Nürnberg: Verlegung des auxtoris Gedruckt bey Johann Ernst Adelbuler, 1731. Folio; G; bound in faded red cloth, faded titling to front cover; moderate wear, including fraying to corners, spine largely detached, remnants of cloth ties to boards; With title page, 42 pages of text in German, 14 maps of the celestial sphere, 77 terrestrial maps; all celestial and 73 terrestrial maps hand-colored contemporaneously; lacking allegorical frontispiece engraved by Casper Luyken and the portrait of Charles VI in black and white; the backs of the majority of maps with a child's drawings, majority in pencil, some crayon, circa 1880, very sparse pencil to the maps themselves; some scattered repair; title page missing the lower fore corner, does not impact text; With a fully global collection of maps, including the constellations, both the Copernican and Tychonic models of the orbits, maps of both hemispheres, Europe, Asia, Africa, and the Americas. Maps of North America do include the names of some Native American Tribes. Interestingly, the maps are inconsistent as to whether California is an island. The title vignette is a map of the world as seen from above the north pole, includes California as an island. All maps with emblematic cartouches and ornamented with engravings.; consignment; shelved map case.
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[Rouen]: [n.p.], 1707. First Edition, First Issue. Quarto, , 204,  pages; VG; Bound in contemporary calf, spine gilt with raised bands, gilding faded and a bit rubbed, inner hinge front cover cracked but binding solid. Large folding table, "Formulaire qui peut servir pour tout un pays", at page 192.; Extremely Rare First Edition, First Issue, with B4 in an uncancelled state, on p. 16, a setier is given as weighing 170, rather than 240 pounds, "...le septier pesant net cent soixante & dix livres..."; In Le Projet d’une dixme royale (“Project for a Royal Tithe”), one of the 18th century’s most important writings on political reform, Sébastien Le Prestre de Vauban (1633-1707) suggested replacing existing taxes, which were unfair and offered limited yield, with a 10% income tax on all land and trade from which no one should be exempt. He substantiated his arguments with a mass of statistical documentation practically unprecedented and, in doing so, pioneered the use of statistics in economics. The idea, which occurred to Vauban as he made observations on his constant travels throughout the kingdom, was intended to help France overcome an economic crisis and keep its rank as a great power. As the situation worsened, in 1706 Vauban had his book secretly printed in François Maurry’s Rouen press and gave his entourage the first copies, bound in Paris at the widow Fétil’s. The French government, too deeply committed to the system of tax farming (i.e., selling the right to collect taxes to groups of financiers for a fixed sum), was reluctant and even unable to revoke the exemptions of the privileged classes. Their dependence on them, and lacking interest in fundamental reforms, led to the government suppressing the publication of his book. On February 14, 1707 the Privy Council ordered the destruction of all the copies, which had been published without permission. The ailing Vauban did not survive the affair, dying on March 30th. Subsequent searches of his home failed to turn up any other copies.; According to Boislisle, the first edition was printed in Rouen in 1706 at the initiative of the Abbé de Beaumont (who is actually credited with the authorship of the work by Boisguilbert). Vauban had the sheets bound by the widow of a certain Fétil, and took great pains that the book did not have any public circulation. It was prohibited on 14 February 1707, but apparently the police were only able to seize two copies. To the police, the binder declared she had had 264 copies in total, 12 bound in morocco, the rest in calf. The two copies seized at the Abbé de Beaumont's were described as in 'veau fauve' and marbled parchment. See Arthur Michel de Boislisle, La Proscription du projet de Dime Royale et la mort de Vauban (Mémoire lu à l'Académie des sciences morales et politiques), Paris, 1875.; A notable rarity, of 'an erudite economic work much in advance of its time, and distinguished both by accuracy of method and breadth of view' (Palgrave), 'creditable alike to the heart and the head of its illustrious author' (McCulloch). 'Though the book was published anonymously, and only a few copies issued (for circulation among friends), Vauban had to submit to the mortification of seeing it 'pilloried' by the parliament, while he himself incurred the displeasure of the king (Louis XIV).' (Palgrave).; The copy of the author himself contained four pages of manuscript in which statements were to be found which could not be printed and in which Vauban, among other things, clearly distinguishes between nobles which have earned their title and position by their actions, whether by their ancestors and by themselves and are an honour to the State, and those who have purchased their titles and are of no use at all to the State. [Les Collections Aristophil].; The Projet d'une Dixme Royale is an outstanding work in the field of public finance. Its two most notable features are its understanding of the central role of fiscal policy in economic reform - the result of an exceptionally comprehensive grasp of the economic process - and its use of detailed numerical data to substantiate conclusions. Schumpeter called the work 'unsurpassed, before or after, in the neatness and cogency of the argument . Purposeful marshalling of all the available data was the essence of his analysis. Nobody ever understood better the true relation between facts and argument. It is this that makes him an economic classis in the eulogistic sense of the work, and a forerunner of modern tendencies' (Schumpeter, History of Economic analysis, p. 204).; BH consignment; shelved case 3.
