New York: Printed by James Parker, 1767. 8vo., 479pp., 148pp.; G+; contemporary leather binding, spine paneled brown leather, top three of six panels have significant amount of leather gone, showing binding underneath; back board splitting from text but still attached, missing leather continues from spine onto back bard, upper quadrant next to spine missing leather; text good with some individual foxing stains; 479 pages of hymns, followed by 148 pages including 143 pages of text, title page and verso, statement of purpose of the printing and a page containing musical scales for individuals desirous of participating in singing the hymns; Inscription by Jacob R. Hardenburgh on ffep attesting to the books purchase for the use of the Bedminster Congregation dated 1774 with later inscriptions by two other church members. Hardenburgh was the first appointed President of Queen's College (Rutgers University); EH consignment; shelved case 3.
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Paris: C. Lambin, 1661. First Edition, First Issue. Octavo,  112 pages; VG; 1/4 bound with contemporary brown leather spine, green label with gilt lettering on spine, brown marbled boards; moderate wear and rubbing to boards and spine, including chipping to head and tail of spine, significant rubbing to spine, causing parts to have been worn of entirely; bookplate of Charles Hugh Stevenson on front pastedown, along with a small sticker reading '14-25-23'; title page has a piece cut out of it, to the right of the printers mark, not impacting any text; very slight staining to rear of portrait; Sig. 2 *4 A-O4, with C2 marked as B2, F2 marked as F1, K2 and L3 not marked, M3 marked M2; no writing or marginalia; fingerprint ink stains to top margin of page 112; With engraved portrait frontispiece of Anne Marie Louise d'Orleans and numerous woodcut initials and tailpieces; SS consignment; shelved case 3.
Basilaea: Froben, 1549. 4to., 518pp.; VG; spine brown leather with red label and gilt lettering; later brown leather boards with double-ruled borders, recent professional rebacking with new spine; general wear to boards; bookplate on front pastedown, partially torn off; small two line ink inscription on title page, dated 1589; printer's device on title page; verso of final leaf; complete collation: AA⁴, a-z⁶, A-T⁶, V⁸, A-B⁸, BB-CC⁶ DD⁸ (DD⁸, V⁸ blank); NM consignment; shelved case 3.
Leipzig: Hugo Heller & Co.; Internationaler Psychoanalytischer Verlag, 1912-1934. Various, Some First Collected Editions, Some Rebound Periodicals. large Octavos, 14 volumes; VG; various bindings, volumes 1 and 2 3/4 bound, with burgundy leather spine, marbled boards, paneled spines with gilt lettering; volume 5 1/2 bound with brown cloth spine, green paper boards; volumes 4, 6-14, and 20 bound in full burgundy cloth, gilt lettering on spine; ex-library, with the markings of the Baltimore Psychoanalytic Society, including stamps on all three edges of all text blocks, bookplates on front pastedown, library pocket on rear pastedowns; all volumes have mild rubbing and shelfwear; Volume 1: 1912, contains I.1-I.5, , spine peeling and largely loose, repair to gutter of endpapers; Volume 2: 1913, contains II.1-II.6, plate for II.1 present, repair to gutter of endpapers; Volume 4: 1915/16, contains IV.1-IV.6; Volume 5: 1917-1919, contains V.1-V.5/6, front board detached, rear board and spine nearly detached; Volume 6: 1920, contains VI.1-VI.4; Volume 7: 1921, contains VII.1-VII.4, VII.1-3 on slightly green paper; Volume 8: 1922, contains VIII.1-VIII.4; Volume 9: 1923, contains parts 1-4; Volume 10: 1924, contains parts 1-4; Volume 11: 1925, contains parts 1-3, lacking part 4, contains the original periodicals, includes front three yellow covers, cover for part 1/2 has some repair to the edges; Volume 12: 1926, contains parts 1-4; Volume 13, 1927, contains parts 1-4; Volume 14: 1928, contains part 1, contains the original periodical, the front two pages have repair to the edges; Volume 20, 1934, contains part 4, contains the original periodical, with bright yellow front cover; Shelved room 11.
