London; Paris: J. Dodsley; De L'Imprimerie de Monsieur, 1789. A unique collection of both the original French and the English translation of the famed novel, together with an awe-inspiring collection of proofs before letters by esteemed French artists. Three volumes housed in a custom three-part black and red leather box, gilt titling to spine, box solid, some wear and cracking; Paul et Virginie is bound in full burgundy morocco, triple gilt rules to boards, spine with gilt titling and tooling, all edges of text block gilt, marbled endpapers, bookplate to front endpaper; Unsigned binding, but early invoice states it was bound by Derome., Paris: De L'Imprimerie de Monsieur, 1789. with half-title, 12mo., xxxv, 243 pages, with 4 black and white plates, foxing to plate edges; "Prix, papier vélin d'Essone, 6. liv."; Both volumes of Paul and Mary are bound in matching full green morocco with elegant gilt tooling, paneled spines similarly gilt; all edges of text blocks gilt; doublures burgundy morocco with matching design to boards, embroidered silk endpapers facing doublures, marbled endpapers following; incredibly tight binding; bookplate to marbled endpaper; Bound by Chambolle-Duru with their gilt stamp to front doublure; London: printed for J. Dodsley, Pall-Mall, ; With an Autograph Letter Signed by Saint-Pierre, addressed "Au Citoyen Le Danois" (André Bazile Le Danois de La Soisière), a member of the Council of Ancients. Measuring ~9 x 6.7 inches (~23 x 17 cm.), with integral address leaf attached. Small tear to upper left corner where seal was attached, small archival repair to upper right corner, neither impacting and writing. Four Postal stamps present on integral address leaf. Actual text is 25 lines in Saint-Pierre's hand, responding to a letter by Le Danois about a meeting, countering his proposed date of the 8th with the 10th. He then goes on to discuss how he was tricked by a man that he had not seen for 20 years, as well as by a young woman. He defends himself that he in no way was compromising the interests of the Republic. The letter is dated "Paris, ce 7 ventose an 7" ( February 26th, 1799); With invoice circa 1895 from E. F. Bonaventure, with a handwritten description of the three volumes in purple ink. "Unique copy in an exquisite Binding by Chambolle extra illustrated with rare set all proofs before letters" "1. Set of proofs by [Achille] Devéria 2. Set of proofs by Corboald 3. Set of proofs ??? 4. Set of proofs Medallions in color 5. Set of proofs Medallions [in color] by Dutailly [Guyot sculp] 6. Set of proofs by Desenne 7. Set proofs by [Jean-Michel] Moreau 8. Set proofs by [Tony] Johannot 9. Set proofs by Corboald (small) 10. Set proofs by Lery[?] 11. Set proofs by [Jean-Antoine-Valentin] Foulquier 12. Autographed Letter In All 70 Plates, All proofs" Shelved case 0.
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Circa 1915-1947. The following original draft drawings and paintings by Marco Montedoro are being offered as a collection. They include original graphite, pen and ink, and watercolor paintings on paper and artist's board spanning the career of Marco Montedoro as a set and costume designer. The archive is a comprehensive representation of his professional career in Europe and the United States. Before he died, Montedoro gave his collection to his close friend Hella Arensen (ne Aronson), a German Jewish newspaper artist who emigrated from pre-war Nazi Germany to New York. Since Montedoro's death, the collection has remained in the Aronson family. Most images are signed by Montedoro, with an average size of 11" x 14", and are in varying condition. A full photographic gallery of this collection is available upon request. Montedoro's family of musicians considered him a child prodigy and sent him in his teens to Paris to study drawing and painting. He worked as an artist in Paris until 1913, when he became the artistic director of the Berlin Metropole. During WWI, he designed posters for Italian theaters and cinemas. Following the war, Montedoro returned to Paris to design costumes for the Palace, Ambassadeurs, Moulin Rouge, and Folies Bergère, including a 1927 show featuring Josephine Baker. During this period he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, Montedoro worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's genius is featured om Angelo Luerti's 2006 book 'Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940.
