London: Sotheby's, 2009. Quarto, 131 pages. In Good condition. Spine is white with black print. Cover has slight edge wear, vendor label on rear. Illustrated: color. Auction catalog. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. More

London, Paris, New York: Offices of the Studio, 1909. Quarto, vi, 42 pages. In Very Good minus condition. Bound in the publisher's green cloth with green lettering to pictorial paper label to the front. Boards show moderate wear exteriorly including light soiling and rubbed edges. Text block has mild wear to the edges. Gift inscription to the front free end paper. Frontispiece. Illustrated with several plates protected with tissue guard. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. More

Barcelona: Centre Cultural de la Fundacio Caixa Pensions, 1990. First Edition. Octavo, 119 pages. In Very Good minus condition with Very Good minus dustjacket. Blue and white spine with black text. Dustjacket has mild edgewear and shelfwear. Textblock has black mark on tail edge. More

New York: M. Knoedler & Co., 1987. Large Octavo, 36 pages. In Very Good minus condition. Spine brown without lettering. Paperback bound. Red lettering to front cover. Slight exterior wear with minor edge wear. Text block edges have ivory tone. Frontispiece. Illustrated. More

Koln: Michael Werner, 1990. Oblong Octavo, 55 pages. In Very Good condition. Spine dark tan with black lettering. Boards have mild bumping to spine edges. Text block has very light wear to edges and previous owner's name to front end paper. Illustrated with full color plates. Text in German and English. More

London: Waddington Graphics, 1991. Octavo, 44 pages. In Very Good condition. Spine is green and black with white print. Illustrated: color plates tipped in.“Exhibition 27 March - 20 April 1991”— front flap. NOTE: Shelved in Netdesk Column A, ND-A. More

London: Lumley Cazalet Ltd, n.d. Oblong Booklet [6.5x5.75], unpaginated. In Good plus condition. Paperback bound with black spine bearing white lettering. Light wear and slight rubbing wear to edges. Text block have mild wear to the edges and profusely illustrated interiorly. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #8. More

London and New York: Petersburg Press, 1982. Oblong Octavo, 55 pages. In Good plus condition. Paperback binding with white lettering to brown spine. Moderate shelf wear with slight rubbing to the edges. Faux dust jacket. Text block shows very mild wear to edges. Profusely illustrated with full color plates. Uncut pages. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #8. More

London: Phaidon, 1996. First Paperback Edition. Quarto; 240 pages; VG/VG; spine vertically blue and white striped with black text; mild shelfwear to dust jacket; textblock clean; black and white and full color photographs and illustrations throughout; shelved Design. More

Boston: David R. Godine, 1990. First US Edition, First Printing. Quarto, 478 pages; VG/VG; spine white with orange lettering; dust jacket protected with a mylar covering, price uncut '$75.00', mild shelfwear; shelved British Art. More

Paris: Galerie Claude Bernard, 2009. First Edition. Quarto, Unpaginated. In Very Good condition. Spine blue with white and yellow lettering. Minor shelfwear. Textblock clean. Text in English and French. Shelved in Modern Art. More

London: The Collector, 1929. Limited Edition. Quarto; xx, 112 pages, 102 plates; VG-; Bound in brown cloth with gilt text; Covers have mild edgewear and shelfwear, bumping to corners, bending along spine edges; Textblock has age toning, foxing to most pages, sticker on front pastedown, slight writing in pen on front endpaper; #119 of 750 copies; Shelved Front Table. More

London: The War Office, 1917. First Edition. Quarto, 2 vols.; G+; quarter tan cloth bindings, boards in gray paper; spines with leather labels with gilt lettering; some shelf wear and soiling; corners bumped and exposed; upper right corner of vol. 1 front board missing; mild scuffing to vol. 1 spine; two dark stains to vol. 2 front board; bumps to fore edges of vol. 2 boards; vol. 2 joints starting; small closed tears at crown and tail of vol. 2 spine; scuffing to vol. 2 back board; all edges of both vols. with decorative red speckling; both vols. profusely illustrated with color and black and white drawings and watercolors; pages clean; shelved Front Table. More

Woodbridge, Suffolk: Antique Collector's Club, 1997. First Edition. Quarto, 286 pages. In Very Good condition with a Very Good dust jacket. Spine white with black and burgundy lettering. Dust jacket protected in mylar covering, with price uncut: "£45.00." Minor shelfwear. Light creasing to edges of dust jacket. Textblock clean. Inscribed flat by Swanson on half-title page. Shelved in Artist Monographs, G-L. More

Berkshire: The Golden Cockerel Press, 1932. Limited First Edition, #144/500. Octavo; 67 pages; VG; quarter teal leather binding over patterned aqua cloth boards with gilt titling to spine; mild shelfwear to covers, including bumping and light rubbing to corners of spine; textblock clean with top edge gilt and decked fore and bottom edges; black and white engravings throughout; shelved case 9 3/4. More

London: Ernest Benn Limited, 1927. First British Edition. Quarto, 14 pages, 310 plates. In Very Good condition. Newly rebound by Bookends Bindery with their stamp in half polished calf. Paneled spine with stamping in blind, two labels, one each of green and red with gilt lettering. Very mild shelfwear. Shelved above case 3. More

