1910. SEPTEMBER 24 1910. The artist’s name appears inside the lower border of the image. Printed below the image lower left is “VOL XLVI NO 1” and lower right “SEPTEMBER 24 1910” with a “27” in the extreme right corner. The magazine’s title “Collier’s The National Weekly” largely obscured by Parrish’s bookish clown speaks to the magazine’s foothold in early 20th-century popular culture. From 1904 to 1910, Parrish was under exclusive contract to Collier's, which published his famed Arabian Nights paintings in 1906-07. Condition: fine. Matted and framed; the frame is moderately scuffed. Dimensions image dimensions: w 10.75 in x h 15 in. More

A signed original print by Grace Rhoades Dean entitled “The Grist Mill.” Born in Ohio, Dean (1878-1968) spent most of her career in that state, though she and her husband, who was also an artist, studied in Munich between 1910 and 1914. Following their return to Ohio from Germany, Dean taught art classes and exhibited her work widely at regional galleries and competitions. Matted and framed. Condition: Very Good. Some age-toning, and some chipping to frame. Not examined out of frame. Dimensions 15.25 x 13.125 inches. More

An etching by Alfred Robaut based on the work of Eugene Delacroix, depicting a lion with a skull. Condition: good. Age toning and age spots; a raised stamp in the lower right corner identifies this print as the work of Robaut based on Delacroix. Matted and framed; not examined out of frame. Dimensions frame: w 11.5 in x h 9 5/8 in. More

Print by Elisabeth Claire Tournay (1731-1773) after a painting by Pierre-Louis Dumesnil the Younger (1698-1781). Tournay was a female engraver who spent her career in Paris, where Dumesnil also worked for most of his life. A copy of this print is currently in the collection of the Musee Carnavalet, Histoire de Paris in Paris, France. Matted and framed. Condition: Very Good. The black and gilt frame shows some minor wear. Not examined out of frame. Dimensions 23 x 21 inches. More

2004. A print by Detroit-born artist John McDevitt King entitled “Lodging on Green Since 1980.” It is signed, numbered (6/35), and dated (2004). Condition: excellent. Three minor dents in lower right margin not impacting image. Dimensions sheet w 12 7/8 in x h 16 in; image w 8.25 in x h 10 7/8 in. More

A self portrait of Austrian artist Oskar Kokoschka in ink on paper, initialed in the lower right corner. Matted and framed; not examined out of frame. Condition: very good. Some separation at the corners of the frame, and some loss of material to corners, edges, and raised portions of frame. Dimensions frame w 10 1/8 in x h 12 in sheet w 3 5/8 in x h 5.5 in. More

Six chargers, each of which display similar scenes with common elements of house, water, mountains, figure. All are painted in deep blue tones. All very good with no significant issues. Dimensions: Various. Diameters are 14.5in, 14 7/8 in, 15.5 in, 16 in, 18 in, and 18 in. Heights range from 2 in to 2.5 in. More

An acrylic painting depicting a spotted faun and mother rabbit touching noses over a nest of bunnies. Painstakingly detailed to show virtually every hair on each animal. Signed and dated in lower left corner: Gerald W. Putt ‘80. The painting is matted and framed. Self-taught wildlife and nature artist Gerald W. Putt has won or placed in numerous other regional and national wildlife art competitions throughout his more than four-decade career as an artist. Most recently, he was declared the 2020 winner of the Pennsylvania Duck Stamp Competition, an award which he had one twelve times before. He has won similar competitions in other states as well, including North Carolina, Illinois, New Hampshire, and Colorado, and has been a top ten finalist many times for the Federal Duck Stamp Contest. Condition: Very Good. A well preserved ¼ in silver fish insect is between the glass and the mat near the top right corner and is not affecting either. Dimensions 33.5 x 39.5 inches. More

A painting by French/Hungarian painter Antal Bíró (1907-1990). Signed in lower left corner. Condition: very good with no evident damage. Dimensions w 15 in x h 11.25 in. More

A watercolor landscape by California-born artist James March Phillips (1913-1981). Condition: very good, with no apparent flaws. Currently housed in a protecting frame but can be shipped without. Dimensions frame w 17 in x h 14 in painting w 12.75 in x h 9.25 in. More

