1935. Anonymous political cartoon from 1935. Matted and framed (19 3/4" x 22 1/8") with drawing measuring 15" x 17" (paper has slightly dislodged from matting). Frame in very good condition; drawing has mild age toning and two spots (about 2" from top edge) with written notes along the bottom edge and caption reading, "What short memories some folks have." More

African Music Society, 1950. Octavo; vg-/wraps; saddle stitched, light blue/green spine; moderate shelf wear and bumping, light soiling to wrap, light toning to text block, text block clean; 48 pp; else very good. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #1. More

The African Music Society, 1952. Octavo; vg-/wraps; light blue spine with no text; minor shelf wear and bumping, light toning to wrap, text block clean; 62 pp; photo plates; else very good. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #1. More

Philadelphia: The Academy Academy of Political and Social Science, 1965. Booklet [5x7]; pp 214; Fair/paperback; dark beige spine with black text; orange covers show several chips to spine and edges; sunned spine and head edge; minor wear to edges; text block has slight toning to exterior edges; previous owner's name to first page; slight defect to front hinge; interior clean; illustrated;. More

One autograph book, bound in red cloth, measuring 8 1/4 inches high by 7 1/2 inches wide. Slightly warped due to the ephemera within, as well as some slight wear. Contains a multitude of signatures, photos, and newspaper clippings. Some of the contents include the autographs of: Robert Wagner, Liselotte Schreiner, Claus Hofer, Maria Wimmer, Werner Hinz, Ehmi Bessel, Mathies Wieman, Paul Wegener, Gustav Knutn, Werner Hinz, Walter Franck, Hannsgeorg Laubenthel, Gustav Grundens, Paul Hartmann, Paul Harbiger, Albert Florath, Kathe Gold, Marianne Hoppe, Paul Hartmann. SF consignment; SEE ALL 6 IMAGES FOR DETAILS. SOME ECOMMERCE SITES HAVE IMAGE CAPS, SO IF YOU DON'T SEE ALL 6 IMAGES, CONTACT SELLER FOR MORE INFORMATION NOTE: Shelved in middle room, in Upstairs offices area. More

VG; a one-page ALS in French, 21.5cm x 21cm, undated; the end section of a longer missive about the exhibitions of Renoir and Cézanne and the unidentified author's enjoyment of their juxtaposition, signature unclear; pencil in the upper left corner reading (translated) "this is the end of the article," as well as circling the final sentence and signature, "660" next to the signature, and a circled "AL" in the lower left corner, mild wear to edges, six horizontal folds and other partial creases throughout; shelved case 0. More

1926-1933. A seven-item lot from the career of silver screen icon Clara Bow, including six type 1 photographs and an autograph. These photos span the length of Bow’s brief but sensational Hollywood career. Autograph: Bow’s autograph appears on a 6” x 4.5” piece of stationary. The blue ink inscription reads: “To Connie / Clara Bow”. In very good condition. Mild age-toning. Comes with a 8.25” x 10.75” reprint of the movie poster for the 1929 sound-film The Wild Party. Photograph #1: An early studio photo of Bow in costume, taken in 1926 around the time she was making Mantrap. The photo measures 8” x 10” and is in very good- condition. Age-toning throughout, mild wear to edges and corners, slight warping, and a crease in the top right corner. Photograph #2: A 3.75” x 6.25” type 1 studio photo, from around 1927. In very good condition. Verso has notation in blue ink, Wide World Photo stamp in black ink, and a file stamp from 1952. Photograph #3: An 8” x 10” type 1 studio photo of Bow, seated on a chaise lounge. Likely taken in the early 1930s. In very good- condition. Age toning throughout, minor soiling to margins, and a crease at the bottom right corner. Verso has stamp from Wide World Photo, pasted caption, a use-date stamp of 1937 (when Bow was contemplating a return to pictures after a 3-year retirement), and an “Editorial Cut Order”. Photograph #4: A type 1 silver gelatin photo taken in 1931. It shows Bow posing at the wheel of her luxury automobile. Measures 6.5” x 5.5” and is in very good condition. Minor soiling to margins. Verso has pasted caption (which mentions her recent “nervous breakdown”), a file stamp of June 3, 1931, and the stamp for International Newsreel. Photograph #5: A type 1 silver gelatin photo of Bow posing with her father in June, 1931. Taken right before moving to Nevada to the ranch of Rex Bell, her soon-to-be husband. In very good condition, minor age-toning to right and top margin. Verso has blue stamp of International Newsreel, and a pasted caption that reads: “It was a new Clara or / perhaps the old Clara of seven years ago, that / started away from her Beverly Hills home for a / 350,000 acre ranch in Nevada. Clad in a tan polo / shirt, riding breeches and boots, her hair is / unusualy [sic] blonde, with scarcely a trace of its / natural, dark red. Clara is shown here bidding / har [sic] father good-bye. 6/14/31”. A type 1 studio headshot taken during the production of Bow’s last film, Hoopla, in 1933. In good+ condition. Age-toning throughout, faint pin holes in each corner, slight warping at bottom edge, minor wear to edges, and a crease in the top left corner (largely confined to margins). Verso has numerous stamps, pencil notations, and pasted captions. Typed caption from studio states: “WATCH FOR HER -- Clara Bow will delight her many admirers / in her new Fox film, “Hoopla” in which her starring role / offers her an opportunity to reveal her talents as a / dancer. The role of the “It” girl’s lover is played by / Richard Cromwell.” K21002 Shelved Case 0. More

