White Night. Numbered 13/20; Dune. Numbered 8/16; Mirador East I. Numbered 3/12; Kochie Kite. Numbered 12/12; Market: Electric Blue. Numbered 8/10; Market: Celosia. Numbered 7/10; Market: Sunflowers. Numbered 9/10. All screenprints bear artist’s signature to the lower right corner. Condition Report Very good. White Night: Slight age to toning to mat and mild staining and scattered foxing to the center. Dune: Slight stain to upper right corner. Market Electric Blue: Slightly wavy to the left edge of image. Market Celosia: Slight wear to mat. Dimensions White Night: image: w 23 x h 19 in; mat: w 29 x h 25 in. Dune: image: w 23 x h 19 in; mat: w 28 ½ x h 24 in. Mirador East I: image: w 24 x h 20 in; mat: w 31 x h 26 in. Kochie Kite: image: w 15 x h 21 ½ in; mat: w 19 ½ x h 25 ½ in. Market Electric Blue: image: w 10 x h 12 ½ in; mat: w 18 x h 21 in. Market Celosia: image: w 10 x h 14 in; mat: w 21 ½ x h 18 in. Market Sunflowers: image: w 10 x h 14 in; mat: w 21 ½ x h 18 in This item is located at our Rockville store. More

Screenprint in colors. Artist’s signature to bottom right. Limited Edition 219/350. Housed in a metal black frame. Sight measurements 49 1/2" w x 35" h, Frame measurements 57 1/2" x 43" h. The item is located at our Rockville store. More

Collage, gouache on watercolor paper. Artist signed and numbered 16/170 to lower left corner. Measurements 16 1/2" w x 11" h. This item is located at our Rockville store. More

A watercolor painting depicting a woman gazing into a mirror on a full moon night by an unknown artist. Watercolor on watercolor board. Title marked in pencil to lower left corner with artist’s proof mark to the center bottom. Artist’s signature to the right corner. Matted and unframed. Slight scratch to lower left edge. This item is located at our Rockville store. More

Acrylic on canvas. Artist’s signature to bottom left corner. Housed in a gold frame. Very good condition, canvas is slightly loose. Sight measurements 39 1/2" w x 29 1/2" h, frame measurements 48 1/2" w x 38 1/2" h. This item is located at our Rockville store. More

Brush, airbrush, acrylic on wood and mounted on fabric. Signed “Lebo” to lower right. Housed in shadow box frame. Very Good condition. Sight measurements 12 1/2" w x 8 1/2" h, Frame measurments 28 1/4" w x 22 1/2" h. This item is located at our Rockville store. More

Signed “Lebo” to lower left. Dated 1.27.17 on the reverse. Acrylic on canvas. Housed in a shadow box frame. Very good Condition. Sight measurements 18" w x 18" h, Frame measurements 26 1/2" w x 26 1/2" h. This item is located at our Rockville store. More

approx. 1928. Woodcut Print; Matted, 12.25" X 10.75" in matte: 16" X 20" Minor wear to the edges of the matte, etching in good condition, minimal rubbing;. MH Consign. More

Original Oppi Utracht abstract enamel painting on copper titled "Tubular"; sight measurements 6 1/2" x 10 3/4"; wood frame measures 10 1/4" x 14 3/4; no visible signature, undated, not examined out of frame, no visible flaws. More

Six chargers, each of which display similar scenes with common elements of house, water, mountains, figure. All are painted in deep blue tones. All very good with no significant issues. Dimensions: Various. Diameters are 14.5in, 14 7/8 in, 15.5 in, 16 in, 18 in, and 18 in. Heights range from 2 in to 2.5 in. More

A signed pencil sketch by Valentin Alexandrovitch Serov. Condition: very good. Some even age toning and slight waving around the edges. Signed and dated (1909) in lower left corner. Matted but not framed. Dimensions mat w 8.75 in x h 14 3/8 in sheet w 5.75 in x h 11 1/8 in. More

