New York/London: The Metropolitan Museum of Art/Royal Academy of Arts, 1992. First American Edition, First Printing. Quarto; xi, 499 pages; VG/VG; spine red with white text; dust jacket protected with mylar; mild shelfwear to dust jacket; light scuffing to all edges of textblock, as well as a thick black line to the bottom edge of the textblock and boards; black and white and full color photographs throughout; shelved Artists M-Q.
Rennaissance Art [Dupont Only]
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Greenwich, CT/Amsterdam: Bruce Museum/Rijksmuseum, 2006. First Edition, First Printing. Long quarto; 250 pages; VG/VG; spine brown with white text; dust jacket protected with mylar; mild shelfwear to dust jacket; textblock clean; illustrated endpapers; black and white and color illustrations throughout; mild textblock split to expose webbing and offset at page 250; shelved European Art.
Washington, D.C./New Haven: National Gallery of Art/Yale University Press, 2018. First Edition, First Printing. Quarto; xvii, 293 pages; spine maroon with white and beige text; dust jacket protected with mylar; very mild shelfwear to dust jacket; textblock clean; small grey smudge to half-title; full color and black and white photographs throughout; shelved Front Table.
Ithaca: Cornell University Press, 1985. First Edition. Quarto, 243 pages, ; G/VG-; Beige spine with brown lettering; Dustjacket shows minor soiling overall, with minimal wear to corners and head of spine; Dark orange cloth boards have light wear to corners and tail of spine, and slight warping to front cover; Textblock has an instance of soiling to bottom edge, and significant foxing to top edge. RWO.
Koln, Germany: Taschen, 2017. Reprint. Thick octavo, 791 pages; VG-/VG-; gray pictorial spine ('Creation of Adam') with black lettering; dust jacket protected with a mylar covering; minor shelfwear and rubbing, particularly at the corners of the jacket flaps and at the head/tail of the spine; bumping to the board corners, most notably the front bottom corner; edges of the text block are clean; scattered pencil markings on pages 7-11; shelved in Art History/Artist Biography.
New York: Brentano's, 1906. 1906 Reprint. Octavo, 2 vols.; VG-; contemporary full green leather bindings, with extensive gilt design; spines paneled, with gilt lettering and design; some shelf wear and soiling; vol. 1 front joint starting; upper edges of both vols. gilt; previous owner's bookplate at front pastedown of both vols.; uncut pages throughout; both vols. with black and white illustrations; pages clean; shelved above US History 1700s--A-F.
New York: Thames and Hudson, 2002. First U.S. Edition. Quarto; 280 pages; VG-/G+; Gray spine with White text; Bound in black cloth with Silver lettering on spine; Dustjacket protected by mylar covering, some edgewear and shelfwear, scratches on both covers; Bumping to bottom corners and tail edges of boards; Pages clean; Shelved Renaissance Art.
Milan: Franco Maria Ricci, 1980. Limited Edition, #2280/3000. Quarto, 175; VG; in VG black case, with blue paper label; mild shelf wear and soiling; signed by Ricci at limitations page; stamped with number at limitations page, #2280/300; contains numerous full color tipped-in plates; pages clean; shelved Case 11.
London/New York: Phaidon, 1977. Enlarged Edition. 6 Quartos; VG; Red cloth boards and spines with gilt lettering; Some edge wear to all volumes, bumping at the corners; Bindings strong; Text block free of marking. Shelved above European history. NOTE: Set is heavy, please contact us for international or priority shipping.
Brussel: Arcade, 1970. First Edition. Quarto, 292 pages; G+/G+; in G+ green slipcase; full binding of green cloth; spine faded green with black lettering; mild wear to dust jacket; small closed tear at head of dust jacket spine; white library sticker at bottom of spine; mild shelf wear to book; ex-library, with usual marks; contains numerous tipped-in full color plates; text in Dutch; pages clean else library marks; shelved Medieval/Renaissance Art.
Brussel: Arcade, 1975. First Edition, First Printing. Quarto, 469 pages; VG/VG-; in VG red slipcase; full binding of maroon cloth; spine white with black lettering; closed tears to crown of dust jacket spine; mild shelf wear; contains tipped-in full color plates; contains black and white illustrations; pages clean; shelved under Second Table.
New York and London: Abbeville Press, Publishers, 1996. First Edition. Quarto, 472 pages; VG/VG-; light blue spine with white text; dust jacket has little wear to exterior edges; chip to front fore corner; cloth clean; strong boards; text block has minimal wear to exterior edges; remainder mark to exterior tail edge; pictorial endpapers; frontispiece; profusely; shelved front table.
London: Phaidon, 1971. Second Edition. Quarto; VG- Hardcover w/ G+ Dustjacket; White spine with Red text; Dustjacket has some edgewear, moderate shelfwear, adhesive remnant near bottom corner of rear cover, otherwise clean; Boards strong, bumping to corners, some small black marks on front cover, wrinkling along tail edge of spine, otherwise clean; Textblock clean save Author's Signature on front endpaper; 365 pp; Signed by Author; shelved Sculpture.
Los Angeles: University of California Press, 1978. First Edition. Quarto, VG/VG,VG/VG, 199/231pages; spines are gold with white lettering; dust jackets have minimal wear along the top and bottom edges; bindings and pages clear; Shelved in Netdesk office, on bookshelf to the right of the 7's Ephemera sections.
Antwerp: Mercatorfonds, 1987. Folio, 515 pages, VG-/VG; DJ, red and brown pictorial spine, white lettering: minimal wear to DJ; quarter-bound, white paper spine, black cloth boards, bright gold lettering: mild overall wear to boards, slight fraying to cloth adjacent paper spine to front board, light scratching to clean text-block; interior clean; volume housed in VG- black slipcase; shelved Front Table.
Firenze [Florence], Italy: Giunti Editore, 2010. First Edition, First Printing. Quarto, 429 pages, G+; blue gloss paper boards, white lettering: spine cocked, boards somewhat shaken, binding strong; bumping to head, tail, and corners; small tear to top corner of back board; slight wave to text-block, light scuffing to bottom of text-block, top and fore-edge clean; mild liquid staining with buckling to margins of endpapers and interior, text and graphics unaffected; interior replete with full-color graphics and plates, gloss leaves; text in Italian; shelved Front Table.