London: George Newnes, Limited, 1901. Early Edition. Quarto; 96 pages; VG-; three-quarters dark purple bonded leather binding over pebbled cloth boards with gilt titling to front cover and spine and gilt tooling to all faces; some shelfwear to covers, including scuffs, rubbing, chips, slightly exposed boards, and a four-inch split from the head at the front hinge bisecting the spine below the title; textblock clean with red speckling on all edges; inscribed with an illustration reading "To Lucy From Charlie 5 Nov. 1901" on pre-title; full color plates from photographs throughout; one item of ephemera loose within, a pamphlet titled "Reply of His Majesty the King to an Address from the School, July 1, 1911.", shelved above case 4.
Impressionism/19th Century Art [Dupont Only]
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Ottawa: National Gallery of Canada, 1999. First Edition, First Printing. Quarto; 599 pages; VG/VG; spine emerald with white text; dust jacket protected with mylar; mild shelfwear to dust jacket, including a few small chips to the front cover; textblock clean; ink name to ffep; black and white and full color photography throughout; shelved Artists A-F.
New York: Hugh Lauter Levin Associates, Inc., 1992. First Edition, First Printing. Quarto; 378 pages; VG/VG; spine graphic pink with black text; dust jacket protected with mylar; price unclipped reading "$75.00", mild shelfwear to dust jacket; textblock clean, but slightly cocked; black and white and full color photographs throughout; shelved Artists R-Z.
New York: Universe Books, 1999. First Edition, Third Printing. Square quarto, 79 pages; VG/VG; dark green spine with black lettering; dust jacket protected with a mylar covering; minor shelfwear and rubbing to the jacket, including a small closed tear at the head of the spine; minor creasing to the top corners of the jacket flaps; price unclipped '$25.00'; minor bumping to the corners of the boards; text block is clean; shelved at the front table.
Cody, WY/Seattle, WA: Buffalo Bill Historical Center/University of Washington Press, 1996. First Edition, First Printing. Quarto, 2 vols.; VG/VG-; spines pictorial, with black and white lettering; housed in VG tan cloth slipcase; mild shelf wear and soiling; small closed tear at crown of vol. 2 jacket spine; ribbon bookmarks; both vols. profusely illustrated in black and white and full color; pages clean; shelved Front Table.
Italy: c. 1960's. Framed landscape painting, with forest in foreground and building in distance; VG; in light-colored wooden frame, with glass front; not examined out of frame; signed by Soffici at lower left corner; possibly a part of his Poggia series; This Soffici painting depicts the same scene shown in his 1963 painting titled "Veduta del Poggio".; dimensions in frame: height 18 3/4 in. x width 13 3/4 in. x depth 1 3/4 in.; dimensions from sight: height 13 1/2 in. x width 9 1/2 in.; RR consignment; located at Dupont store.
Italy: c. 1960's. Framed landscape painting, with side of a building at left of image; VG; in light-colored wooden frame with glass front; not examined outside of frame; signed at lower right corner by Soffici in gray paint; possibly a piece of his Poggio series; This Soffici painting depicts the same scene shown in his 1962 painting titled "Case al Poggio"; dimensions in frame: height 18 3/4 in. x width 13 3/4 in. x depth 1 3/4 in.; dimensions from sight: height 13 1/2 in. x width 9 1/2 in.; RR consignment; located at Dupont store.
New York: Harry N. Abrams, 1992. Quarto; 303 pages; VG-/G+; Illustrated spine with White text; Fully bound in brown cloth with orange text; Dustjacket protected by mylar cover, minor edgewear and shelfwear, small closed tear along head edge of rear cover; Boards have minor edgewear; Textblock has small gray smudge on title page; Shelved front table.
New York: The Metropolitan Museum of Art; Harry N. Abrams, Inc., 1994. First Edition. Quarto, 486 pages; VG/VG-; spine is blue with white lettering; dust jacket has minimal wear along the top and bottom edges, has minor rubbing on the back cover; binding has minimal bumping on the fore edge corners; pages clear; possibly signed by Tinterow on the title page; shelved front table.