London: The Collector, 1929. Limited Edition. Quarto; xx, 112 pages, 102 plates; VG-; Bound in brown cloth with gilt text; Covers have mild edgewear and shelfwear, bumping to corners, bending along spine edges; Textblock has age toning, foxing to most pages, sticker on front pastedown, slight writing in pen on front endpaper; #119 of 750 copies; Shelved Front Table. More

New York: Salander-O'Reilly Galleries, 2004. First Edition. Octavo, 188 pages; VG/VG-; spine pale blue and white, with white lettering; dust jacket protected with a mylar covering; mild shelf wear and scuffing; small closed tear at top of back jacket joint; full color illustrations throughout; pages clean; shelved British Art. More

London: The War Office, 1917. First Edition. Quarto, 2 vols.; G+; quarter tan cloth bindings, boards in gray paper; spines with leather labels with gilt lettering; some shelf wear and soiling; corners bumped and exposed; upper right corner of vol. 1 front board missing; mild scuffing to vol. 1 spine; two dark stains to vol. 2 front board; bumps to fore edges of vol. 2 boards; vol. 2 joints starting; small closed tears at crown and tail of vol. 2 spine; scuffing to vol. 2 back board; all edges of both vols. with decorative red speckling; both vols. profusely illustrated with color and black and white drawings and watercolors; pages clean; shelved Front Table. More

London: John Murray, 1851. Extra-Illustrated Edition. Octavos, 2 volumes. In Good plus condition. Bound in half dark brown morocco and marbled boards. Spines paneled with gilt lettering and tooling. Top edge of text block gilt. Some general shelfwear and rubbing to binding, chipping to head and tail of spines, rubbing and fraying to corners. Binding loosening in some places. Extra-Illustrated by the insertion of 227 fine portraits and views by Stothard. Shelved above Law. More

London: Longman, Brown, Green, Longmans, and Roberts, 1858. First Edition, First Printing. Octavo, xx pages, 196 pages; VG-; late 19th century calf rebinding; spine paneled, with extensive gilt tooling, two dark brown labels with gilt lettering, date 1858 at tail of spine; mild shelf wear and soiling; corners slightly bumped; wear to both joints; chip missing at crown of spine; chipping and cracking to first spine label; chip coming loose at tail of spine; gilt inside dentelles at both boards; all edges gilt; marbled endpapers; contains black and white illustrated plates; pages clean; shelved Case 9. More

London and New York: Petersburg Press, 1982. Oblong Octavo, 55 pages. In Good plus condition. Paperback binding with white lettering to brown spine. Moderate shelf wear with slight rubbing to the edges. Faux dust jacket. Text block shows very mild wear to edges. Profusely illustrated with full color plates. Uncut pages. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #8. More

Koln: Michael Werner, 1990. Oblong Octavo, 55 pages. In Very Good condition. Spine dark tan with black lettering. Boards have mild bumping to spine edges. Text block has very light wear to edges and previous owner's name to front end paper. Illustrated with full color plates. Text in German and English. More

London: Chatto and Windus, c. 1875. Quarto, 376 pages; VG; rebound by 'Grieves - Edinr' with their stamp in three quarters dark blue leather, marbled paper boards and endpapers, paneled spine with gilt titling and stamping; some vertical cracking to spine; mild shelfwear and rubbing; top edge gilt; publisher's spine preserved onto the front pastedown, cloth from front cover preserved onto rear pastedown; interior clean; with over four hundred illustrations; shelved case 12. More

London: George Routledge and Sons, 1882-1927. First Editions. 24mos., 29 volumes. In Good to Very Good condition. Contains: 1883 in yellow cloth-backed pictorial boards. 1884 in glazed limp pictorial wrapper, with another variant with border stained brown. 1885 in yellow cloth-backed pictorial boards. Two copies of the same variant. 1886 in hand-painted limp covers, satin ribbon stitching, gilt edges. Two copies of the same variant, each with a different painting. 1887: Hand-painted limp cream parchment. Painting with some smearing. 1888 in blue cloth-backed pictorial boards. 1889 in black cloth-backed pictorial boards. Text block detached from boards. 1890 in black cloth-backed pictorial boards. 1891 in yellow cloth-backed pictorial boards. 1892 in green cloth-backed pictorial boards. Schuster & Engen 12.10a, although calling for a tan cloth spine. 1893 in yellow cloth-backed pictorial boards, green edges 1894 in tan cloth-backed pictorial boards, turquoise endpapers. Two copies. 1895 in orange cloth-backed pictorial boards. With another copy with dust jacket. 1896: None Issued. 1897 in full green leatherette with gilt stamping to front cover. This variant not noted by Schuster & Engen, being either 16.14a in green leatherette or 16.14.c with a different publisher. 1924 in yellow cloth-backed pictorial boards. With printed glassine, not noted in Schuster & Engen. Four copies, three with glassine. With illustrations reused from the Almanack for 1883. 1925 in yellow cloth-backed pictorial boards. With printed glassine, not noted in Schuster & Engen. The illustrations and cover are reused from the Almanack for 1887, with the text revised. Two copies. 1926 in black cloth-backed pictorial boards. With printed glassine, not noted in Schuster & Engen. The illustrations and cover are reused from the Almanack for 1890, with the text revised. 1927 in yellow cloth-backed pictorial boards. The illustrations and cover are reused from the Almanack for 1891, with the text revised. Kate Greenaway's Alphabet in pictorial boards with green printed spines. Two copies. Calendar of the Seasons, 1882: 8 pages, four colored illustrations, printed in gold and colors on stiff glazed paper. 4 copies. Shelved case 14. More