1929. A 3.25” x 5.25” type 1 portrait photo of Hemingway taken in 1929. In good condition. Paint has been applied to a portion of the background by a previous owner, some faint warping appears in the lower half due to application of adhesive to recto, and there is a barely visible crack in the image near the forehead. There are notations in pencil on the recto, two stamps in purple ink, and a newspaper clipping of the photo is affixed as well. Date given in pencil is “12/29/29.”. CX Consignment. shelved case 0. More

Four vintage photos of famed racehorse Secretariat. The first is a 7” x 9” wire photo taken in May of 1973, after Secretariat’s wins at the Kentucky Derby and the Preakness and on his way to the historic Triple Crown win on June 9th. He is seen nuzzling his exercise boy. In very good- condition. There is moderate age-toning throughout, slight warping along the right edge, and light wear to the left edge. The verso has a red filing stamp, a notation in blue ink, and a pasted paper caption date-stamped “May 24 1973”. The second photo in this series is a 10” x 6.5” type 1 photograph of Secretariat at the Marlboro Cup race in 1973. In very good+ condition. There is a faint crease in the bottom left corner, and the verso is file-stamped “Sep 23 1982”. The third item is a 10.5” x 9” photo showing jockey Ron Turcotte atop Secretariat at Belmont in September 1973, just three months after Secretariat’s Triple Crown win. In very good condition. Minor warping appears near the right and left edges of the photograph, and slight age-toning in the margins near the top right edge. The verso has a pencil notation, and a now-separated pasted paper caption (indicating the photographer as “Farrell” and dating the photo to “9/21/73”). The fourth image was taken in January of 1974, after Secretariat’s retirement. It shows Secretariat being fitted for horseshoes by a blacksmith. In very good condition. This 7.5” x 9” wire photo shows slight warping near bottom edge, and minor age-toning and wear to the margins. The verso has a notation in blue ink and a pasted paper caption dated “Jan 12 1974.” K21107 Shelved Case 0. CX Consignment. More

London: W. Aubert, Printer, n.d. Booklet [5x8]; pp 44; Fair/paperback; green covers has severe wear to exterior edges; detached at spine; slight chips to corners; text block shows slight toning to exterior edges; noticeable foxing to interior; NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #4. More

London: Sotheby & Co., 1960. Booklet [8x10]; pp 30; Good; light green covers show slight soiling to exterior; mild edge wear; intact panels; text block shows slight toning to exterior edges; profusely illustrated;. More