London: John Boydell, 1769. Three 1769 Engravings by Jean-Baptiste-Claude Chatelain: Castel Gandolfo; A Land-Storm; and Follow Me and I Will Make You Fishers of Men All three of these prints are the work of British engraver Jean-Baptiste-Claude Chatelain (1710–1771). Chatelain (whose name is often spelled “Chatelin” under engravings) was employed by publisher John Boydell in London, and with François Vivares produced a number of landscape engravings after works by masters such as Rembrandt. To boost sales, Boydell often capitalized on Vivares’ popularity and credited him on plates engraved by Chatelain alone. The French engraver François Vivares (1709–1780) set up shop in London at the age of 18. François Vivares engraved some 160 plates, most of which were published by John Boydell. The intermediary draftsman Joseph Goupy (French, ca. 1700–1782) also collaborated on all three of these prints. All three were published by the British publisher John Boydell (Shropshire 1720–1804 London) in or about 1769. This lot includes the following prints, all of which are framed and matted: “Castel Gandolfo and Part of the adjoining Lake with a Prospect of the Campagna of Rome,” after a painting by Giovanni Francesco Grimaldi (Italian, 1606–1680). Another print from this engraving is in the permanent collections of the Metropolitan Museum of Art, The British Museum and Harvard Art Museum. Condition: Very Good. 3” x 2” stain in lower left margin, not affecting image. Not examined out of frame. “A Land Storm,” after a painting by Nicolas Poussin (French, 1595–1665). Other prints from the same engraving are in the collections of the Royal Academy of Art, the British Museum, and the Detroit Institute of Arts. Condition: Excellent. No visible concerns; not examined out of frame. “Follow Me and I Will Make You Fishers of Men,” after a painting by Nicolas Poussin. Another print from the same engraving is in the permanent collection of the British Museum. Condition: Very Good. Light water staining along the bottom margin not affecting image or text. Frame shows some scratching and missing gilding. Dimensions Each 30 x 24 inches. More

A signed print of the etching Enterrement d’un marin à Villerville (Burial of a Marine, Villerville) by Ulysse Butin, 1878. Butin (1838-1880) was a French artist based in Paris who was known for paintings and etchings. Condition: good to very good. Some age toning and light marking to the image itself; the mat has further marking and some creases. Matted but not framed. Dimensions mat w 14.25 in x h 16 3/8 in sheet w 7 in x h 9 7/8 in. More

c 1800s. The paintings are mounted on light brown velvet which is moderately dotted with small stains. The mat is a faux suede with the opening trimmed in wood. Not examined out of frame. Dimensions: individual paintings: 0.75 in diameter to w 2 in x h 1.75 display box: 18.25 in x 14 in. More

Japan. A pair of two Japanese fan paintings dating to the Edo period (1603-1868). The first painting depicts a woman gesturing to a man seated on green tatami with three women watching from outside. The second painting depicts a man speaking to three other men seated around him by a river. A fabric screen gives them some privacy while a man and woman wait by the speaker’s jinrikisha. Much of the surfaces on both paintings are covered in gold leaf. These paintings were not made into fans so there are no creases. Each painting is taped to brown mat board. These paintings are not framed and are not signed. Both good to very good. First painting has a 1” closed tear to gold leaf at top left edge. Second painting has moderate pigment loss throughout the painting. Both paintings are on stiff paper with another layer of paper glued to the verso. Dimensions : Each painting: w 20.5 in x h 10 in. More

Sebastien Phillipe, 1627. An etching by Jacques Callot entitled “Entrée de Monsieur de Couvonge et de Monsieur de Chalabre.” This etching is from “Le Combat a la Barrière” by Henri Humbert and was printed by Sebastien Phillipe in 1627. It depicts a lively procession of dancing and flying spirits accompanied by a dragon and griffin. The Metropolitan Museum of Art and the Rhode Island School of Design Museum have this etching as part of their permanent collections. Condition: very good though age toned. A small number “4” is written in ink in the lower margin not affecting the image. The etching is affixed on the verso with archival tape to paper with a 9 ½” x 6” opening (see image). It is signed in plate lower right “Jac. Callot In. et F”. Dimensions w 9.5 in x h 6 in. More

A signed original drawing by French artist Aristide Maillol. Maillol (1861-1944) was accepted into the Ecole des beaux-arts in 1885, where he studied under several notable painters. He subsequently joined Les Nabis, a group of young French artists, at the recommendation of Gauguin, and began working in tapestry. Failing eyesight prompted him to focus increasingly on sculpture, particularly representations of female nude figures, though he periodically explored two-dimensional media as well. Condition: good to very good. Minor chipping and closed tears to edges of sheet, none of which impact the image. Signed in lower right corner. Dimensions mat w 13.75 in x h 16 7/8 in sheet w 9 3/8 in x h 13 3/8 in. More

A signed painting by Czech artist Pravoslav Kotík (1889-1970). Matted and framed. Condition: Very Good to Excellent. Painting in excellent condition; frame has several very small chips and discoloration in several places. Dimensions 23 x 18.25 inches. More

A signed abstract painting by Sonia Delaunay-Terk (1885-1979), a Ukrainian-born Russian artist, who played an influential role in the avant-garde movement in Paris. Condition: very good. Some age-toning visible on reverse of painting. Signature and gallery stamp on reverse. Matted but not framed. Dimensions mat w 15.75 in x h 12 3/8 in sheet w 12 3/8 in x h 8.75 in. More

A signed abstract watercolor by Italian painter Afro Libio Basaldella (1912-1976), known as Afro. Signed “Afro” in lower right corner. Condition: very good. Minor denting and creasing to edges of painting, not impacting images. The edges of the sheet are unevenly trimmed. Slight marking to mat. Matted but not framed. Dimensions mat w 16 in x h 12 in sheet w 11 7/8 in x h 9 1/8 in. More