[Rouen]: [n.p.], 1707. First Edition, First Issue. Quarto, , 204,  pages; VG; Bound in contemporary calf, spine gilt with raised bands, gilding faded and a bit rubbed, inner hinge front cover cracked but binding solid. Large folding table, "Formulaire qui peut servir pour tout un pays", at page 192.; Extremely Rare First Edition, First Issue, with B4 in an uncancelled state, on p. 16, a setier is given as weighing 170, rather than 240 pounds, "...le septier pesant net cent soixante & dix livres..."; In Le Projet d’une dixme royale (“Project for a Royal Tithe”), one of the 18th century’s most important writings on political reform, Sébastien Le Prestre de Vauban (1633-1707) suggested replacing existing taxes, which were unfair and offered limited yield, with a 10% income tax on all land and trade from which no one should be exempt. He substantiated his arguments with a mass of statistical documentation practically unprecedented and, in doing so, pioneered the use of statistics in economics. The idea, which occurred to Vauban as he made observations on his constant travels throughout the kingdom, was intended to help France overcome an economic crisis and keep its rank as a great power. As the situation worsened, in 1706 Vauban had his book secretly printed in François Maurry’s Rouen press and gave his entourage the first copies, bound in Paris at the widow Fétil’s. The French government, too deeply committed to the system of tax farming (i.e., selling the right to collect taxes to groups of financiers for a fixed sum), was reluctant and even unable to revoke the exemptions of the privileged classes. Their dependence on them, and lacking interest in fundamental reforms, led to the government suppressing the publication of his book. On February 14, 1707 the Privy Council ordered the destruction of all the copies, which had been published without permission. The ailing Vauban did not survive the affair, dying on March 30th. Subsequent searches of his home failed to turn up any other copies.; According to Boislisle, the first edition was printed in Rouen in 1706 at the initiative of the Abbé de Beaumont (who is actually credited with the authorship of the work by Boisguilbert). Vauban had the sheets bound by the widow of a certain Fétil, and took great pains that the book did not have any public circulation. It was prohibited on 14 February 1707, but apparently the police were only able to seize two copies. To the police, the binder declared she had had 264 copies in total, 12 bound in morocco, the rest in calf. The two copies seized at the Abbé de Beaumont's were described as in 'veau fauve' and marbled parchment. See Arthur Michel de Boislisle, La Proscription du projet de Dime Royale et la mort de Vauban (Mémoire lu à l'Académie des sciences morales et politiques), Paris, 1875.; A notable rarity, of 'an erudite economic work much in advance of its time, and distinguished both by accuracy of method and breadth of view' (Palgrave), 'creditable alike to the heart and the head of its illustrious author' (McCulloch). 'Though the book was published anonymously, and only a few copies issued (for circulation among friends), Vauban had to submit to the mortification of seeing it 'pilloried' by the parliament, while he himself incurred the displeasure of the king (Louis XIV).' (Palgrave).; The copy of the author himself contained four pages of manuscript in which statements were to be found which could not be printed and in which Vauban, among other things, clearly distinguishes between nobles which have earned their title and position by their actions, whether by their ancestors and by themselves and are an honour to the State, and those who have purchased their titles and are of no use at all to the State. [Les Collections Aristophil].; The Projet d'une Dixme Royale is an outstanding work in the field of public finance. Its two most notable features are its understanding of the central role of fiscal policy in economic reform - the result of an exceptionally comprehensive grasp of the economic process - and its use of detailed numerical data to substantiate conclusions. Schumpeter called the work 'unsurpassed, before or after, in the neatness and cogency of the argument . Purposeful marshalling of all the available data was the essence of his analysis. Nobody ever understood better the true relation between facts and argument. It is this that makes him an economic classis in the eulogistic sense of the work, and a forerunner of modern tendencies' (Schumpeter, History of Economic analysis, p. 204).; BH consignment; shelved case 3.
