Roma: Edizioni d'Italia, 1971. Limited Edition, #537/1449. Folio, 156 pages; VG; bound in full brown leather, gilt lettering; housed in a VG- matching brown leather slipcase with paper boards, some scuffing; mild sun-fading to spine; with 89 full page engravings; shelved under front case. More

1840 - c.1860. Octavo, [12]; VG; bound in full pebbled green calf with gilt, paneled spine with gilt stamping and titling, marbled endpapers; bound by Riviere with their stamp; mild rubbing to hinges; Contains 12 original pen-and-ink drawings of a baby, each captioned and surrounded in a cartouche. Each leaf is mounted in the binding. Date presumed 1840 - c.1860, based on the binder's stamp; A unique collection of private baby drawings; shelved case 0. More

London: Hodder & Stoughton, 1907. Second Edition. Quarto, 125 pages; VG; rebound in half red calf, boards are the original cloth from publisher's binding; spine paneled with gilt lettering and tooling; mild wear and rubbing to boards; mild rubbing to corners; with 50 color illustrations; mild foxing, does not impact plates; plates bound in rear, as usual; shelved case 14. More

Paris: Henry Creuzevault, 1953. Limited Edition, #15/140. Folio (10" x 15"), 52 leaves in 26 signatures in original paper folded cover (covered in a glassine protective wrapper); Fine; Bound in cloth sleeve covered in paper with a box enclosure. Number 15 of 140 copies, on Rives paper. Printed by Janine Daragnès on May 11, 1953. With 21 original etchings by Buffet, including 7 full page and 3 double-page, plus one on cover; plus a separate suite of 23 drawings, including 3 double-page drawings. Limited edition reissue of 1939 work, with illustrations by Bernard Buffet (1928-1999), signed by Giono and Buffet, with a foreword by Pierre Bergé.; shelved case 11. More

Paris: The Black Sun Press, 1930. Limited Edition. #72/370. Oblong Quarto, 114 pages; VG/G; in printed tan wrappers, red and black lettering to spine; with original glassine, parts torn or tattered; interior clean, with minimal foxing; Illustrated with six original color lithographs by Marie Laurencin; Copy #72 of 370 of the European edition, and of that, one of 300 printed on Rives paper; SH consignment; shelved case 0. More

New York: Estate of Stuart Davis, 1991. Limited Facsimile Edition [886/1000]. Quarto, Unpaginated; VG; quarter bound in black cloth, spine has gilt lettering; binding has minimal shelf wear; pages clear; housed in beige publisher's slipcase; has a limitation slip; shelved Front Table. More

Berlin: Umsler & Ruthardt, 1928. Octavo, unpaginated; VG; quarter bound in vellum, spine has gilt lettering; binding has gilt lettering and tooling, has minimal shelf wear, has bumping on the fore edge corners; pages have minor age toning; shelved case 9. More

New York: Charles Scribner's Sons, 1975. First Edition, First Printing. 4to., 224pp.; VG/VG; spine tan with teal and black lettering; dust jacket protected with a mylar covering; minor bumping and shelfwear; price-clipped; the front pastedown, both sides of the ffep, and the half-title pages have inscriptions and drawings/doodles by the following cartoonists: Mort Gerberg, Sam Gross, Marvin Tannenberg, Dana Fradon, Bill Woodman, Jack Ziegler, Gahan Wilson, George Booth; shelved case 1. More

Putney, VT: Year of Dog Press, 1972. Limited First Edition [#103/650]. Octavo, 69 pages, VG/VG-; red matte paper wrapper, gold and black lettering: mild fading mostly to spine; wear with mild fraying to head, tail, and corners; closed tear to head; scattered minor imperfections to wrapper; back cover of wrapper pasted to back board (possibly as issued); covers protected by plastic covering; plain uncovered boards, modern Coptic-style binding with adhesive: slight bumping to corners; light age-toning to text-block, deckle fore- and bottom-edges; interior clean, black lettering and color-woodcut illustrations printed on tan Nideggen mould-made paper stated to limitation page, No. 103 out of 650 copies; SIGNED by both editors/illustrators to limitation page; shelved Poetry Anthologies. More

Philadelphia: Lindsay & Blakiston, 1854. First Edition. Quarto, 300 pages; G-; rebound in modern burgundy cloth, gilt to spine, original light brown crushed morocco boards with gilt-stamped decorations attached to front covers; all edges gilt; marbled endpapers; lacking illuminated additional title page and frontispiece; fore edge of title page and four following pages with tape on the fore edge; some finger-staining and sparse pencil; illustrated throughout with 10 chromolithographs depicting some of the birds mentioned in the book; shelved case 4. More

