Skira/Wildenstein, 2003. First Edition. Quartos, 3 volumes; Very Good/Very Good; spines burgundy with white lettering; housed in a Very Good cloth slipcase; mild rubbing and shelfwear to both slipcase and dust jackets; interiors clean; shelved front table. More

New York: E. P. Dutton, 1982. First United States Edition, Seventh Printing. Tall quarto; 223 pages; VG/VG; spine black with white text; dust jacket protected with mylar; price unclipped reading "$95.00", mild shelfwear to dust jacket including scuffing and chipping to the head of the spine; textblock clean; full color illustrations throughout; shelved front table. More

New York: Parkstone International, 2015. First Edition, First Printing. Quarto; 199 pages; VG/VG; spine teal with white text; dust jacket protected with mylar; mild shelfwear to dust jacket; textblock clean; full color photographs throughout; shelved front table. More

Paris: Flammarion, 2016. Quarto; 303 pages; VG/VG; Pictorial spine with White text; Dustjacket protected by mylar covering, slight shelfwear; Shelved Artists. More

New York: Hugh Lauter Levin Associates, Inc., 1992. First Edition, First Printing. Quarto; 378 pages; VG/VG; spine graphic pink with black text; dust jacket protected with mylar; price unclipped reading "$75.00", mild shelfwear to dust jacket; textblock clean, but slightly cocked; black and white and full color photographs throughout; shelved Artists R-Z. More

New Haven: Yale University Press, 2005. First Edition, First Printing. Quarto; xvii, 379 pages; VG; spine magenta with white text; mild shelfwear to covers, including a small chip to the tail of the spine; textblock clean; black and white and color photographs throughout; shelved Artists A-F. More

New York: Da Capo Press, 1969. Second Edition. Quarto; xv, 220 pages; VG/VG-; spine blue and white with white and black text; dust jacket protected with mylar; price unclipped reading "$37.50", some shelfwear to dust jacket including closed tears to top edges of both covers, a small creased closed tear to the bottom fore edge corner of the rear cover, and mild chipping; textblock clean but mildly sunken; black and white photographs throughout; shelved Medieval Art. More

London: William Collins Sons Co., 1976. First Edition, First Printing. Octavo, 511 pages; VG/VG-; spine pink, gray, and orange, with white and black lettering; dust jacket protected with a mylar covering; mild shelf wear and scuffing; some sunning to jacket back; price cut; inscribed by O'Brian at title page; contains black and white photos; pages clean; shelved Case 6. More

Stuttgart: Edition Thombe, 2004. First Edition, First Printing. Octavo, 635 pages; VG/VG-; spine ecru with forest green lettering; dust jacket protected with a mylar covering; mild shelf wear and soiling; mild wear to crown and tail of jacket spine; inscribed by Marumo at page facing copyright page; profusely illustrated in full color and black and white; introductory essay in French, German, and English; all other text in French; pages clean; shelved Front Table. More

Paris: Robert Lafont, 1989. First Edition, First Printing. Quarto, 153 pages; VG/VG-; spine with black and red lettering; dust jacket protected with a mylar covering; mild shelf wear and soiling; mild wear to crown and tail of jacket spine; contains full color illustrations; all text in French; pages clean; shelved Front Table. More

Paris: Marcel Lubineau, 1970. Limited Edition, #756/1200. Quartos, 3 volumes; VG; housed in publisher's matching slipcase and two-fold, gilt titling to spines; minor wear to slipcases; volumes in sheets; Limited Edition, #756/1200, one of the 1050 copies on 'velin de Rives'; with 54 works by Henry Lemarié reproduced in color, including 3 frontispieces and 51 large in-text; shelved above US Pol Bios. More

Geneva: Albert Kundig, 1943. Limited Edition, #33/600. Quarto, 123 pages; VG-; softcover; spine age-toned white, with black lettering; housed in VG white paper slipcase; with publisher's original glassine wrapper; mild shelf wear and soiling; mild age-toning overall; illustrated in limited color; signed flat by Courthion and Monnier at signature page; all text in French; pages clean; shelved Front Table. More

Bruxelles: Arcade, 1972. Third Edition. Quarto, 315 pages; VG/VG; spine white, with black lettering; housed in VG- black slipcase; mild shelf wear and soiling; profusely illustrated with black and white and full color photographs; all text in French; pages clean; shelved Oversize Art Monographs. More

Paris: c. 1819. A hand-colored botanical print of a raspberry plant; VG-; framed and matted; not examined out of frame; mild foxing to print; dimensions in frame: height 20 1/4 in. x width 17 in. x depth 3/4 in.; dimensions from sight: height 12 in. x 9 1/2 in.; located at Dupont store. More

Paris: Picard, 1984. First Edition. Quarto, 335 pages; VG/VG-; white and red spine with black lettering; dust jacket protected by a mylar cover; age-toned dust jacket with minor shelf wear and tearing, pages clean; shelved Front Table. More