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circa 1915-1947. The following original draft drawings and paintings by Marco Montedoro are being offered as a collection. They include original graphite, pen and ink, and watercolor paintings on paper and artist's board spanning the career of Marco Montedoro as a set and costume designer. The archive is a comprehensive representation of his professional career in Europe and the United States. Before he died, Montedoro gave his collection to his close friend Hella Arensen (ne Aronson), a German Jewish newspaper artist who emigrated from pre-war Nazi Germany to New York. Since Montedoro's death, the collection has remained in the Aronson family. Most images are signed by Montedoro, with an average size of 11" x 14", and are in varying condition. A full photographic gallery of this collection is available upon request. Montedoro's family of musicians considered him a child prodigy and sent him in his teens to Paris to study drawing and painting. He worked as an artist in Paris until 1913, when he became the artistic director of the Berlin Metropole. During WWI, he designed posters for Italian theaters and cinemas. Following the war, Montedoro returned to Paris to design costumes for the Palace, Ambassadeurs, Moulin Rouge, and Folies Bergère, including a 1927 sow featuring Josephine Baker. During this period he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, Montedoro worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's genius is featured om Angelo Luerti's 2006 book 'Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940.
London: printed [by William Stansby] for Walter Burre [and are to be sold at his shop in Paules Church-yard at the signe of the Crane], 1614. First Edition. Folio; G+; bound in early diced brown calf, newly rebacked with new spine and corners, paneled with gilt lettering; housed in a custom brown buckram covered clamshell; With the Poem and the engraved title page. Both have been trimmed and inlaid, possibly having been married to this copy from another.; With 5 folding maps, Lacking 3 maps: the Arabian Desert (pages 414/415), Troy (452/453), and Troy (454/455). Maps trimmed incredibly close, with map of the Middle East impacted just slightly.; Lacking blank leaf 3K4 and terminal blank 7C6; 4G3r has the woodcut initial hand-colored, with the color bleeding over to the facing page; with the Errata leaf at the end; Printer’s name and bookseller’s address from colophon.; "The first part of the historie of the vvorld .. The third booke" (caption title) begins new pagination on 4A1r.; LD consignment; shelved case 4.
London: Messrs. Boydell and Company, 1777. First edition;. Thick, tall folios in 3/4 brown marble and red leather; six-band embossed spine with heavy gilt; VG/VG-; boards show some shelf wear around edges, with small tearing along spine length and corners; open gutter in front, but binding strong; both frontispiece portraits detached from spine; gilt edges; slight fading; all prints in good condition with clear legends; Vol. I contains Claude Lorrain’s biography by John Boydell, and 100 prints; Vol. II contains 120 prints; this is part of the mature works by Le Lorrain; in this work (Book of Truth), the names of the purchaser was written on the back of the drawings to guard against copying; it constitutes a major work in the reproduction of master drawings in the form of a catalog raisonne; please note that Vol. III is lacking, since it was published individually at a later date; shelved above case 2. due to size of the item, please contact us for shipping costs.
Amsterdam: Chez George Gallet, 1703. First Illustrated French Edition. folio, , 556 pages, ; VG; 3/4 bound with brown leather spine, black leather label with gilt lettering, marbled boards; newly repaired, with new spine, previous marbled boards preserved; rubbing and shelfwear to boards, edges worn; mild foxing throughout; half-title and engraved frontispiece; small pen writing in upper fore corner of title page; complete collation, A4-Z4, Aa4-Zz4, Aaa4-Zzz4, Aaaa4; with 16 folding plates, 16 single plates, 39 black and white plates embedded within text, and 3 color plates embedded within text; plate 1 is folded in such a way that it slightly sticks out the fore edge, and as such the vertical crease is torn along the lower half; full title continues: et de quelques autres adjacentes ; dont les principales sont Chypre, Rhodes, Candie, Samos, Chio, Negrepont, Lemnos, Paros, Delos, Patmos, avec un grand nombre d'autres. Comprenant leurs noms, leur situation, leurs villes, leurs châteaux, l'histoire tant ancienne que moderne de leurs habitants ; leur gouvernement, les révolutions qui y sont arrivés, les plantes, animaux, &c. qui s'y trouvent.; shelved case 4.
Paris: Firmin-Didot, 1879. First Edition. Large quarto in 3/4 brown marble with burgundy leather; VG; 6 band embossed spine with gold gilt; boards show some amount of shelf wear around corners and spine and slight soiling; small sticker inside front board; previous owner's signatures on ffep; strong binding; paper slightly faded and plates clean; contains 190 lithographs of patterns and 10 color lithographs (1 with gold lining); Jules Bourgoin traveled to Damascus in 1875 and came upon 150 plates which he could not acquire but reproduced and elaborated upon; 47 pages of text in French; shelved in Case 7.