London: printed [by William Stansby] for Walter Burre [and are to be sold at his shop in Paules Church-yard at the signe of the Crane], 1614. First Edition. Folio; G+; bound in early diced brown calf, newly rebacked with new spine and corners, paneled with gilt lettering; housed in a custom brown buckram covered clamshell; With the Poem and the engraved title page. Both have been trimmed and inlaid, possibly having been married to this copy from another.; With 5 folding maps, Lacking 3 maps: the Arabian Desert (pages 414/415), Troy (452/453), and Troy (454/455). Maps trimmed incredibly close, with map of the Middle East impacted just slightly.; Lacking blank leaf 3K4 and terminal blank 7C6; 4G3r has the woodcut initial hand-colored, with the color bleeding over to the facing page; with the Errata leaf at the end; Printer’s name and bookseller’s address from colophon.; "The first part of the historie of the vvorld .. The third booke" (caption title) begins new pagination on 4A1r.; LD consignment; shelved case 4.
1732. Lemery," "Boulduc," "Geoffroy." One page, with cross outs and words added, in French, 7.5" x 8.5", [Paris?]; February 27, 1732. In this report, possibly in Lemery's hand and presumably prepared for the French Academy of Science, Lémery, Boulduc, and Geoffroy write the following concerning the trade of rhubarb We have examined by order of the Academy a dissertation submitted the Controller General concerning the trade of rhubarb and false rhubarb which was substituted for the [latter or former?] because it is rare in France; we opine that in order to [illegible] the trade of rhubarb which is as delicious from Archangel to the Echelles du Levant [ports in the Near East and North Africa], it would be in the interest of the king and the public good that the [illegible] forbid the entry of false rhubarb from foreign lands. If false rhubarb is useful in certain cases, enough of it grows in the kingdom to satisfy that need." Condition: Manuscript has creases along edges, small section of paper loss under Lemery's signature; otherwise good.; Consignment; shelved case 0.
1803/1804/1808. 1) ALS. "F. Berthollet." One page (of a bifolium) in French, 7.25" x 8.75", Arcueil [France]; May 28, 1803. In this letter to an unnamed minister, Madame Berthollet requests the original letters from Berthollet [her husband or herself?] requesting assistance with finding an administrative position for two people when the minister sends his recommendations for said people to give to officials at the administrative offices they wish to enter into. 2) ALS. "F. Berthollet." One page (of a bifolium with an integral address sheet) in French, 6.5" x 8", Arcueil; July 29, 1803. In this letter to a Madame Vinneux in Lausanne, Madame Berthollet informs her friend that she will be able to obtain a passport for her and that the ambassador to Switzerland will assist her with the necessary steps for her return to France. 3) ALS. "F. Berthollet." Three pages (of a bifolium with an integral address sheet) in French, 6.5" x 8.25", Arcueil; June 11, 1804. In this letter to Madame Vinneux, Madame Berthollet opens by speculating that passport troubles are being caused by "cette saison" [presumably meaning the contemporaneous political situation] and will seek information about the delay experienced by her friend in obtaining permission to travel. Mme. Berthollet was convinced her friend was on her way and assures her that she and her husband speak of her and "their second son," Déodat, at every meal. Meanwhile her husband has received a "new distinction" from the government that she describes as more of a burden than a privilege since they must outfit an "archbishop's house" with furniture, linens and all the rest [Claude Louis Berthollet was made a Grand Officier de la Légion d'Honneur in 1804]. 4) ALS. "F. Berthollet." One page (of a bifolium) in French, 7.5" x 9.25", Arcueil; January 9, 1808. In this letter, Madame Berthollet invites Monsieur and Madame Tochon [could be Joseph-François Tochon (1772-1820), numismatist, collector, and political figure] to dinner in Arcueil. Condition: Letters have usual folds. Letter 2 has four pin holes through lower left hand corner, and small paper loss where seal was broken when letter opened; otherwise good. Letter 3 has four pins holes through the lower left hand corner, and small paper loss where seal was broken when letter was opened; otherwise good. Letter 4 has some paper loss on the last line of the letter where gaul ink has bled through paper, effective several words; otherwise good.; Consignment; shelved case 0.
