Arts & Antiques Store
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New York: Pantheon Books, 1983. Deluxe Limited Edition, #119/250. Quarto (12 in. x 12 in.), , 192 pages. In Very Good plus condition, with Very Good plus case. Black fabric case with gilt lettering to front and spine. Boards bound in red publisher's cloth with gilt lettering to spine and front board. Boards show very light shelf wear overall with minimal rubbing along edges. Textblock is clean. Includes 7 1/2 in. x 9 1/2 in. color photograph mounted on Rising Photomount and signed by Eliot Porter in pencil.
Philadelphia: 1845. Full color lithograph of "1 old male, 2 female, 3 young" Migratory Squirrels printed by J.T. Bowen. In Very Good minus condition. Housed in Very Good condition frame with off-white matting. Professionally framed and matted. Dimensions in frame: height 35 inches x width 28 inches; dimensions from sight: height 25.5 inches x width 19 inches; Examined outside of frame. Mild discoloration, crinkling, and several small tears along all edges of print. One larger tear near top right corner and another near the top left corner. Small hole near top left corner. Light soiling along top edge of print. Located at the Dupont Store.
Original Watercolor Illustration from Gerrard's 1994 book "Croco'Nile," out of print since 2010. In Very Good condition. Housed in Very Good condition white and orange frame decorated with hunting scenes. Professionally framed and matted. Dimensions in frame: height 22.25 inches x width 31.5 inches; dimensions from sight: height 10.5 inches x width 20 inches. Not examined outside of frame. Two creases to top edge of matting. Signed by Gerrard in bottom left corner of painting.
Asia: [16th century]. Unsigned watercolor scene of four people in a boat. In Very Good minus condition. Housed in Very Good condition frame with off-white matting mounted to black back mat with yellow tape. Dimensions in frame: height 18.5 inches x width 22.5 inches; dimensions from sight: height 9 inches x width 14 inches. Examined outside of frame. Discoloration along edges of paper from acidic matting. Two small holes near bottom left corner of painting. Top right corner of paper present yet torn where the page has been mounted to the matting. Light soiling to matting. Title and date written in pencil on the front bottom edge of mat. HR Consignment. Located at Dupont store.
[20th Century]. Graphite portrait of a young person with furrowed brows, short hair, and dark eyes drawn on olive green Fabriano paper. In Very Good condition. Housed in Very Good condition black frame with white matting. Dimensions of frame: height 15.5 inches x width 12.5 inches; dimensions from sight: height 9.5 inches x width 7.5 inches. Examined outside of frame. Paper adhered to matting with blue painters tape. Light pencil sketches and an extremely faint signature on verso of sketch along with paper manufacturing information. HR consignment. Located at Dupont store.
Paris: Jeanne Bucher, [1963c.]. Deck of 52 photolithograph reproductions of ink drawings in red, blue, and black housed in Very Good white box and slipcase with red, blue, and black lettering and decoration. Black ribbon pull tab attached to inside of box. All 52 cards plus 2 title cards present. Each card measure 6.55" x 4.35" and is in Very Good condition with light wear. Box and slipcase measures 7.3"x 5.1" in Very Good condition with slight discoloration to front and a small tear to top edge of slip case. Shelved in case 12.
Egypt: 500-700AD. Cotton and wool Coptic textile fragment measuring 3.5 in. x 7 in., and wooden tool measuring 0.5 in. x 5 in. Both encased in black box with clear screen and resting on batting. Coptic textile fragment with brown and yellow traditional patterns of early Christian Coptics, fraying at sides, some soiling overall. Pointed wooden tool with carved ornamentation and small hole on one end. DL Consignment. Shelved in Room A.
[Cambodia]. A large Cambodian wood sculpture of the Buddha's head, modified by Cambodian artist Master Pru Kear (c. 1980). In Good condition. The sculpture is divided into two parts: the head and face constitute the base, and a stylized lotus blossom ornament constitutes the top. The base has a significant vertical crack behind the figure's left ear (repaired with mortar, and possibly the addition of supplemental wood carved to match) spanning the full height of the piece. A smaller vertical crack affecting the top third of the base appears at the figure's forehead. The base has some moderate chipping along the top rim, and at the back of the head, with light plus wear overall. The interior has a hollow cavity, with residue of an antique sealant along inner rim (on which the ornament 'top' rests). The ornamented top has moderate to severe cracking, with light plus wear overall. Weight (Complete Sculpture): 85 pounds. Dimensions (Complete Sculpture): w 17 in. x h 30 in. x d 13.5 in.
