London: printed [by William Stansby] for Walter Burre [and are to be sold at his shop in Paules Church-yard at the signe of the Crane], 1614. First Edition. Folio; G+; bound in early diced brown calf, newly rebacked with new spine and corners, paneled with gilt lettering; housed in a custom brown buckram covered clamshell; With the Poem and the engraved title page. Both have been trimmed and inlaid, possibly having been married to this copy from another.; With 5 folding maps, Lacking 3 maps: the Arabian Desert (pages 414/415), Troy (452/453), and Troy (454/455). Maps trimmed incredibly close, with map of the Middle East impacted just slightly.; Lacking blank leaf 3K4 and terminal blank 7C6; 4G3r has the woodcut initial hand-colored, with the color bleeding over to the facing page; with the Errata leaf at the end; Printer’s name and bookseller’s address from colophon.; "The first part of the historie of the vvorld .. The third booke" (caption title) begins new pagination on 4A1r.; LD consignment; shelved case 4.
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Philadelphia: S. Augustus Mitchell, 1871. Folio, unpaginated; VG-; newly rebacked with brown cloth, majority of original front board cloth preserved, including gilt titling; spine with black label, gilt titling; water-damage to upper half of the volume, more pronounced on the first 5 pages, impacts mags, but does not affect coloring; With 67 hand-colored maps (plus insets) on 56 mapsheets (including 9 double-page), plus time table page, reference table, and appendices; shelved above case 3.
London: Printed and are to be sold by W. Taylor, 1721. Second Edition. 4to., 797pp.,  tables and index; VG; bound in polished calf, paneled spine with gilt tooling, label with gilt lettering, mostly worn off; joints weak, some scratches to boards, general rubbing and wear; two bookplates on front pastedown, one from Henry Duke of Kent, 1733, the other Thomas Philip, Earl de Grey, Wrest Park; some scattered ink splatter on page 351 that bleeds through onto 353, text legible; folding plates on pages 1, 215, 476 present and in excellent condition; Numerous mispagination, including p. 447-472 omitted; consignment; shelved case 4.
Lucca, Italy: 1728. fourth edition. Small octavo in vellum with substantial damage and loss; title page vignette; text block stained throughout (perhaps from its proximity to the beverage that constitutes the subject of the book!) but clear and readable; this is an early rendition of Francesco Redi's famous poem on wine; in Italian; from Catholic Encyclopedia: "Redi's poem is thought to have its beginning in a drinking session at the Academia della Crusca in 1666. The situational irony of this learned body in a state of inebriation is transferred to Redi's verse as the praises of solemn literati are sung by a drunken Bacchus. The poem is filled with references to classical as well as contemporary wine-making practices." In 1654 [Redi] went to Florence, where he acted as physician to the Grand dukes Ferdinand II and Cosimo III. He was constantly engaged in experiments intended to improve the practice of medicine and surgery, and yet found leisure for much literary work..."; shelved in Case 0.
Venice: Francesco Toss, 1796. early edition. 12mo rebound in dark brown marble hardcovers with 4-bands leatherette spine and gold letters (date at bottom of spine indicates 1706 as opposed to 1796 date of publication); minimal soiling and shelf wear on boards; strong binding; purple marble end pages; woven paper with only slight fading; contains 25 folded plates of detailed architectural descriptions, and other engravings throughout, one of them with small cut at bottom edge; page 190 has a small crease; text tight, in Italian; first published in 1792; shelved in Case # 10.
Rome: late 1800s. Long, thick quarto in ivory and gold hardcovers with gilt all around; in good condition; set of 26 thick plates with a 10" X 8" photograph on each side; all are images of Rome's monuments and major sites, including the Vatican; tiny legends in Italian; boards show some soiling and are slightly bowed upwards; plates are thwarted upwards; first two plates show heavy soiling not affecting photographs; front and end pages are torn; shelved top of Case 0; please contact us for shipping costs; BB consignment.