Circa 1915-1947. The following original draft drawings and paintings by Marco Montedoro are being offered as a collection. They include original graphite, pen and ink, and watercolor paintings on paper and artist's board spanning the career of Marco Montedoro as a set and costume designer. The archive is a comprehensive representation of his professional career in Europe and the United States. Before he died, Montedoro gave his collection to his close friend Hella Arensen (ne Aronson), a German Jewish newspaper artist who emigrated from pre-war Nazi Germany to New York. Since Montedoro's death, the collection has remained in the Aronson family. Most images are signed by Montedoro, with an average size of 11" x 14", and are in varying condition. A full photographic gallery of this collection is available upon request. Montedoro's family of musicians considered him a child prodigy and sent him in his teens to Paris to study drawing and painting. He worked as an artist in Paris until 1913, when he became the artistic director of the Berlin Metropole. During WWI, he designed posters for Italian theaters and cinemas. Following the war, Montedoro returned to Paris to design costumes for the Palace, Ambassadeurs, Moulin Rouge, and Folies Bergère, including a 1927 show featuring Josephine Baker. During this period he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, Montedoro worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's genius is featured om Angelo Luerti's 2006 book 'Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940.
1732. Lemery," "Boulduc," "Geoffroy." One page, with cross outs and words added, in French, 7.5" x 8.5", [Paris?]; February 27, 1732. In this report, possibly in Lemery's hand and presumably prepared for the French Academy of Science, Lémery, Boulduc, and Geoffroy write the following concerning the trade of rhubarb We have examined by order of the Academy a dissertation submitted the Controller General concerning the trade of rhubarb and false rhubarb which was substituted for the [latter or former?] because it is rare in France; we opine that in order to [illegible] the trade of rhubarb which is as delicious from Archangel to the Echelles du Levant [ports in the Near East and North Africa], it would be in the interest of the king and the public good that the [illegible] forbid the entry of false rhubarb from foreign lands. If false rhubarb is useful in certain cases, enough of it grows in the kingdom to satisfy that need." Condition: Manuscript has creases along edges, small section of paper loss under Lemery's signature; otherwise good.; Consignment; shelved case 0.