London: R. Faulder, New Bond Street; And J. Egerton, Whitehall, 1794. Quarto, xvi, 183 pages, VG; beautifully bound in an elaborate full morocco-gilt Kelliegram binding, featuring an eight-color morocco inlaid cover portrait to the front board and a seven-color morocco inlaid cover portrait to the rear; rebacked with spine preserved; mild bumping to corners, slight rubbing to spine; marbled endpapers; all edges gilt; gilt Kelliegram signature stamped to the rear board's lower turn-in; With 57 plates, some aquatint, one folding; The front inlay is Count Viviani, from plate 3, page 34, the rear inlay is from plate 1 page 25.; Consignment; shelved case 3. More

Lausanne: Andre Gonin, 1943. Limited Edition, #159/174. 136 pages plus indices. Text in French. Small folio, loose-bound in salmon-colored wraps with black title and device on front, housed in a protective outer cover of paper-covered cloth boards with a gilt title on the spine. Included are 21 original engravings, 11 of which are full-page. The volume is signed by the engraver and the publisher (André Gonin), and is a limited edition (edition number 159/174). Condition: Very Good. There is some loss of paper covering at the joints of the outer cover, along with water staining at bottom left and general light marking and discoloration. The inner wraps have a 1 ¼ in. split to the bottom front joint and very minor wear to the corners and the head of the spine. The text block shows light age-toning and some foxing to pages, especially at the fore-edges. Dimensions 11.125 x 15 x 1.25 inches Shelved case 11. More

Jin Yiru, 1996. First Edition. Quarto, 136 pages; VG; bound in gray/green cloth, red lettering; mild rubbing and shelfwear; beautifully illustrated with examples of James Yi-ru King's calligraphy; shelved Front Table. More

In aedibus Story-Scientia: Gandavi [Ghent], 1968. Limited Edition, #418/675. Folio, unpaginated; VG; bound in full vellum covered boards, gilt titling to spine, gilt illustration to front board; some vellum separating from the pastedowns, as expected; mild rubbing and wear to binding; This publication was issued to commemorate the hundred and fiftieth anniversary of the foundation of the State University of Ghent. This edition is limited to six hundred and seventy-five copies, of which seventy-five were numbered I to LXXV, and printed for the University Council, and six hundred, numbered 1 to 600, were to be offered for sale, of which this is #418; shelved front case. More

London: Hidgson, Boys, and Graves, n.d [1835]. First Edition. Folio, unpaginated; VG; bound in full gilted and blind brown morocco, paneled spine with gilt lettering; marbled endpapers, all edges gilt; bookplate of the Baron Northwick to the front pastedown; with 37 plates, edges of some plates foxed; MM consignment; shelved above Mythology. More

London: Halton and Truscott Smith Ltd., 1924. Limited Edition (58/1000). Quarto, 36 pages + 86 plates; VG-; bound in full dark blue cloth, spine has gilt lettering, front cover has gilt lettering and tooling; binding has minor wear along the top and bottom edges, has bumping on the fore edge corners, spine has moderate discoloration; pages have gilt along the top edge, have minor age toning; shelved front table. More

Scirpus Publications, 1996. First Edition. Quarto, 335 pages; VG/VG: spine black with white lettering; mild wear to head of spine; interior clean; profusely illustrated; shelved case 11. More

London: Hodder & Stoughton, 1914 (nd). First Edition. Quarto; VG; Blue boards and spine with gilt lettering and designs; Minor wear to the edges, some bumping at the corners; Pictorial end papers; Some age toning to the pages, but interior is bright and clean; All tipped in color plates (25) are present with descriptive tissue guards; mild and hard-to-see signs of repair to gutters of endpapers; LP Consign; Shelved Case 14, Dupont. More

New York: Century Co., [1913]. Limited Edition, #25/150. Large Quarto, 159 pages; VG; bound in white cloth, gilt pictorial and titling; top edge gilt; front gutter beginning to weaken; wear to the edges of the boards as well as some minor soiling; With frontispiece, 12 color tipped in plates mounted on heavy paper with captioned tissue-guards, 1 black and white tipped in plate mounted on heavy paper with captioned tissue-guard, 85 black and white illustrations; Variant of the British Limited Edition, this version intended for sale in the United States. The title page is largely identical, with the publisher and place changed, and the binding is also largely identical with the publisher changed on the spine and the windmill on the real cover not present. This variant also has one additional tipped in plate, a black and white illustration entitled 'Little Bo-peep'; Edition limited to 150 numbered copies, of which this is number 25. Signed by Rackham on the limitation page; LC consignment; shelved case 14. More