Roma: Bertinelli, 1853. Folios, two volumes; VG; bound in 3/4 vellum. marbled boards, burgundy labels with gilt lettering to spines; mild wear and rubbing to boards; some mild foxing, primary to page edges; wide margins; volume 1 with frontispiece and two maps on double leaf, volume 2 includes fifty plates, also on double leaf, depicting mainly plans, elevations and topographical views of Roman antiquities; shelved case 7.
Rome: Vincenzo de Romanis, 1687. First Edition. Thick 10mo in brown hardcovers with 5-band embossed spine and gold gilt; VG; boards show some shelf wear and fraying from age particularly on spine with one small hole on first band (from smoke?); binding strong; previous owner's name on ffep; paper clean; text in tight print clean; filled with clear engravings; some pages with discoloration and offsetting; pp. 256; pp. 142 for Roma Moderna at the end; shelved in Case 4.
London: Riccardo Bancker, 1791. Set of 9 small octavos in 3/4 burgundy and beige moire hardcovers with gold gilt on spine; VG; boards with moderate soiling or shelf wear; strong binding; ex-libris small sticker and previous owner's name; paper slightly foxed and discolored; text clean, in Italian; dusty edges; altogether in good condition; first edition of Bandello's novels were published in 1554; shelved above Cookbooks; please contact us for shipping costs.
1866. First Edition. A collection of historical photographs of Venice, circa 1866. First Edition. Oblong quarto in thick, dark brown, fully embossed leather with gilt Lion of Saint Mark on front cover and gilt edges. The volume contains 40 photographs, each affixed to a thin board page with a tiny legend. The photographs in this album were taken by Carlos Naya (1816-1882) and the photography studio Anderson of Rome. Carlos Naya was a photographer and lawyer who worked with optician Carlo Ponti, and traveled extensively through Europe and North Africa. Scottish-born photographer James Anderson (1813-1877) established a successful photography business in Rome, which he passed to his son, Domenico (1854-1938) on his death. Though the legends on these photos do not specify which Anderson created them, the apparent collaboration with Naya suggests that James Anderson is most likely the artist. Both Anderson and Naya benefitted from and contributed to a dramatic boom in photography in Italy during the mid-19th century. Through their work, they offered travellers and locals alike an image of Italy as a place of cultural antiquity and stability in apparent contrast to the rapid change experienced by the rest of Europe and North America. Condition: Very Good. Boards with minimal soiling and very slight fraying on corners and upper spine. Album slightly warped upwards. Some age-toning and foxing on pages and photographs, and some offsetting. Dimensions 15.125 x 10.75 x 2.375 inches.
Roma: Edizioni Quasar. Mixed Editions. Quarto; G+/G; beige and light pink spines with black text; 5 volumes: vol. 1, A-C, pp 479, ISBN 8870970191, 1993; vol. 2, D-G, pp 500, ISBN 8871400739, 1995; vol. 3, H-O, pp 503, ISBN 8871400968, 1996; vol. 4, P-S, pp 518, ISBN 8871401352, 1999; vol. 5, T-Z, pp 369, ISBN 887140162x, 1999; white cardboard slipcases; dust jackets show mildly sunned exteriors; few minor chips to edges; volume 2 has mylar wrap; cloths have slight to modest wear to exteriors; strong boards; text blocks show minimal wear to exterior edges; previous owner's name to ffep; interiors clean; profusely illustrated; text in Italian; additional shipping may be added to items due to weight.
Roma: Francesco Moneta, 1645. 10mo., , 423 pages; VG: rebacked with new spine, previous boards and label; spine paneled brown leather, older maroon label with gilt lettering; scuffed and worn brown leather boards; minimal age-toning and foxing; title page has a name written at the bottom, top edge has been repaired, does not impact text; profusely illustrated with all 128 in-text illustrations and numerous smaller unnumbered illustrations; text in Italian; shelved case 3.