Émile Bernard. Autograph Letter Signed. "Emile." Two pages in French, 4" x 5.25", [n.p.; n.d.] A letter from Bernard to the French Post-Impressionist artist, painter, art teacher, and art collector, Émile Schuffenecker (1851-1934). Bernard open his letter by asking Schuffenecker why they no longer write to each other. Thinking that he hurt Schuffenecker because of some slight, Bernard admits that he must have appeared harsh when it came to discussing "Jesus the savior," but it was said only because he wished to console him. He proceeds to claim that he shares Schuffenecker's pain and asks forgiveness if he has caused offense, writing, "may God judge this thing at his dazzling tribunal." Bernard closed the letter by claiming that his mother reminded him how kind Schuffenecker had been and how good a person he is, and signed off with "thank you and I am sorry." The letter is accompanied by: 1) ALS. "H. Bernard." Two pages (of a bifolium) in French, with canceled postal cover, 4.5" x 6.75", Paris; February 14, 1895. Letter from Héloïse Henriette Bernard-Bodin (1838/39-1909), Émile Bernard's mother, to Émile Schuffenecker, in which she asks how he is doing and tells him that she is forwarding a letter for him from her son. She mentions the cold weather and hopes that March will bring more gentle days to Colombes [outside of Paris], where they would be very happy to see him. 2) A print of a photograph, 3.5" x 4.5", 1895, of a building in Cairo, Egypt, with writing by Bernard on the verso, noting that "a house on a Cairo street in 1895, indicating that architecture is not yet dead in the Orient." In 1893, Bernard traveled to Egypt and lived in the Middle East for the next ten years. Condition: Good. The letter from Héloïse Henriette Bernard-Bodin has slight rust residue from a paperclip (since removed) at the right hand top of the last page, and what appears to be as light stain on the upper left corner of the last page.
Paris: Firmin-Didot, 1879. First Edition. Large quarto in 3/4 brown marble with burgundy leather; VG; 6 band embossed spine with gold gilt; boards show some amount of shelf wear around corners and spine and slight soiling; small sticker inside front board; previous owner's signatures on ffep; strong binding; paper slightly faded and plates clean; contains 190 lithographs of patterns and 10 color lithographs (1 with gold lining); Jules Bourgoin traveled to Damascus in 1875 and came upon 150 plates which he could not acquire but reproduced and elaborated upon; 47 pages of text in French; shelved in Case 7.
New York: Book League of the Jewish Peoples Fraternal Order, IWO, 1945. First Edition. Small octavo in dark burgundy cloth with gold letters; VG; front and back gutter slightly open, but binding strong; boards with minimal soiling; edges and paper age-toned; text clean; pp. 167 had a small tear repaired with tape, now discolored with slight offsetting on p. 168; pp. 252; includes 36 line drawings by Mr. Chagall, and his pen inscription in Yiddish on the first front end page; the book depicts in a humorous way Mr. Chagall and his wife's childhood in Russia where they grew up in a small market town; in Hebrew; very scarce; shelved in Case 3.
Paris: Chez Desaint, David, Durand, 1757. Second Edition. Octavos, 6 volumes; VG; bound in full brown leather, spines paneled with gilt tooling, two compartments with gilt text; double rule with roll to boards; some shelfwear and rubbing; marbled endpapers; text block red; with 4 maps and 3 plans, volume 1 with folding map #1, volume 2 with folding plan #2, volume 3 with folding map #3, volume 4 with folding map #4, volume 5 with no plates, volume 6 with folding map 5, folding map #6, and folding plan #7, all in excellent condition; slight age-toning to pages; shelved case 9.
[n.p. but Paris]: [n.p.]. Early Edition. Quarto, 123 leaves; VG; bound in period speckled calf, paneled spine with gilt, titling worn off; some wear and rubbing to boards; speckled textblock; two bookplates to front pastedown; with 122 leaves of plates plus an engraved title page; MW consignment; shelved case 4.
Philadelphia: S. Augustus Mitchell, 1871. Folio, unpaginated; VG-; newly rebacked with brown cloth, majority of original front board cloth preserved, including gilt titling; spine with black label, gilt titling; water-damage to upper half of the volume, more pronounced on the first 5 pages, impacts mags, but does not affect coloring; With 67 hand-colored maps (plus insets) on 56 mapsheets (including 9 double-page), plus time table page, reference table, and appendices; shelved above case 3.
Paris: Charles Antoine Jombert, 1751. First Edition. Tall, thick quarto in brown leather with 7-band embossed spine with gold gilt; VG; moderate soiling on boards and strong binding; title page missing; some staining on first pages; one over large plate has a large cut; all other plates in good condition; this is volume II of III; 268 plates total; in French; shelved in Case 4; please contact us for shipping costs.