New York: Book League of the Jewish Peoples Fraternal Order, IWO, 1945. First Edition. Small octavo in dark burgundy cloth with gold letters; VG; front and back gutter slightly open, but binding strong; boards with minimal soiling; edges and paper age-toned; text clean; pp. 167 had a small tear repaired with tape, now discolored with slight offsetting on p. 168; pp. 252; includes 36 line drawings by Mr. Chagall, and his pen inscription in Yiddish on the first front end page; the book depicts in a humorous way Mr. Chagall and his wife's childhood in Russia where they grew up in a small market town; in Hebrew; very scarce; shelved in Case 3.
Paris: Chez Desaint, David, Durand, 1757. Second Edition. Octavos, 6 volumes; VG; bound in full brown leather, spines paneled with gilt tooling, two compartments with gilt text; double rule with roll to boards; some shelfwear and rubbing; marbled endpapers; text block red; with 4 maps and 3 plans, volume 1 with folding map #1, volume 2 with folding plan #2, volume 3 with folding map #3, volume 4 with folding map #4, volume 5 with no plates, volume 6 with folding map 5, folding map #6, and folding plan #7, all in excellent condition; slight age-toning to pages; shelved case 9.
New York: Johnson and Ward, 1862. Folio, 99 pages, 64 lithographed maps; G; bound in original publisher's three-quarters calf with embossed green cloth covers, titling in gilt on front cover and spine, marbled endpapers; front gutter partially open; most maps with light foxing; hand-colored plates; shelved above case 3.
Philadelphia: S. Augustus Mitchell, 1871. Folio, unpaginated; VG-; newly rebacked with brown cloth, majority of original front board cloth preserved, including gilt titling; spine with black label, gilt titling; water-damage to upper half of the volume, more pronounced on the first 5 pages, impacts mags, but does not affect coloring; With 67 hand-colored maps (plus insets) on 56 mapsheets (including 9 double-page), plus time table page, reference table, and appendices; shelved above case 3.
Paris: Charles Antoine Jombert, 1751. First Edition. Tall, thick quarto in brown leather with 7-band embossed spine with gold gilt; VG; moderate soiling on boards and strong binding; title page missing; some staining on first pages; one over large plate has a large cut; all other plates in good condition; this is volume II of III; 268 plates total; in French; shelved in Case 4; please contact us for shipping costs.
Lausanne: Andre Gonin, 1943. First limited edition (#106 of 194 copies); signed by author, artist and editor. Quarto in ivory soft covers with ivory case and black letters on spine; VG/VG; boards with moderate soiling or slight foxing; portfolio contains double folded plates with text in large print (in French) and twenty original pencil lithographs interspersed; all clean; pp. 123; velin paper with deckle edges; in good condition; shelved in Case # 11; please contact us for shipping costs.
Paris: Imprimerie Nationale, 1910. first limited edition (No. 82 of 150). thick, large quarto rebound in polished beige leather; VG; gilt frame on boards; six-band embossed gilt spine; boards and spine with light soiling and shelf wear; clean moire flaps with giltd frame inside boards; full size frontispiece and back engravings; text by M. le Comte de Chavagnac, Cataloger commissioned by J.P. Morgan; text and plates on thick parchment paper specially cut in the city of Arches; contains 50 plates in color, covered with inscribed legend on rice paper. with a total of 208 items fully described and organized by regions; dates ranging from 1677 to 1910; collection comprises objects from clocks, to vases, to figurines and tableware; book is in good condition with strong binding and large italic print in very fine French writing; please contact us for shipping costs; shelved case 11.
Paris: Alphonse Leclere, 1861. first edition. Small octavo in dark brown leatherette with framed gold gilt; in good condition; 6-band embossed spine with small, open tears along edges; binding strong; ornate end pages; gilt edges; paper slightly faded; text clean; tight print; slight musty odor; pp. 219; contains 33 letters addressed from uncle to nephew, and 39 plates of colored engravings in very good condition; in FRENCH; shelved in Case # 4.
