Washington, DC/New Haven, CT: The National Museum of American Art/Yale University Press, 1994. First Edition, First Printing. Quarto, 186 pages; VG/VG; full binding of maroon cloth; spine dark red with white lettering; dust jacket protected with a mylar covering; mild shelf wear; previous owner's inscription on first free end paper; contains full color illustrations; contains fold-out; pages clean; shelved American Art.
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New York: The Metropolitan Museum of Art; Harry N. Abrams, Inc., 1994. First Edition. Quarto, 486 pages; VG/VG-; spine is blue with white lettering; dust jacket has minimal wear along the top and bottom edges, has minor rubbing on the back cover; binding has minimal bumping on the fore edge corners; pages clear; possibly signed by Tinterow on the title page; shelved front table.
New York: Sterling, 2007. First Edition, First Printing. Square quarto, 212 pages, VG-/VG: DJ, white pictorial spine, olive green/black/yellow lettering to spine: minimal wear to DJ, "Limited Edition CD" sticker to front cover, "$29.95" to front flap, DJ protected by mylar; dark blue cloth boards, bright silver lettering: mild overall wear to boards, small scratch with slight fraying to front board; minimal wear to clean text-block; interior clean, replete with gloss graphics and plates of Tony Bennett's drawings, paintings, and other creative outlets; includes CD-ROM housed to back paste-down; SIGNED by Tony Bennett in white ink to title page; shelved Window or Front Table.
Paris: H. Floury, 1906. Edition de Luxe. Quarto, 209,  pages; VG; bound in plain brown buckram, gilt titling to spine; some mild wear and rubbing to boards; original colored wraps bound in; 27 plates including five original etchings by Pissarro, Renoir, Cezanne, and Guillaumin. With Femme Nue Assise and Femme Nue Couchée by Renoir, Les Faneuses by Pissarro, Portrait de Guillaumin by Cézanne, and Vue Prise de Saardam by Guillaumin. shelved case 3.