[Paris]: De l'imprimerie royale, 1752. First Edition. Quarto, 2 volumes; VG; bound in contemporary calf with gilt seal to center of each board, newly rebacked in pale brown leather, two burgundy labels with gilt titling; all edges of text block gilt; some rubbing and wear to boards; marbled endpapers; bookplate to front pastedown; illustrated with 3 engraved headbands and 2 title vignettes.; MW consignment; shelved case 7.
[Paris]: 1771. Octavo; VG; bound in period 3/4 morocco, marbled boards, gilt titling to spine, bookplate to front pastedown; ownership in ink to ffep; Contain Issues No. 26-43, Du Lundi 1 Avril 1771-Du Vendredi 31 Mai 1771; pages 101-176; pages 105-108 have a large chunk missing from the upper fore corner; shelved case 9.
Lausanne: Andre Gonin, 1943. First limited edition (#106 of 194 copies); signed by author, artist and editor. Quarto in ivory soft covers with ivory case and black letters on spine; VG/VG; boards with moderate soiling or slight foxing; portfolio contains double folded plates with text in large print (in French) and twenty original pencil lithographs interspersed; all clean; pp. 123; velin paper with deckle edges; in good condition; shelved in Case # 11; please contact us for shipping costs.
A Cologne: chez Pierre Marteau, 1701. Early Fictitious Imprint. 12mo., , 564 pages, ; VG; bound in contemporary acid-washed calf, paneled spine with elaborate gilt, morocco label with gilt titling; board edges with gilt roll; marbled endpapers; cracking to front hinge; scattered and scarce staining to interior; name to title page; index in rear; Title page in red and black, with sphere device; text in French; Volume 1 of 3 only; BJ consignment; shelved case 3.
Paris: Durand Ainé, Marcand D'Estampes, 1832. Quarto, unpaginated; VG; bound in 3/4 red calf, marbled boards; gilt stamping and titling to spine; head and tail both have some glue repair, head with drop of glue showing, chipping to head and tail of spine' some rubbing and wear to binding; bookplate to front pastedown; with 70 beautifully colored plates, some mild foxing, primarily to edges; list of plates bound in rear; MW consignment; shelved case 11.
Paris: Imprimerie Nationale, 1910. first limited edition (No. 82 of 150). thick, large quarto rebound in polished beige leather; VG; gilt frame on boards; six-band embossed gilt spine; boards and spine with light soiling and shelf wear; clean moire flaps with giltd frame inside boards; full size frontispiece and back engravings; text by M. le Comte de Chavagnac, Cataloger commissioned by J.P. Morgan; text and plates on thick parchment paper specially cut in the city of Arches; contains 50 plates in color, covered with inscribed legend on rice paper. with a total of 208 items fully described and organized by regions; dates ranging from 1677 to 1910; collection comprises objects from clocks, to vases, to figurines and tableware; book is in good condition with strong binding and large italic print in very fine French writing; please contact us for shipping costs; shelved case 11.
Paris: Alphonse Leclere, 1861. first edition. Small octavo in dark brown leatherette with framed gold gilt; in good condition; 6-band embossed spine with small, open tears along edges; binding strong; ornate end pages; gilt edges; paper slightly faded; text clean; tight print; slight musty odor; pp. 219; contains 33 letters addressed from uncle to nephew, and 39 plates of colored engravings in very good condition; in FRENCH; shelved in Case # 4.
London: Rodwell and Martin, 1822. First edition. Thick quarto in burgundy leather with gold gilt; six-band spine with heavy gilt; VG; moderate shelf wear on boards, mostly around spine and edges; gilt edges; paper sunned with light, occasional foxing or offsetting; text in French; contains an engraving on each page with descriptive paragraphs; shelved in Case # 7; please contact us for shipping costs; SD consignment.
Paris: Francois Huby, 1613. First Edition. Thick 12mo in discolored vellum; G; substantial shelf wear on covers with large open tear on spine, binding still strong but loosening; engraving title page stained and brittle; paper wobbly with general offsetting and slight foxing; previous owner's ex-libris inscription on back page; pp. 850; text in French with no marks; scarce, early edition of this work; shelved in Case 3; GP consignment.
New York: Doubleday & Company, Inc., 1960. Limited edition (58 copies); signed (#D). Thick, small quarto in burgundy leather with five-band embossed spine and gold letters in cardboard case; bound by hand; VG/VG; moderate shelf wear on spine with slight fraying around edges; front board slightly loosening on top; marbled end pages clean; paper and text clean; three pages have minuscule notches on the edge; pp. 400; abundant illustrations, mostly in black and white, with color at the end; synopsis of each chapter at the end; dedication in French and signature on special page; shelved in Case # 7; please contact us for shipping costs; GP consignment.
