11 oz. White Ceramic Mug, measuring 4.75" W x 3.75" H x 3.25" Diameter. More

New York: Harry N. Abrams, Inc., 1960. First English Language Edition, First Printing. Quarto, 275 pages; VG/VG; dust jacket protected in a mylar covering; minor shelfwear including a tear to spine of dust jacket; pages clean; color frontispiece, black and white photographs up to page 82, then full color images throughout; shelved above case 2. More

Washington, DC: 1971. Limited Edition. One of eleven signed limited edition black and white photographs taken by Charles Sacks of Washington, D.C.'s Dupont Circle during the summer of 1971. 11" x 14" mat finish. Each image has a limited edition of 10. Each is signed and numbered on the verso. More

Washington, DC: 1971. Limited Edition. One of eleven signed limited edition black and white photographs taken by Charles Sacks of Washington, D.C.'s Dupont Circle during the summer of 1971. 11" x 14" mat finish. Each image has a limited edition of 10. Each is signed and numbered on the verso. More

Washington, DC: 1971. Limited Edition. One of eleven signed limited edition black and white photographs taken by Charles Sacks of Washington, D.C.'s Dupont Circle during the summer of 1971. 11" x 14" mat finish. Each image has a limited edition of 10. Each is signed and numbered on the verso. More

Washington, DC: 1971. Limited Edition. One of eleven signed limited edition black and white photographs taken by Charles Sacks of Washington, D.C.'s Dupont Circle during the summer of 1971. 11" x 14" mat finish. Each image has a limited edition of 10. Each is signed and numbered on the verso. More

Washington, DC: 1971. Limited Edition. One of eleven signed limited edition black and white photographs taken by Charles Sacks of Washington, D.C.'s Dupont Circle during the summer of 1971. 11" x 14" mat finish. Each image has a limited edition of 10. Each is signed and numbered on the verso. More

Chicago, IL: The University of Chicago Press, 2018. First Edition, First Printing. Octavo, 396 pages; VG; white spine with red lettering, minor shelfwear; pages clean; shelved in American Art. More

A framed, full-color photo of Al Gore; VG-; some sunning to photo; small stain at lower left corner; signed flat by Gore; dimensions in frame: height 11 in. x width 9 in.; dimensions out of frame: height 10 in. x width 8 in.; located at Dupont store. More

Description: A lot of five original vintage large format Italian movie posters, 1966-1975. One Italian film and four foreign films (U.S., U.K., France). These are original period theatrical release posters and are not reproductions. Included: Buona Parte Di Paolina ( A Good Part of Paolina). 1973. Directed by Nello Rossati; starring Antonia Santilli, Tony Askin, Rossanna Ballanti. Italy. Il Duro ( Clay Pigeon). 1971. Directed by Tom Stern; starring Telly Savalas, Robert Vaughn, John Marley. United States. Ispettore Brannigan, la morte segue la tua ombra ( Brannigan). 1975. Directed by Douglas Hickox; starring John Wayne, Richard Attenborough. United Kingdom. Un mucchio di bastardi ( The Losers; also known as Nam's Angels). 1970. Directed by John Starrett; starring William Smith, Bernie Hamilton, Adam Roarke. United States. Le Armi Segrete del Generale Fiascone ( Kiss Me General; also known as Martin Soldat). 1966. Directed by Michael Deville; starring Robert Hirsch, Véronique Vendell, Marlene Jobert. France. Dimensions: All are Italian 2 - Foglio (39" X 54.5"). Condition: All 5 posters good/very good to very fine. All folded. Minimal wear at the folds, some tissue tape mends, small edge tears, scattered pinholes. Un mucchio di bastardi shows the most damage, but still displays very well. More

