French Art [Dupont Only]
Refine search resultsSkip to search results
London: Duckworth and Co., 1909. No Edition Given. Octavo, 358 pages; VG-; full contemporary binding of dark blue leather; spine faded to green, with raised bands, and gilt lettering and design; mild shelf wear and scuffing; mild fading to upper edge of back board; all edges marbled in blue; blue marbled end papers; previous owners' names at front free end paper; contains black and white illustrations; pages clean; shelved Front Case.
Antwerp: Guy Schraenen, 1975. Large Octavo; 8 pages; G+; Stiff black wrappers with red text; Covers have creasing along spine and bending along tail edge of spine; Signed and numbered #174 by Henri Chopin on inside of rear cover; Henri Chopin was a French Avant Garde artis in the 1950s-70s; Shelved Case 0.
Paris: Imprimerie Nationale Editions, 1995. Folio; G+/G+ Hardcover w/ DJ; White spine with Gray text; Dustjacket has some edgewear, some shelfwear, large closed tear along head edge of front cover, indented scratch on rear cover, some faint brown stains on both covers and spine; Boards strong, slight edgewear, slight shelfwear; Textblock has gift inscription on second page, otherwise clean; 368 pp; Text in French Oversized order; may require additional costs for international or expedited shipping; please contact us for further details.
New York: Harry N. Abrams, Inc, 1977. First Edition. Quarto, 167 pages; VG/VG; full binding of light blue cloth; spine white with black lettering; dust jacket protected with a mylar covering; wear from sticker removal at top right corner of dust jacket front; mild shelf wear; numerous black and white illustrations; full color tipped-in plates; pages clean; shelved French Art.
Anvers: Fonds Mercator, 1971. First Edition. Quarto, 341 pages; VG/VG-; in G+ black slipcase; three closed tears to dust jacket front, spine, and back; mild shelf wear; includes full color tipped-in plates and black and white photos; pages clean; includes LP in separate sleeve within slipcase; shelved Front Table.
Paris: Hachette & Cie. [ca. 1900]. Quarto, 398 pages; G+; spine brown with green label and gilt lettering and design; full binding of green leather with extensive gilt design; spine faded; all edges gilt; headband exposes; moderate shelf wear; wear to edges of boards, crown and tail of spine; dark discoloration to bottom of upper and lower covers; front and back joints starting; frontispiece tipped in; binding sound; pages clean; shelved Front Table.
New York: Pantheon Books, 1967. First Edition. Quarto, two volumes; VG/VG; in VG- gray slipcase, volume two in smaller VG slipcase; spines olive green; full bindings of green cloth; dust jackets protected with mylar coverings; prices cut; mild fading to volume one spine; mild fading to gray slipcase; small white sticker on front of gray slipcase; mild shelf wear; pages clean; shelved under second table.
Los Angeles: Los Angeles County Museum of Art, 1990. First Edition. Quarto; G+/G Hardcover w/ Dustjacket; Blue, Red, Yellow, and Green illustrated spine with Black text; Dustjacket has some edgewear, some shelfwear, open tear along head edge of spine and joints, small open and closed tears along tail edge of spine, bending along head and tail edges of both covers, slight fraying at corners; Boards strong, some edgewear, some shelfwear, bowing to both covers; Textblock has toning around page edges, ink transfer on half title page, wear to gold color of front and rear endpapers; 350 pp.
Paris: Reunion De Musees Nationaux, 1999. Quarto; 599 pages; G+/G; Green spine with Beige text; Dust jacket protected by mylar cover, small open and closed tears along spine edges, large closed tear along tail edge of front cover, small closed tear along head edge of front cover, small open and closed tears along head and tail edges of rear cover, small open tears at corners; Boards have bumping and rubbing to corners, creasing to front cover; Textblock has small brown marks along fore edge and along tail edge of front and rear endpapers; Shelved in Art by Artist.
Paris: Edition Du Regard, 1992. Folio; 359 pp; G+/G+; White spine with Blue and Black text; Dustjacket has minor wear including faint scratches on both covers; Boards have minor wear to edges; Textblock has large tear on rear endpaper, brown marks on second page and second to last page; Signed and inscribed by relative of subject artist; Shelved in art by artist.
