Selection Of Men’s Costumes (ref #82)
Two original sketches by Marco Montedoro showing several designs for men’s costumes in an unidentified production. Notes in the artist’s hand indicate that the costumes were intended for “Gypsies” (in the case of the sheet featuring three costumes) and “Hungarian Peasants” (in the case of the sheet with two figures). Both unsigned. Gouache and crayon on pape. Dimensions: w 14 x h 9 in; w 15 x h 11 in
Condition: Both good only. Age-toned and foxed. Paper somewhat fragile, with numerous open and closed tears and, in the case of the “Hungarian Peasants” sketch, several small punctures in the lower right corner. Versos: Yellowed tape on both. The “Hungarian Peasants” sketch also shows some minor surface damage from adhesive removal.
THIS ITEM IS AT OUR DUPONT STORE.
1345116
Arts & Antiques
Price: $300
NOTES
Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland.
In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940.
Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time.