FIGURE STUDY 5
2024. Original graphite sketch on heavyweight acid free drawing paper. In Very Good condition. 11"x14" paper in 12.5" by 15.5" frame. SF consignment. Located at Dupont store. More
2024. Original graphite sketch on heavyweight acid free drawing paper. In Very Good condition. 11"x14" paper in 12.5" by 15.5" frame. SF consignment. Located at Dupont store. More
Asia: [16th century]. Unsigned watercolor scene of four people in a boat. In Very Good minus condition. Housed in Very Good condition frame with off-white matting mounted to black back mat with yellow tape. Dimensions in frame: height 18.5 inches x width 22.5 inches; dimensions from sight: height 9 inches x width 14 inches. Examined outside of frame. Discoloration along edges of paper from acidic matting. Two small holes near bottom left corner of painting. Top right corner of paper present yet torn where the page has been mounted to the matting. Light soiling to matting. Title and date written in pencil on the front bottom edge of mat. HR Consignment. Located at Dupont store. More
Chicago, IL: The University of Chicago Press, 2018. First Edition, First Printing. Octavo, 396 pages; VG; white spine with red lettering, minor shelfwear; pages clean; shelved in American Art. More
1910. SEPTEMBER 24 1910. The artist’s name appears inside the lower border of the image. Printed below the image lower left is “VOL XLVI NO 1” and lower right “SEPTEMBER 24 1910” with a “27” in the extreme right corner. The magazine’s title “Collier’s The National Weekly” largely obscured by Parrish’s bookish clown speaks to the magazine’s foothold in early 20th-century popular culture. From 1904 to 1910, Parrish was under exclusive contract to Collier's, which published his famed Arabian Nights paintings in 1906-07. Condition: fine. Matted and framed; the frame is moderately scuffed. Dimensions image dimensions: w 10.75 in x h 15 in. More
1963. A pen and ink sketch by Manuel Ayaso (b. 1934), a Spanish-born American artist. Condition: very good. A small light grey stain is evident in the center of the bottom margin. Matted and framed; not examined out of frame. Dimensions frame w 13.5 in x h 16 in image w 7 7/8 in x h 9 7/8 in. More
1797. An engraving by French artist Jacques Philippe Levilly (active 1780-1800). Condition: good. Light age toning and some age spots; several small closed tears and holes in margins. Several small creases around the edges and one faint central crease. Some faint water staining to right edge, particularly in margin. Matted but not framed. Dimensions mat w 19 5/8 in x h 17 5/8 in print w 15.25 in x h 13.25 in. More
c 1700s. A pair of hand-colored engravings shows the original quadrangle of Jesus College above the second quadrangle ornamented with Dutch gables. Robed faculty and students stroll across the quadrangles. A capital letter marks the corners of each courtyard. Condition: very good with no apparent issues. Matted and framed; not examined out of frame. Dimensions : visible paper: w 18 in x h 18 in. More
1675. An engraving by David Loggan (1634-1692) showing the not-yet-completed second quadrangle extending behind the college’s original quadrangle. The second quadrangle was built sometime between 1640 and 1713. Text in Latin about the college is printed in the lower margin. Capital letters appear throughout the engraving. Condition: A light brown ½” vertical band follows a light central crease (see two images). The engraving is attached to an age-toned mat, which is glued at the edges to an artist’s board. Dimensions plate w 15.75 in x h 11.5 in. More
1929. A signed, numbered (28/30), and dated (1929) print by American artist Richard R. Beatty (1899-1961). Condition: good to very good. Some age toning, particularly noticeable at the border created by the edge of the mat. Matted and framed; not examined out of frame. Dimensions frame w 17.5 in x h 14 5/8 in image w 9 3/8 in x h 7.75 in. More
Baltimore. Signed oil landscape by Edward Rosenfeld (1906-1983). Condition: very good with no apparent issues. Signed in lower right corner. Matted and framed; not examined out of frame. Dimensions frame w 17 in x h 15.5 in painting w 10.5 in x h 8.75 in. More
c 1800s. The paintings are mounted on light brown velvet which is moderately dotted with small stains. The mat is a faux suede with the opening trimmed in wood. Not examined out of frame. Dimensions: individual paintings: 0.75 in diameter to w 2 in x h 1.75 display box: 18.25 in x 14 in. More
Sebastien Phillipe, 1627. An etching by Jacques Callot entitled “Entrée de Monsieur de Couvonge et de Monsieur de Chalabre.” This etching is from “Le Combat a la Barrière” by Henri Humbert and was printed by Sebastien Phillipe in 1627. It depicts a lively procession of dancing and flying spirits accompanied by a dragon and griffin. The Metropolitan Museum of Art and the Rhode Island School of Design Museum have this etching as part of their permanent collections. Condition: very good though age toned. A small number “4” is written in ink in the lower margin not affecting the image. The etching is affixed on the verso with archival tape to paper with a 9 ½” x 6” opening (see image). It is signed in plate lower right “Jac. Callot In. et F”. Dimensions w 9.5 in x h 6 in. More
A small oval original illustration of Venus and Cupid in white and black on a sepia ground. Pierre-Paul Prud’hon (1758-1823) was born in Burgundy and began studying painting at the age of sixteen. After working in Dijon and Paris, he spent the years of 1784-1787 in Italy, where he was influenced by the work of earlier Italian painters. On his return to France he became a supporter of the Revolution, and was later favored with commissions by Napoleon. Condition: very good; no evidence of damage. Matted and framed; not examined out of frame. Dimensions frame w 8 3/8 in x h 6 7/8 in image w 5 1/8 in x h 3 7/8 in. More
Print by Elisabeth Claire Tournay (1731-1773) after a painting by Pierre-Louis Dumesnil the Younger (1698-1781). Tournay was a female engraver who spent her career in Paris, where Dumesnil also worked for most of his life. A copy of this print is currently in the collection of the Musee Carnavalet, Histoire de Paris in Paris, France. Matted and framed. Condition: Very Good. The black and gilt frame shows some minor wear. Not examined out of frame. Dimensions 23 x 21 inches. More
A signed original print by Grace Rhoades Dean entitled “The Grist Mill.” Born in Ohio, Dean (1878-1968) spent most of her career in that state, though she and her husband, who was also an artist, studied in Munich between 1910 and 1914. Following their return to Ohio from Germany, Dean taught art classes and exhibited her work widely at regional galleries and competitions. Matted and framed. Condition: Very Good. Some age-toning, and some chipping to frame. Not examined out of frame. Dimensions 15.25 x 13.125 inches. More
Maryland. A large sketch pad filled with more than fifty life studies by an unrecognized 20th century Maryland-based artist, Dick Kelih. One additional study, done on different paper, has been placed in the folio but not attached in any way. The first nine studies are painted; the rest are worked variously in charcoal, crayon, and graphite. They vary in completeness and level of detail, but all are produced in a loose, fluid style. Condition: good. A few pages have closed tears, and one has multiple closed and open tears. Some water staining to early pages, and all pages are yellowed with age. Dimensions 18.5 x 25 inches. More