Princeton: Princeton University Press, 1998. First English Language Edition. Quarto, 335 pages; G+/G; Dustjacket has small open and closed tears along head edge of both covers and spine, wrinkling along head edge of both covers and spine, small open tear at top corner of rear cover; Boards have bumping to bottom corner of both covers; some ink transfer on pages opposite full page photos; Shelved in Art by Artist.
Washington, DC: National Galler of Art, 2003. First Edition, First Printing. Quarto, 501 pages; VG; white and blue spine with black and white lettering; minimal shelf wear, pages clean; shelved in Artists [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to weight restrictions. For international/expedited customers, please inquire for rates].
London/Washington D.C. Lund Humphries/National Gallery of Art, 2017. First Edition. Quarto, 304 pages; VG; spine is blue with white lettering; dust jacket, binding and pages clear; housed in original publisher's shrinkwrap, shrinkwrap has some wear (see photos); NOTE: Shelved in Netdesk office, in bookcase next to Ephemera section.
Paris: Éditions de la Revue Verve, 1948. Large quarto, unpaginated; G+; illustrated beige wraps, decorated by Picasso;spine splitting at upper front hinge, mild wear to extremities; with a suite of eighteen tipped-in color plates and 21 black and white plates; lacking original glassine; text in French; shelved case 11.
Paris: Cahiers d'Art, 1957. Limited Edition, #232/500. Quarto, xxxvii, , 185, ; G+; bound in original printed wraps, black titling to spine; wrapped in original glassine, small tears, piece missing at head of spine; text in French; with 384 reproductions; with two cracks to gutter; shelved case 11.
New York: The Metropolitan Museum of Art, 1997. Quarto; VG/VG; Hardcover with DJ; DJ spine, blue with white print; DJ is clean and bright; Boards in blue cloth with gold print, clean and strong; Text block clean and tight; Catalog of an exhibition held at the Metropolitan Museum of Art, New York, Oct. 1, 1997-Jan. 11, 1998; xiii, 356 pages, frontispiece, illustrated (color, b&w). [Shelf: Art Collections] [NOTE: Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates.].
Paris: Editions de la Reunion des Musees Nationaux, 1992. Large Octavo; pp 559; G/G; dark brown spine with white text; dust jacket has slight shelf wear to exterior; mylar wraps; cloth has brown marks to joints and along head and tail edges; panels show little wear to exterior; boards shaken; text block shows some foxing to exterior edges, split hinge between front endpaper and pastedown, partially split hinge between rear endpaper and pastedown, brown marks along textblock edges, light ink inside; pictorial endpapers; profusely illustrated; text in French; arts - French; biography; additional shipping may be necessary due to size/weight restrictions for international/expedited orders; Shelved in French Art.
Paris: Musée du Louvre Éditions, 2008. First Edition, First Printing. Quarto, 534 pages; VG/VG-; bronze-colored spine with black and white lettering; some creasing to the edges and scratches to the front and back of the dust jacket, bumped corners, pages clean, full of graphics and plates of French bronze sculptures; shelved front table.
[Paris]: De l'imprimerie royale, 1752. First Edition. Quarto, 2 volumes; VG; bound in contemporary calf with gilt seal to center of each board, newly rebacked in pale brown leather, two burgundy labels with gilt titling; all edges of text block gilt; some rubbing and wear to boards; marbled endpapers; bookplate to front pastedown; illustrated with 3 engraved headbands and 2 title vignettes.; MW consignment; shelved case 7.
New York: Harry N. Abrams, Inc., Publishers, 1996. Quarto; pp 600; VG/VG; white pictorial spine with black text; dust jacket shows mild wear to exterior, now protected with a mylar covering; cloth clean; strong boards; text block clean; profusely illustrated; signed by Joseph Rishel; shelved monographs.
Antwerp: Fonds Mercator, 1971. Quarto, 341 pages; VG/VG; spine is white with black lettering; dust jacket has minimal wear along the top and bottom edges, with a small closed tear near the bottom of the spine; binding has minimal wear along the top and bottom edges; pages clear; contains an additional folder of accompanying vinyl records; housed in publisher's black slipcase; shelved alcove 2.