New York: Printed and sold by George F. Hopkins, 1802. Second Edition. Octavos, 2 volumes; VG; bound in full contemporary calf, black spine labels wih gilt lettering; boards with moderate rubbing, including some wear to hinges, scraping to leather; newspaper clipping tipped onto verso of title page, staining to first page of preface; Ownership on front pastedowns of A. S. Burleson. Ownership on both title pages of Hugh Nelson. some sparse marginalia to text, including writing the authors of certain essays under the title, writing covers most of the front endpapers; DG consignment; shelved in Case 1.
c. mid 19th century. Oblong Folio, 21" x 12"; VG; bound in full red leather with gilt and black embossed tooling; gilt turn-ins and text block, silk endpapers; contains 16 pages of original watercolors of various insects, butterflies, moths, and plants. The first page is detached from the binding; 15 of the 16 pages are signed “Fanny [S or G] Maitland” There are two pages with dates noted, “Ap 26” and “May 3”, but no year recorded. Both of the dated sheets have pencil notations for insect dimensions and the location “Sarzana” [presumably Italy].; LS consignment; shelved above mythology.
Witebergae [Wittenberg]: 1531. First Edition. Small quarto (7.125 x 5.5 inches; 182 x 140 mm.).  leaves. Signatures: A-E4 F6 G² h4 I-N4 O² P-2V4(-2V4, blank). Bound without blank leaf 2V4; 2A2 signed "A2." Printer and date of publication from colophon on 2V3 recto. Apologia Confessionis has separate title-page (G1 recto), with "Emenda" beneath the title. Decorative and historiated woodcut initials. Later quarter calf with black paper-covered boards; all edges trimmed and stained blackish-blue; plain endpapers, double-flyleaves at front, single at the rear. Front board detached but for single string at bottom; calf mostly gone; edges worn; corners softened; scuffing to boards; loose electrical tape affixed to bottom of rear board, curling over spine. Front free endpaper and first flyleaf completely detached. Repairs to inner hinges; label pulled up from front pastedown. Split between gatherings V and Z, starting between leaves 2T3 and 2T4, 2V2 and 2V3. Minor thumbsoiling scattered throughout text; some toning; occasional foxing. Text very good in just good binding. Housed in custom black cloth clamshell with red spine label stamped in gilt. [Augsburg Confession]. Confessio fidei exhibita invictiss. Imp. Carolo V. Caesari Aug. in Comiciis Augustae, Anno M. D. XXX. Addita est Apologia Confessionis [by Philipp Melancthon]. Beide, Deudsch und Latinisch. Wittenberg: [Impressum per Georgium Rhau, 1531]. First edition of the Augsburg Confession, containing the Latin texts of the Confessio and Melanchton's Apologia. Although the title-page states that it contains both the Latin and German texts, this first edition contains Latin text only (the German translation by Justus Jonas was added slightly later). Catalog entry tipped to front pastedown from "J. J. Lentnersche Hofbuchhandlung (E. Stahl), München," "Lager-Katalog Nr. 8." Annotations throughout the text in at least two, possibly as many as four different hands, including a couple of manicules. Several early ink ownership inscriptions on the title-page, the earliest that of "Theodorus Backhusius Possessor," who was pastor at Oldenberg (d. 1625); followed by "Vogt 1735," "JFG Olbers 1766" and "H. Meere." Recto of front free endpaper bears ink manuscript notes that seem to be from nineteenth-century New Testament commentator H. A. W. Meyer [Heinrich August Wilhelm Meyer (1800-1873)], dated 1868; verso with additional notes, signed by his son "Professor Dr. [Gustav] Meyer," dated "7 Januar 1883." Bookseller's ticket of Schaeffer & Koradi, Philadelphia. Neuser, Bibliographie, 8. See VD16 C 4734 and C 4735. Sold together with a copy of Neuser's Bibliographie der Confessio Augustana und Apologie, 1530-1580. Nieuwkoop: De Graaf Publishers, 1987.; BK consignment; shelved case 3.
New York: Harper & Brothers, 1851. First Edition, First Issue. Octavo, 634pp.; G+; spine green cloth with gilt lettering; original publisher's cloth, original orange endpapers, with the publisher's circular device blindstamped on the front and rear boards; spine partially faded to tan, with gilt lettering also partially faded, some small brown discoloration to spine edge; endpapers have some discoloration; moderate foxing throughout; six pages of publisher's ads; binding slightly loose; top edge of front hinge of front board has a repaired tear; BAL 13664; HC consignment; Shelved Case 2.