A hand-drawn and hand-colored illustration accompanied by a hand-written poem in an early nineteeth-century hand. The poem, by actor and poet John Collins (d. 1808), describes the first visit of the “bumpkin” John Bull (a literary and satirical character commonly used as an embodiment of English character or Englishness) to a church. There, he witnesses several sights he finds bewildering, but he ultimately undone by a christening, which sends him running from the church, swearing never to return. The illustration captures Bull in the moment of turning to flee the scene of the christening in horror. Collins published this poem in his book, Scripscrapologia; Or, Collins's Doggerel Dish of All Sorts (Birmingham: by the author, 1804). The poem also appeared in newspapers in the United States: prose versions were printed in the Boston Weekly Magazine of Saturday Evening, February 9, 1805, and also in The Bureau, or Repository of Literature, Politics, and Intelligence by S.C. Carpenter on Saturday, June 27, 1812. The exact origin of this copy of the text is not entirely clear. None of the publications mentioned above, including the author’s own book, Scripscrapologia, print anything like the illustration that accompanies this version, or indeed any illustration at all. The text is also distinct from the versions mentioned above in a variety of ways, some of which are as subtle as change of stanza structure or slight alterations of word choice. It is also worth noting that the handwritten version includes various “corrections” to bring standard English spelling into line with the west country vernacular that Collins used in some versions of the text, but notably not in his book. Condition: Good to Very Good. Some breakage of the paper around the edges obscures a line of text at the very top of the page (written in a different hand, and not of a piece with the text below it) and partially obscures the last line of the poem, which is nevertheless still legible. A closed tear that extends up an old crease in the center of the page cuts through the last two stanzas of the poem, but does not significantly impact legibility. Dimensions 11.375 x 17.75 inches (manuscript); 17.125 x 21.125 inches (frame). More

Paris, France: Dario Zucchi, 2002. Limited Edition, #0472. Oblong octavo; 70 pages; VG/VG; gray spine with white and black lettering; dust jacket protected in a mylar covering; minor shelfwear; full color photographs throughout; limitation reading '0472' in sharpie to copyright page with offset to facing page, ffep signed flat by Zucchi, pages otherwise clean; shelved in Photography. More

Description: A large original 1961 movie poster advertising Atlantis: The Lost Continent, starring Anthony Hall, Joyce Taylor, and John Dall; directed by George Pal. Dimensions: w 41 x h 79 in Condition: Good. General age toning throughout the poster. Seven 1” to 7” closed tears at folds. Moderate wear to bottom edge. 1” chip to bottom right edge. The poster comes in two separate parts and is connected with tape at the back. More

1997. #45/50. A full color cartoon-style poster; hand-numbered 45/50 at lower left corner; dated 1997 and signed by Erro at center of lower edge; protected in a mylar sleeve; not examined out of sleeve; very good condition. FG consignment. Dimensions: height 16 1/2 inches x width 11 1/2 inches. Located at Dupont store. More

A screenprint of a bridge over a river at sunset or sunrise; "Pride" in red block letters at lower edge of print; protected in a mylar sleeve; not examined out of sleeve; very good condition. Dimensions: height 25 inches x width 25 inches. Located at Dupont store. More

An original painting by costume designer Marco Montedoro showing a design for a fitted bridal gown with a floor length ruffled veil. Unsigned. Gouache and pencil on paper. Verso: several pencil sketches of dance costumes. Dimensions: w 11 x h 14 in Condition: Very good. Slightly age-toned and foxed, with monir bumping to edges and corners. Verso: more significant foxing, along with some marking, yellowed tape, and minor surface damage from adhesive removal. THIS ITEM IS AT OUR DUPONT STORE. More

An original painting by costume designer Marco Montedoro depicting a performer apparently wearing a table spread with Christmas delicacies. A smaller pencil sketch in the upper right corner shows the same costume from a 45-degree angle. Signed (at a later date and somewhat shakily) by the artist at the lower right corner. Gouache and pencil on paper. Dimensions: w 10.5 x h 13.25 in. Condition: Very good. Paper lightly age-toned and slightly foxed, with light staining and marking to both recto and verso. One crease at upper left corner; minimal bumping to edges and corners. THIS ITEM IS AT OUR DUPONT STORE. More