A Amsterdam [i.e. Barbou, Paris]: 1762. First Edition. Octavos, 2 volumes; VG; bound in unsigned period gilt morocco, triple gilt rules to boarders, flower stamps to corners, paneled spines with two black labels with gilt titling, elegant gilt to remainder; gilt dentelle border to doublures; marbled endpapers; bookplate to front pastedowns; lacking half-titles; wide margins; With a remarkable group of elegant engravings, including: Two frontispieces by Fiquet, after Rigault and Vispre; 53 vignettes and culs-de-lamp by Choffard; and 80 full-page plates after Eisen by - Aliamet, Baquoy, Choffard, Delafosse, de Longueil, Flipart, Le Mire, Lempereur. Leveau, Ourvrier, et. al; With 'Le cas de concience' and "Le Diable de Papefiguiere" in the decouvertes state; MW consignment; shelved case 3.
London; Paris: J. Dodsley; De L'Imprimerie de Monsieur, 1789. A unique collection of both the original French and the English translation of the famed novel, together with an awe-inspiring collection of proofs before letters by esteemed French artists. Three volumes housed in a custom three-part black and red leather box, gilt titling to spine, box solid, some wear and cracking; Paul et Virginie is bound in full burgundy morocco, triple gilt rules to boards, spine with gilt titling and tooling, all edges of text block gilt, marbled endpapers, bookplate to front endpaper; Unsigned binding, but early invoice states it was bound by Derome., Paris: De L'Imprimerie de Monsieur, 1789. with half-title, 12mo., xxxv, 243 pages, with 4 black and white plates, foxing to plate edges; "Prix, papier vélin d'Essone, 6. liv."; Both volumes of Paul and Mary are bound in matching full green morocco with elegant gilt tooling, paneled spines similarly gilt; all edges of text blocks gilt; doublures burgundy morocco with matching design to boards, embroidered silk endpapers facing doublures, marbled endpapers following; incredibly tight binding; bookplate to marbled endpaper; Bound by Chambolle-Duru with their gilt stamp to front doublure; London: printed for J. Dodsley, Pall-Mall, ; With an Autograph Letter Signed by Saint-Pierre, addressed "Au Citoyen Le Danois" (André Bazile Le Danois de La Soisière), a member of the Council of Ancients. Measuring ~9 x 6.7 inches (~23 x 17 cm.), with integral address leaf attached. Small tear to upper left corner where seal was attached, small archival repair to upper right corner, neither impacting and writing. Four Postal stamps present on integral address leaf. Actual text is 25 lines in Saint-Pierre's hand, responding to a letter by Le Danois about a meeting, countering his proposed date of the 8th with the 10th. He then goes on to discuss how he was tricked by a man that he had not seen for 20 years, as well as by a young woman. He defends himself that he in no way was compromising the interests of the Republic. The letter is dated "Paris, ce 7 ventose an 7" ( February 26th, 1799); With invoice circa 1895 from E. F. Bonaventure, with a handwritten description of the three volumes in purple ink. "Unique copy in an exquisite Binding by Chambolle extra illustrated with rare set all proofs before letters" "1. Set of proofs by [Achille] Devéria 2. Set of proofs by Corboald 3. Set of proofs ??? 4. Set of proofs Medallions in color 5. Set of proofs Medallions [in color] by Dutailly [Guyot sculp] 6. Set of proofs by Desenne 7. Set proofs by [Jean-Michel] Moreau 8. Set proofs by [Tony] Johannot 9. Set proofs by Corboald (small) 10. Set proofs by Lery[?] 11. Set proofs by [Jean-Antoine-Valentin] Foulquier 12. Autographed Letter In All 70 Plates, All proofs" Shelved case 0.
Paris: Librairie Floury, 1929. First Edition, 1/200. Quarto, 247,  VG/VG; protected in original waxed glassine, mild chipping; original etching as frontispiece, illustrated with sixteen full-page illustrations with paper-guards, ten in color, and numerous in-text black and white illustrations; limited to 200 copies; shelved case 11.