Bologna: 1830. First Edition. Oversize folio (18" X 12") in dark green cloth hardcovers with tiny gold letters on spine; moderate soiling on boards; 72 engraved plates, each with a letterpress page of explanatory text; paper generally foxed throughout but not affecting plates; please note: preface and title in Italian; all text in French; shelved above Front Case; please contact us for shipping costs.
Rome: Presso Antonio Fulgoni, 1806. First Edition. Quarto; engraved full page plate; [engraved title vignette]; xvi; [additional engraved vignettes at page vi and page xv]; 200pp; bound in black library buckram with later old paper wrap bound in; contents show several tears to individual pages at fore-edges in text; final 14pp show small damp-stain at fore-edge; contents else very good. [Spine; gilt title on black cloth]. [Note: A.S. Con Bedini].
Rome: Gaeteno degli Zenobj, 1706. Tall quarto rebound in 1/2 light blue and beige moire with brown leather spine; VG; 6-band embossed spine with gold letters; high quality rebound; original paper slightly wobbled and faded; text clean; pp. 63 followed by 75 plates and large folded charts; in Italian; shelved in Case 4.
Venetia [Venice]: Appresso Gio; Gabriel Hertz, Con Licenza de'Superiori, 1707. Second Edition. 12mo., 448pp., 13pp., 18pp.; VG;bound in vellum with a gilt tooled plate on the spine and gilt lettering; tape has been applied to tail of spine and bottom corner of rear board; text block has some red marbling; lacking 18 pages of plates, cut out; shelved case 3.
In Vinegia [Venice]: Presso Altobello Salicato, 1583. 8vo., 114 leaves.; VG; bound in brown leather, paneled spine with black label and gilt lettering; bumping and shelfwear; bookplate on isnide front board, for 'The Right Honourable Wilmot Earl of Lisburne'; pencil bio of Berosus above bookplate; other plate on board; minor pen writing on title page; water stain on lower fore edge from pp 9-17; leaf 114 misnumbered as 104; recto and verso have same page number; 8 leaves of introduction and index at beginning of volume; text in Italian; shelved case 4.
Roma [Rome]: Nella Stamperia del Komarek, 1762-1768. Octavos, 4 volumes; VG; bound in contemporary full vellum, gilt lettering to spines; some bookworm damage to spines, minimal impact to text block; large hole to middle of spine on volume 3; speckled text block; ex-library, with expected markings, including remnants of labels to tail of spines, blind stamps and ink stains to interior, pocket to rear pastedowns; With 45 numbered plates (restarting in each volume), plus frontispiece in volume 1; shelved case 3.
Venice: Vincenzo Valgrisi, 1551. 10mo rebound in brown hardcovers with brown leather spine and gold gilt; VG; boards with very moderate shelf wear; fraying along spine edges; binding strong; paper wobbled and in good condition; some pages at front discolored and stained on the edge; page 17 has a small cut at bottom; occasional marginalia mostly at beginning; title page with inscription and orange colored stamp on edge; pp. 488; in Italian; Bernardo Tasso was a poet and the father of Torquato Tasso; shelved in Case # 3.
Paris: Chez Poncelin, 1801. 12mos., 11 volumes; VG; bound in full brown calf, paneled spines with gilt tooling and lettering; all edges of text blocks gilt; marbled endpapers; blue ribbon in each volume; each volume with title page, half-title, illustrated title page, and numerous copper engravings; light wear to bindings; some mild age-toning; text in French; shelved case 0.
Milan: 1951. first limited edition (1 of 20 lettered A - V out of 170 copies). Elephant (20 X 15) thin folio in beige and black paper wraps with black letters; condition: Good; moderate soiling on covers; spine shows some fraying and tearing at top and bottom; binding loose; double-folded plates detached from wraps; slight foxing inside boards; deckle edges; lithographs in good condition; 6 color plates; text in large print in Italian; shelved above front door case; please contact us for shipping costs.