An original painting by costume designer Marco Montedoro depicting a giant in a colorful cloak and hat. A rough pencil sketch, apparently of the same character, on verso. Unsigned. Gouache and pencil on paper. Dimensions: w 9 x h 14 in Condition: Very good. Paper lightly age-toned and foxed, with minor bumping to edges and corners and pinholes in each corner. Evidence of yellowed adhesive on verso. THIS ITEM IS AT OUR DUPONT STORE. More

An original painting by costume designer Marco Montedoro showing a design for a green bustle gown. Unsigned. Gouache, colored pencil, and pencil on artist’s board. Dimensions: w 12.5 x h 12.25 in. Condition: Very good. Paper lightly age-toned with slight foxing and marking. Edges of board unevenly trimmed; minor bumping to edges and corners. Evidence of old adhesive on verso. THIS ITEM IS AT OUR DUPONT STORE. More

An original painting by costume designer Marco Monotedoro showing a design simply labeled “The King.” Unsigned. Gouache and pencil on paper. Dimensions: w 11 x h 14.5 in Condition: Good to very good. Age-toned with light marking and minor bumping to edges and corners. Verso: yellowed tape and some minor damage from adhesive removal. THIS ITEM IS AT OUR DUPONT STORE. More

A painting by costume designer Marco Montedoro showing a set design for an unidentified production. The scene shows a photographer behind an old-fashioned camera taking a portrait of a woman in a blue-and-white bathing costume. The words “For the smaller hemp” are written in Montedoro’s hand at the lower right corner. A rough pencil sketch of a woman carrying a sunhat on verso, partially obscured by old adhesive. Unsigned. Gouache and pencil on paper. Dimensions: w 13 3/8 in x h 11.25 in Condition: Very good. Lightly age-toned and marked. Evidence of old adhesive on reverse. THIS ITEM IS AT OUR DUPONT STORE. More

An original painting by costume designer Marco Montedoro depicting a design for a woman’s Spanish-inspired costume, complete with a black lace mantilla. Unsigned, but with a few notes in the artist’s hand along the left edge. Gouache and pencil on paper. Dimensions: w 11 x h 16 in. Condition: Good to very good. Age-toned and somewhat foxed. Minor bumping to edges and corners, including a small closed tear to upper edge. Small area of yellowed adhesive at center of upper edge. Verso: yellowed tape and some minor surface damage resulting from adhesive removal. THIS ITEM IS AT OUR DUPONT STORE. More

An original painting by Marco Montedoro showing two designs for serving trays. One has a border reading “A plus belle fille du Monde ne peut donner que ce qu’elle a.” The border of the other reads “Croisser et multiplier.” Unsigned. Gouache, pen, and pencil on paper. Dimensions: w 11 x h 14.25 in Condition: Good to very good. Lightly age-toned and foxed with light staining and minor bumping to edges and corners. Verso: Yellowed tape and minor surface damage resulting from adhesive removal. THIS ITEM IS AT OUR DUPONT STORE. More

An original painting by costume designer Marco Montedoro showing Venus in a conch shell, holding a mirror, with her hair streaming behind her. Montedoro has written the phrase “For the Small Hemp” in the upper left corner. Signed (at a later date and rather shakily) by the artist at the lower right corner. Dimensions: w 11 x h 14 in Condition: Very good. Slightly age-toned and foxed with light marking. Light marking on verso, along with minor damage due to adhesive removal. THIS ITEM IS AT OUR DUPONT STORE. More

A painting by costume designer Marco Montedoro showing a flapper dress design for an unidentified production. Unsigned. Gouache and pencil on paper. Dimensions: w 11 in x h 17 in. Condition: Good to very good. Paper lightly age-toned and marked. Two closed tears: one to lower left edge (1 in) and one to center right edge (⅝ in). The tear to the center right edge has been stabilized with tape on the verso. Some bumping to edges and corners, including a crease to lower left corner and a small open tear to lower right corner. Some marking and yellowed tape to verso. THIS ITEM IS AT OUR DUPONT STORE. More