Paris: Akademische Druck- und Verlagsanstalt, Graz, 1976. Facsimile Edition. folio, 138 fol. [276pp.]; VG; bound in suede covers, paneled spine with no lettering; housed in original cardboard box; minimal shelfwear; lacking companion volume; facsimile of the Manuscrit Français 616, der Bibliothèque Nationale, Paris; shelved Case 11.
New York: Harry N. Abrams, Inc., 1976. First edition; signed and dedicated to Ambassador Ardeshir Zahedi. Thick, oblong quarto in black cloth hardcovers with red and brown illustrated DJ; spine white with black letters; VG/VG; minimal soiling; strong binding; plates and paper clean; contains 488 plates in black and white as well as double-folded color full pages; short biography and Artist's Credo; on first front end page, large, colorful "Agamograph" and dedication to Ambassador Ardeshir Zahedi, Iranian Ambassador to the U.S. from 1960-62 during the Shah's reign, and again from 1973-79 when the Iranian Revolution started and the Shah fled Iran; second front end page has a large drawing of Ambassador Zahedi with handwritten dedication by Agam; please contact us for shipping costs. Shelved Case 11.
Amsterdam: J. F. Bernard, 1725. First Edition. Folios, 2 volumes; VG; bound in contemporary full mottled calf, paneled spines with gilt lettering and tooling; some wear to spines, including chipping to heads and tails, rubbing, scuffing, and mild flaking over majority; text blocks red; marbled endpapers; bookplate to front pastedowns; interiors clean; text in French; shelved case 4.
Paris: Editions de la Nouvelle Revue Française, 1917. Limited Edition, #247/575. Octavo, unpaginated; Fine; in original printed wrappers, with the tanned as usual, very lightly chipped glassine, offsetting onto endpapers, as usual; #247/575 numbered copies on Vergé d'Arches, in addition to twenty-five copies on Japon; text in French; MW consignment; shelved case 0.
London: Hamish Hamilton, 1954. First Edition, First Printing. Octavo, 275 pages; VG/Fair; spine beige with red lettering; dust jacket protected with a mylar covering, price uncut '15s. net'; dust jacket missing the middle third of the spine, small chips to other parts of spine, tape to head and tail; spine of boards slightly age-toned; spine cocked; top edge of text block red; INSCRIBED on ffep to Don-Tudor Wilkinson, Paris 1954, with his bookplate a the bottom of the page; shelved case 9.
Gettysburg, PA: James Magee, printer, 1802. Rare Gettysburg imprint. 16mo; good+/none; full brown leather with gilt title and panel rulings; new endpapers; ex libris, signature, title-page; all corners and edges, chipping, wear, and some abrasions; text block, clean with foxing, spot staining; and light general age-toning; 272 pp.; small dog-ears with text loss on final pages, 271-272, missing head-edge; spine and boards, creases and scars; else very good; ---CONSIGNMENT. Shelved Case #3.
Paris: Chez Desaint & Saillant, Libraires, 1762. First Edition. Octavos, 2 volumes; VG-; bound in contemporary acid-washed calf, paneled gilt spine with two labels and gilt titling; moderate wear and rubbing to boards, cracking to hinges; text block edges red; marbled endpapers; This set is lacking the scarce third volume; ex-library, with labels to tail of spines, bookplates to front paste-downs, blind-stamp to title-pages, possible other markings; BS consignment; shelved case 3.
Zurich: W. Boesiger et O. Stonorov, 1948. Fifth edition. Oblong, thin quartos in beige cloth hardcovers with embossed letters in different colors; VG; moderate soiling and slight discoloration on boards; paper slightly faded and foxed; text clean, in French; clean photographs, in black and white; edges dusty and foxed; one volume has a few pages detaching; two volumes in German and French; shelved above French section; please contact us for shipping costs.
Paris: Bachelier, Imprimeur-Libraire, 1847. First Edition. Octavo, xiv, 353 pages, 9 plates; VG; bound in 3/4 brown calf, brown cloth boards, paneled spine with gilt, burgundy label and gilt titling; marbled endpapers; hinges beginning to separate, wear primarily to head of spine, hinges, corners; top edge of text block gilt, others uncut; bookplate to front pastedown; text in French; MW consignment;.