1948. This lot includes an original program for the 1948 fight between Joe Louis and Pat Comiskey, as well as four type 1 photographs of Joe Louis alongisde Abe Greene (New Jersey State Boxing Commissioner from 1937 to 1953). The program is for a fight that took place at the Paterson Armory in Paterson, New Jersey on December 16, 1948. Features details on the night’s events, articles, and numerous vintage ads. Paterson, 1948. Slim quarto, 23 pages. In very good condition. Uneven age-toning to the front and back covers. The four photos are all 8” x 10” type 1 photographs and date from between 1943 and 1949. Photo #1: Shows Louis seated at the head of a table alongside Greene and seven others, taken between 1943 and 1945. Greene has noted the names of Louis and three others in ink on the image. He has also noted near the center of the photograph “During the / War - Diamond Gloves”. In good+ condition. Some fading to the image near bottom and center, ink emendations on image, uneven age-toning, and slight curling to the photograph; Photo #2: Shows Abe Greene shaking hands with Joe Louis at the Diamond Gloves Tournament in August, 1947. Greene has written on the image, in ink: “at Diamond Gloves / 1947”. In very good- condition. Minor warping at the top edge of the image, light age-toning to the margins; Photo #3: Photo of Louis at the Brith Sholom Sports Award Ceremony in Philadelphia, dated “10/5/1949”. Louis, by then retired, was awarded the “National Sports Award in recognition of his outstanding contribution to American youth.” In very good condition. Minor wear to corners, faint creases at the top and bottom left corner, and three faint scratches to image in the bottom right quadrant. Verso has notations in black ink and chalk; Photo #4: Undated photo of Louis and Greene, probably late 1940s. In very good condition. Slight curling to photo at left and right edges. K21104 Shelved Off Sales Floor Room A {S's Office}. CX Consignment. More

New York: New York Philharmonic, 1961. First Edition, First Printing. Small octavo pamphlet; VG-; spine stapled; mild wear and soiling; tide lines at outer and lower edges; blue staining to lower end of spine; signed flat by Bernstein and assistant conductor Maurice Peress; else clean; VM consignment; shelved Case 0 binder. More

New Yor: Pierpont Morgan Library, 1987. Thin octavo; VG condition paperback.Off-white spine with no text. Paperback clean and nicely bound, covers now have a plastic protective cover. See photo for details. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #5. More

U. S. Government Printing Office, 1946. Booklet [6x8]; VG-/paperback; off-white wrappers; black titles to front; disbound binding; exterior has minor smudges; text block interior clean; illustrated; pp 52. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #5. More

1967. Original handbill for 1967 "Tribute To J. Edgar Hoover" concert at California Hall in San Francisco. Performers included The Jook Savages, Blue Cheer, The Mojo Men, and Congress of Wonders. Handbill in very good condition with light bumping to corners and tiny partial tear in upper left corner. CX Consignment. Shelved Case 0. More

Pont-Aven: 1887. G+; a two-page on one sheet front and back ALS in French, 27cm x 21cm, dated October 17, 1887; an unidentified author replying to an unidentified recipient about local news in the art circle, in particular lamenting the incursion of American and British artists; mild staining primarily to the left side of the sheet, light creasing throughout and chipping around the edges, one small hole to the center of the sheet, two small closed tears at the horizontal fold and large closed tears to the lower half of the sheet at the quarter and three quarter folds, four folds, one horizontal at the half and three vertical at even quarters; shelved case 0. More

Washington: Government Printing Office, 1889. Booklet [6x8]; pp [59]; G/paperback; grayish green covers have slight tone toward edges; intact binding; black lettering to front; minor chips to corners; text block has slight toning; small plate inside front cover; illustrated; interior clean;. More

Washington: Government Printing Office, 1888. Booklet [6x8]; pp [57]; Fair/paperback; grayish green covers have slight foxing; tape mends to spine; black lettering to front; minor chips to corners; previous owner's name stamped to front; text block has slight toning; illustrated; slight creasing to first few pages;. More

Washington, D.C. McGill & Witherow, Printers, 1861. Booklet [5x8]; pp 104; G-/paperback; missing covers; beige spine without text; disbound text block shows light toning to exterior edges; minor chips to edges; some moisture staining to page 32 at tail edges; previous owner's to title page; light foxing to few pages; intact binding;. More