[n.p.]: [n.p.], c. 1870. Framed Color Lithograph, measuring w 38 in. x h 26.5 in. (in-frame dimensions: w 45 in. x h 33.5 in.). In Fair condition. Lithograph of an engraving by Robert Whitechurch, after a painting by Christian Schussele, depicting Benjamin Franklin presenting the grievances of American colonists to the Privy Council on January 29, 1774. Variously titled: "BENJAMIN FRANKLIN AT THE COURT OF ST. JAMES, LONDON". Lithograph has faint damp staining to bottom right corner, and several instances of mild splotching to central portion of image. In wooden frame with gold painted interior molding. Frame has light wear overall, some moderate scratching to finish on right vertical side, and some chipping to interior molding. Hanging adjacent to Lazarus Room.
[n.p.]: 1926. Framed Architectural Drawing, measuring w 54 in. x h 36.5 in. (in-frame: w 69 in. x h 42.5 in.). In Good plus condition. An original architectural drawing from the firm of Bennett, Parsons & Frost, submitted in competition for a Vincent Astor development on Long Island. In light brown wooden frame, showing moderate scuffing and wear to edges and corners. The drawing shows light age-toning and foxing overall. Stored outside Room A.
c. 1880-1910. A large color lithograph showing an artist's imagining of a meeting between Elizabeth I, surrounded by her most prominent courtiers (such as Cecil and Walsingham), and Mary, Queen of Scots. Late Victorian or early Edwardian. Lithograph [visible]: w 38.5 in x h 26.5 in. Frame: 53 in x h 41 in. In Good plus condition, with several small (between 1/8 in and 1 in long) patches of damage in the upper half of the print. Frame moderately bumped at corners and lightly bumped in several places along edges, resulting in some damage to gilding. Not examined out of frame.
Paris, France: Dario Zucchi, 2002. Limited Edition, #0472. Oblong octavo; 70 pages; VG/VG; gray spine with white and black lettering; dust jacket protected in a mylar covering; minor shelfwear; full color photographs throughout; limitation reading '0472' in sharpie to copyright page with offset to facing page, ffep signed flat by Zucchi, pages otherwise clean; shelved in Photography.
1998. Limited Edition serigraph No.69/150. Printed on canvas and numbered 69/150 in upper left corner. Canvas housed in wood frame measuring 39" x 49 5/8" (the print measures 30" x 40"). Serigraph is in very good condition with no apparent flaws; frame has a few small scrapes and chips along the edges, and the gold-colored paint is wearing away along the frame face and edges.
National Women's Hall of Fame, 2011. A poster from the National Women’s Hall of Fame 2011 Induction Weekend, framed alongside a photograph of U.S. Senator from Maryland Barbara Mikulski, Ret. Mikulski was inducted into the Hall of Fame that weekend in recognition of her status as the first female Democratic United States Senator elected in her own right, and as the longest-serving female senator in U.S. history. Very good+; minor bumping to corners of frame. Not examined out of frame. Dimensions: w 26.25 in x h 23.25 in.
A full color portrait of Daniel Webster, framed with his inscription and signature. The inscription reads "Yours, always, truly, Danl Webster." Matted and framed. Good. Mild foxing to portrait, some soiling to glass; not examined out of frame. Dimensions in frame: w 11 in x h 13 in; dimensions of portrait from sight: w 5.75 in x h 7.5 in; dimensions of inscription and signature from sight: w 2.75 in x h 1 in. GW001. GW Consignment.
1999. Title: Huellas de la Madre A painting by Cuban folk artist Sanfiel. Title and date on verso. Artist's signature "J_Sanfiel" appears in lower right quadrant. Very Good plus. Minor marking and discoloration to edges of canvas. Artist: Sanfiel, Jorge Luis (Cuban, b. 1963) Medium: Mixed Media on Canvas Date: 1999 Hand Signed Measurements: w 18 in x h 22 in RW Consignment.