1803/1804/1808. 1) ALS. "F. Berthollet." One page (of a bifolium) in French, 7.25" x 8.75", Arcueil [France]; May 28, 1803. In this letter to an unnamed minister, Madame Berthollet requests the original letters from Berthollet [her husband or herself?] requesting assistance with finding an administrative position for two people when the minister sends his recommendations for said people to give to officials at the administrative offices they wish to enter into. 2) ALS. "F. Berthollet." One page (of a bifolium with an integral address sheet) in French, 6.5" x 8", Arcueil; July 29, 1803. In this letter to a Madame Vinneux in Lausanne, Madame Berthollet informs her friend that she will be able to obtain a passport for her and that the ambassador to Switzerland will assist her with the necessary steps for her return to France. 3) ALS. "F. Berthollet." Three pages (of a bifolium with an integral address sheet) in French, 6.5" x 8.25", Arcueil; June 11, 1804. In this letter to Madame Vinneux, Madame Berthollet opens by speculating that passport troubles are being caused by "cette saison" [presumably meaning the contemporaneous political situation] and will seek information about the delay experienced by her friend in obtaining permission to travel. Mme. Berthollet was convinced her friend was on her way and assures her that she and her husband speak of her and "their second son," Déodat, at every meal. Meanwhile her husband has received a "new distinction" from the government that she describes as more of a burden than a privilege since they must outfit an "archbishop's house" with furniture, linens and all the rest [Claude Louis Berthollet was made a Grand Officier de la Légion d'Honneur in 1804]. 4) ALS. "F. Berthollet." One page (of a bifolium) in French, 7.5" x 9.25", Arcueil; January 9, 1808. In this letter, Madame Berthollet invites Monsieur and Madame Tochon [could be Joseph-François Tochon (1772-1820), numismatist, collector, and political figure] to dinner in Arcueil. Condition: Letters have usual folds. Letter 2 has four pin holes through lower left hand corner, and small paper loss where seal was broken when letter opened; otherwise good. Letter 3 has four pins holes through the lower left hand corner, and small paper loss where seal was broken when letter was opened; otherwise good. Letter 4 has some paper loss on the last line of the letter where gaul ink has bled through paper, effective several words; otherwise good.; Consignment; shelved case 0.
New York: Book League of the Jewish Peoples Fraternal Order, IWO, 1945. First Edition. Small octavo in dark burgundy cloth with gold letters; VG; front and back gutter slightly open, but binding strong; boards with minimal soiling; edges and paper age-toned; text clean; pp. 167 had a small tear repaired with tape, now discolored with slight offsetting on p. 168; pp. 252; includes 36 line drawings by Mr. Chagall, and his pen inscription in Yiddish on the first front end page; the book depicts in a humorous way Mr. Chagall and his wife's childhood in Russia where they grew up in a small market town; in Hebrew; very scarce; shelved in Case 3.
[n.p. but Paris]: [n.p.]. Early Edition. Quarto, 123 leaves; VG; bound in period speckled calf, paneled spine with gilt, titling worn off; some wear and rubbing to boards; speckled textblock; two bookplates to front pastedown; with 122 leaves of plates plus an engraved title page; MW consignment; shelved case 4.
Philadelphia: S. Augustus Mitchell, 1871. Folio, unpaginated; VG-; newly rebacked with brown cloth, majority of original front board cloth preserved, including gilt titling; spine with black label, gilt titling; water-damage to upper half of the volume, more pronounced on the first 5 pages, impacts mags, but does not affect coloring; With 67 hand-colored maps (plus insets) on 56 mapsheets (including 9 double-page), plus time table page, reference table, and appendices; shelved above case 3.
Paris: Charles Antoine Jombert, 1751. First Edition. Tall, thick quarto in brown leather with 7-band embossed spine with gold gilt; VG; moderate soiling on boards and strong binding; title page missing; some staining on first pages; one over large plate has a large cut; all other plates in good condition; this is volume II of III; 268 plates total; in French; shelved in Case 4; please contact us for shipping costs.
[Paris]: De l'imprimerie royale, 1752. First Edition. Quarto, 2 volumes; VG; bound in contemporary calf with gilt seal to center of each board, newly rebacked in pale brown leather, two burgundy labels with gilt titling; all edges of text block gilt; some rubbing and wear to boards; marbled endpapers; bookplate to front pastedown; illustrated with 3 engraved headbands and 2 title vignettes.; MW consignment; shelved case 7.
[Paris]: 1771. Octavo; VG; bound in period 3/4 morocco, marbled boards, gilt titling to spine, bookplate to front pastedown; ownership in ink to ffep; Contain Issues No. 26-43, Du Lundi 1 Avril 1771-Du Vendredi 31 Mai 1771; pages 101-176; pages 105-108 have a large chunk missing from the upper fore corner; shelved case 9.
