Original Alyne Harris painting on canvas. Professionally framed with wire wall mount on verso (measures 13" x 10"). JG consignment. More

New York: Pantheon Books, 1983. Deluxe Limited Edition, #119/250. Quarto (12 in. x 12 in.), [12], 192 pages. In Very Good plus condition, with Very Good plus case. Black fabric case with gilt lettering to front and spine. Boards bound in red publisher's cloth with gilt lettering to spine and front board. Boards show very light shelf wear overall with minimal rubbing along edges. Textblock is clean. Includes 7 1/2 in. x 9 1/2 in. color photograph mounted on Rising Photomount and signed by Eliot Porter in pencil. More

Original Watercolor Illustration from Gerrard's 1994 book "Croco'Nile," out of print since 2010. In Very Good condition. Housed in Very Good condition white and orange frame decorated with hunting scenes. Professionally framed and matted. Dimensions in frame: height 22.25 inches x width 31.5 inches; dimensions from sight: height 10.5 inches x width 20 inches. Not examined outside of frame. Two creases to top edge of matting. Signed by Gerrard in bottom left corner of painting. More

[20th Century]. Graphite portrait of a young person with furrowed brows, short hair, and dark eyes drawn on olive green Fabriano paper. In Very Good condition. Housed in Very Good condition black frame with white matting. Dimensions of frame: height 15.5 inches x width 12.5 inches; dimensions from sight: height 9.5 inches x width 7.5 inches. Examined outside of frame. Paper adhered to matting with blue painters tape. Light pencil sketches and an extremely faint signature on verso of sketch along with paper manufacturing information. HR consignment. Located at Dupont store. More

Boston: Amalgamated Lithographers of America, 1960. In Very Good condition. Light creasing to poster body, and light edge wear with a few small chips to the periphery. Measures w 27 1/2 in. x h 42 3/4 in. More

Pyramid. Condition: Poster is Very Good with light dents and minimal wear to edges and corners. Measures 38'x54" More

Egypt: 500-700AD. Cotton and wool Coptic textile fragment measuring 3.5 in. x 7 in., and wooden tool measuring 0.5 in. x 5 in. Both encased in black box with clear screen and resting on batting. Coptic textile fragment with brown and yellow traditional patterns of early Christian Coptics, fraying at sides, some soiling overall. Pointed wooden tool with carved ornamentation and small hole on one end. DL Consignment. Shelved in Room A. More

[n.p.]: [n.p.], c. 1870. Framed Color Lithograph, measuring w 38 in. x h 26.5 in. (in-frame dimensions: w 45 in. x h 33.5 in.). In Fair condition. Lithograph of an engraving by Robert Whitechurch, after a painting by Christian Schussele, depicting Benjamin Franklin presenting the grievances of American colonists to the Privy Council on January 29, 1774. Variously titled: "BENJAMIN FRANKLIN AT THE COURT OF ST. JAMES, LONDON". Lithograph has faint damp staining to bottom right corner, and several instances of mild splotching to central portion of image. In wooden frame with gold painted interior molding. Frame has light wear overall, some moderate scratching to finish on right vertical side, and some chipping to interior molding. Hanging adjacent to Lazarus Room. More

Limited Edition (3/6). Norman Mailer, Allen Ginsberg and William Burroughs at Naropa Institute in Boulder, Colorado. July 6, 1985. Limited edition (3 of 6). Signed by Jerry Aronson, the photographer. 20” x 16”. Fine condition with slight smudge in written names below photograph. More

c. 1880-1910. A large color lithograph showing an artist's imagining of a meeting between Elizabeth I, surrounded by her most prominent courtiers (such as Cecil and Walsingham), and Mary, Queen of Scots. Late Victorian or early Edwardian. Lithograph [visible]: w 38.5 in x h 26.5 in. Frame: 53 in x h 41 in. In Good plus condition, with several small (between 1/8 in and 1 in long) patches of damage in the upper half of the print. Frame moderately bumped at corners and lightly bumped in several places along edges, resulting in some damage to gilding. Not examined out of frame. More

Chicago, IL: The University of Chicago Press, 2018. First Edition, First Printing. Octavo, 396 pages; VG; white spine with red lettering, minor shelfwear; pages clean; shelved in American Art. More

National Women's Hall of Fame, 2011. A poster from the National Women’s Hall of Fame 2011 Induction Weekend, framed alongside a photograph of U.S. Senator from Maryland Barbara Mikulski, Ret. Mikulski was inducted into the Hall of Fame that weekend in recognition of her status as the first female Democratic United States Senator elected in her own right, and as the longest-serving female senator in U.S. history. Very good+; minor bumping to corners of frame. Not examined out of frame. Dimensions: w 26.25 in x h 23.25 in. More

1999. Title: Huellas de la Madre A painting by Cuban folk artist Sanfiel. Title and date on verso. Artist's signature "J_Sanfiel" appears in lower right quadrant. Very Good plus. Minor marking and discoloration to edges of canvas. Artist: Sanfiel, Jorge Luis (Cuban, b. 1963) Medium: Mixed Media on Canvas Date: 1999 Hand Signed Measurements: w 18 in x h 22 in RW Consignment. More