Brussels: G. Van Oest & Cie. 1911. limited edition (300 copies). 15 X 11 in. portfolio case in raised half-calf with red letters; VG; limited edition contains 100 plates of engravings including two portraits of J. Callot; boards with moderate soiling; slight fraying around spine edges; inside moire foxed and discolored with ex-libris plate in front; includes 31 pages of text (in French) followed by plates and portraits; plates discolored but all clean and in good condition; Jacques Callot was an important French printmaker with a strong influence on old master print; please contact us for shipping costs; shelved above Case # 2.
London: Rodwell and Martin, 1822. First edition. Thick quarto in burgundy leather with gold gilt; six-band spine with heavy gilt; VG; moderate shelf wear on boards, mostly around spine and edges; gilt edges; paper sunned with light, occasional foxing or offsetting; text in French; contains an engraving on each page with descriptive paragraphs; shelved in Case # 7; please contact us for shipping costs; SD consignment.
Paris: Francois Huby, 1613. First Edition. Thick 12mo in discolored vellum; G; substantial shelf wear on covers with large open tear on spine, binding still strong but loosening; engraving title page stained and brittle; paper wobbly with general offsetting and slight foxing; previous owner's ex-libris inscription on back page; pp. 850; text in French with no marks; scarce, early edition of this work; shelved in Case 3; GP consignment.
New York: Doubleday & Company, Inc., 1960. Limited edition (58 copies); signed (#D). Thick, small quarto in burgundy leather with five-band embossed spine and gold letters in cardboard case; bound by hand; VG/VG; moderate shelf wear on spine with slight fraying around edges; front board slightly loosening on top; marbled end pages clean; paper and text clean; three pages have minuscule notches on the edge; pp. 400; abundant illustrations, mostly in black and white, with color at the end; synopsis of each chapter at the end; dedication in French and signature on special page; shelved in Case # 7; please contact us for shipping costs; GP consignment.
Paris: Akademische Druck- und Verlagsanstalt, Graz, 1976. Facsimile Edition. folio, 138 fol. [276pp.]; VG; bound in suede covers, paneled spine with no lettering; housed in original cardboard box; minimal shelfwear; lacking companion volume; facsimile of the Manuscrit Français 616, der Bibliothèque Nationale, Paris; shelved Case 11.
New York: Harry N. Abrams, Inc., 1976. First edition; signed and dedicated to Ambassador Ardeshir Zahedi. Thick, oblong quarto in black cloth hardcovers with red and brown illustrated DJ; spine white with black letters; VG/VG; minimal soiling; strong binding; plates and paper clean; contains 488 plates in black and white as well as double-folded color full pages; short biography and Artist's Credo; on first front end page, large, colorful "Agamograph" and dedication to Ambassador Ardeshir Zahedi, Iranian Ambassador to the U.S. from 1960-62 during the Shah's reign, and again from 1973-79 when the Iranian Revolution started and the Shah fled Iran; second front end page has a large drawing of Ambassador Zahedi with handwritten dedication by Agam; please contact us for shipping costs. Shelved Case 11.
Gütersloh: Editions Prisma/Sigbert Mohn Verlag, 1963. First French Edition. 4to., unpaginated, VG/VG-; DJ, spine white with red lettering (faded pink, text legible), black and white pictorial front cover with red lettering; shelfwear to DJ, particularly to head and tail of spine, edges, and corners; scuffing to covers of DJ, particularly to bottom of back cover; two tears to back cover of DJ, no material loss; DJ protected by mylar; gray cloth boards, red lettering to spine; virtually no shelfwear to boards, light scratching to fore-edge of text-block; boards slightly cocked, binding strong; contains many black and white portraits by Ray, including many famous persons; INSCRIBED by Ray to half-title page; text in French; occasional creasing to leaves, very mild age-toning to margins of interior, text clear and bright; shelved Case 11.
Amsterdam: J. F. Bernard, 1725. First Edition. Folios, 2 volumes; VG; bound in contemporary full mottled calf, paneled spines with gilt lettering and tooling; some wear to spines, including chipping to heads and tails, rubbing, scuffing, and mild flaking over majority; text blocks red; marbled endpapers; bookplate to front pastedowns; interiors clean; text in French; shelved case 4.
London: Hamish Hamilton, 1954. First Edition, First Printing. Octavo, 275 pages; VG/Fair; spine beige with red lettering; dust jacket protected with a mylar covering, price uncut '15s. net'; dust jacket missing the middle third of the spine, small chips to other parts of spine, tape to head and tail; spine of boards slightly age-toned; spine cocked; top edge of text block red; INSCRIBED on ffep to Don-Tudor Wilkinson, Paris 1954, with his bookplate a the bottom of the page; shelved case 9.
