c.1890. 19th century Japan (likely Meiji period) silk fabric tapestry measures ~110" x 21" and features two dragons. Wear throughout tapestry with some loss of fabric; some lose gold threads and stitching (primarily the faces of the dragons); stitching along the seams (all sides) has frayed/broken in some places; one area on back appears to be a patch (upper left corner). More

Leipzig: Karl W. Hiersemann, 1923. Folio; 65 pages, 25 color plates; G+; Quarter bound in brown leather with tan paper boards and gilt text on spine; Covers have rubbing to corners, rubbing along spine edges, slight tearing along tail edge of spine, tearing along edges of both covers; Textblock has white marks on endpapers and pastedowns, slight foxing to some pages; Shelved Above Case 2. More

Paris: Henri Ernst, 1925. presumed first edition. Folio; 48 plates; G-; Faded brown and blue spine without printed title; Boards splitting along spine, bumping to corners, tearing to head edge of front cover, remnants of a ribbon which presumably bound the edition together are evident at front and back edge of boards, two holes from former binder ring on rear cover; Textblock has 2 holes punched in each page for binder ring, tearing and toning along page edges; Plates in very good condition. More

Casablanca: Edition Lak International, 1995. First Edition, First Printing. Octavo, 185 pages; VG/VG; spine ecru and multi-colored, without text; dust jacket protected with a mylar covering; mild shelf wear and scuffing; profusely illustrated with full color photos; all text in French; pages clean; shelved Front Table. More

New York: The Metropolitan Museum of Art, 2008. Octavo; 72 pages; VG-; Red spine with White text; Covers have mild edgewear; Pages clean; Shelved African Art. More

New York: Charles Scribner's Sons, 1950. First Edition, First Printing. Quarto; 274 pages; VG-/G; spine black with cream speckles and cream text; dust jacket protected with mylar; price unclipped reading "$12.50", some shelfwear to dust jacket, including, creasing, chipping, scuffing, rubbing, small open and closed tears, foxing to flaps and interior, and one piece of tape to interior of rear cover and flap; small liquid stains to top and fore edges of textblock; black and white photographs throughout, with single colors added at the head of each album; shelved British Art. More