With another copy with dust jacket. 1896: None Issued. 1897 in full green leatherette with gilt stamping to front cover. This variant not noted by Schuster & Engen, being either 16.14a in green leatherette or 16.14.c with a different publisher. 1924 in yellow cloth-backed pictorial boards. With printed glassine, not noted in Schuster & Engen. Four copies, three with glassine. With illustrations reused from the Almanack for 1883. 1925 in yellow cloth-backed pictorial boards. With printed glassine, not noted in Schuster & Engen. The illustrations and cover are reused from the Almanack for 1887, with the text revised. Two copies. 1926 in black cloth-backed pictorial boards. With printed glassine, not noted in Schuster & Engen. The illustrations and cover are reused from the Almanack for 1890, with the text revised. 1927 in yellow cloth-backed pictorial boards. The illustrations and cover are reused from the Almanack for 1891, with the text revised. Kate Greenaway's Alphabet in pictorial boards with green printed spines. Two copies. Calendar of the Seasons, 1882: 8 pages, four colored illustrations, printed in gold and colors on stiff glazed paper. 4 copies. Shelved case 14. More

London: Waddington Graphics, 1991. Octavo, 44 pages. In Very Good condition. Spine is green and black with white print. Illustrated: color plates tipped in.“Exhibition 27 March - 20 April 1991”— front flap. NOTE: Shelved in Netdesk Column A, ND-A. More

London: Marlborough Fine Art (London) Ltd, 2016. Quarto, unpaginated. In Very Good condition. Paperback binding. Spine blue with white lettering. Covers show slight soiling wear and lightly rubbed edges. Text block has faint wear to the edges. Profusely illustrated. More

Paris: Galerie Claude Bernard, 2009. First Edition. Quarto, Unpaginated. In Very Good condition. Spine blue with white and yellow lettering. Minor shelfwear. Textblock clean. Text in English and French. Shelved in Modern Art. More

New York: M. Knoedler & Co., 1987. Large Octavo, 36 pages. In Very Good minus condition. Spine brown without lettering. Paperback bound. Red lettering to front cover. Slight exterior wear with minor edge wear. Text block edges have ivory tone. Frontispiece. Illustrated. More

Koln: Michael Werner, 1990. Oblong Octavo, 55 pages. In Very Good condition. Spine dark tan with black lettering. Boards have mild bumping to spine edges. Text block has very light wear to edges and previous owner's name to front end paper. Illustrated with full color plates. Text in German and English. More

London: Alan Cristea Gallery, 1995. Small Oblong Quarto, unpaginated. In Very Good condition. Paperback bound with a dark blue pictorial spine with white lettering. Slight scuffs to the exterior and very light wear to the edges. Faux flaps. Text block edges have light yellowish toning. Illustrated with full page mounted plates. NOTE: Shelved in Locked Annex Area, Oversized Ephemera Case. More

London: Lumley Cazalet Ltd, n.d. Oblong Booklet [6.5x5.75], unpaginated. In Good plus condition. Paperback bound with black spine bearing white lettering. Light wear and slight rubbing wear to edges. Text block have mild wear to the edges and profusely illustrated interiorly. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #8. More

Barcelona: Centre Cultural de la Fundacio Caixa Pensions, 1990. First Edition. Octavo, 119 pages. In Very Good minus condition with Very Good minus dustjacket. Blue and white spine with black text. Dustjacket has mild edgewear and shelfwear. Textblock has black mark on tail edge. More

London: Army Museums Ogilby Trust in conjunction with the Robert Ogilby Trust, 1972. Octavo, x, 488 pages. In Good minus condition with a Poor dust jacket. Spine is red with gold print. Dust jacket is cream with black print, in pieces, chipping and tears to all edges, laid in. Price unclipped: “￡9.50”. Boards in red cloth. Light wear to spine caps and corners, small blemish on rear. Text block has faint spotting to top edge, spine crack at page 344. Color frontispiece, Illustrated (b&w). Errata slip laid in. More

London: Ernest Benn Limited, 1927. First British Edition. Quarto, 14 pages, 310 plates. In Very Good condition. Newly rebound by Bookends Bindery with their stamp in half polished calf. Paneled spine with stamping in blind, two labels, one each of green and red with gilt lettering. Very mild shelfwear. Shelved above case 3. More

London: The Connoisseur Ltd., 1929. English Limited Edition. Large Octavo; xviii, 322 pages; Very Good Minus; full binding in blue cloth with gilt lettering, spine faded blue to tan; mild shelfwear, including scuffing to front and rear covers; textblock clean; copy 681 out of 1,000; shelved Interior Design. More