Venice: 1544. Thick 10mo in black leather; six-band embossed brown leather spine with gold gilt; VG; substantial fraying and shelf wear particularly on spine; open gutter at front but binding strong; ex-libris plate inside front cover and inscription of ffep; marble edges dusty; paper very clean with little foxing; text in italics in tight print, clear; pp. 366; in Italian; shelved in Case # 3.
Paris: Bossange, Masson e Besson, 1792. early edition. octavos in brown leather with gilt frame; 7-band spine with gilt and gold letters; in good condition; boards show shelf wear and fraying around edges and corners; top of spine has a small dent; vol. 1 spine title frame frayed; binding strong; previous owner's name on first front end page; penciled inscriptions on second end page in vol. 2; contains engravings throughout; text clean with no foxing or fading; edges dusty; pp. 72 and 333; slight musty odor; first published by the Italian poet Torquato Tasso in 1708; in ITALIAN; shelved in Case 0.
Venezia: Press Antonio Zatta, 1772. First Edition. Text entirely in Italian. Includes 3 of 4 Volumes; I, II, IV. Quarto; VG-/no-DJ hardcover; Brown spine with gold text; Boards strong, moderate surface rubbing, light scuffing; Textblock age-toned, has some slight moisture damage, some staining/foxing on several pages, lighter to exterior edges; Bindings strong. SHELVED IN FIRST RIGHT-HAND BOOKCASE IN AISLE 10. Additional shipping may be necessary due to size/weight restrictions for international/expedited orders.
Torino: Umberto Allemandi & Co., 2004. Quarto, 347/349/358/348 pages; VG/VG,VG/VG,VG/VG, VG/VG; spines are blue with black lettering; dust jackets have minimal wear along the top and bottom edges, with minimal tears at the top of the spine; bindings and pages clear; profusely illustrated; housed in blue publisher's slipcase; text in Italian; shelved front table.
New York: Paine and Burgess, 1845. First U.S. Edition. Hardcover Octavo; VG; Tan leather spine, gilt text; 3/4 bound, marbled boards; Boards strong, rubbing along corners, edges and spine; Text block age toned, clean, durable, Text legible; 224pp., 227pp., page numbering restarts at volume split; name and date written on first title page; shelved case 9.
Edinburg: Balfour, 1763. First Edition Thus. Set of two 10mos rebound in dark burgundy leather; VG; 6-band embossed spine with gold letters; minimal soiling; boards slightly frayed around edges; strong binding; offset from frontispiece illustration on title page; paper clean; text clean, in tight print; in Italian; pp. 331 and 372; contains two illustrations in each volume; shelved in Case #0.
Leipsig: A.H. Payne, 1859. First. Quarto; G/No jacket; Leather spine with gilt lettering; Quarter bound in leather, marble boards; Boards show some wear on all sides; Edges and corners beginning to fray; Some bumping and bending; Binding shaken but sturdy; Pages are toned and spotted in places, slightly musty; Several black and white plates, as well as some beautifully tinted plates; Previous owner's bookplate and inked gift inscription. Shelved: Case 9.
Florence: V. Batelli, 1831. Third Edition. Third Edition. Set of three oblong quartos in 1/2 beige marble hardcovers with brown leather spine; VG- condition; gold gilt on spine; general fraying and soiling on boards; binding strong; previous owner's inscription on ffep; edges dusty; paper generally foxed, with discoloration on first pages; text clean in tight print; in Italian; includes full page and folded maps; many vignette portraits and other illustrations, and 39 articles on countries and States; Please see photos for details IR consignment. [Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to weight restrictions. For international/expedited customers, please inquire for rates].
Mantua: Giovanni Agazzi, 1857. first edition. Thick 3/4 folio in black moire with burgundy leather; 5-band embossed spine with gold gilt; VG; moderate shelf wear on boards; binding strong; previous owner's inscription on label on ffep; paper slightly wobbled and faded; last few pages and end page detached; contains 58 plates of engravings at center, including double-folded plates; in Italian; shelved front endcase aisle 10.; please contact us for shipping costs.