19th c. An untitled oil portrait of a young woman, attributed to American painter and poet Washington Allston. He was the first important American Romantic painter, and was called the "American Titian." Allston's paintings are known for their bold use of light and atmospheric color. His artistic genius was much admired by Samuel Taylor Coleridge and Ralph Waldo Emerson. Some years after Allston's death, poet Henry Wadsworth Longfellow wrote: "One man may sweeten a whole time. I never pass through Cambridge Port without thinking of Allston. His memory is the quince in the drawer and perfumes the atmosphere." Allston's paintings have been widely exhibited in museums, most notably at the Smithsonian American Art Museum, the Metropolitan Museum of Art, and the Museum of Fine Arts, Boston. Unsigned and undated, marked "W. Allston" on verso. In wooden frame. Very Good minus. Minor wear to edges of board; evidence of possible previous restoration, particularly to two small areas of the figure's neck and chest. Frame is fragile with some chipping to gilt components. Note that the portrait was originally in an oval frame, as was popular in the 18th century. However, oval frames fell out of fashion in the 19th century, and many paintings were relined to fit a rectangular frame. As a result, the original oval shape is faintly visible. Artist: Allston, Washington (attributed to, American, 1779-1843) Medium: Oil on Canvas Date: Early 19th Century Measurements: w 19.5 in x h 23.5 in. (Frame Size: w 39.5 in x h 43.5 in) RW Consignment. More

Washington, DC: 1971. Limited Edition. One of eleven signed limited edition black and white photographs taken by Charles Sacks of Washington, D.C.'s Dupont Circle during the summer of 1971. 11" x 14" mat finish. Each image has a limited edition of 10. Each is signed and numbered on the verso. More

Washington, DC: 1971. Limited Edition. One of eleven signed limited edition black and white photographs taken by Charles Sacks of Washington, D.C.'s Dupont Circle during the summer of 1971. 11" x 14" mat finish. Each image has a limited edition of 10. Each is signed and numbered on the verso. More

Washington, DC: 1971. Limited Edition. One of eleven signed limited edition black and white photographs taken by Charles Sacks of Washington, D.C.'s Dupont Circle during the summer of 1971. 11" x 14" mat finish. Each image has a limited edition of 10. Each is signed and numbered on the verso. More

Washington, DC: 1971. Limited Edition. One of eleven signed limited edition black and white photographs taken by Charles Sacks of Washington, D.C.'s Dupont Circle during the summer of 1971. 11" x 14" mat finish. Each image has a limited edition of 10. Each is signed and numbered on the verso. More

Washington, DC: 1971. Limited Edition. One of eleven signed limited edition black and white photographs taken by Charles Sacks of Washington, D.C.'s Dupont Circle during the summer of 1971. 11" x 14" mat finish. Each image has a limited edition of 10. Each is signed and numbered on the verso. More

Chicago: 1979. Limited edition (2 of 6). Chuck Berry at Navy Pier in Chicago, Illinois. June 15, t1979. Limited edition (2 of 6). Signed by Jerry Aronson, the photographer. Jerry said: “This concert brought home Chuck’s originality and his position as one of the founders of rock and roll.” Dimensions: Print: w 11 in x h 14 in; image: w 10 in x h 12.5 in Condition: Excellent. More

5" x 7". Hard ultrahyde covers. 64 sheets of white, ruled paper. Features matching satin ribbon bookmark, elastic privacy closure, pen loop and thread-sewn book binding. Available in Purple, Red, Blue, and Orange. Please specify when ordering which color you would like. More

A classic poster from Family Dog presents. This poster advertises a concert featuring The Grateful Dead and Quicksilver Messenger at The Avalon Ballroom in June, 1966 (FD-12). This is a second printing. Features one of the most classic of the early Family Dog images, known as "The Quick and the Dead." Designed by artist Wes Wilson. In very good condition. Measures 14” x 20.5” and shows minimal wear to edges. Shelved Dupont. CX Consignment. More

A 1973 David Singer designed poster for a January 21 - 22, 1973 Rolling Stones concert at Honolulu International Center. The concert was presented by Bill Graham and Barry Fey, and the poster was printed by Tea Luatrec Litho. In very good condition. Measures 20” x 28.5”, and has faint water stains to upper and lower right corner. Slight yellowing along edges. Shelved Dupont. CX Consignment. More

A signed poster for a Wavy Gravy benefit concert, which was performed on May 15, 1996 at the Berkeley Community Theater. The concert was presented by Seva Foundation and Bill Graham. It features signatures from both Wavy Gravy and famed poster designer Stanley Mouse. The poster measures 35” x 22”. In very good condition. Limited Edition: #92/100. Marking to bottom border. Soiling along borders, especially to upper left. Faint crease at top right corner. Shelved Dupont bins. CX Consignment. More

Gary Snyder at Naropa Institute in Boulder, Colorado. August 1983. Limited edition (1 of 10) Signed by Jerry Aronson, the photographer. 11” x 14”. Fine. More