A signed abstract painting by Sonia Delaunay-Terk (1885-1979), a Ukrainian-born Russian artist, who played an influential role in the avant-garde movement in Paris. Condition: very good. Some age-toning visible on reverse of painting. Signature and gallery stamp on reverse. Matted but not framed. Dimensions mat w 15.75 in x h 12 3/8 in sheet w 12 3/8 in x h 8.75 in. More

A signed original drawing by French artist Aristide Maillol. Maillol (1861-1944) was accepted into the Ecole des beaux-arts in 1885, where he studied under several notable painters. He subsequently joined Les Nabis, a group of young French artists, at the recommendation of Gauguin, and began working in tapestry. Failing eyesight prompted him to focus increasingly on sculpture, particularly representations of female nude figures, though he periodically explored two-dimensional media as well. Condition: good to very good. Minor chipping and closed tears to edges of sheet, none of which impact the image. Signed in lower right corner. Dimensions mat w 13.75 in x h 16 7/8 in sheet w 9 3/8 in x h 13 3/8 in. More

An abstract watercolor by Mikhail Tarkhanov (1888-1962). Takharov was a Russian/Soviet painter who worked for various Soviet institutions, pursuing his interest in the avant-garde in secret following the 1930s ban of abstract art in the Soviet Union. Condition: very good. Edges are torn somewhat unevenly, but this appears to be original to the piece. Dimensions mat w 15.75 in x h 12.75 in sheet w 14 in x h 10.25 in. More

A self portrait of Austrian artist Oskar Kokoschka in ink on paper, initialed in the lower right corner. Matted and framed; not examined out of frame. Condition: very good. Some separation at the corners of the frame, and some loss of material to corners, edges, and raised portions of frame. Dimensions frame w 10 1/8 in x h 12 in sheet w 3 5/8 in x h 5.5 in. More

A pencil portrait of a woman by Hungarian artist Béla Czóbel (1883-1976), signed in the lower right corner. Born in Budapest and trained in Munich and Paris, Czóbel joined an artistic group known as The Eight, who played a key role in introducing new artistic styles into Hungarian art circles. Condition: very good, with some even age toning. Dimensions sheet w 9.75 in x h 13.25in. More

A painting by French/Hungarian painter Antal Bíró (1907-1990). Signed in lower left corner. Condition: very good with no evident damage. Dimensions w 15 in x h 11.25 in. More

1910. SEPTEMBER 24 1910. The artist’s name appears inside the lower border of the image. Printed below the image lower left is “VOL XLVI NO 1” and lower right “SEPTEMBER 24 1910” with a “27” in the extreme right corner. The magazine’s title “Collier’s The National Weekly” largely obscured by Parrish’s bookish clown speaks to the magazine’s foothold in early 20th-century popular culture. From 1904 to 1910, Parrish was under exclusive contract to Collier's, which published his famed Arabian Nights paintings in 1906-07. Condition: fine. Matted and framed; the frame is moderately scuffed. Dimensions image dimensions: w 10.75 in x h 15 in. More

1797. An engraving by French artist Jacques Philippe Levilly (active 1780-1800). Condition: good. Light age toning and some age spots; several small closed tears and holes in margins. Several small creases around the edges and one faint central crease. Some faint water staining to right edge, particularly in margin. Matted but not framed. Dimensions mat w 19 5/8 in x h 17 5/8 in print w 15.25 in x h 13.25 in. More

1675. An engraving by David Loggan (1634-1692) showing the not-yet-completed second quadrangle extending behind the college’s original quadrangle. The second quadrangle was built sometime between 1640 and 1713. Text in Latin about the college is printed in the lower margin. Capital letters appear throughout the engraving. Condition: A light brown ½” vertical band follows a light central crease (see two images). The engraving is attached to an age-toned mat, which is glued at the edges to an artist’s board. Dimensions plate w 15.75 in x h 11.5 in. More