Paris: Firmin-Didot, 1879. First Edition. Large quarto in 3/4 brown marble with burgundy leather; VG; 6 band embossed spine with gold gilt; boards show some amount of shelf wear around corners and spine and slight soiling; small sticker inside front board; previous owner's signatures on ffep; strong binding; paper slightly faded and plates clean; contains 190 lithographs of patterns and 10 color lithographs (1 with gold lining); Jules Bourgoin traveled to Damascus in 1875 and came upon 150 plates which he could not acquire but reproduced and elaborated upon; 47 pages of text in French; shelved in Case 7.
Lausanne: Andre Gonin, 1943. First limited edition (#106 of 194 copies); signed by author, artist and editor. Quarto in ivory soft covers with ivory case and black letters on spine; VG/VG; boards with moderate soiling or slight foxing; portfolio contains double folded plates with text in large print (in French) and twenty original pencil lithographs interspersed; all clean; pp. 123; velin paper with deckle edges; in good condition; shelved in Case # 11; please contact us for shipping costs.
A Cologne: chez Pierre Marteau, 1701. Early Fictitious Imprint. 12mo., , 564 pages, ; VG; bound in contemporary acid-washed calf, paneled spine with elaborate gilt, morocco label with gilt titling; board edges with gilt roll; marbled endpapers; cracking to front hinge; scattered and scarce staining to interior; name to title page; index in rear; Title page in red and black, with sphere device; text in French; Volume 1 of 3 only; BJ consignment; shelved case 3.
Paris: Durand Ainé, Marcand D'Estampes, 1832. Quarto, unpaginated; VG; bound in 3/4 red calf, marbled boards; gilt stamping and titling to spine; head and tail both have some glue repair, head with drop of glue showing, chipping to head and tail of spine' some rubbing and wear to binding; bookplate to front pastedown; with 70 beautifully colored plates, some mild foxing, primarily to edges; list of plates bound in rear; MW consignment; shelved case 11.
Norwalk, CT: Easton Press, 1992. Octavos, 11 volumes; VG; bound in fine genuine brown leather with bright gilt spines, black and red labels with gilt titling, and gilt decorative motif on covers; each volume with matching motif; gilt text block; silk endpapers; silk ribbon; shelved above Easton Press.
Paris: Imprimerie Nationale, 1910. first limited edition (No. 82 of 150). thick, large quarto rebound in polished beige leather; VG; gilt frame on boards; six-band embossed gilt spine; boards and spine with light soiling and shelf wear; clean moire flaps with giltd frame inside boards; full size frontispiece and back engravings; text by M. le Comte de Chavagnac, Cataloger commissioned by J.P. Morgan; text and plates on thick parchment paper specially cut in the city of Arches; contains 50 plates in color, covered with inscribed legend on rice paper. with a total of 208 items fully described and organized by regions; dates ranging from 1677 to 1910; collection comprises objects from clocks, to vases, to figurines and tableware; book is in good condition with strong binding and large italic print in very fine French writing; please contact us for shipping costs; shelved case 11.
Émile Bernard. Autograph Letter Signed. "Emile." Two pages in French, 4" x 5.25", [n.p.; n.d.] A letter from Bernard to the French Post-Impressionist artist, painter, art teacher, and art collector, Émile Schuffenecker (1851-1934). Bernard open his letter by asking Schuffenecker why they no longer write to each other. Thinking that he hurt Schuffenecker because of some slight, Bernard admits that he must have appeared harsh when it came to discussing "Jesus the savior," but it was said only because he wished to console him. He proceeds to claim that he shares Schuffenecker's pain and asks forgiveness if he has caused offense, writing, "may God judge this thing at his dazzling tribunal." Bernard closed the letter by claiming that his mother reminded him how kind Schuffenecker had been and how good a person he is, and signed off with "thank you and I am sorry." The letter is accompanied by: 1) ALS. "H. Bernard." Two pages (of a bifolium) in French, with canceled postal cover, 4.5" x 6.75", Paris; February 14, 1895. Letter from Héloïse Henriette Bernard-Bodin (1838/39-1909), Émile Bernard's mother, to Émile Schuffenecker, in which she asks how he is doing and tells him that she is forwarding a letter for him from her son. She mentions the cold weather and hopes that March will bring more gentle days to Colombes [outside of Paris], where they would be very happy to see him. 2) A print of a photograph, 3.5" x 4.5", 1895, of a building in Cairo, Egypt, with writing by Bernard on the verso, noting that "a house on a Cairo street in 1895, indicating that architecture is not yet dead in the Orient." In 1893, Bernard traveled to Egypt and lived in the Middle East for the next ten years. Condition: Good. The letter from Héloïse Henriette Bernard-Bodin has slight rust residue from a paperclip (since removed) at the right hand top of the last page, and what appears to be as light stain on the upper left corner of the last page.