Newlyn Orion Galleries Limited: Rosemary Hilton, 1980. First Edition, First Printing. Quarto; unpaginated; G+; full white paper binding with black lettering to spine; mild shelfwear to covers, including scuffing, a small chip to tail of spine, and small chip and stain from possible former tape to front cover; textblock clean; black and white photographs throughout; shelved British Art. More

London: Longmans & Co., 1901. First Edition Thus. Small quarto; 47 pages; VG; quarter dark steel cloth binding over light steel paper boards; mild shelfwear to covers; textblock lightly wavy with brown top edge dye; shelved below front counter. More

Boston: David R. Godine, 1990. First US Edition, First Printing. Quarto, 478 pages; VG/VG; spine white with orange lettering; dust jacket protected with a mylar covering, price uncut '$75.00', mild shelfwear; shelved British Art. More

London: Longman, Hurst, Rees, and Orme, 1808/1810/1817. First Editions. Quartos, 3 volumes; VG; bound in contemporary unsigned polished calf, boards with stamping in blind, rules in gilt, paneled spines with gilt stamping, gilt titling, later rebackings with boards and spines preserved; edges of text block marbled, marbled endpapers; some rubbing and general shelfwear, bumping to corners; bookplate of Robert Thomas Thomson to front pastedowns; with 212/213 plates, Vol 1: 62/63 plates, lacking plate IX of Hudibras, Vol 2: with 100 plates, Vol 3: with 50 plates; shelved above US Politics. More

New York: teNues Publishing Company, 2010. Fifth Edition, First Printing. Folio, 363 pages; VG/G+; spine red and black pictorial, with white lettering; dust jacket protected with a mylar covering; mild shelf wear and scuffing; marked bump at lower edge of front board; small closed tear to lower edge of front free endpaper, dedication, and half title pages; profusely illustrated with full color photos; pages clean; shelved above Case 3. More

London: James Sowerby, 1810. First Edition, First Printing. Octavo, unpaginated; VG-; vol. 31 ONLY; full mid-19th century rebinding in green paper; spine paneled, with black label and gilt lettering; date 1810 stamped at tail of spine; mild shelf wear and scuffing; all edges with decorative red speckling; mild age-toning to textblock; light foxing throughout textblock; profusely illustrated in full color; plates slightly offset; binder's sticker at back pastedown; pages clean; shelved above US Regional--DC. More

London: James Sowerby, 1805. First Edition, First Printing. Octavo, unpaginated; VG-; vol. 21 ONLY; full mid-19th century rebinding in green paper; spine paneled, with black label and gilt lettering; date 1805 stamped at tail of spine; mild shelf wear and scuffing; all edges with decorative red speckling; mild age-toning to textblock; light foxing throughout textblock; profusely illustrated in full color; plates slightly offset; binder's sticker at back pastedown; pages clean; shelved above US Regional--DC. More

London: James Sowerby, 1803. First Edition, First Printing. Octavo, unpaginated; VG-; vol. 16 ONLY; full mid-19th century rebinding in green paper; spine paneled, with black label and gilt lettering; date 1803 stamped at tail of spine; mild shelf wear and scuffing; all edges with decorative red speckling; mild age-toning to textblock; light foxing throughout textblock; profusely illustrated in full color; plates slightly offset; pages clean; shelved above US Regional--DC. More

London: James Nisbet and Co., Limited, 1913. Limited Edition, #50/175. Quarto, 320 pages; VG-; three-quarter dark green calf binding, boards in green cloth; spine paneled, with gilt title at second panel and date at tail; mild shelf wear and soiling; small tear in cloth at lower edge of front board; mild scuffing overall; upper edge gilt; green marbled endpapers; Bayntun binder's stamp at front free endpaper verso top corner; signed flat by Browne at limitations page; hand-numbered 50 at limitations page; contains black and white photos and illustrations; pages clean; shelved above Mythology. More

London: The War Office, 1917. First Edition. Quarto, 2 vols.; G+; quarter tan cloth bindings, boards in gray paper; spines with leather labels with gilt lettering; some shelf wear and soiling; corners bumped and exposed; upper right corner of vol. 1 front board missing; mild scuffing to vol. 1 spine; two dark stains to vol. 2 front board; bumps to fore edges of vol. 2 boards; vol. 2 joints starting; small closed tears at crown and tail of vol. 2 spine; scuffing to vol. 2 back board; all edges of both vols. with decorative red speckling; both vols. profusely illustrated with color and black and white drawings and watercolors; pages clean; shelved Front Table. More

New York: Salander-O'Reilly Galleries, 2004. First Edition. Octavo, 188 pages; VG/VG-; spine pale blue and white, with white lettering; dust jacket protected with a mylar covering; mild shelf wear and scuffing; small closed tear at top of back jacket joint; full color illustrations throughout; pages clean; shelved British Art. More