A watercolor landscape by California-born artist James March Phillips (1913-1981). Condition: very good, with no apparent flaws. Currently housed in a protecting frame but can be shipped without. Dimensions frame w 17 in x h 14 in painting w 12.75 in x h 9.25 in. More

c 1800s. The paintings are mounted on light brown velvet which is moderately dotted with small stains. The mat is a faux suede with the opening trimmed in wood. Not examined out of frame. Dimensions: individual paintings: 0.75 in diameter to w 2 in x h 1.75 display box: 18.25 in x 14 in. More

1970. This scarce lithograph was created by Edna Andrade (1917-2008) for the first celebration of Earth Day in 1970. It is signed and hand-numbered 48/200 by the artist at the lower left below her AE logo. Condition: very good. Some fading from labels and frame in upper right corner. Minimal bumping and a 1 ½” horizontal crease along lower right edge. Minimal rubbing to lower left edge. Dimensions w 24 in x h 36 in. More

A signed and numbered print titled “North American B-25B Mitchell.” The printed note below the title reads: “Taking off from the deck of U.S.S. Hornet to attack Tokyo, 18th April 1942.” The scene depicted is the launch of the Doolittle Raid, a United States Air Force attack against four major Japanese cities during World War II. All but one of the planes involved in the attack crashed in China, and several men were killed or captured. However, the mission proved that Japan was vulnerable to air attack from the United States military, and therefore meaningfully boosted American morale. The print is signed by then-Lt. General James H. Doolittle (1896-1993), who planned the attack and flew one of the sixteen B-25B medium bombers involved. Doolittle advanced two grades--from lieutenant colonel to brigadier general--as a result of his leadership in the attack, and also received numerous honors from the United States and several of its allies. Most notably, he received the Medal of Honor from President Roosevelt. In 1985, twenty-six years after he retired from the U.S. Air Force, Doolittle was advanced to the grade of full general. The print is also signed by the artist, John Young, who is known for his depictions of aviation scenes. It is dated 1978. The edition number is 705/850, written in pencil in the lower left corner. The print is matted and framed. Condition: Excellent. Slight scratching to frame and glass. Not examined outside of frame. Dimensions in frame w 22 in x h 20 in. More

London: John Boydell, 1769. Three 1769 Engravings by Jean-Baptiste-Claude Chatelain: Castel Gandolfo; A Land-Storm; and Follow Me and I Will Make You Fishers of Men All three of these prints are the work of British engraver Jean-Baptiste-Claude Chatelain (1710–1771). Chatelain (whose name is often spelled “Chatelin” under engravings) was employed by publisher John Boydell in London, and with François Vivares produced a number of landscape engravings after works by masters such as Rembrandt. To boost sales, Boydell often capitalized on Vivares’ popularity and credited him on plates engraved by Chatelain alone. The French engraver François Vivares (1709–1780) set up shop in London at the age of 18. François Vivares engraved some 160 plates, most of which were published by John Boydell. The intermediary draftsman Joseph Goupy (French, ca. 1700–1782) also collaborated on all three of these prints. All three were published by the British publisher John Boydell (Shropshire 1720–1804 London) in or about 1769. This lot includes the following prints, all of which are framed and matted: “Castel Gandolfo and Part of the adjoining Lake with a Prospect of the Campagna of Rome,” after a painting by Giovanni Francesco Grimaldi (Italian, 1606–1680). Another print from this engraving is in the permanent collections of the Metropolitan Museum of Art, The British Museum and Harvard Art Museum. Condition: Very Good. 3” x 2” stain in lower left margin, not affecting image. Not examined out of frame. “A Land Storm,” after a painting by Nicolas Poussin (French, 1595–1665). Other prints from the same engraving are in the collections of the Royal Academy of Art, the British Museum, and the Detroit Institute of Arts. Condition: Excellent. No visible concerns; not examined out of frame. “Follow Me and I Will Make You Fishers of Men,” after a painting by Nicolas Poussin. Another print from the same engraving is in the permanent collection of the British Museum. Condition: Very Good. Light water staining along the bottom margin not affecting image or text. Frame shows some scratching and missing gilding. Dimensions Each 30 x 24 inches. More