1814. An untitled oil portrait of an unidentified gentleman, by American portraitist Ethan Allen Greenwood. Hand signed and dated lower right "Greenwood pinxt. / 1814." Near Fine, with some minor abrasion to top edge. Some loss of gilding on frame. Artist: Greenwood, Ethan Allan (American, 1779-1856) Medium: Oil Date: 1814 Hand Signed Measurements: w 19.25 in x h 25 in. (Frame Size: w 27 in x h 33 in) RW Consignment.
19th c. An untitled oil portrait of a young woman, attributed to American painter and poet Washington Allston. He was the first important American Romantic painter, and was called the "American Titian." Allston's paintings are known for their bold use of light and atmospheric color. His artistic genius was much admired by Samuel Taylor Coleridge and Ralph Waldo Emerson. Some years after Allston's death, poet Henry Wadsworth Longfellow wrote: "One man may sweeten a whole time. I never pass through Cambridge Port without thinking of Allston. His memory is the quince in the drawer and perfumes the atmosphere." Allston's paintings have been widely exhibited in museums, most notably at the Smithsonian American Art Museum, the Metropolitan Museum of Art, and the Museum of Fine Arts, Boston. Unsigned and undated, marked "W. Allston" on verso. In wooden frame. Very Good minus. Minor wear to edges of board; evidence of possible previous restoration, particularly to two small areas of the figure's neck and chest. Frame is fragile with some chipping to gilt components. Note that the portrait was originally in an oval frame, as was popular in the 18th century. However, oval frames fell out of fashion in the 19th century, and many paintings were relined to fit a rectangular frame. As a result, the original oval shape is faintly visible. Artist: Allston, Washington (attributed to, American, 1779-1843) Medium: Oil on Canvas Date: Early 19th Century Measurements: w 19.5 in x h 23.5 in. (Frame Size: w 39.5 in x h 43.5 in) RW Consignment.
Chicago: 1979. Limited edition (2 of 6). Chuck Berry at Navy Pier in Chicago, Illinois. June 15, t1979. Limited edition (2 of 6). Signed by Jerry Aronson, the photographer. Jerry said: “This concert brought home Chuck’s originality and his position as one of the founders of rock and roll.” Dimensions: Print: w 11 in x h 14 in; image: w 10 in x h 12.5 in Condition: Excellent.
A classic poster from Family Dog presents. This poster advertises a concert featuring The Grateful Dead and Quicksilver Messenger at The Avalon Ballroom in June, 1966 (FD-12). This is a second printing. Features one of the most classic of the early Family Dog images, known as "The Quick and the Dead." Designed by artist Wes Wilson. In very good condition. Measures 14” x 20.5” and shows minimal wear to edges. Shelved Dupont. CX Consignment.
A 1975 concert poster for the Rolling Stones shows at the Cow Palace in San Francisco on July 15 - 16, 1975. The show was presented by Bill Graham, and the poster was designed by legendary poster artists Randy Tuten, Stanley Mouse, Alton Kelley and Arab. In very good condition. Measures 22” x 33”, with minimal wear to edges and a faint 1” crease to upper center border. Shelved Dupont bins. CX Consignment.
A 1973 David Singer designed poster for a January 21 - 22, 1973 Rolling Stones concert at Honolulu International Center. The concert was presented by Bill Graham and Barry Fey, and the poster was printed by Tea Luatrec Litho. In very good condition. Measures 20” x 28.5”, and has faint water stains to upper and lower right corner. Slight yellowing along edges. Shelved Dupont. CX Consignment.
c.1976. Printer's Proof. Early version of Bill Graham poster by famed artist Philip Garris for a two-night concert featuring The Who and The Grateful Dead at Oakland Stadium, October 9 - 10, 1976. In very good minus condition. Measures “23” x 29”. Shows mild age-toning, faint creasing (cracking) throughout, and minor wear along edges. Alignment markers visible in corners and along edges. Shelved Dupont bins. CX Consignment.
A signed poster for a Wavy Gravy benefit concert, which was performed on May 15, 1996 at the Berkeley Community Theater. The concert was presented by Seva Foundation and Bill Graham. It features signatures from both Wavy Gravy and famed poster designer Stanley Mouse. The poster measures 35” x 22”. In very good condition. Limited Edition: #92/100. Marking to bottom border. Soiling along borders, especially to upper left. Faint crease at top right corner. Shelved Dupont bins. CX Consignment.