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New York: Associated American Artists, 1990. First. Small, thin quarto; VG/no-DJ paperback; stapled deep purple/white binding, deep purple and grey oil painting on cover; covers are clean and have minimal edgewear; textblock is clean, list of prices of featured art enclosed between cover and front free-end paper; unpaginated. Shelved in Netdesk office, Ephemera Box J.
Detroit & New York: Jerome H. Remick & Co., 1919. 4-page sheet music (10.25"w x 13.25"h) in GOOD- condition; dampstaining to pages 2-3; age-toning to page 3-4. Front cover is in good+ condition. 'Sahara', a tune from the Broadway musical "Monte Cristo Jr.", a Winter Garden Production. -----Shelved in Netdesk office, above ephemera section.
Frome: Butler and Tanner Ltd., 1939. 12mo; VG-/paperback no-DJ; Tan spine with no text; Mild corner wear, some slight chipping top and bottom edge of spine, covers have foxing, very occasional small scuff and light crease, front cover has previous seller's sticker; Textblock age toned, occasional scuff and foxing around edges, sight crack at binding where first and second signature meet but still connected, title page has small notations in black ink at top, interior clean; 73pp. Shelved Netdesk Office, Ephemera Box D.
Pennsylvania: University of Pittsburgh Press, 1949. Octavo; VG-/no-DJ; Thin red fabric spine with no text. Boards have shelf wear, rubbing on edges and front, damp stains on rear, bumping to corners, apart from that, binding strong; Textblock has light wear on edges, previous owner's name in ink on front end paper, otherwise, free of marks on pages; pp 65. Shelved in Netdesk office, Ephemera box G.
Holland: Micrography, 1976. First Edition. Octavo; VG/no-DJ slim paperback; spine slender, no txt, covers clean and firm, slight water dmg on back & frt otherwise good; binding staples - still strong; pages have a little wear and aging, otherwise very good cond. 44pp Music Shelved in Netdesk office, Ephemera box D.
Philadelphia: Balderson and Limerick, 1906. Second printing, fourth edition. 12mo; G/no-DJ; Green spine w/o text; Boards have some wear on exterior such as lightly smudged exterior with minor rubbing at corners & edges, spotting on spine and on rear near fore edge, otherwise panels are intact; Text block has darkened very slightly with some writing on front end paper & rear pastedown, as well as slight cracking at front hinge; pp 77.
Bournemouth, UK: Ernie Bayly/Talking Machine Review, 1984. Reprinted. Booklet [8x10]; G-/paperback; beige covers with black text to front; exterior shows some soiling; minor rubbing to exterior at spine; slight toning to exterior toward spine; text block shows slight wear to exterior edges; illustrated Shelved ephemera box J.
Germany: Eric Baume, 1954. First Edition. Octavo; VG/no-DJ slim paperback; dust jacket, spine tan w/olive text, fraying, covers are firm & clean; binding staples: strong; pgs show very little wear, some aging as observed by spotting and yellowing, otherwise in good cond. 44pp Shelved in Netdesk office, Ephemera Box F.
Moscow: Glav. uprav. geodezii i kartografii pri Sovete Ministrov SSSR, 1959. Three volume ephemera edition. Three volumes, quarto, each volume a staple-bound individual gathering. Each volume good with no dust jacket. Notable age-toning to wrappers. For each volume, owner markings in Russian to top corner of front wrapper. Color prints of each volume generally clean and free of markings, though each volume exhibits some age-toning. Volume 1 to 16pp, volume 2 to 12pp, volume 3 to 21pp. Text of the maps for each volume in Russian. Shelved in ephemera box F.
New York: Beadle and Company, 1866. [ Speaker Series, Number 6 ]. Saddle-stitched booklet (4"w x 6.25"h); good-/wraps; cream covers with black text; sketch of "Speaker" on front cover; some degradation to the corners; creases at the spine; 3" tear at the spine; text block, clean; toning starts; 96pp., plus advertising pages. Prepared expressly for the "DIME SPEAKER" Series. -A fragile copy, but still readable. Shelved in Netdesk office, Ephemera box E.
New York: Grolier Club, 2004. Limited First Edition. thin softcover 8vo., 54 pp., VG; blue and yellow striped matte paper wrapper, no lettering to spine; white title block with black lettering and motif to front cover; mild rubbing to covers of wrapper, small tear with slight superficial material loss to back cover; mild rubbing to edges of wrapper, including head and tail of spine, predominately bottom edge; very mild shelfwear to text-block; interior clean; pub. 2004, limited printing of 1,500 copies stated to copyright page; contains four (4) black and white plates; catalogue of Woolf's works published by Hogarth Press, the publishing house owned by Virginia and her husband Leonard; shelved Case 0.
Caen: Heimdal, 1972. Serial. Tall quarto; vg/wraps; side-stitched; brown [faded green] spine with no text; some edge wear and bumping; text block, clean; mimeograph; 63 pp.; wraps, sunned; short closed tears; else very good; ---ARCHAEOLOGY; ---TEXT IN FRENCH. Shelved in Netdesk office, Ephemera box C.
Émile Bernard. Autograph Letter Signed. "Emile." Two pages in French, 4" x 5.25", [n.p.; n.d.] A letter from Bernard to the French Post-Impressionist artist, painter, art teacher, and art collector, Émile Schuffenecker (1851-1934). Bernard open his letter by asking Schuffenecker why they no longer write to each other. Thinking that he hurt Schuffenecker because of some slight, Bernard admits that he must have appeared harsh when it came to discussing "Jesus the savior," but it was said only because he wished to console him. He proceeds to claim that he shares Schuffenecker's pain and asks forgiveness if he has caused offense, writing, "may God judge this thing at his dazzling tribunal." Bernard closed the letter by claiming that his mother reminded him how kind Schuffenecker had been and how good a person he is, and signed off with "thank you and I am sorry." The letter is accompanied by: 1) ALS. "H. Bernard." Two pages (of a bifolium) in French, with canceled postal cover, 4.5" x 6.75", Paris; February 14, 1895. Letter from Héloïse Henriette Bernard-Bodin (1838/39-1909), Émile Bernard's mother, to Émile Schuffenecker, in which she asks how he is doing and tells him that she is forwarding a letter for him from her son. She mentions the cold weather and hopes that March will bring more gentle days to Colombes [outside of Paris], where they would be very happy to see him. 2) A print of a photograph, 3.5" x 4.5", 1895, of a building in Cairo, Egypt, with writing by Bernard on the verso, noting that "a house on a Cairo street in 1895, indicating that architecture is not yet dead in the Orient." In 1893, Bernard traveled to Egypt and lived in the Middle East for the next ten years. Condition: Good. The letter from Héloïse Henriette Bernard-Bodin has slight rust residue from a paperclip (since removed) at the right hand top of the last page, and what appears to be as light stain on the upper left corner of the last page.