London and Glasgow: Collins, 1942 . First Edition, Third Printing. Quarto, xv, 290; VG/G; spine black with yellow and red lettering; dust jacket protected with a mylar covering, price cut; dust jacket has numerous chips, primarily to head and tail of spine, closed tears to hinges, upper edge of front cover, small chip missing to upper edge of front cover; art studio name written to rear pastedown; small bookseller sticker to front pastedown; stamp for 'Coffin & Company" top top edge of text block; INSCRIBED on frontispiece by Walt Disney to a Jim; BL consignment; shelved case 3 or 11.
New York: The Members of the Limited Editions Club, 1981. Limited Edition, 13/50 and 1020/2000. Contains two items. The first is a Folio portfolio with eighteen first proofs on Mowhawk Superfine in addition to Eighteen Final Proofs on Torinoko handmade paper. Each Print has been signed and numbered by Eichenberg. All impressions signed, titled, and numbered in pencil. This edition is limited to fifty copies, of which thirty are the present edition and the other twenty contain just the eighteen final proofs. The wood engravings in this portfolio were designed to illustrate a published edition of "The Adventures of Simplicius Simplicissimus," of which 2000 copies were made, included here with the following condition: Small quarto, 319 pages; VG; beige spine with gilt text; limited edition, numbered and signed by the artist; orange slipcase shows some light soiling to exterior; minor rubbing to edges; otherwise intact; cloth has light sunning to spine; minimal wear to exterior; strong boards; text and illustration blind-stamped to front; text block shows light wear to exterior edges; interior clean; previous owner's bookplate to front pastedown; profusely illustrated; frontispiece; orange endpapers; Signed and numbered in rear by Eichenberg; RL Consignment; shelved above mythology.
Calais, Vermont: Z Press, 1999. First Limited Edition, Letter K. Octavo; VG; Sewn in original wrappers with label on the front cover. Book design by C. W. Swets. Set in Bembo type, printed on handmade papers by The Grenfell Press. One of 26 copies, letter K, signed by Jeff Clark on the colophon, with a tipped-in original linocut in black, gray, and beige numbered and signed by Jasper Johns in pencil) there were an additional 200 unsigned copies, without the linocut.) This is the first linoleum cut ever created by Johns. Apparently inspired by this work, Johns later produced several more prints in this media, they were exhibited by the Scottish National Gallery of Modern Art.; shelved case 0.
London: George G. Harrap & Co., 1933. Limited Edition, #273/460. Octavo; VG/VG. Original gilt-ruled vellum, gilt-pictorial spine; housed in publisher's board slipcase with printed paper spine label; gilt text block, deckled edges; With 8 full-page color plates and 60 drawings in black and white; Edition limited to 460 copies, this volume is #273, numbered on the slipcase, numbered and signed by Arthur Rackham on the limitations page; LM consignment; shelved case 14.
London: Heinemann, 1913. Limited Edition, #199/1130. Large Quarto, 160 pages; VG-; bound in in white buckram with gilt text and illustrations on cover and spine; with frontispiece, 12 color tipped in plates, numerous black and white illustrations; Wear to the edges of the boards as well as some minor soiling; Edition limited to 1130 numbered copies, of which this is number 199. Signed by Rackham on the limitations page; LM consignment; shelved case 14.
London: R. Ackermann, 1819-1821. Mixed Editions. Octavos, 3 volumes; VG; all volumes bound in original boards with original paper printed label; housed in a gray cloth clamshell; boards have some mild wear, including tide-marks to front board of volume 3, labels and spines have some cracking; seal stamp on verso of all title pages; The Tour of Doctor Syntax is an Eight Edition, published June 1, 1819 by R. Ackermann, with 31 hand-colored etched plates.; The Second Tour is a Third Edition, Published by R. Ackermann in 1820, with 24 hand-colored etched plates; The Third Tour is an early edition, with 25 hand-colored etched plates; RL consignment; shelved case 13.
London: Hodder & Stoughton, 1907. Second Edition. Quarto, 125 pages; VG; rebound in half red calf, boards are the original cloth from publisher's binding; spine paneled with gilt lettering and tooling; mild wear and rubbing to boards; mild rubbing to corners; with 50 color illustrations; mild foxing, does not impact plates; plates bound in rear, as usual; shelved case 3.