London: J. Mawman, 1815. Third edition, revised and enlarged. Octavo; G/no-DJ; Black spine with black handwritten text; 4 Volumes; Boards have black tape on fore edge corners and spine and panels are slightly rubbed, but sturdy; Text blocks have tape on pastedowns and end papers with slight cracking between end papers at binding, slight pencil on pastedowns & end papers, slight foxing throughout, residue from book plates on front pastedown of vols.1 & 3 and darkening on exterior edges; Previous owner's name on title page; pp 1822. Additional shipping may be necessary due to size/weight restrictions for international/expedited orders.
Torino: Umberto Allemandi & C., 1993. First edition. Tall quartos in turquoise hardcovers and DJs with slipcase; VG/VG; case shows some soiling; books show small watermarks on lower edge near spine not affecting interiors; volume 1 has text and centerfold color plates; vol. 2 and 3 with black and white plates; in Italian; shelved Alcove 1; please contact us for shipping costs.
Paris: Michel Levy Freres, 1860. First Edition. Text entirely in Italian, Volume I only. Quarto; G+ condition hardcover; Green spine with gold text; Boards have moderate rubbing to spine/corners; Textblock slightly age-toned, shows some strong foxing/staining on several pages through book; Binding strong; 356pp. Shelved on rare/exp bookcase near stairs on sales floor.
Vienne: De L'imprimerie Imperiale et Royale, 1815. First Edition. Small Quarto, , 334,  pages; VG; bound in 3/4 leather, green label with gilt titling, tree calf patterned paper boards; pattered endpapers; small bookplate to front pastedown; mild scattered foxing; wide margins; minor archival repair to fore edge of page 1; mild rubbing and wear to boards; With a Preamble, 121 Articles, and 18 Annexes; with errata in rear; text in French; shelved case 7.
Arezzo: Michelle Bellotti, 1749. first edition. Small, thick octavo in 1/2 ivory and green vellum with lettering on spine; VG; boards with moderate soiling and fraying with slightly bumped corners; strong binding; front and back end pages covered with inscriptions and signatures; title shows some soiling, not affecting text; external edges with green and red marble; paper generally soiled and foxed, but text very readable; tight print; page 17 is almost entirely detached; pp. 500; slight musty odor; in ITALIAN; shelved in Case # 3.
Milan: Gorlich Editore, 1958. first edition. thin folios in 3/4 burgundy hardcovers with leather; six-band embossed spine with gold letters; VG; boards with minimal soiling; strong binding; glossy paper only slightly faded around edges; some plates in color; text clean; volume 1 has 226 plates; volume 2 has 524; in Italian; please contact us for shipping costs. shelved front case.
Milano: Electa, 1996. Large octavo; pp 651; VG-/G; blue spine with white text; gray dust jacket has slight wear to exteriors; tape mend inside dj at head edge; minor chips to corners; faux flaps; covers show light wear to exterior; intact panels; text block shows slight wear to exterior edges; previous owner's name to half title page; interior clean; profusely illustrated; Italian text; additional shipping may be necessary due to size/weight restrictions for international/expedited orders.
Venice: Princeton Architectural Press, 1990. Third edition. Oversize quarto in black hardcovers with green and black DJ and case; VG/VG; yellow letters on spine; case with minimal soiling; DJ has a small open tear on top; book in good condition; contains 186 pages of images, cartographic systems and technical procedures for mapping the city of Venice; in good condition; shelved above Alcove 1 Additional shipping may be necessary due to size/weight restrictions for international/expedited orders. eb/nd.
Napoli: Alberto Marotta Editore, 1971. Limited Edition Reprint, #820/1000. Folio, 44 pages, 72 plates; VG; bound in in green padded leather with gold decorations on the plate and golden titles and decorations on the covers; lacking case; mild rubbing and wear, primarily to head and tail of spine, corners; Reprint of the Italian edition, De l'Imprimerie de Firmin Didot, 1823.; A collection of lithographs representing the customs, usages and civil and religious ceremonies of the Roman states.; shelved above case 2.
