London: Oxford University Press, 1968. Second edition. Quarto; VG/no-DJ; Blue spine with gilt text; Cover has shelfwear, top and bottom spine slightly bumped, previous owner's info stamped on bottom right corner of FFEP, corners good; Sunning and spots on head edge, marks on fore edge, otherwise textblock is clean; 320 pp.
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Mill Valley, CA: The Wings Press, 1960. First Edition. Octavo; pp 119; G/Poor; gold spine with black text; dust jacket has noticeable soiling to exterior; minor chips to edges; rear head edge missing; small sticker to front; moisture staining inside dj; cloth shows some white spots to exterior; some worn corners; strong boards; text block has slight toning to exterior edges; interior clean; tight binding;.
Mill Valley, CA: The Wings Press, 1957. Octavo; pp 101; G/no-DJ; red spine with gilt text; cloth has moderate wear to corners; slight sunning to exterior; strong boards; text block slight age toning to exterior edges; slight writing to ffep; small spot to 74-83 toward head edge; some foxing to endpapers; chipped head fore corner to pp 61-64.
London: The Channing Press, 1832. Octavo; G/G-; Hardcover with DJ; DJ spine, tan with handwritten title; DJ is grey, peripheral toning and tanning to spine, mild edgewear, small stain to rear top edge and to spine; Boards in green cloth, paper pastedown on spine and front, mild wear to corners and spine caps, slight shelfwear; Text block has name in ink and vendor label on front flyleaf, tanning to endpapers and mild tearing to hinges, name in ink on title page, slight amount of pencil notation within text; 112 pages, frontispiece.
Paris: Richard-Masse, Editeurs, 1952. Large Octavo; pp 155; G+/no-DJ; dark green spine with gilt text and raised bands; cloth has slight wear to exterior, minor edge wear, strong boards; text block shows slight shelf wear, light age toning towards edges; marbled pastedowns and endpapers; tight binding; French text.
New York, London, Toronto: Thomas Yoseloff, 1964. Second printing. Octavo; pp 299; G/G-; Grayish tan spine with blue and ivory text; dust jacket has moderate wear to exterior, chipping to corners, sunning to exterior; cloth has slight wear to exterior, moderate sunning to exterior; text block shows slight wear to exterior edges; interior clean;.
Paris: A. and W. Galignani, 1829. First Edition. 8vo. (9.7 x 6 inches), 225pp., 275pp., 75pp.; VG-; spine green faded to black with a printed paper tan label and black lettering, publishers binding; sporadic foxing throughout; cracking on spine edges; engraved frontispiece, with portraits of the three poets, by J. T. Wedgewood, printed on india paper and mounted onto a blank leaf.; 6 pp of publishers adverts, half-title, frontis , title page, publishers note leaf, xi, , 225, , xi, , 275, , vii, , 75 pp.; text printed in double column; chipping and rubbing to the edges and spine, head and tail of spine chipped, corners peeling; shelved case 0.
London: Henry Frowde, 1907. 12 mo. VG/VG DJ. Ta spine with navy blue text/title; dustjacket is mostly clean with mild edgewear; dj has protective mylar covering; boards are strong and clean; pen writing on front pastedown and pencil writing on front free end page; binding is strong; textblock is age-toned but clean. Pp. 90.
London: Nattali and Bond, ca. 1820 and 1855. Second edition; Ninth edition for volumes II and III. Octavo in dark green leather with six-band embossed leather spine and gold letters; vols. II and III rebound in 1/2 dark brown cloth and leatherette spine; VG; one volume with general fraying and soiling on boards; strong bindings; dusty, deckle edges; slight discoloration and offsetting from illustrations; vol. III has open gutter in front and stains on title page and frontispiece; text clean; shelved in Case # 0; please contact us for shipping costs.
London: R. Ackerman, 1820. Vol. 1 third edition. Set of 2 octavos in dark brown calf with five-band spine with gilt; VG; marble end pages; moderate soiling on boards and tight binding; previous owner's name on ffep and cut on title page of vol. second; last illustration in vol. 2 repaired in the back; paper and text clean with slight fading and foxing; illustrations bright and clean; shelved in Case #0.