Gettysburg, PA: James Magee, printer, 1802. Rare Gettysburg imprint. 16mo; good+/none; full brown leather with gilt title and panel rulings; new endpapers; ex libris, signature, title-page; all corners and edges, chipping, wear, and some abrasions; text block, clean with foxing, spot staining; and light general age-toning; 272 pp.; small dog-ears with text loss on final pages, 271-272, missing head-edge; spine and boards, creases and scars; else very good; ---CONSIGNMENT. Shelved Case #3.
Zurich: W. Boesiger et O. Stonorov, 1948. Fifth edition. Oblong, thin quartos in beige cloth hardcovers with embossed letters in different colors; VG; moderate soiling and slight discoloration on boards; paper slightly faded and foxed; text clean, in French; clean photographs, in black and white; edges dusty and foxed; one volume has a few pages detaching; two volumes in German and French; shelved above French section; please contact us for shipping costs.
Paris: Bachelier, Imprimeur-Libraire, 1847. First Edition. Octavo, xiv, 353 pages, 9 plates; VG; bound in 3/4 brown calf, brown cloth boards, paneled spine with gilt, burgundy label and gilt titling; marbled endpapers; hinges beginning to separate, wear primarily to head of spine, hinges, corners; top edge of text block gilt, others uncut; bookplate to front pastedown; text in French; MW consignment;.
Bologna: 1830. first edition. Oversize folio (18" X 12") in dark green hardcovers with tiny gold letters on spine; moderate soiling on boards; paper generally foxed throughout but not affecting plates; please note: preface and title in Italian; all text in French; shelved above Front Case; please contact us for shipping costs.
Paris: Librairie Hachette, 1890. Folio; vg+/none; burgundy cloth spine with gilt lettering on brown labels; half-bound w/French swirls; minor shelf wear and bumping; text block, clean; unpaginated; 40 plates; 167 items; [64 pp.]; deckle; spine and boards, flaking; edges, minor chipping, moderate bump to fore-edge; else very good. Text in French. Shelved Above Case 0.
Paris: ; J. Hetzel et Cie. Bibliotheque d'Education et de Recreation, 1867. 4to., 467pp., 220pp.; VG-; 1/4 bound, red leather spine with gilt lettering, marbled boards, endpapers; rebound; mild shelfwear, primarily to board edges and corners; two volumes bound together, pagination not continuous; moderate foxing throughout; Voyage au centre de la Terre has a separate half-title and title page; Voyages et aventures du capitaine Hatteras has the frontispiece; text in French; shelved case 8.
Paris: 1790. Second Edition. Octavo, 167pp. Hardcover without jacket as issued. Bumping and shelf-wear. Light rubbing to red leather-bound boards. Head-edge gilt. Stamp to front paste down endpaper; offsetting from gilt filigree to both front and rear free endpapers. Mild foxing throughout text. Front hinge cracked. Includes two plates: frontispiece and portrait of La Marquise de Pompadour. Text is in French. Good copy only. Shelve: CASE #7 Spine is red leather with gilt text and five raised bands.
New York: Congdon & Weed, Inc., 1985. First Edition, First Printing. Octavo, 256 pages; VG/VG; spine pictorial with white and beige lettering; dust jacket protected with a mylar covering, price uncut '$16.95'; slight speckling to top edge of text block; SIGNED flat on title page as 'Bill Bryson'; extremely scarce signed; shelved case 9.
London: Edward Blount & Will Aspley, 1630. Fourth edition in English. Small quarto in dark brown leather; condition: Good; general shelf wear and soiling; open tears and fraying around spine and boards' edges; closed tears and rubbing on boards; end pages creased; copper engraved title page; paper edges dark and dusty; wobbly paper clean and age-toned; text clean, in tight print; pp. 588; this is the fourth of nine editions in English before 1700; shelved in Case # 10; GP consignment.
Paris: Bernard Grasset, 1927. Limited edition (V on Annam paper). 8vo. rebound in brown, sleek leather with gold gilt in brown marbled case; VG; marble satin end pages with gold frame (art Deco binding); deckle edges; text in large print; stamp on back of last end page; pp. 259; in French; shelved in Case # 12; IR consignment.