London: James Nisbet and Co., Limited, 1913. Limited Edition, #50/175. Quarto, 320 pages; VG-; three-quarter dark green calf binding, boards in green cloth; spine paneled, with gilt title at second panel and date at tail; mild shelf wear and soiling; small tear in cloth at lower edge of front board; mild scuffing overall; upper edge gilt; green marbled endpapers; Bayntun binder's stamp at front free endpaper verso top corner; signed flat by Browne at limitations page; hand-numbered 50 at limitations page; contains black and white photos and illustrations; pages clean; shelved above Mythology. More

London: Chatto and Windus, c. 1875. Quarto, 376 pages; VG; rebound by 'Grieves - Edinr' with their stamp in three quarters dark blue leather, marbled paper boards and endpapers, paneled spine with gilt titling and stamping; some vertical cracking to spine; mild shelfwear and rubbing; top edge gilt; publisher's spine preserved onto the front pastedown, cloth from front cover preserved onto rear pastedown; interior clean; with over four hundred illustrations; shelved case 12. More

London: James Sowerby, 1802. First Edition, First Printing. Octavo, unpaginated; VG-; vol. 15 ONLY; full mid-19th century rebinding in green paper; spine paneled, with black label and gilt lettering; date 1802 stamped at tail of spine; mild shelf wear and scuffing; all edges with decorative red speckling; mild age-toning to textblock; light foxing throughout textblock; profusely illustrated in full color; pages clean; shelved above US Regional--DC. More

London: James Sowerby, 1803. First Edition, First Printing. Octavo, unpaginated; VG-; vol. 17 ONLY; full mid-19th century rebinding in green paper; spine paneled, with black label and gilt lettering; date 1803 stamped at tail of spine; mild shelf wear and scuffing; all edges with decorative red speckling; mild age-toning to textblock; light foxing throughout textblock; profusely illustrated in full color; plates slightly offset; binder's sticker at back pastedown; pages clean; shelved above US Regional--DC. More

London: James Sowerby, 1810. First Edition, First Printing. Octavo, unpaginated; VG-; vol. 30 ONLY; full mid-19th century rebinding in green paper; spine paneled, with black label and gilt lettering; date 1810 stamped at tail of spine; mild shelf wear and scuffing; all edges with decorative red speckling; mild age-toning to textblock; light foxing throughout textblock; profusely illustrated in full color; plates slightly offset; binder's sticker at back pastedown; pages clean; shelved above US Regional--DC. More

London: James Sowerby, 1811. First Edition, First Printing. Octavo, unpaginated; VG-; vol. 32 ONLY; full mid-19th century rebinding in green paper; spine paneled, with black label and gilt lettering; date 1811 stamped at tail of spine; mild shelf wear and scuffing; all edges with decorative red speckling; mild age-toning to textblock; light foxing throughout textblock; profusely illustrated in full color; plates slightly offset; binder's sticker at back pastedown; pages clean; shelved above US Regional--DC. More

London: John Murray, 1851. Extra-Illustrated Edition. Octavos, 2 volumes. In Good plus condition. Bound in half dark brown morocco and marbled boards. Spines paneled with gilt lettering and tooling. Top edge of text block gilt. Some general shelfwear and rubbing to binding, chipping to head and tail of spines, rubbing and fraying to corners. Binding loosening in some places. Extra-Illustrated by the insertion of 227 fine portraits and views by Stothard. Shelved above Law. More

London: George Routledge and Sons, 1882-1927. First Editions. 24mos., 29 volumes. In Good to Very Good condition. Contains: 1883 in yellow cloth-backed pictorial boards. 1884 in glazed limp pictorial wrapper, with another variant with border stained brown. 1885 in yellow cloth-backed pictorial boards. Two copies of the same variant. 1886 in hand-painted limp covers, satin ribbon stitching, gilt edges. Two copies of the same variant, each with a different painting. 1887: Hand-painted limp cream parchment. Painting with some smearing. 1888 in blue cloth-backed pictorial boards. 1889 in black cloth-backed pictorial boards. Text block detached from boards. 1890 in black cloth-backed pictorial boards. 1891 in yellow cloth-backed pictorial boards. 1892 in green cloth-backed pictorial boards. Schuster & Engen 12.10a, although calling for a tan cloth spine. 1893 in yellow cloth-backed pictorial boards, green edges 1894 in tan cloth-backed pictorial boards, turquoise endpapers. Two copies. 1895 in orange cloth-backed pictorial boards. With another copy with dust jacket. 1896: None Issued. 1897 in full green leatherette with gilt stamping to front cover. This variant not noted by Schuster & Engen, being either 16.14a in green leatherette or 16.14.c with a different publisher. 1924 in yellow cloth-backed pictorial boards. With printed glassine, not noted in Schuster & Engen. Four copies, three with glassine. With illustrations reused from the Almanack for 1883. 1925 in yellow cloth-backed pictorial boards. With printed glassine, not noted in Schuster & Engen. The illustrations and cover are reused from the Almanack for 1887, with the text revised. Two copies. 1926 in black cloth-backed pictorial boards. With printed glassine, not noted in Schuster & Engen. The illustrations and cover are reused from the Almanack for 1890, with the text revised. 1927 in yellow cloth-backed pictorial boards. The illustrations and cover are reused from the Almanack for 1891, with the text revised. Kate Greenaway's Alphabet in pictorial boards with green printed spines. Two copies. Calendar of the Seasons, 1882: 8 pages, four colored illustrations, printed in gold and colors on stiff glazed paper. 4 copies. Shelved case 14. More