London: William Heinemann, 1908. Limited Edition, #857/1000. Quarto, 134 pages; VG; bound in publisher's gold-pictorial full vellum, top edge gilt, others untrimmed; yellow silk ties; mild rubbing and wear to vellum; Limited to 1000 numbered copies for sale in Great Britain and Ireland, this is copy #857 signed by Rackham; with 40 color plates mounted on heavy brown paper with lettered tissue-guards and 30 drawings in black and white; shelved case 14. More

London; Paris: J. Dodsley; De L'Imprimerie de Monsieur, 1789. A unique collection of both the original French and the English translation of the famed novel, together with an awe-inspiring collection of proofs before letters by esteemed French artists. Three volumes housed in a custom three-part black and red leather box, gilt titling to spine, box solid, some wear and cracking; Paul et Virginie is bound in full burgundy morocco, triple gilt rules to boards, spine with gilt titling and tooling, all edges of text block gilt, marbled endpapers, bookplate to front endpaper; Unsigned binding, but early invoice states it was bound by Derome., Paris: De L'Imprimerie de Monsieur, 1789. with half-title, 12mo., xxxv, 243 pages, with 4 black and white plates, foxing to plate edges; "Prix, papier vélin d'Essone, 6. liv."; Both volumes of Paul and Mary are bound in matching full green morocco with elegant gilt tooling, paneled spines similarly gilt; all edges of text blocks gilt; doublures burgundy morocco with matching design to boards, embroidered silk endpapers facing doublures, marbled endpapers following; incredibly tight binding; bookplate to marbled endpaper; Bound by Chambolle-Duru with their gilt stamp to front doublure; London: printed for J. Dodsley, Pall-Mall, [1789]; With an Autograph Letter Signed by Saint-Pierre, addressed "Au Citoyen Le Danois" (André Bazile Le Danois de La Soisière), a member of the Council of Ancients. Measuring ~9 x 6.7 inches (~23 x 17 cm.), with integral address leaf attached. Small tear to upper left corner where seal was attached, small archival repair to upper right corner, neither impacting and writing. Four Postal stamps present on integral address leaf. Actual text is 25 lines in Saint-Pierre's hand, responding to a letter by Le Danois about a meeting, countering his proposed date of the 8th with the 10th. He then goes on to discuss how he was tricked by a man that he had not seen for 20 years, as well as by a young woman. He defends himself that he in no way was compromising the interests of the Republic. The letter is dated "Paris, ce 7 ventose an 7" ( February 26th, 1799); With invoice circa 1895 from E. F. Bonaventure, with a handwritten description of the three volumes in purple ink. "Unique copy in an exquisite Binding by Chambolle extra illustrated with rare set all proofs before letters" "1. Set of proofs by [Achille] Devéria 2. Set of proofs by Corboald 3. Set of proofs ??? 4. Set of proofs Medallions in color 5. Set of proofs Medallions [in color] by Dutailly [Guyot sculp] 6. Set of proofs by Desenne 7. Set proofs by [Jean-Michel] Moreau 8. Set proofs by [Tony] Johannot 9. Set proofs by Corboald (small) 10. Set proofs by Lery[?] 11. Set proofs by [Jean-Antoine-Valentin] Foulquier 12. Autographed Letter In All 70 Plates, All proofs" Shelved case 0. More

New York: George Braziller, [1965]. Folio, unpaginated; VG; 1/4 bound in brown leather, white cloth boards; paneled spine with gilt lettering; housed in a VG beige slipcase; mild wear to spine; contains 103 full-page color facsimiles with printed tissue-guards; shelved above mythology. More

Boston, MA: Houghton Mifflin Company, 1979. First American Edition, First Printing. Quarto, Unpaginated; VG; fully bound in brown cloth, spine and front cover have gilt tooling and lettering; binding has minimal shelf wear; pages clear; profusely illustrated; housed in brown publisher's slipcase; shelved Front Table. More

London: Heinemann, 1911. Limited Edition. Quarto; VG-; Vellum binding; Silk ties to front fore edge; Gilt lettering on spine, gilt design to front; Some bowing to boards as is typical for this edition; Upper edge gilt, all other edges deckle cut; Binding is tight; Text block is toned, but free of marking; All images clean; Book has been SIGNED by Rackham and is numbered 944 of an edition of 1150. This volume contains the second and third days of the Ring of the Niblung Trilogy: Siegfried and The Twilight of the Gods. Shelved Case 14, Dupont. More

New York: E. Weyhe, 1956. Limited Edition, #139/225. Octavo, unpaginated. VG; bound in publisher's beige basket weave cloth, housed in VG black slipcase; slipcase with mild wear, as usual; original glassine present, mild chipping primarily to head of spine; mild musty odor; with thirty-one original wood block and linoleum plates; This book is designated copy 139 out of 225 and signed by Max Weber on the limitations page; shelved case 11. More