Paris: Éditions de la Revue Verve, 1948. Large quarto, unpaginated; G+; illustrated beige wraps, decorated by Picasso;spine splitting at upper front hinge, mild wear to extremities; with a suite of eighteen tipped-in color plates and 21 black and white plates; lacking original glassine; text in French; shelved case 11.
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New York: Pantheon Books, 1967. First Edition. Quarto, two volumes; VG/VG; in VG- gray slipcase, volume two in smaller VG slipcase; spines olive green; full bindings of green cloth; dust jackets protected with mylar coverings; prices cut; mild fading to volume one spine; mild fading to gray slipcase; small white sticker on front of gray slipcase; mild shelf wear; pages clean; shelved under second table.
London/Washington D.C. Lund Humphries/National Gallery of Art, 2017. First Edition. Quarto, 304 pages; VG; spine is blue with white lettering; dust jacket, binding and pages clear; housed in original publisher's shrinkwrap, shrinkwrap has some wear (see photos); NOTE: Shelved in Netdesk office, in bookcase next to Ephemera section.
Paris: Musée du Louvre Éditions, 2008. First Edition, First Printing. Quarto, 534 pages; VG/VG-; bronze-colored spine with black and white lettering; some creasing to the edges and scratches to the front and back of the dust jacket, bumped corners, pages clean, full of graphics and plates of French bronze sculptures; shelved front table.
New York: Harry N. Abrams, Inc., Publishers, 1996. Quarto; pp 600; VG/VG; white pictorial spine with black text; dust jacket shows mild wear to exterior, now protected with a mylar covering; cloth clean; strong boards; text block clean; profusely illustrated; signed by Joseph Rishel; shelved monographs.
Paris: Librairie Floury, 1929. First Edition, 1/200. Quarto, 247,  VG/VG; protected in original waxed glassine, mild chipping; original etching as frontispiece, illustrated with sixteen full-page illustrations with paper-guards, ten in color, and numerous in-text black and white illustrations; limited to 200 copies; shelved case 11.
Princeton: Princeton University Press, 1998. First English Language Edition. Quarto, 335 pages; G+/G; Dustjacket has small open and closed tears along head edge of both covers and spine, wrinkling along head edge of both covers and spine, small open tear at top corner of rear cover; Boards have bumping to bottom corner of both covers; some ink transfer on pages opposite full page photos; Shelved in Art by Artist.
Paris: Librairie de Firmin-Didot Freres, 1878. Quarto, xiii, 560 pages; VG; bound in publisher's gilt-stamped red cloth, sun-faded spine with gilt lettering; mild wear to hinges, some chipping to head of spine; marbled endpapers; mild foxing throughout; Illustrated with of 16 Chromolithographs and 250 woodcuts (of which 20 are taken out of text); consignment; shelved front table.
[Paris]: De l'imprimerie royale, 1752. First Edition. Quarto, 2 volumes; VG; bound in contemporary calf with gilt seal to center of each board, newly rebacked in pale brown leather, two burgundy labels with gilt titling; all edges of text block gilt; some rubbing and wear to boards; marbled endpapers; bookplate to front pastedown; illustrated with 3 engraved headbands and 2 title vignettes.; MW consignment; shelved case 7.
Paris: Reunion De Musees Nationaux, 1999. Quarto; 599 pages; G+/G; Green spine with Beige text; Dust jacket protected by mylar cover, small open and closed tears along spine edges, large closed tear along tail edge of front cover, small closed tear along head edge of front cover, small open and closed tears along head and tail edges of rear cover, small open tears at corners; Boards have bumping and rubbing to corners, creasing to front cover; Textblock has small brown marks along fore edge and along tail edge of front and rear endpapers; Shelved in Art by Artist.
Paris: Hachette & Cie. [ca. 1900]. Quarto, 398 pages; G+; spine brown with green label and gilt lettering and design; full binding of green leather with extensive gilt design; spine faded; all edges gilt; headband exposes; moderate shelf wear; wear to edges of boards, crown and tail of spine; dark discoloration to bottom of upper and lower covers; front and back joints starting; frontispiece loose within; binding sound; pages clean; shelved Front Table.
Anvers: Fonds Mercator, 1971. First Edition. Quarto, 341 pages; VG/VG-; in G+ black slipcase; three closed tears to dust jacket front, spine, and back; mild shelf wear; includes full color tipped-in plates and black and white photos; pages clean; includes LP in separate sleeve within slipcase; shelved Front Table.
Paris, France: Éditions Cercle d'Art, 1966. First Edition. Square quarto; 189 pages, [1 blank page], [8 page index]; VG-/G+: white DJ, black lettering: closed tear to top edge and bottom edge of front cover, mild overall wear to covers, DJ protected by mylar; beige buckram boards, no lettering to spine, blue and red "Picasso" to front board: boards somewhat shaken, binding strong; slight fraying to cloth boards; slight bumping to corners; mild wear/waving to text-block; interior clean, replete with laid-in and tipped-in gloss images of Picasso's work; text in French; shelved Front Table.
Paris: Édouard Rouveyre, 1887. Limited Edition, #568/1500. Small Quarto, 263, viii; VG; bound in 3/4 brown calf, dark red cloth boards, paneled spine with gilt tooling and lettering; beautifully marbled endpapers; front hinge worn, some scratches and wear to binding; both original wraps preserved and bound in; with 72 plates with printed tissue guards; text in French; shelved case 9.
Paris: Cahiers d'Art, 1957. Limited Edition, #232/500. Quarto, xxxvii, , 185, ; G+; bound in original printed wraps, black titling to spine; wrapped in original glassine, small tears, piece missing at head of spine; text in French; with 384 reproductions; with two cracks to gutter; shelved case 11.