London: Hodder & Stoughton, 1910. Edition de Luxe, #233/1000. Large Quarto, 128 pages; VG-; bound in half red calf, red cloth boards, gilt tooling and lettering to spine; fading to spine; top edge of text block gilt; first gathering (including title page) loose; SIGNED by Dulac on limitation page, #233/1000; With 30 color plates by Dulac; shelved case 13.
West Plains MO: Russ Cochran, 1976, 1977, 1984. Limited Editions, #60/2000. Quartos, 3 volumes; VG; bound in publisher's matching white burlap, gilt lettering to spines, brown leather labels with gilt lettering and color illustrated inlays to front covers; housed in publisher's dark brown slipcase with gilt lettering to spine; Publisher's letter and card laid-in to volume 1, letter in volume 2, photocopy of letter in volume 3; all 3 volumes have mathing limitation numbers, #60/2000; profusely illustrated with hundreds of illustrations; with illustrations by J Allen St John, John C Burroughs, Morris Gollub, Hal Foster, Burne Hogarth, Frank Schoonover, Roy Krenkel, Reed Crandall, and Frank Frazetta; shelved above alcove 1.
New York: Metropolitan Museum of Art; Franklin Library, 1987. First Edition Thus. Quartos, Twelve Volumes; VG; bound by the Franklin Library in full leather in twelve distinctive colors; gilt decorated spines and boards; four raised bands on spines; all edges of text blocks gilt; silk bookmarks bound in; No leaflet or other Franklin Library ephemera.; interiors clean; Volume Titles: 1) Greece and Rome; 2) Egypt and the Ancient Near East; 3) Europe in the Middle Ages; 4) The Renaissance in Italy and Spain: 5) The Renaissance in the North; 6) Europe in the Age of Monarchy; 7) Europe in the Age of Enlightenment and Revolution; 8) Modern Europe; 9) The United States of America; 10) Asia; 11) the Islamic World; 12) The Pacific Islands, Africa, and the Americas.; heavy, please contact for accurate shipping costs; shelved above easton press.
New York: Rock Foundation, 1988. First Edition. Folios, 3 volumes, VG/no DJs as issued; gray cloth boards, black lettering to spines: very mild overall wear to boards, spines faded beige (lettering clear and legible); minimal wear to clean text-blocks; interiors clean; VOLUME 3.1 [COSMIC GAMES]; VOLUME 3.2 [THE LABYRINTH & OTHER PATHS TO OTHER WORLDS]; VOLUME 3.3 [THE WORLD TURNED UPSIDE DOWN]; frontispieces; volumes housed in VG- brown cloth slipcase; shelved front table.
London: Sherwood, Jones and Co, 1823. First Edition. Octavo, 97 pages; VG; bound in full polished calf by Root & Son, paneled spine with gilt tooling, three brown labels with gilt lettering; marbled endpapers; all edges of text block gilt; bookplate to front pastedown; half-title; lacking ads in rear; Frontispiece and illustrated with 20 hand-colored engravings by Robert Cruikshank; RD consignment; shelved case 13.
London and New York: Cassell, Petter, and Galpin, circa 1880. Small Quarto, pp 737; VG; 3/4 bound dark green leather spine with gilt text; raised bands with gilt borders and gilt decorations to spine; gilt rule trim to leather edges; green cloth boards have scratches to exterior; moderate rubbing to joints and edges; text block marbled; slight fading to exterior edges; marbled endpapers; slight toning to interior, otherwise clean; frontispiece; profusely illustrated with 118 illustrations by by Gustave Doré; additional shipping may be necessary due to size/weight restrictions for international or expedited orders; RL Consignment; shelved above case 3.
New York: Charles Scribner's Sons, 1923. Large Octavo, xii, 339 pages; VG/VG-; spine beige with black lettering; dust jacket protected with a mylar covering, price uncut '$2.50'; dust jacket has some chipping to head and tail of spine, small water-staining to spine, larger chip to rear cover along head of spine; half-tltle/page 3/4 uncut; small staining to top edge of text block; interior clean; illustrated endpapers; tipped-in plate to front cover; LS consignment; shelved case 14.