London: Rodwell and Martin, 1822. First edition. Thick quarto in burgundy leather with gold gilt; six-band spine with heavy gilt; VG; moderate shelf wear on boards, mostly around spine and edges; gilt edges; paper sunned with light, occasional foxing or offsetting; text in French; contains an engraving on each page with descriptive paragraphs; shelved in Case # 7; please contact us for shipping costs; SD consignment.
New York: Harry N. Abrams, Inc., 1976. First edition; signed and dedicated to Ambassador Ardeshir Zahedi. Thick, oblong quarto in black cloth hardcovers with red and brown illustrated DJ; spine white with black letters; VG/VG; minimal soiling; strong binding; plates and paper clean; contains 488 plates in black and white as well as double-folded color full pages; short biography and Artist's Credo; on first front end page, large, colorful "Agamograph" and dedication to Ambassador Ardeshir Zahedi, Iranian Ambassador to the U.S. from 1960-62 during the Shah's reign, and again from 1973-79 when the Iranian Revolution started and the Shah fled Iran; second front end page has a large drawing of Ambassador Zahedi with handwritten dedication by Agam; please contact us for shipping costs. Shelved Case 11.
Paris: Chez Desaint & Saillant, Libraires, 1762. First Edition. Octavos, 2 volumes; VG-; bound in contemporary acid-washed calf, paneled gilt spine with two labels and gilt titling; moderate wear and rubbing to boards, cracking to hinges; text block edges red; marbled endpapers; This set is lacking the scarce third volume; ex-library, with labels to tail of spines, bookplates to front paste-downs, blind-stamp to title-pages, possible other markings; BS consignment; shelved case 3.
New York: Doubleday & Company, Inc., 1960. Limited edition (58 copies); signed (#D). Thick, small quarto in burgundy leather with five-band embossed spine and gold letters in cardboard case; bound by hand; VG/VG; moderate shelf wear on spine with slight fraying around edges; front board slightly loosening on top; marbled end pages clean; paper and text clean; three pages have minuscule notches on the edge; pp. 400; abundant illustrations, mostly in black and white, with color at the end; synopsis of each chapter at the end; dedication in French and signature on special page; shelved in Case # 7; please contact us for shipping costs; GP consignment.
Paris: Bachelier, Imprimeur-Libraire, 1847. First Edition. Octavo, xiv, 353 pages, 9 plates; VG; bound in 3/4 brown calf, brown cloth boards, paneled spine with gilt, burgundy label and gilt titling; marbled endpapers; rebacked with spine preserved; wear primarily to head of spine, hinges, corners; top edge of text block gilt, others uncut; bookplate to front pastedown; text in French; MW consignment; shelved case 9.
Bologna: 1830. First Edition. Oversize folio (18" X 12") in dark green cloth hardcovers with tiny gold letters on spine; moderate soiling on boards; 72 engraved plates, each with a letterpress page of explanatory text; paper generally foxed throughout but not affecting plates; please note: preface and title in Italian; all text in French; shelved above Front Case; please contact us for shipping costs.
Amsterdam: J. F. Bernard, 1725. First Edition. Folios, 2 volumes; VG; bound in contemporary full mottled calf, paneled spines with gilt lettering and tooling; some wear to spines, including chipping to heads and tails, rubbing, scuffing, and mild flaking over majority; text blocks red; marbled endpapers; bookplate to front pastedowns; interiors clean; text in French; shelved case 4.