Antwerp: Guy Schraenen, 1975. Large Octavo; 8 pages; G+; Stiff black wrappers with red text; Covers have creasing along spine and bending along tail edge of spine; Signed and numbered #174 by Henri Chopin on inside of rear cover; Henri Chopin was a French Avant Garde artis in the 1950s-70s; Shelved Case 0. More

Paris: Editions Cercle D'Art, 1983. Folio; 101 pages; G+/G+; Black spine with White text; Dustjacket had mild wear along head edge of both covers and corners; Boards have bumping to top corners of both covers; Textblock has faint black mark near fore edge of some pages; Shelved in Art by Artist. More

Paris: Editions de la Reunion des Musees Nationaux, 1992. Large Octavo; pp 559; G/G; dark brown spine with white text; dust jacket has slight shelf wear to exterior; mylar wraps; cloth has brown marks to joints and along head and tail edges; panels show little wear to exterior; boards shaken; text block shows some foxing to exterior edges, split hinge between front endpaper and pastedown, partially split hinge between rear endpaper and pastedown, brown marks along textblock edges, light ink inside; pictorial endpapers; profusely illustrated; text in French; arts - French; biography; additional shipping may be necessary due to size/weight restrictions for international/expedited orders; Shelved in French Art. More

[Paris]: De l'imprimerie royale, 1752. First Edition. Quarto, 2 volumes; VG; bound in contemporary calf with gilt seal to center of each board, newly rebacked in pale brown leather, two burgundy labels with gilt titling; all edges of text block gilt; some rubbing and wear to boards; marbled endpapers; bookplate to front pastedown; illustrated with 3 engraved headbands and 2 title vignettes.; MW consignment; shelved case 9. More

London; Paris: J. Dodsley; De L'Imprimerie de Monsieur, 1789. A unique collection of both the original French and the English translation of the famed novel, together with an awe-inspiring collection of proofs before letters by esteemed French artists. Three volumes housed in a custom three-part black and red leather box, gilt titling to spine, box solid, some wear and cracking; Paul et Virginie is bound in full burgundy morocco, triple gilt rules to boards, spine with gilt titling and tooling, all edges of text block gilt, marbled endpapers, bookplate to front endpaper; Unsigned binding, but early invoice states it was bound by Derome., Paris: De L'Imprimerie de Monsieur, 1789. with half-title, 12mo., xxxv, 243 pages, with 4 black and white plates, foxing to plate edges; "Prix, papier vélin d'Essone, 6. liv."; Both volumes of Paul and Mary are bound in matching full green morocco with elegant gilt tooling, paneled spines similarly gilt; all edges of text blocks gilt; doublures burgundy morocco with matching design to boards, embroidered silk endpapers facing doublures, marbled endpapers following; incredibly tight binding; bookplate to marbled endpaper; Bound by Chambolle-Duru with their gilt stamp to front doublure; London: printed for J. Dodsley, Pall-Mall, [1789]; With an Autograph Letter Signed by Saint-Pierre, addressed "Au Citoyen Le Danois" (André Bazile Le Danois de La Soisière), a member of the Council of Ancients. Measuring ~9 x 6.7 inches (~23 x 17 cm.), with integral address leaf attached. Small tear to upper left corner where seal was attached, small archival repair to upper right corner, neither impacting and writing. Four Postal stamps present on integral address leaf. Actual text is 25 lines in Saint-Pierre's hand, responding to a letter by Le Danois about a meeting, countering his proposed date of the 8th with the 10th. He then goes on to discuss how he was tricked by a man that he had not seen for 20 years, as well as by a young woman. He defends himself that he in no way was compromising the interests of the Republic. The letter is dated "Paris, ce 7 ventose an 7" ( February 26th, 1799); With invoice circa 1895 from E. F. Bonaventure, with a handwritten description of the three volumes in purple ink. "Unique copy in an exquisite Binding by Chambolle extra illustrated with rare set all proofs before letters" "1. Set of proofs by [Achille] Devéria 2. Set of proofs by Corboald 3. Set of proofs ??? 4. Set of proofs Medallions in color 5. Set of proofs Medallions [in color] by Dutailly [Guyot sculp] 6. Set of proofs by Desenne 7. Set proofs by [Jean-Michel] Moreau 8. Set proofs by [Tony] Johannot 9. Set proofs by Corboald (small) 10. Set proofs by Lery[?] 11. Set proofs by [Jean-Antoine-Valentin] Foulquier 12. Autographed Letter In All 70 Plates, All proofs" Shelved case 0. More

Paris: Édouard Rouveyre, 1887. Limited Edition, #568/1500. Small Quarto, 263, viii; VG; bound in 3/4 brown calf, dark red cloth boards, paneled spine with gilt tooling and lettering; beautifully marbled endpapers; front hinge worn, some scratches and wear to binding; both original wraps preserved and bound in; with 72 plates with printed tissue guards; text in French; shelved case 9. More

New York: Harry N. Abrams, Inc., 1996. First English Edition, Large Quarto, 293 pages; VG/VG; spine teal with white and black lettering; mild rubbing to dust jacket; text block clean; shelved front table. More