New York: Charles Scribner's Sons, 1902. Octavo; VG-/no-DJ; Black spine with gilded text; Boards straight and strong, boards have scuffing, rubbing, and some faint spots, book has significant edge wear (corners chipped, top corners bumped, spine edges frayed, bottom edges of boards worn), pastedowns age toned, back pastedown has binder's stamp in upper left, binding strong; Textblock age toned, head edge has some light scuffing, front end paper has some notes in pencil in upper right, interior clean; 768 pp. More

Salisbury: Southern Rhodesia Department of Publicity, 1936. Fourth edition. Square octavo. VG- condition; Beige spine; Age-toned beige covers with brown text/title; covers have a significant crease down the middle; stamp of the former owner on the cover; binding is strong; textblock is age-toned with foxing and significant creasing down the middle of the ephemera. Pp. 27. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #2. More

Walker Art Center, 2003. Booklet; VG paperback; Glued binding w/o text; Cartboard covers are clean and intact without defect; Text block is clean with tight binding. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #2. More

A lot of three type 1 Hemingway photos. The first is a 6.5” x 8.5” 1937 photo showing a conversation between Hemingway and toreador Sydney Franklin. The photograph is in very good condition, curling slightly with very mild age-toning throughout, and some minor soiling to the left margin. On the recto can be seen notations in pencil and red chalk, and a faint stamp (in faded purple ink) of International News Photos. Affixed also is the following text: “ “So I’ve got false hair on my chest, eh?” / New York…...Ernest Hemingway, famous author of /blood and sand stories of the bull ring, gives further / proof he is a he-man by talking out of the side of / his mouth to Sydney Franklin, the Brooklyn / toreador. Hemingway recounts his “Battle over the / Hairy Chest” with Max Eastman, critic. Who kidded / Hemingway’s two-fisted fiction. The cave-man author / was guest at a “victory dinner” given him by / publisher Dave Smart”. The second photograph shows Hemingway with his fourth wife Mary, her looking on as he inscribes a copy of one of his books. The photo (c. 1955) was taken at the Roosevelt Hotel in New Orleans by a local photographer named Ray Cressen (whose name appears on the recto). In very good condition, with some wear to the bottom edge, two faint cracks in the top-right quarter of the image, a small notation (“x1”) in the bottom left of the image, and two blue marks in the top margin. The recto has notations in red chalk, blue highlighter, and two date-stamps (later newspaper filing dates), and the photographer’s typed notation at the bottom edge. The final photo in this lot depicts the living room of Hemingway’s final home near Big Wood River in Idaho. Taken in August of 1967, the living room had remained untouched since his death six years prior. The central subject is the author’s favorite chair. The photo is in very good condition, with some minor creasing restricted in the corner margins and a faint discoloration near the top right of the image. The recto has notation in pencil: “Hemingway’s house with / the author’s favorite chair”, a pasted newspaper clipping of the photo, and a purple date stamp: “Finished photo / 1967 Aug 11 PM 5 29.” Shelved Off Sales Floor Room A {S's Office}. CX Consignment. More

London: William Pickering, 1836. 16mo; vg/none; black cloth spine with gilt lettering; quarter-bound w/red boards; ex libris, Norton, Charles Eliot [1827-1908], bookplate; minor shelf wear and bumping, small square yellow sticker on front cover; text block, clean; unpaginated, [xiv], 44 pp., uncut; some engravings and text figures; light toning; minor chipping and wear; rubbed; else very good; --NORTON: Harvard graduate, first Harvard professor, History of Art; businessman and literati; journalist, editor, co-founder of the Archaeological Institute of America; of the Dante Club with Lowell, and Longfellow; befriended also Thomas Carlyle, John Ruskin, Edward FitzGerald; and Leslie Stephen; taught James Loeb who created the Loeb Editions; and was honored with the Charles Eliot Norton Memorial Lectureship [1907]; and the Charles Eliot Norton Professorship of Poetry [1925]. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #1. More