London: Printed by S. Simmons, and are to be sold by T. Helder, at the Angel in Little Brittain, 1669. First Edition. Octavo; VG; bound in full morocco, spine paneled with gilt lettering; gilt text block; some wear and rubbing to binding; ffep through page A3 mostly loose, still attached through two pieces of string to the binding; A4, a4, A4-Z4, Aa4-Tt4, Vv2; small hole in middle of leaf Cc3, impacts text; a few leaves slightly stained. Bookplate of Thomas Jefferson McKee. McKee, 1840-1899, was a well-known book collector and lawyer from New York whose collection was auctioned off in 1900. In the auction, this copy was item number 3091. Autograph of Evert A. Duyckinck, 1839 on top blank margin of title. Evert Augustus Duyckinck, 1816-1878, was an American publisher and biographer. Among his work, he assisted Edgar Allan Poe in printing his Tales collection in 1845 and selected which stories to include. Duyckinck was also known to have lent Melville copies of his books, including a copy of the Decameron and a copy of Paradise Lost. Has the stamp of 'Lenox Library-Duplicate' on verso of title. The Lenox Library was a library incorporated and endowed in 1870, became a part of the founding collection of the New York Public Library in 1895, and opened to the public in this capacity in 1911. Of its collection in 1894, 15,000 of the 83,331 were from the collection of Evert Augustus Duyckinck. Simmons printed 1,200 first edition copies in 1667, and issued them over three years with varying title pages. The title pages have different years, with them reading 1667, 1668, or 1669. There is no known relationship between when a given copy of the text itself was printed, and the attached title page, making establishing priority difficult. This issue includes "Milton's synopsis of each book ("the Arguments" of Books 1–10), his defense of "the Verse," and a list of errata, adding sixteen pages of preliminary matter to the book. Simmons's note to the reader states that he had procured this explanation from Milton because readers of the poem had "stumbled" on first encountering it, asking "why the Poem Rimes not." Milton's strident defense of blank verse (unrhymed iambic pentameter) is printed in large type that fills two pages. His chosen meter, although no longer fashionable by 1667, was the dominant mode of Shakespeare's plays and is the closest to the natural rhythms of English speech. Samuel Johnson later commented sarcastically that, "finding blank verse easier than rhyme, [Milton] was desirous of persuading himself that it is better."" [Morgan Library] JG consignment; shelved case 0.
London: Printed by S. Simmons, 1674. Second Edition. 12mo., 333pp.; VG; spine paneled brown leather with gilt lettering and tooling; gilt panel at board edges; some bumping to corners, head and tail of spine; some wear to spine edges, spine edge between head and front board separated, front board slightly loose; frontispiece; small bookworm damage near spine at top edge of pages, 141-161, small amount of intermediate bookworm damage between pages 161 and the end some of which is in the text, some between pages 35 and 95 as an inch long scar that interferes with text; small amounts of other bookworm damage, mostly isolated to the top margin; interior clean of markings; JG consignment; shelved case 0.
London: S. Simmonsl John Starkey, 1678, 1671. Early and firsts. Octavo; VG; fine binding, dark blue leather spine with gilt lettering; raised bands; gilt highlights and block borders; ex library, book plate, Thomas Clifford Allbutt [1836-1925], an English physician and inventor of the clinical thermometer; endpapers, feathered; head-edge, gilt; board edges and inside borders, gilt fluting; professionally rebound; PARADISE LOST, third edition, 1678, 331 pp.; without portrait; --PARADISE REGAIN'D, 1671, 111 pp.; without licensing leaf; ---SAMSON AGONISTES, 1671, 101 pp.; minor shelf wear and bumping; text block, varied foxing; uneven printing; uneven original trim; edges, toning; pp.; split start, gutter; else very good; JG Consignment; Shelved in Case 0.
London: Printed by Ruth Raworth for Humphrey Moseley, 1645. First Edition. Octavo, 120 pages; VG; bound in full burgundy diced morocco, rebacked with closely matching spine with gilt lettering, new endpapers; bookplate of the Warrington Museum on front pastedown; small hole to page 43, 107, covers exactly one letter each; water damage to the entire interior, probably occurred before the most recent rebinding. The lower half along the gutter is largely free of water damage, but the rest faintly stained; top edge pages cut close, with the margin sometimes being removed in its entirety, and the page number cut in half.; title page shows more wear than other pages; Underlining or marginalia on pages 12, 13, 16, 17, 19, 20, 22, 23, 26, 27, 30, 37, 44, 48, 49, 50, 51, 57, Issue with "S." before "Pauls" in imprint, but no priority has been established. The printing has a deep debossed lettering. Lacking frontispiece and Latin poems. While it has the separate titlepage for Comus (a.k.a. A Mask), it is lacking the one for the Latin Poemata. This 1645 collection of Milton's poetry was the only poetry of his to see print until Paradise Lost appeared in 1667. JG consignment; shelved case 0.