Gettysburg, PA: James Magee, printer, 1802. Rare Gettysburg imprint. 16mo; good+/none; full brown leather with gilt title and panel rulings; new endpapers; ex libris, signature, title-page; all corners and edges, chipping, wear, and some abrasions; text block, clean with foxing, spot staining; and light general age-toning; 272 pp.; small dog-ears with text loss on final pages, 271-272, missing head-edge; spine and boards, creases and scars; else very good; ---CONSIGNMENT. Shelved Case #3.
Paris: 1790. Second Edition. Octavo, 167pp. Hardcover without jacket as issued. Bumping and shelf-wear. Light rubbing to red leather-bound boards. Head-edge gilt. Stamp to front paste down endpaper; offsetting from gilt filigree to both front and rear free endpapers. Mild foxing throughout text. Front hinge cracked. Includes two plates: frontispiece and portrait of La Marquise de Pompadour. Text is in French. Good copy only. Shelve: CASE #7 Spine is red leather with gilt text and five raised bands.
London: Edward Blount & Will Aspley, 1630. Fourth edition in English. Small quarto in dark brown leather; condition: Good; general shelf wear and soiling; open tears and fraying around spine and boards' edges; closed tears and rubbing on boards; end pages creased; copper engraved title page; paper edges dark and dusty; wobbly paper clean and age-toned; text clean, in tight print; pp. 588; this is the fourth of nine editions in English before 1700; shelved in Case # 10; GP consignment.
Paris: Bernard Grasset, 1927. Limited edition (V on Annam paper). 8vo. rebound in brown, sleek leather with gold gilt in brown marbled case; VG; marble satin end pages with gold frame (art Deco binding); deckle edges; text in large print; stamp on back of last end page; pp. 259; in French; shelved in Case # 12; IR consignment.
Paris: Furne, 1830. First edition. Set of 30 small octavos rebound in 1/2 moire and red leather spine with gold gilt and letters; VG; strong binding and moderate shelf wear; moire edges; paper slightly foxed; text clean in small print; each volume contains photogravures and frontispiece; in French; shelved above Civil War section; please contact us for shipping costs.
Paris: Chez Mme Ve Jules Renouard, 1864. Octavo; VG-; black leather 1/4 bound spines with gilt text; raised bands to spines; no jackets; green marbled boards has slight wear to exteriors; mild edge wear; text blocks show slight toning to exterior edges; top edges gilt; deckled fore edges; marbled endpapers; interiors clean; previous owner's bookplate to front pastedowns; text in French; additional shipping may be necessary due to size/weight restrictions for international/expedited orders.
Paris: Editions de la Roseraie, 1927. first limited edition (420 copies on Velin de Rives); signed by Illustrator and Publisher. Large quarto in black and brown hardcovers with beige letters; spine black with no letters; VG; boards with minimal soiling; deckle edges slightly dusty; color illustrations throughout covered with rice paper; text in large print; pp. 215; in French; signatures on end page; this novel inspired the 1935 major motion picture featuring Arletty and Michel Simon; in good condition; shelved in Case # 11; please contact us for shipping costs.
London: Hamish Hamilton, 1954. First Edition, First Printing. Octavo, 275 pages; VG/Fair; spine beige with red lettering; dust jacket protected with a mylar covering, price uncut '15s. net'; dust jacket missing the middle third of the spine, small chips to other parts of spine, tape to head and tail; spine of boards slightly age-toned; spine cocked; top edge of text block red; INSCRIBED on ffep to Don-Tudor Wilkinson, Paris 1954, with his bookplate a the bottom of the page; shelved case 9.
Paris: Akademische Druck- und Verlagsanstalt, Graz, 1976. Facsimile Edition. folio, 138 fol. [276pp.]; VG; bound in suede covers, paneled spine with no lettering; housed in original cardboard box; minimal shelfwear; lacking companion volume; facsimile of the Manuscrit Français 616, der Bibliothèque Nationale, Paris; shelved Case 11.
