New York: Harper & Brothers, 1929. Octavo; G-/no DJ; Hardcover w/out DJ; Spine, black with gold print; Boards quarter bound with black cloth to spine and decorative paper to boards, tattering to spine caps and corners, tear to front bottom edge, wear to hinges; Text block has stain to bottom edge, name in ink and nameplate on front pastedown, cracked hinges, mild staining to first page, mild age-toning to paper; 253 pages, illustrated (b&w drawings). More

London: Thames and London, Ltd, 1970. First UK Edition. Quarto, 160 pages; VG/VG-; white spine with black lettering; dust jacket protected by a mylar cover; price uncut; age-toned dust jacket with minor shelf wear to the edges, pages clean; shelved in artists. More

Paris: Editions Cercle D'Art, 1983. Folio; 101 pages; G+/G+; Black spine with White text; Dustjacket had mild wear along head edge of both covers and corners; Boards have bumping to top corners of both covers; Textblock has faint black mark near fore edge of some pages; Shelved in Art by Artist. More

New York: Guggenheim Museum Publications, 2007. First Editions. Octavo, 189 pages; VG/VG; spine black with white lettering; dust jacket protected with a mylar covering; mild shelf wear and scuffing; black and white and full color photographs throughout; pages clean; shelved French Art. More

Paris: Reunion De Musees Nationaux, 1999. Quarto; 599 pages; G+/G; Green spine with Beige text; Dust jacket protected by mylar cover, small open and closed tears along spine edges, large closed tear along tail edge of front cover, small closed tear along head edge of front cover, small open and closed tears along head and tail edges of rear cover, small open tears at corners; Boards have bumping and rubbing to corners, creasing to front cover; Textblock has small brown marks along fore edge and along tail edge of front and rear endpapers; Shelved in Art by Artist. More

Paris: Editions de la Reunion des Musees Nationaux, 1992. Large Octavo; pp 559; G/G; dark brown spine with white text; dust jacket has slight shelf wear to exterior; mylar wraps; cloth has brown marks to joints and along head and tail edges; panels show little wear to exterior; boards shaken; text block shows some foxing to exterior edges, split hinge between front endpaper and pastedown, partially split hinge between rear endpaper and pastedown, brown marks along textblock edges, light ink inside; pictorial endpapers; profusely illustrated; text in French; arts - French; biography; additional shipping may be necessary due to size/weight restrictions for international/expedited orders; Shelved in French Art. More

Anvers: Fonds Mercator, 1971. First Edition. Quarto, 341 pages; VG/VG-; in G+ black slipcase; three closed tears to dust jacket front, spine, and back; mild shelf wear; includes full color tipped-in plates and black and white photos; pages clean; includes LP in separate sleeve within slipcase; shelved Front Table. More

New York: Harry N. Abrams, Inc., 1996. First English Edition, Large Quarto, 293 pages; VG/VG; spine teal with white and black lettering; mild rubbing to dust jacket; text block clean; shelved front table. More

Paris, France: Éditions Cercle d'Art, 1966. First Edition. Square quarto; 189 pages, [1 blank page], [8 page index]; VG-/G+: white DJ, black lettering: closed tear to top edge and bottom edge of front cover, mild overall wear to covers, DJ protected by mylar; beige buckram boards, no lettering to spine, blue and red "Picasso" to front board: boards somewhat shaken, binding strong; slight fraying to cloth boards; slight bumping to corners; mild wear/waving to text-block; interior clean, replete with laid-in and tipped-in gloss images of Picasso's work; text in French; shelved Front Table. More

Paris: Hachette & Cie. [ca. 1900]. Quarto, 398 pages; G+; spine brown with green label and gilt lettering and design; full binding of green leather with extensive gilt design; spine faded; all edges gilt; headband exposes; moderate shelf wear; wear to edges of boards, crown and tail of spine; dark discoloration to bottom of upper and lower covers; front and back joints starting; frontispiece tipped in; binding sound; pages clean; shelved Front Table. More

New York: New York Graphic Society, 1972. First US Edition. Quarto, 222 pages; VG/VG-; black and white spine with black lettering; housed in VG- cardboard slipcase; price clipped; minor shelf wear and creasing, age-toned dust jacket; pages clean; shelved in case 11. More

Paris: Éditions de la Revue Verve, 1948. Large quarto, unpaginated; G+; illustrated beige wraps, decorated by Picasso;spine splitting at upper front hinge, mild wear to extremities; with a suite of eighteen tipped-in color plates and 21 black and white plates; lacking original glassine; text in French; shelved case 11. More

Paris: Sauret, 1962. First Edition. Large quarto; VG; Numbered 2201 of a limited edition of 4125; Off white spine with black lettering; Book is in original glassine cover which has some small tears and a chip missing;; Wraps are toned, interior clean; 146 plates on 183 pages; Shelved in Case 11. More

London; Paris: J. Dodsley; De L'Imprimerie de Monsieur, 1789. A unique collection of both the original French and the English translation of the famed novel, together with an awe-inspiring collection of proofs before letters by esteemed French artists. Three volumes housed in a custom three-part black and red leather box, gilt titling to spine, box solid, some wear and cracking; Paul et Virginie is bound in full burgundy morocco, triple gilt rules to boards, spine with gilt titling and tooling, all edges of text block gilt, marbled endpapers, bookplate to front endpaper; Unsigned binding, but early invoice states it was bound by Derome., Paris: De L'Imprimerie de Monsieur, 1789. with half-title, 12mo., xxxv, 243 pages, with 4 black and white plates, foxing to plate edges; "Prix, papier vélin d'Essone, 6. liv."; Both volumes of Paul and Mary are bound in matching full green morocco with elegant gilt tooling, paneled spines similarly gilt; all edges of text blocks gilt; doublures burgundy morocco with matching design to boards, embroidered silk endpapers facing doublures, marbled endpapers following; incredibly tight binding; bookplate to marbled endpaper; Bound by Chambolle-Duru with their gilt stamp to front doublure; London: printed for J. Dodsley, Pall-Mall, [1789]; With an Autograph Letter Signed by Saint-Pierre, addressed "Au Citoyen Le Danois" (André Bazile Le Danois de La Soisière), a member of the Council of Ancients. Measuring ~9 x 6.7 inches (~23 x 17 cm.), with integral address leaf attached. Small tear to upper left corner where seal was attached, small archival repair to upper right corner, neither impacting and writing. Four Postal stamps present on integral address leaf. Actual text is 25 lines in Saint-Pierre's hand, responding to a letter by Le Danois about a meeting, countering his proposed date of the 8th with the 10th. He then goes on to discuss how he was tricked by a man that he had not seen for 20 years, as well as by a young woman. He defends himself that he in no way was compromising the interests of the Republic. The letter is dated "Paris, ce 7 ventose an 7" ( February 26th, 1799); With invoice circa 1895 from E. F. Bonaventure, with a handwritten description of the three volumes in purple ink. "Unique copy in an exquisite Binding by Chambolle extra illustrated with rare set all proofs before letters" "1. Set of proofs by [Achille] Devéria 2. Set of proofs by Corboald 3. Set of proofs ??? 4. Set of proofs Medallions in color 5. Set of proofs Medallions [in color] by Dutailly [Guyot sculp] 6. Set of proofs by Desenne 7. Set proofs by [Jean-Michel] Moreau 8. Set proofs by [Tony] Johannot 9. Set proofs by Corboald (small) 10. Set proofs by Lery[?] 11. Set proofs by [Jean-Antoine-Valentin] Foulquier 12. Autographed Letter In All 70 Plates, All proofs" Shelved case 0. More