Firenze: Tipografia Borghi E Compagni, 1832. Volume Unico. Octavo; 1,097pp; full contemporary vellum gilt with red morocco label; old hand-soiling and minor warping; narrow inch-long paint drip on title label; "Rome, 1840" in ink on front end-paper; scattered mild foxing; contents very good throughout with several full page steel engravings. Shelve: CASE #3 Spine is thick; vellum with gilt decoration and title on red accent.
Amsterdam: Severo Prothomaflix. first edition. [Published either 1664 or 1695] 16mo in vellum; in good condition; boards with stains and heavy soiling; previous owner's sticker inside front cover; original inscriptions on both boards; folded vignette engraving as frontispiece; paper heavily faded and foxed not affecting text; very tight print; pp. 139; in Italian; Salvator Rosa was a Baroque painter and printmaker, famous for his extravagance and criticism of Roman art culture; Shelved in Netdesk office, on shelf to the right of ephemera items.
New York: Oxford University Press, 1985. First Edition, Second Printing. Quarto, 788 pages, VG-/VG-; dj, white spine, black lettering: mild overall wear to dj, occasional small closed tears to edges of covers, approximately 1" tear to top corner of back cover, mild rubbing to back cover along hinge, "45.00" to front flap; quarter-bound, navy blue cloth spine, orange cloth boards, dull gold lettering to spine: very mild overall wear to boards, small open tear to cloth to top edge of back board; mild age-toning to text-block; light age-toning to margins of interior, text and graphics unaffected; INSCRIBED by Kostof to half-title page; shelved Front Table.
Firenze [Florence], Italy: Giunti Editore, 2010. First Edition, First Printing. Quarto, 429 pages, G+; blue gloss paper boards, white lettering: spine cocked, boards somewhat shaken, binding strong; bumping to head, tail, and corners; small tear to top corner of back board; slight wave to text-block, light scuffing to bottom of text-block, top and fore-edge clean; mild liquid staining with buckling to margins of endpapers and interior, text and graphics unaffected; interior replete with full-color graphics and plates, gloss leaves; text in Italian; shelved Front Table.
London: William Heinemann, 1896. First edition. Thick folio in black leather with gold gilt; six-band embossed spine; VG; minimal soiling on boards; slight fraying along spine; strong binding; dusty edges; paper and text clean; full size plates covered with rice paper throughout; extensive list of text illustrations; pp. 408; shelved alcove; please contact us for shipping costs.
Venice: Foundazione Giorgio Cini Istituto di Storia dell'Arte, 2003. Quarto: VG/G+: Off white spine with dark red text: DJ has general shelfwear, some dark smudges, remnants of a sticker on front bottom quarter, minor age toning: Boards are strong and clean, light bumping to head and tail of spine, bumping to corners, binding is tight: Textblock exterior is clean and pages free of markings, folds or tears: Text is in ITALIAN: 515 pp. [Over sized book. Additional shipping necessary for expedited/international shipping. Economy international shipping unavailable due to weight/size restrictions. Please contact seller for additional information.].
New York: The Architectural Book Publishing Company, 1924. First Edition. Large Quarto; pp 195+184; Good hardcovers with Poor condition DJs; grayish beige spines with black text; 2 volumes; dust jackets have severe chipping to edges; split starts to joints; vol. 1 missing top half to spine; exteriors show age toning toward edges; slight pencil to front flaps; price clipped front flaps; dark green cloths have moderate wear to exteriors; some rubbing to edges; strong boards; text blocks have slight age toning to exterior edges; frontispieces; dark green endpapers; profusely illustrated with line drawings and black and white photographs; interiors lightly toned; Oversized order. Additional shipping and handling may be necessary for expedited/international orders. Economy international shipping unavailable due to size/weight restriction(s) This book is part of the overstocked 15's, kept in Room X.