Londres [i.e. Paris?]: 1779. Octavo, , 182 pages; VG; bound in period red morocco, rebacked with paneled gilt spine preserved; some wear to boards; text bock gilt; marbled endpapers; front pastedown with two bookplates and an old catalogue description; With a half-title and an additional engraved titlepage; illustrated with 29 plates inset, including the 'petits pieds' plate; The imprint is false; probably printed in Paris.; shelved case 3.
London: printed for Henry Rhodes at the Star, 1695. First English Edition. Octavo, , 228, 260 pages,  ads; VG; bound in early gilt morocco, rebacked with a marching paneled gilt spine; headband slightly loose; bookplate to front pastedown; all edges of text block gilt; title page with archival repair to top edge, having been trimmed, open tear to lower fore edge, lower fore corner with a chip missing; pages 97-112 with hand-corrected page numbers; some soiling and wear to pages; pages 115/116 and 117/118 with minor archival repair. Early hand wrote 'Hot' on page 1, above 'Amours,' Use of Hot as "full of sexual desire, lustful" dates to c. 1500, while the sense of "inciting desire" is c. 1800. MW consignment; shelved case 3.
Paris: Demoraine et Compagnie, 1824. First Edition. 32mo., 128 pages; VG-; bound in publisher's red long-grained morocco, smooth spine with gilt tooling, no title, fillet and dentelle border on covers; dull gilt to all edges; rear two gatherings uncut; gutters loosely attached; text in French; Illustrated with 3 maps bound in front, "Plan de Paris et de ses Faubourgs", "La France et les Etats voisins", and "l'Europe divisées en ses principales parties", some mild wear to maps, two tears along folds; SP consignment; shelved case 3.
Le Sycomore, 1984. First Limited Edition (#176 of 500). Oblong folio in black cloth with black and white DJ in brodart; VG/VG; white letters on spine; DJ has some closed tears around edges, protected by brodart; strong binding; paper and text clean; pp. 301; author's signature and dedication on last front end page; very scarce; contains chapters on the uses of light in cinematography and in the arts, as well as philosophical and artistic descriptions of the role of light in photography; some full size pages in color; long, beautiful quote from Alain Robbe-Grillet inside front cover; in French; shelved case 11; please contact us for shipping costs.
Paris: Chez Jombert, 1752. Fourth Edition. Quarto; (12), 448, (12) pp. Contemporary full calf, gilt decoration on spine, five raised bands, leather spine label. With 37 full-page engravings. Boards rubbed; heavily rubbed at corners; spine label mostly lacking; old tideline from water stain on endpapers and first and last few pages of text. Good solid copy. Shelved in Case #3.
Philadelphia: Carey and Hart, 1842. First American Edition. Five Octavos; VG-; Blue cloth boards and spine with gilt lettering; General edge wear, bumping to the corners; All spines are faded; Bindings are strong; Text block is foxed, mostly at or near the edges, some interiors affected; End papers foxed; Four volumes of text and one volume of 55 black and white plates; Please contact us for international or expedited shipping; DS Consignment; Shelved above Nature.
Paris: L'Edition d'Art, 1927. First limited edition (#271 of 775). Octavo in green soft covers with gold and red lettering in brown case; condition: Good; case sides detached; covers are separated; first front end page loose; printed on parchment paper with deckle edges; series of pages bound with tape; pp. 135; filled with gold and color illustrations and decoration by Boris Zworykine; in French; shelved in Case 0.
Paris: ; J. Hetzel et Cie. Bibliotheque d'Education et de Recreation, 1867. 4to., 467pp., 220pp.; VG-; 1/4 bound, red leather spine with gilt lettering, marbled boards, endpapers; rebound; mild shelfwear, primarily to board edges and corners; two volumes bound together, pagination not continuous; moderate foxing throughout; Voyage au centre de la Terre has a separate half-title and title page; Voyages et aventures du capitaine Hatteras has the frontispiece; text in French; shelved case 8.