Paris: Furne, 1830. First edition. Set of 30 small octavos rebound in 1/2 moire and red leather spine with gold gilt and letters; VG; strong binding and moderate shelf wear; moire edges; paper slightly foxed; text clean in small print; each volume contains photogravures and frontispiece; in French; shelved above Civil War section; please contact us for shipping costs.
Paris: Chez Mme Ve Jules Renouard, 1864. Octavo; VG-; black leather 1/4 bound spines with gilt text; raised bands to spines; no jackets; green marbled boards has slight wear to exteriors; mild edge wear; text blocks show slight toning to exterior edges; top edges gilt; deckled fore edges; marbled endpapers; interiors clean; previous owner's bookplate to front pastedowns; text in French; additional shipping may be necessary due to size/weight restrictions for international/expedited orders.
Paris: Andre Cailleau, 1717. First Edition. Narrow duodecimo in original dark brown leather boards; VG/G; six-band embossed spine rebound in dark brown leatherette with burgundy frame and gold letters and gilt; original boards with shelf wear around edges and tiny indentations; binding strong due to rebound spine; boards' interiors soiled; ex-libris stamps and inscriptions on title page; paper faded and slightly foxed; text clean and very readable with occasional smaller print; edges very dusty; few full page engravings; one folded map of Mont Carmel and Caifa; contains a description of Arabia, Mecca, Sanaa, Oman and Bahrain; this journey was commissioned by King Louis XIV for Monsignor Rouille, Finance Minister; in FRENCH; app. 350 pages; shelved in Case 9.
Paris: L'Edition d'Art, 1927. First limited edition (#271 of 775). Octavo in green soft covers with gold and red lettering in brown case; condition: Good; case sides detached; covers are separated; first front end page loose; printed on parchment paper with deckle edges; series of pages bound with tape; pp. 135; filled with gold and color illustrations and decoration by Boris Zworykine; in French; shelved in Case 0.
Paris: Editions de la Roseraie, 1927. first limited edition (420 copies on Velin de Rives); signed by Illustrator and Publisher. Large quarto in black and brown hardcovers with beige letters; spine black with no letters; VG; boards with minimal soiling; deckle edges slightly dusty; color illustrations throughout covered with rice paper; text in large print; pp. 215; in French; signatures on end page; this novel inspired the 1935 major motion picture featuring Arletty and Michel Simon; in good condition; shelved in Case # 11; please contact us for shipping costs.
Paris: Chez Poncelin, 1801. 12mos., 11 volumes; VG; bound in full brown calf, paneled spines with gilt tooling and lettering; all edges of text blocks gilt; marbled endpapers; blue ribbon in each volume; each volume with title page, half-title, illustrated title page, and numerous copper engravings; light wear to bindings; some mild age-toning; text in French; shelved case 0.
London: printed for Henry Rhodes at the Star, 1695. First English Edition. Octavo, , 228, 260 pages,  ads; VG; bound in early gilt morocco, rebacked with a marching paneled gilt spine; headband slightly loose; bookplate to front pastedown; all edges of text block gilt; title page with archival repair to top edge, having been trimmed, open tear to lower fore edge, lower fore corner with a chip missing; pages 97-112 with hand-corrected page numbers; some soiling and wear to pages; pages 115/116 and 117/118 with minor archival repair. Early hand wrote 'Hot' on page 1, above 'Amours,' Use of Hot as "full of sexual desire, lustful" dates to c. 1500, while the sense of "inciting desire" is c. 1800. MW consignment; shelved case 3.
Paris: Demoraine et Compagnie, 1824. First Edition. 32mo., 128 pages; VG-; bound in publisher's red long-grained morocco, smooth spine with gilt tooling, no title, fillet and dentelle border on covers; dull gilt to all edges; rear two gatherings uncut; gutters loosely attached; text in French; Illustrated with 3 maps bound in front, "Plan de Paris et de ses Faubourgs", "La France et les Etats voisins", and "l'Europe divisées en ses principales parties", some mild wear to maps, two tears along folds; SP consignment; shelved case 3.