London: William Heinemann, 1908. First Edition. Quarto, 134 pages; VG; rebound in half tan calf, boards are the original cloth from publisher's binding; spine paneled with gilt lettering and tooling; mild wear and rubbing to boards; mild rubbing to corners; with 40 color illustrations; mild foxing, does not impact plates; shelved case 3.
London: William Heinemann, 1910. First Edition Thus. Quarto, 159 pages; VG-; rebound in quarter red calf, marbled boards and endpapers, paneled spine with gilt tooling and lettering; sun-darkening to spine; wear to hinges, with front board starting on both ends; rubbing to boards; with thirty-four full page coloured mounted plates; shelved case 12.
London: Blackie & Son, 1882. Quartos, 2 volumes; VG; bound in publisher's full red morocco binding with and elaborate gilt tooling and blind stamping with various English and Scottish heraldic gilt crests on front and rear boards, bevelled edges; spine paneled with elaborate gilt decoration and lettering; inner gilt dentelles; marbled endpapers; all edges of the text block gilt; with 2 Frontispieces and 67 full-page engravings; small chip to top of rear hinge of volume 1; shelved front table.
New York: The Hyperion Press, 1941. Limited Edition, #428/1750. Folio, unpaginated; G; bound in beige cloth, silver lettering to spine, front cover with silver lettering and pictorial image; moderate rubbing and wear to boards; glue-staining to endpapers; small bookplate to front pastedown; One of 1750 numbered copies, of which this is #428; Illustrated with 24 mounted plates; shelved front table.
Flammarion, 1949. Quarto, 123 pages; VG-/VG-; spine beige with black lettering; dust jacket protected with a mylar covering, numerous closed tears, some sun-fading and a small water-stain to spine; bowing to boards; gift inscription to ffep; 12 black and white illustrated chapter heads and 8 full page color illustrations; shelved front table or window.
London: William Heinemann, 1929. First Edition, Ninth Printing. Large Octavo, 134 pages; G+; bound in sea-foam blue cloth, gilt lettering to spine; sun-fading to spine, moderate rubbing to boards; with 40 tipped-in colour plates and black and white illustrations and designs by Arthur Rackham; gift inscription on ffep; shelved case 14.
Kent: Volair Limited, 1978. Limited Edition, #4083/5000. Octavos, 2 volumes; VG; bound in full brown leather, gilt stamping and lettering to boards and spines; housed in a VG brown cloth-covered slipcase; all edges of text blocks gilt; silk endpapers; includes publisher's letter and unused bookplate; shelved above Anthropology.
West Plains MO: Russ Cochran, 1976. Limited Editions, #1579/2000. Quarto, 271 pages; VG; bound in publisher's white burlap, gilt lettering to spine, brown leather label with gilt lettering and color illustrated inlays to front cover; Publisher's letter laid-in; profusely illustrated; shelved front table.
New York: Brentano's Publishing Inc., 1911. First Edition, First Printing. Quarto, unpaginated; VG-; full bound in black cloth, spine and front cover have gilt tooling and lettering; binding has shelf wear at the top and bottom edges with rubbing on both covers and bumping on the fore edge corners, has minor detachment; has minor pencil marks and an ex libris impression on the ffep; profusely illustrated; shelved case 12.
Putney, VT: Year of Dog Press, 1972. Limited First Edition [#103/650]. Octavo, 69 pages, VG/VG-; red matte paper wrapper, gold and black lettering: mild fading mostly to spine; wear with mild fraying to head, tail, and corners; closed tear to head; scattered minor imperfections to wrapper; back cover of wrapper pasted to back board (possibly as issued); covers protected by plastic covering; plain uncovered boards, modern Coptic-style binding with adhesive: slight bumping to corners; light age-toning to text-block, deckle fore- and bottom-edges; interior clean, black lettering and color-woodcut illustrations printed on tan Nideggen mould-made paper stated to limitation page, No. 103 out of 650 copies; SIGNED by both editors/illustrators to limitation page; shelved Poetry Anthologies.