New York: Farrar & Rinehart, Incorporated, 1929. First Edition. 8vo., 217pp.; VG; spine brown leather with 5 raised bands, gilt lettering; rebound in full green leather, spine and board edges faded to brown, floral patterned endpapers; top edge of text block gilt; Frances Marion's name embossed in gilt on lower fore corner of front board; mild shelfwear; INSCRIBED and presented by author Marc Connelly to Francis Marion on the second front endpaper, dated 1935; LSM consignment; See all five photos for details The most renowned female screenwriter of the 20th century, and one of the most respected scriptwriters of any gender, Frances Marion was the first writer to win two Academy Awards, for her writing on The Big House (1930) and The Champ (1931), and the first woman to win an Academy Award for Best Original Screenplay. She served in Europe as a combat correspondent during World War I, after which she moved to Los Angeles and was employed by director Lois Weber as an assistant, in which position she received a thorough apprenticeship in the film industry. She began writing scripts and attracted the attention of Mary Pickford. The pair began a long relationship as both friends and artists, with Marion serving as Pickford's official screenwriter. She wrote many of Pickford's most famous and memorable silent films as well as many other of the great successful pictures of the 1920s and 1930s, and has been credited with writing 300 scripts and over 130 produced films. Her influence resurrected the career of Marie Dressler and resulted in her greatest glory, and her scripts for Marion Davies are among the most memorable of that actress' oeuvre. She died in 1973, one of the most respected names in Hollywood history. Shelved in AS office.
London; New York: Macmillan and Co., Ltd.; St. Martin's Press, 1962. Reprinted. 10mo; pp 91; G/G-; green spine with ivory text; dust jacket has modest wear to exterior; some chips to edges; light soiled rear; cloth shows light wear to exterior; strong boards; text block shows edges have mild toning; tight binding; interior clean;.
London: Sherwood, Jones, and Co., 1823. Thin octavo; 33pp. Good; brown leather spine with gilt text and designs; shelf wear and spotting to the boards; --front board separated from text block at the spine; text block, clean; toning starts; dampstaining to endpapers. SIGNED by Christopher Cookson (later Crackenthorpe), relative of William Wordsworth's mother. eb/nd.
New York: Robinson, Pratt, and Co., 1844. Octavo; G/no-DJ; Light brown spine with gilt text on dark brown panel; Boards are covered with leather and is heavily rubbed & sunned, mostly on spine with scratches and rubbing wear on exterior and along edges, slight cracking at front joint, and tear toward tail edge on rear, but panels are still attached and are sturdy; Text block has darkened on exterior edges with light pencil on ffep, slight foxing on first & last few pages, slight cracking at front hinge between pastedown & end papers and some general foxing on text pages; pp 615.
Venice, CA.; Kyoto, Japan: The Lapis Press; Origin Press, 1990-1998. First Editions; Limited Edition. 8vos., 749pp., 757pp., 791pp.; VG; spines black with whit lettering, cloth-backed wraps, stiff white wrappers; house in VG black cloth publishers slipcases; volumes one and two housed in one slipcase, volume three in a second, both matching; all three volumes very clean and bright. slipcases bright, in excellent condition. the first two volumes were printed in California, and the third, one of 200 copies, in Kyoto, Japan, at the Origin Press in 1998. Part of a yet unpublished 5 volume set of his complete poems. These volumes contain 750 poems each.; shelved above case 0.
London: Richard Cobden-Sanderson, 1923. Octavo; G/no DJ; Hardcover w/out DJ; Spine, blue with white paper title label, blue print; Boards in blue cloth, wear to corners, edges, and spine caps, bump to rear top corner, mild shelfwear; Text block has deckled edges, name in ink on front flyleaf, tanning to endpapers, penciled note on p. 23, mild age-toning to paper; 420 pages, frontispiece (port.).
New York: James T. White & Co., 1917. Small Octavo; G+/no-DJ; pp 126; dark beige spine with gilt lettering; cloth has bluish-green staining to front, some soiling to rear board; minor wear to edge, some fraying to spine edges; text block shows slight age toning to exterior edges, previous owner's bookplate to front pastedown; interior clean.
London: The Nonesuch Press, 1926. Limited Edition [1000 of 1050]. Octavo; VG-; hardcover; bound in brown cloth, red label with gilt lettering; boards strong, some shelfwear, general edgewear, red ring stain on front, rubbing and bumping on fore corners and spine edges, spine sun toned, browning and soiling in interiors, penned signature on front end paper; text block age toned, pages cut unevenly, occasional soiling; 213pp.
London: Cambridge University Press, 1906. Octavo; G+/VG-; brown spine, navy blue lettering; dust jacket has general shelfwear, stamp on rear cover, open tears and chipping on spine head edge, closed tears and light chipping on spine tail edge, sticker on spine, protected by mylar; boards slightly bowed, some edgewear, soiling on front and rear covers, rubbing and bumping on fore corners and spine edges, spine sun toned, interiors age toned, stamp on front end paper; text block age toned, occasional tearing on fore edges; vii, 499pp.
Toronto: University of Toronto Press, 1973. Corrected First Edition. Octavo; VG/VG; red spine with white text; jacket has rubbing, edgewear, sticker on spine, slight age toning; boards are strong and clean; textblock has name stamped on half title page, faint spotting on head edge, otherwise clean; pp 196.