Le Sycomore, 1984. First Limited Edition (#176 of 500). Oblong folio in black cloth with black and white DJ in brodart; VG/VG; white letters on spine; DJ has some closed tears around edges, protected by brodart; strong binding; paper and text clean; pp. 301; author's signature and dedication on last front end page; very scarce; contains chapters on the uses of light in cinematography and in the arts, as well as philosophical and artistic descriptions of the role of light in photography; some full size pages in color; long, beautiful quote from Alain Robbe-Grillet inside front cover; in French; shelved case 11; please contact us for shipping costs.
Philadelphia: Carey and Hart, 1842. First American Edition. Five Octavos; VG-; Blue cloth boards and spine with gilt lettering; General edge wear, bumping to the corners; All spines are faded; Bindings are strong; Text block is foxed, mostly at or near the edges, some interiors affected; End papers foxed; Four volumes of text and one volume of 55 black and white plates; Please contact us for international or expedited shipping; DS Consignment; Shelved above Nature.
Paris: chez Monsieur Thuret. Set of plates rebound in black hardcovers with 5-band spine with gold gilt; VG; some shelf wear around spine and general fraying around edges; open gutters front and back not detrimental to binding; paper is age-toned, sightly stained with some offsetting on back of plates; contains 42 double sided plates; scarce; shelved in Case 11; please contact us for shipping costs.
Amsterdam: Elzevier, 1655. First edition. 12mo in vellum with flattened corners; VG; moderate soiling or shelf wear and strong binding; ex-libris plate on second front page; pencil and ink inscriptions on back of front board and first end page; dusty edges; clean text in very tight print; two volumes in one book; scarce; this book was published in English in 1656 as "Men before Adam" and burned in public in Paris before La Peyrere recanted and converted to Catholicism; contains a folded map of the Holy Land, in very good condition; shelved in Case # 3; VK consignment.
Paris: Devambez, 1923. First limited edition (#284 of 535); with engravings by Pierre Brissaud. Octavo in silky pale blue soft covers with black illustration and letters in beige case; VG; black letters on spine; VG/VG; case sturdy and clean; covers with moderate soiling and slight discoloration on spine; off-setting from sticker inside front page; binding loosening with some open gutters; minor penciled marginalia; 8 colored engravings protected with rice paper; pp. 289; shelved in Case # 12.
Paris: Gallimard, 1963. Limited Edition, #123/200. oblong 4to., 135pp., ; VG; housed in a buckram slipcase with black lettering; case has some mild wear, as usual; loose in original wrappers as issued, withing a cream folder; contains an extra copy of page 16, with plate III; SIGNED on limitation page my A. Krol, #123/200, one of the ones on paper de Rives, with proper watermark; INSCRIBED on half-title page by A. Krol, dated January 1966, Paris; text in French; shelved case 11.
Paris: Chez Pillet et Chez Arthus Bertrand, 1818-1820. Third Edition. Octavo; 7 volumes - volume 1: lxxx, 402 pages,  ads, volume 2: 552, volume 3: 464, volume 4: 512, volume 5: 468, volume 6: 475, volume 7: 472; Fair; full title - De La Chine, ou Description Generale de Cet Empire, Redigee D'Apres Les Memoires De La Mission De Pe-Kin; bound in original paper wraps, sun faded beige labels to spines with black lettering; severe wear and rubbing to spines, cracking at spines to all volumes, volumes 1, 2, 4, 5 are detached or nearly detached at binding, some slight moisture staining to fore edges of first few pages of volumes 1 and 5, slight moisture staining to rear of volumes 4, 6 and 7; French text; additional shipping may be necessary due to size/weight restrictions for international/expedited orders.
Lugduni Batavorum (Leiden): Elzevier, 1629. 32mo in contemporary vellum boards. Light wear and staining to boards, binding in excellent condition excepting rear end paper, which is coming loose, front and rear free end papers worn at edges, pages lightly age-toned, some scattered foxing, previous owner's name in ink on front free end paper and below frontispiece, else text free from marking. 507 pp. + 12 pg. index. [Shelved Case 3 with vellum books].
Paris: Mallet-Bachelier, 1863. Second Edition. 8vo., 170  pages; VG; spine green leather with gilt lettering; 3/4 bound, with some repair, marbled boards preserved, new cloth spine and corners, previous thin spine preserved and on top of spine; not a recent repair, with moderate wear to cloth; with two title pages, the first in a burnt orange color; small bookplate on front pastedown; mild foxing; text in French; shelved case 10.