Paris: chez Monsieur Thuret. Set of plates rebound in black hardcovers with 5-band spine with gold gilt; VG; some shelf wear around spine and general fraying around edges; open gutters front and back not detrimental to binding; paper is age-toned, sightly stained with some offsetting on back of plates; contains 42 double sided plates; scarce; shelved in Case 11; please contact us for shipping costs.
Paris: Chez Poncelin, 1801. 12mos., 11 volumes; VG; bound in full brown calf, paneled spines with gilt tooling and lettering; all edges of text blocks gilt; marbled endpapers; blue ribbon in each volume; each volume with title page, half-title, illustrated title page, and numerous copper engravings; light wear to bindings; some mild age-toning; text in French; shelved case 0.
Paris, France: La Société Pour L'Étude de la Gravure Française, 1922, 1929. First Edition. Refers to all three volumes unless otherwise noted: Quarto; VG/no-DJ paperback; Blue spine with black text; Covers clean with varying degrees of wear and fraying at edges of spine [Tail edge of Vol 2. is nearly worn to the binding], covers protected by glassine covered wrappers [Vol 1.'s wrapping has come loose, there are several dark marks on the front cover, also on the front cover there is an open tear at the head of the spine, and a smaller open tear at the tail of the spine, as well as a open scratch in the glassine close to the fore edge; Vol 2. has a large open tear at the tail of the spine exposing the cover to damage, as well as a few nicks here and there along the edges; Vol 3. has small open tear at the head and tail of the spine but is otherwise intact; Textblocks darkened by age, otherwise clean, edges deckled, [Vol 1. Front free-end paper connected at top edge to following page, top edge uncut flypapers at end of textblock, as well as stray pencil markings; Vol 2. tear at top of back free-end paper; Vol 3. nearly every set of pages is uncut along the top edge] ; pp Vol 1. 289; Vol 2. 172; Vol 3. 152. French Art, Shelved Front Table.
Amsterdam: Elzevier, 1655. First edition. 12mo in vellum with flattened corners; VG; moderate soiling or shelf wear and strong binding; ex-libris plate on second front page; pencil and ink inscriptions on back of front board and first end page; dusty edges; clean text in very tight print; two volumes in one book; scarce; this book was published in English in 1656 as "Men before Adam" and burned in public in Paris before La Peyrere recanted and converted to Catholicism; contains a folded map of the Holy Land, in very good condition; shelved in Case # 3; VK consignment.
Paris: Devambez, 1923. First limited edition (#284 of 535); with engravings by Pierre Brissaud. Octavo in silky pale blue soft covers with black illustration and letters in beige case; VG; black letters on spine; VG/VG; case sturdy and clean; covers with moderate soiling and slight discoloration on spine; off-setting from sticker inside front page; binding loosening with some open gutters; minor penciled marginalia; 8 colored engravings protected with rice paper; pp. 289; shelved in Case # 12.
Paris: Gallimard, 1963. Limited Edition, #123/200. oblong 4to., 135pp., ; VG; housed in a buckram slipcase with black lettering; case has some mild wear, as usual; loose in original wrappers as issued, withing a cream folder; contains an extra copy of page 16, with plate III; SIGNED on limitation page my A. Krol, #123/200, one of the ones on paper de Rives, with proper watermark; INSCRIBED on half-title page by A. Krol, dated January 1966, Paris; text in French; shelved case 11.
Lausanne: Andre Gonin, 1943. Limited Edition, #159/174. 136 pages plus indices. Text in French. Small folio, loose-bound in salmon-colored wraps with black title and device on front, housed in a protective outer cover of paper-covered cloth boards with a gilt title on the spine. Included are 21 original engravings, 11 of which are full-page. The volume is signed by the engraver and the publisher (André Gonin), and is a limited edition (edition number 159/174). Condition: Very Good. There is some loss of paper covering at the joints of the outer cover, along with water staining at bottom left and general light marking and discoloration. The inner wraps have a 1 ¼ in. split to the bottom front joint and very minor wear to the corners and the head of the spine. The text block shows light age-toning and some foxing to pages, especially at the fore-edges. Dimensions 11.125 x 15 x 1.25 inches Shelved case 11.