Bologna: 1830. first edition. Oversize folio (18" X 12") in dark green hardcovers with tiny gold letters on spine; moderate soiling on boards; paper generally foxed throughout but not affecting plates; please note: preface and title in Italian; all text in French; shelved above Front Case; please contact us for shipping costs.
Paris: Librairie Hachette, 1890. Folio; vg+/none; burgundy cloth spine with gilt lettering on brown labels; half-bound w/French swirls; minor shelf wear and bumping; text block, clean; unpaginated; 40 plates; 167 items; [64 pp.]; deckle; spine and boards, flaking; edges, minor chipping, moderate bump to fore-edge; else very good. Text in French. Shelved Above Case 0.
Paris: ; J. Hetzel et Cie. Bibliotheque d'Education et de Recreation, 1867. 4to., 467pp., 220pp.; VG-; 1/4 bound, red leather spine with gilt lettering, marbled boards, endpapers; rebound; mild shelfwear, primarily to board edges and corners; two volumes bound together, pagination not continuous; moderate foxing throughout; Voyage au centre de la Terre has a separate half-title and title page; Voyages et aventures du capitaine Hatteras has the frontispiece; text in French; shelved case 8.
Paris: 1790. Second Edition. Octavo, 167pp. Hardcover without jacket as issued. Bumping and shelf-wear. Light rubbing to red leather-bound boards. Head-edge gilt. Stamp to front paste down endpaper; offsetting from gilt filigree to both front and rear free endpapers. Mild foxing throughout text. Front hinge cracked. Includes two plates: frontispiece and portrait of La Marquise de Pompadour. Text is in French. Good copy only. Shelve: CASE #7 Spine is red leather with gilt text and five raised bands.
New York: Congdon & Weed, Inc., 1985. First Edition, First Printing. Octavo, 256 pages; VG/VG; spine pictorial with white and beige lettering; dust jacket protected with a mylar covering, price uncut '$16.95'; slight speckling to top edge of text block; SIGNED flat on title page as 'Bill Bryson'; extremely scarce signed; shelved case 9.
London: Edward Blount & Will Aspley, 1630. Fourth edition in English. Small quarto in dark brown leather; condition: Good; general shelf wear and soiling; open tears and fraying around spine and boards' edges; closed tears and rubbing on boards; end pages creased; copper engraved title page; paper edges dark and dusty; wobbly paper clean and age-toned; text clean, in tight print; pp. 588; this is the fourth of nine editions in English before 1700; shelved in Case # 10; GP consignment.
Paris: Bernard Grasset, 1927. Limited edition (V on Annam paper). 8vo. rebound in brown, sleek leather with gold gilt in brown marbled case; VG; marble satin end pages with gold frame (art Deco binding); deckle edges; text in large print; stamp on back of last end page; pp. 259; in French; shelved in Case # 12; IR consignment.
Paris: Furne, 1830. First edition. Set of 30 small octavos rebound in 1/2 moire and red leather spine with gold gilt and letters; VG; strong binding and moderate shelf wear; moire edges; paper slightly foxed; text clean in small print; each volume contains photogravures and frontispiece; in French; shelved above Civil War section; please contact us for shipping costs.
Paris: Chez Mme Ve Jules Renouard, 1864. Octavo; VG-; black leather 1/4 bound spines with gilt text; raised bands to spines; no jackets; green marbled boards has slight wear to exteriors; mild edge wear; text blocks show slight toning to exterior edges; top edges gilt; deckled fore edges; marbled endpapers; interiors clean; previous owner's bookplate to front pastedowns; text in French; additional shipping may be necessary due to size/weight restrictions for international/expedited orders.
Paris: Andre Cailleau, 1717. First Edition. Narrow duodecimo in original dark brown leather boards; VG/G; six-band embossed spine rebound in dark brown leatherette with burgundy frame and gold letters and gilt; original boards with shelf wear around edges and tiny indentations; binding strong due to rebound spine; boards' interiors soiled; ex-libris stamps and inscriptions on title page; paper faded and slightly foxed; text clean and very readable with occasional smaller print; edges very dusty; few full page engravings; one folded map of Mont Carmel and Caifa; contains a description of Arabia, Mecca, Sanaa, Oman and Bahrain; this journey was commissioned by King Louis XIV for Monsignor Rouille, Finance Minister; in FRENCH; app. 350 pages; shelved in Case 9.