London: S. Simmons, 1674. Second Edition. 12mo, , 333 pages; VG; bound in full maroon straight-grained morocco, spine with elaborate gilt tooling, gilt lettering; gilt text block; two different gilt rolls along borders; gilt roll on board edges, turn-ins; marbled endpapers; top edge pages cut close, with the margin sometimes being removed in its entirety, and part of the title and page number cut in half; second free endpaper has two small slivers of paper glued on, containing previous auction/bookseller descriptions of this volume; Small bookplate on front pastedown, with the seal of the Merrill family. Ffep has the Lalique Bookplate Emilie: a 4.5 inches in length paper decorated with leaves and the large name Emilie in the design as well as the R. Lalique signature in the plain border area. The Lalique Bookplate was designed especially for the American heiress Emilie Grigsby. A 1912 auction sale of her library in New York City stated that every book in the auction contained the bookplate specially designed for her by Rene Lalique. frontispiece portrait engraved by Dolle. The first issue in which the Poem is divided into twelve books (in former issue it was in ten books only). Also for the first time appears Andrew Marvell's Commendatory Poem "On Paradise Lost" JG consignment; shelved case 0.
New York: Rabinovitch, c. 1930. Limited Edition, #17/100. folio, 10 plates; VG; contains 10 plates, 9 of the original set plus one extra. All are signed in the lower right corner by Rabinovitch, with the title of the piece in pencil on the rear. Housed in original gray portfolio, with some repair, including brown spine. The inside of the front cover includes the original limitation sheet as well as the description of the portfolio, pasted down as issued. The pictures vary in size from 6 x 8 to 10 x 13 inches, all on 14 x 18 sheets. Nine of the original tissue-guards are present. Contains The Katharine Cornell, Marie Ouspenskaya, Carlotta Monterey, The Girl In Black, Mrs. G. E. Calthrop, Michio Ito, The Tartar Dance of the Chauve-Souris, Nude - Dance Figure (D.H.), and Nude - Cruciform Figure (P.G.). Lacking The Sad Clown of the Chauve-Souris. Originally sold separately, this portfolio also includes the Nude - Torso (P.G.).
Paris: Avec privilege du Roy, 1672. First Edition. 8vo., -35-, -71--23 p., 1 pl; VG; bound in brown leather, paneled spine with faded gilt lettering and tooling; gilt roll on board edges; moderate wear to leather; writing on front pastedown, dated 1726; drawing on ffep; some writing on verso on ffep; wax stains on front pastedown, ffep; Parts 1 and 2 have special t.p. with varying subtitles: Premiere partie, dans laquelle est traitte de l'or, de l'argent, & du vif-argent ... ; Seconde partie, dans laquelle est traitte des pierres precieuses et des perles ...; authors name written in pencil on top of each title page; two names written in ink on first title page; interior free of underlining or markings to text; mild foxing and age-toning; a book about gems and metals coming out of India; extremely scarce; NA consignment; shelved case 3.
London: Printed for H. Herringman, and are to be sold by Joseph Knight and Francis Saunders, 1685. Fourth Folio. Folio; Fine; bound in imitation period style, with old leather used for the boards, new spine, and endpapers using old-style paper; bookplates preserved onto front pastedown; pages measure 360mm x 234mm.; The First leaf with with the portrait and verses have been restored in the margins with modern blank paper, not affecting the text and engraving. There are marginal repairs to the title page, where the top lines of the title page margin have been restored in facsimile. Two leaves, signatures 313-314, have been supplied from another copy. The portrait, title page, and first few leaves have slightly more wear than the remainder. There are minor stains, minor closed tears, slight wear, and extremely minor worming to the lower margin, almost exclusively to last few signatures.; Variant imprint, without the usual "for H. Herringman, E. Brewster, R. Chiswell, and R. Bently", but rather "Printed for H. Herringman, and are to be sold by Joseph Knight and Francis Saunders". First State, with borders on all pages; With the bookplates of both Sir John Leveson-Gower of Trentham (1675-1709) and Thomas Fowler (1760-1815). Detailed information about the provenance available upon request.