Paris: Editions Emile-Paul Freres, 1927. Limited Edition, #HC/225. Quarto; VG-; housed in original wraps inside original chemise inside original box, chemise and box falling apart but present; gatherings partially disbound, but all present; Edition limited to 225 numbered copies, of which this one is numbered 'HC'; illustrated with 20 original etchings out of text (5 lithographs, of which one is in color, and 15 etchings, of which one in color); shelved case 11.
Paris: Édouard Rouveyre, 1887. Limited Edition, #568/1500. Small Quarto, 263, viii; VG; bound in 3/4 brown calf, dark red cloth boards, paneled spine with gilt tooling and lettering; beautifully marbled endpapers; front hinge worn, some scratches and wear to binding; both original wraps preserved and bound in; with 72 plates with printed tissue guards; text in French; shelved case 9.
New York: Harper & Brothers, 1929. Octavo; G-/no DJ; Hardcover w/out DJ; Spine, black with gold print; Boards quarter bound with black cloth to spine and decorative paper to boards, tattering to spine caps and corners, tear to front bottom edge, wear to hinges; Text block has stain to bottom edge, name in ink and nameplate on front pastedown, cracked hinges, mild staining to first page, mild age-toning to paper; 253 pages, illustrated (b&w drawings).
Stockholm: Jan Förlang, 1947. First Edition. Quarto, 204 pages; VG-/Fair; spine is beige; dust jacket is in a mylar cover, has significant damage, with a large closed tear running on the front cover, front and back covers have detached with severe chipping at the top and bottom of the spine, interior has heavy staining from previous adhesive residue, front and back flap have detached, significant fraying and rubbing throughout; binding has minor blotching and minor shelf wear, has minimal bumping on the fore edge corners; pages have minor age toning; shelved front table.
Paris: Librairie de Firmin-Didot Freres, 1878. Quarto, xiii, 560 pages; VG; bound in publisher's gilt-stamped red cloth, sun-faded spine with gilt lettering; mild wear to hinges, some chipping to head of spine; marbled endpapers; mild foxing throughout; Illustrated with of 16 Chromolithographs and 250 woodcuts (of which 20 are taken out of text); consignment; shelved front table.
Benedikt Taschen, 1993. Quartos, 2 volumes; VG; bound in full red leather, gilt lettering to spine; housed in a VG black cloth slipcase; top edge of text blocks gilt; gilt image of 'Sorrow' to front board of volume 1, other painting to volume 2; profusely illustrated with "colour reproductions of as many as possible of the approximately 870 paintings by van Gogh...this edition nevertheless reproduces over 83% of van Gogh's paintings in colour, many for the first time."; shelved front table.
Paris: Michèle Trinckvel; André Plauret, 1991. First Edition. Folio, 233 pg; VG/VG-; spine predominantly blue and yellow with black lettering; book kept in simple white cardboard sleeve for protection; minor wear to the dust jacket including 2 small closed tears to the tail of the spine; clean interior; first edition limited to 6000 copies; shelved in French Art.
Washington, D.C.; New Haven: National Gallery of Art; Yale University Press, 2006. First Edition, First Printing. Quarto, 350 pages; VG/VG; Spine is orange with white and light orange lettering; Dust jacket is in a mylar covering, has minimal shelf-wear along the top and bottom edges, along with a small scratch near the bottom of the spine; binding and pages clear with no markings; shelved French art.
New York: Metropolitan Museum of Art; Franklin Library, 1987. First Edition Thus. Quartos, Twelve Volumes; VG; bound by the Franklin Library in full leather in twelve distinctive colors; gilt decorated spines and boards; four raised bands on spines; all edges of text blocks gilt; silk bookmarks bound in; No leaflet or other Franklin Library ephemera.; interiors clean; Volume Titles: 1) Greece and Rome; 2) Egypt and the Ancient Near East; 3) Europe in the Middle Ages; 4) The Renaissance in Italy and Spain: 5) The Renaissance in the North; 6) Europe in the Age of Monarchy; 7) Europe in the Age of Enlightenment and Revolution; 8) Modern Europe; 9) The United States of America; 10) Asia; 11) the Islamic World; 12) The Pacific Islands, Africa, and the Americas.; heavy, please contact for accurate shipping costs; shelved above easton press.