Soho: The Nonesuch Press, 1923. Limited reprint edition (#568 of 725). Tall, narrow, thin octavo in gold hardcovers with white spine; VG; moderate soiling and shelf wear around edges; strong binding; parchment paper with deckle edges; pp. 52; text in tight print; contains seven original engravings on copper designed by Stephen Gooden; shelved in Case 0; GP consignment.
London: John Sharpe, 1825. 32mo; G/no DJ; Hardcover w/out DJ; Spine, green with gold print on red banner; Boards in green leather with gilt decorative trim, minor wear to corners, hinges, and spine caps, mild shelfwear; Text block has marbled edges and endpapers, cracked hinges front and rear, name in ink on front endpaper, some foxing, especially to plates; vi, 108 (Part I), 103 (Part II), illustrated (each part has 2 engravings (incl. t.p. vignette) after designs by R. Westall). NOTE: Shelved in 15's ephemera box 4, in Netdesk office.
London: John Sharpe, 1825. 32mo; G/no DJ; Hardcover w/out DJ; Spine, green with gold print on red banner; Boards in green leather with gilt decorative trim, minor wear to corners, hinges, and spine caps, mild shelfwear; Text block has marbled edges and endpapers, name in ink on front endpaper, some foxing, especially to endpapers and plates; Title on frontispiece (illustrated title page): Cowper's Table Talk; 204 pages, frontispiece, illustrated (added t.p. and 6 special title pages for individual poems; all engraved and illustrated after designs by R. Westall). NOTE: Shelved in 15's ephemera box 4, in Netdesk office.
London: John Sharpe, 1825. 32mo; G/no DJ; Hardcover w/out DJ; Spine, green with gold print on red banner; Boards in green leather with gilt decorative trim, wear to corners, hinges, and spine caps, mild shelfwear; Text block has marbled edges and endpapers, name in ink on front endpaper, some foxing, especially to endpapers and plates; 220 pages, frontispiece, illustrated (added t.p. and special title pages for each of the 6 books of the poem; all engraved and illustrated after designs by R. Westall). NOTE: Shelved in 15's ephemera box 4, in Netdesk office.
Yorkshire: The Scholar Press, 1973. Octavo; Facsimile of edition published by J. Hatchard, London, 1810; G/G-; Hardcover with DJ; DJ spine, green with black print; DJ has tears across top edge, portion at top of rear torn away, hole and surface tear in spine, shelfwear; Boards green with gold print, mild wear to corners and spine caps, crease to front hinge, bump to spine, mild shelfwear; Text block clean and tight; xli, 344 pages.
Cambridge: At the University Press, 1967. Octavo; G/G; Ex-library; Hardcover with DJ; DJ spine, green with black and white print, library call number at bottom; DJ has light edgewear, small tear to front top edge, price clipped, else clean and bright; Boards in green cloth with gold print, light wear to corners and spine caps, else clean and strong; Text block has library stamps to top edge, to endpapers, and to title page, pastedowns have remainder of glue and paper labels, rear flyleaf has large tears, penciled call number on title page verso, a few uncut pages, clean text; xxxviii, 444 pages.
New York: The Museum of Modern Art, 1957. Limited Edition, #634/975. Oblong Quarto; VG; Original blue-gray stitched wrappers, printed label on upper cover, housed in the original matching blue-gray folding portfolio, matching printed labels to spine and front cover; front cover of portfolio has remnants of sticker clue to upper fore corner; "the illustrations have been printed from six original boxwood engravings and one cherry woodcut on Amalfi Italian handmade paper and on Moriki and Mending Tissue, both shnf-made in Japan. The edition is limited to 975 numbered copies and 25 lettered review copies, all signed by Mr. Baskin. This is copy number 634."; shelved case 0.
New York: Frederick A. Stokes Company, 1899. First Edition, First Printing. 8vo., 96 pp., VG-; gray paper-backed pictorial boards with black lettering and illustration; spine age-toned to brown; spine re-backed with gray cloth (turned-in over endpapers), original paper label laid down; head and tail of paper label to original spine chipped off, mild bumping to head of cloth spine; bumping and chipping to edges, particularly corners; mild age-toning to boards and to margins of interior; light staining to bottom of front cover; beveled fore- and bottom-edge of text-block; text printed on heavy gray paper; square tearing to front paste-down, likely from removal of bookplate; MA consignment; shelved Case 0.
London: Oxford University Press, 1966. Reprint Edition. Octavo; VG-; hardcover; navy blue cloth, gilt lettering; boards strong, some shelfwear, general edgewear, small closed tears on spine edges, rubbing and bumping on spine edges, rubbing on fore corners, ex-library white inked text on spine, stamp and penciling on front pastedown, ex-library stamps and sticker on rear pastedown; text block age toned, penciling on pages xvii and 338, penciling on verso of second title page, stamp on dedication page, ex-library stamps on head and tail edges; xciv, 476.