Paris: L'Edition d'Art, 1927. First limited edition (#271 of 775). Octavo in green soft covers with gold and red lettering in brown case; condition: Good; case sides detached; covers are separated; first front end page loose; printed on parchment paper with deckle edges; series of pages bound with tape; pp. 135; filled with gold and color illustrations and decoration by Boris Zworykine; in French; shelved in Case 0.
Paris: Editions de la Roseraie, 1927. first limited edition (420 copies on Velin de Rives); signed by Illustrator and Publisher. Large quarto in black and brown hardcovers with beige letters; spine black with no letters; VG; boards with minimal soiling; deckle edges slightly dusty; color illustrations throughout covered with rice paper; text in large print; pp. 215; in French; signatures on end page; this novel inspired the 1935 major motion picture featuring Arletty and Michel Simon; in good condition; shelved in Case # 11; please contact us for shipping costs.
Paris: Chez Poncelin, 1801. 12mos., 11 volumes; VG; bound in full brown calf, paneled spines with gilt tooling and lettering; all edges of text blocks gilt; marbled endpapers; blue ribbon in each volume; each volume with title page, half-title, illustrated title page, and numerous copper engravings; light wear to bindings; some mild age-toning; text in French; shelved case 0.
Londres [i.e. Paris?]: 1779. Octavo, , 182 pages; VG; bound in period red morocco, rebacked with paneled gilt spine preserved; some wear to boards; text bock gilt; marbled endpapers; front pastedown with two bookplates and an old catalogue description; With a half-title and an additional engraved titlepage; illustrated with 29 plates inset, including the 'petits pieds' plate; The imprint is false; probably printed in Paris.; shelved case 3.
London: printed for Henry Rhodes at the Star, 1695. First English Edition. Octavo, , 228, 260 pages,  ads; VG; bound in early gilt morocco, rebacked with a marching paneled gilt spine; headband slightly loose; bookplate to front pastedown; all edges of text block gilt; title page with archival repair to top edge, having been trimmed, open tear to lower fore edge, lower fore corner with a chip missing; pages 97-112 with hand-corrected page numbers; some soiling and wear to pages; pages 115/116 and 117/118 with minor archival repair. Early hand wrote 'Hot' on page 1, above 'Amours,' Use of Hot as "full of sexual desire, lustful" dates to c. 1500, while the sense of "inciting desire" is c. 1800. MW consignment; shelved case 3.
Paris: Demoraine et Compagnie, 1824. First Edition. 32mo., 128 pages; VG-; bound in publisher's red long-grained morocco, smooth spine with gilt tooling, no title, fillet and dentelle border on covers; dull gilt to all edges; rear two gatherings uncut; gutters loosely attached; text in French; Illustrated with 3 maps bound in front, "Plan de Paris et de ses Faubourgs", "La France et les Etats voisins", and "l'Europe divisées en ses principales parties", some mild wear to maps, two tears along folds; SP consignment; shelved case 3.
Le Sycomore, 1984. First Limited Edition (#176 of 500). Oblong folio in black cloth with black and white DJ in brodart; VG/VG; white letters on spine; DJ has some closed tears around edges, protected by brodart; strong binding; paper and text clean; pp. 301; author's signature and dedication on last front end page; very scarce; contains chapters on the uses of light in cinematography and in the arts, as well as philosophical and artistic descriptions of the role of light in photography; some full size pages in color; long, beautiful quote from Alain Robbe-Grillet inside front cover; in French; shelved case 11; please contact us for shipping costs.
Paris: Chez Jombert, 1752. Fourth Edition. Quarto; (12), 448, (12) pp. Contemporary full calf, gilt decoration on spine, five raised bands, leather spine label. With 37 full-page engravings. Boards rubbed; heavily rubbed at corners; spine label mostly lacking; old tideline from water stain on endpapers and first and last few pages of text. Good solid copy. Shelved in Case #3.
Philadelphia: Carey and Hart, 1842. First American Edition. Five Octavos; VG-; Blue cloth boards and spine with gilt lettering; General edge wear, bumping to the corners; All spines are faded; Bindings are strong; Text block is foxed, mostly at or near the edges, some interiors affected; End papers foxed; Four volumes of text and one volume of 55 black and white plates; Please contact us for international or expedited shipping; DS Consignment; Shelved above Nature.