Newlyn Orion Galleries Limited: Rosemary Hilton, 1980. First Edition, First Printing. Quarto; unpaginated; G+; full white paper binding with black lettering to spine; mild shelfwear to covers, including scuffing, a small chip to tail of spine, and small chip and stain from possible former tape to front cover; textblock clean; black and white photographs throughout; shelved British Art. More

London: Waddington Graphics, 1991. Octavo, 44 pages. In Very Good condition. Spine is green and black with white print. Illustrated: color plates tipped in.“Exhibition 27 March - 20 April 1991”— front flap. NOTE: Shelved in Netdesk Column A, ND-A. More

New York: John Lane, 1903. Octavo; Fair; Hardcover; Spine, brown with gold print, raised bands; Boards half bound with brown leather to spine and corners and brown cloth to boards, wear to spine caps and hinges, exposed corners, scuffing to leather, toning to spine, peripheral toning, mottled fading and surface tear to cloth; Text block has spotting to edges, spine break at p. “o xiv” with loose page, occasional light foxing, clean text; Variously paged, illustrated (b&w and color plates). More

London: Arts Council of Great Britain, 1976. Octavo, 76 pages. In Good minus condition with Faux Dust jacket. Deep maroon spine without lettering. Pictorial green and maroon paperback covers have modest rubbing wear to edges, creased front head edge, and several moisture ring stains to rear. Text block has slightly age toned edges with light soiling to half title page and page 76. Illustrated with plates to pages 23 to 68. Scarce in the United States. More

London: Longmans & Co., 1901. First Edition Thus. Small quarto; 47 pages; VG; quarter dark steel cloth binding over light steel paper boards; mild shelfwear to covers; textblock lightly wavy with brown top edge dye; shelved below front counter. More

London, Paris, New York: Offices of the Studio, 1909. Quarto, vi, 42 pages. In Very Good minus condition. Bound in the publisher's green cloth with green lettering to pictorial paper label to the front. Boards show moderate wear exteriorly including light soiling and rubbed edges. Text block has mild wear to the edges. Gift inscription to the front free end paper. Frontispiece. Illustrated with several plates protected with tissue guard. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. More

London: Marlborough Fine Art (London) Ltd, 2016. Quarto, unpaginated. In Very Good condition. Paperback binding. Spine blue with white lettering. Covers show slight soiling wear and lightly rubbed edges. Text block has faint wear to the edges. Profusely illustrated. More

London: Lumley Cazalet Ltd, n.d. Oblong Booklet [6.5x5.75], unpaginated. In Good plus condition. Paperback bound with black spine bearing white lettering. Light wear and slight rubbing wear to edges. Text block have mild wear to the edges and profusely illustrated interiorly. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #8. More

London: James Sowerby, 1802. First Edition, First Printing. Octavo, unpaginated; VG-; vol. 15 ONLY; full mid-19th century rebinding in green paper; spine paneled, with black label and gilt lettering; date 1802 stamped at tail of spine; mild shelf wear and scuffing; all edges with decorative red speckling; mild age-toning to textblock; light foxing throughout textblock; profusely illustrated in full color; pages clean; shelved above US Regional--DC. More

London: James Sowerby, 1803. First Edition, First Printing. Octavo, unpaginated; VG-; vol. 17 ONLY; full mid-19th century rebinding in green paper; spine paneled, with black label and gilt lettering; date 1803 stamped at tail of spine; mild shelf wear and scuffing; all edges with decorative red speckling; mild age-toning to textblock; light foxing throughout textblock; profusely illustrated in full color; plates slightly offset; binder's sticker at back pastedown; pages clean; shelved above US Regional--DC. More

London: James Sowerby, 1810. First Edition, First Printing. Octavo, unpaginated; VG-; vol. 30 ONLY; full mid-19th century rebinding in green paper; spine paneled, with black label and gilt lettering; date 1810 stamped at tail of spine; mild shelf wear and scuffing; all edges with decorative red speckling; mild age-toning to textblock; light foxing throughout textblock; profusely illustrated in full color; plates slightly offset; binder's sticker at back pastedown; pages clean; shelved above US Regional--DC. More

London: James Sowerby, 1811. First Edition, First Printing. Octavo, unpaginated; VG-; vol. 32 ONLY; full mid-19th century rebinding in green paper; spine paneled, with black label and gilt lettering; date 1811 stamped at tail of spine; mild shelf wear and scuffing; all edges with decorative red speckling; mild age-toning to textblock; light foxing throughout textblock; profusely illustrated in full color; plates slightly offset; binder's sticker at back pastedown; pages clean; shelved above US Regional--DC. More

New Haven, CT: Yale University Press, 1969. First Edition, First Printing. Folio, xvi, 388 pages. In Good plus condition with a Good minus dust jacket. Spine is black with white lettering and a blue ornament. Dust jacket has moderate shelf wear and staining. Text block has foxing along the head edge and splitting along the interior gutter. NOTE: Shelved in Locked Annex area, Oversized Column. More

Woodbridge, Suffolk: Antique Collector's Club, 1997. First Edition. Quarto, 286 pages. In Very Good condition with a Very Good dust jacket. Spine white with black and burgundy lettering. Dust jacket protected in mylar covering, with price uncut: "£45.00." Minor shelfwear. Light creasing to edges of dust jacket. Textblock clean. Inscribed flat by Swanson on half-title page. Shelved in Artist Monographs, G-L. More

New York: teNues Publishing Company, 2010. Fifth Edition, First Printing. Folio, 363 pages; VG/G+; spine red and black pictorial, with white lettering; dust jacket protected with a mylar covering; mild shelf wear and scuffing; marked bump at lower edge of front board; small closed tear to lower edge of front free endpaper, dedication, and half title pages; profusely illustrated with full color photos; pages clean; shelved above Case 3. More