Oxford: The Clarendon Press, 1927. Octavo; G-/Fair; Hardcover with DJ; DJ spine, tan with blue print; DJ has tears at spine ends and flap corners, long diagonal tear to front, peripheral tanning, toning to spine; Boards in blue cloth with gold print, wear to corners and spine caps, else clean and strong; Text in English, Latin, or Greek; Text block has cracked front hinge, spine break at page 320, clean text, some pages uncut; xcii, 473 pages, frontispiece, illustrated (b&w).
New York: Gordian Press, 1967. New Edition. Reprint of 1871 Edition; VG-; Hardcovers; Spines have gold horizontal lines and gold texts; Stains and marks on the boards of the 9 vols. range from minor to moderate, rear board of vol.7 has a minor crack, all spines are minimally discolored and corners and edges of boards have minor bumping, but volumes have solid binding; Edges of volumes are tanned and have marks; Front paste down of vol.5 has minor stains, pp.441-452 of vol.10 are slightly dog-eared; front paste downs of vols.6,7& 8 have red price stickers; pp.69-70; 207 of vol.3 have ink notes, front free end- papers of all volumes have inscription of the previous owner; otherwise text blocks are clean; 1,431p. (Letters-4 vols); 1431p. (Poetry-3vols.); 561p.(Correspondence and Prose Works); 538p.( Life and index) Oversized book.Additional shipping and handling needed for expedited/international orders. Economy international shipping may not be available. Contact seller for details.
New York: David McKay Company, Inc, 1968. Octavo; VG/VG Hardcover; Red spine with black text; Moderate shelf wear to dust jacket, slight rubbing along surfaces; Dust jacket protected in mylar cover, slight rubbing of cover at spine head; Cloth boards are strong and clean, binding solid; Minor discolored spots to text block exterior, otherwise text block clean; 192 pp.
Paris: Jean-Jacques Pauvert, Editeur, 1964. Octavo; pp 647; G/paperback; yellowish beige spine with black text; covers have modest soiling to exterior; crease to spine; rubbing to edges; text block shows slight soiling to exterior edges; previous owner's name to title page; clipped half title page fore corner; cracked front and rear gutters; interior lightly toned; illustrated; French text;.
New York: Oxford University Press, 1950. Second Printing. Small octavo; pp 71; G-/Poor; tan spine with black text; dust jacket has very sunned spine; soiling to gray front and rear; some minor chips to edges; cloth has moderate soiling to exterior; some chips to edges and corners; text block has light toning to exterior edges; interior lightly toned; light pencil to pp vii-ix.
New York: Harper & Brothers, 1881. Octavo; G/no-DJ; 3/4 bound burgundy leather spines with gilt text and decorations to spines; marbled boards; 4 volumes: vol. 1, Poetical Works, Dramas, The Vicar of Wakefield, pp 487; vol. 2, Inquiry into the Present State of Polite Learning the Citizen of the World, pp 521; vol. 3, The Bee, Essays, Unacknowledged Essays, Prefaces, Introductions, Etc., pp 502; vol. 4, Biographies, Reviews, Animated Nature, Cock Lane Ghost, Vida's Game of Chess, Letters, pp 531;exteriors show rubbed corners and edges; moderate wear to exteriors; text blocks have top edges gilt; slightly age toned fore and tail edges; marbled endpapers; frontispieces with tissue guards; offset to tissue guards; interiors clean; additional shipping may be necessary due to size/weight restrictions for international/expedited orders;.
San Francisco: Peace & Pieces Press, 1973. First. Quarto; G+/no-DJ paperback; sunned/stained beige spine with black text; covers have moderate staining to spine, light staining/foxing and moderate sunning and age-toning to spine and front and rear covers, light edgewear, fraying and creasing; textblock is clean with moderate age-toning; 198pp.
London: Printed for Joseph Hindmarch, 1682. First Edition. thin 12mo., , 188pp., ; VG; spine paneled black leather, gilt lettering, elaborate gilt tooling; boards straight-grained, gilt panel around edges, gilt line on board edges, elaborate gilt turn-in; marbled endpapers; signs of repair to gutter of front board on spine and gutter; minor bumping and shelfwear; gilt text block; mild age-toning to page edges, foxing; JG consignment; shelved case 0.
[Boston]: [Charles Ewer], . Octavo, 448 pages; Poor; bound in contemporary brown leather, flat spine with black label, gilt lettering; severe wear t boards and spine, title page missing lower half, lacking all pages after page 448, lacking endpapers, missing some plates, including frontispiece and plate 30; some pages torn; foxing throughout; publication information presumed; This Dance of Death deals with the visit Death eventually pays to people in all walks of life.