London: printed for W. Strahan; and T. Cadell, in the Strand, 1776. First Edition. Quartos, 2 volumes; VG; bound in contemporary full tree calf, hand-tooled gilt and twin morocco labels with gilt titling to spines; occasional gathering with faint spotting; Volume 2 with the half-title, no half-title issued for volume 1; leaves measure 27.5 x 22 cm; Frank J. Farrell bookplate to both front pastedowns; ink initials to both front pastedowns; White binder's paste visible to both sets of hinges and spines, slight staining to boards, possible repair beneath; lower rear hinge of volume two beginning to separate; Volume 1: A4, a2, B-Z4, Aa-Zz4, 3A-3T4 (final blank presumed integral); Volume 2: [pi]2, B-Z4, Aa-Zz4, Aaa-Zzz4, 4A-4E4, 4F2; With the usual cancels: M3, Q1, U3, 2Z3, 3A4 and 3O4 in volume I, D1 & 3Z4 in volume II; Volume: 1:small closed tear 3F1; Vol 2: Small ink stain to G4, small tear to M2, errata corrected to 3O2, 3Q4;.
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London: Printed by S. Simmons, and are to be sold by T. Helder, at the Angel in Little Brittain, 1669. First Edition. Octavo; VG; bound in full morocco, spine paneled with gilt lettering; gilt text block; some wear and rubbing to binding; ffep through page A3 mostly loose, still attached through two pieces of string to the binding; A4, a4, A4-Z4, Aa4-Tt4, Vv2; small hole in middle of leaf Cc3, impacts text; a few leaves slightly stained. Bookplate of Thomas Jefferson McKee. McKee, 1840-1899, was a well-known book collector and lawyer from New York whose collection was auctioned off in 1900. In the auction, this copy was item number 3091. Autograph of Evert A. Duyckinck, 1839 on top blank margin of title. Evert Augustus Duyckinck, 1816-1878, was an American publisher and biographer. Among his work, he assisted Edgar Allan Poe in printing his Tales collection in 1845 and selected which stories to include. Duyckinck was also known to have lent Melville copies of his books, including a copy of the Decameron and a copy of Paradise Lost. Has the stamp of 'Lenox Library-Duplicate' on verso of title. The Lenox Library was a library incorporated and endowed in 1870, became a part of the founding collection of the New York Public Library in 1895, and opened to the public in this capacity in 1911. Of its collection in 1894, 15,000 of the 83,331 were from the collection of Evert Augustus Duyckinck. Simmons printed 1,200 first edition copies in 1667, and issued them over three years with varying title pages. The title pages have different years, with them reading 1667, 1668, or 1669. There is no known relationship between when a given copy of the text itself was printed, and the attached title page, making establishing priority difficult. This issue includes "Milton's synopsis of each book ("the Arguments" of Books 1–10), his defense of "the Verse," and a list of errata, adding sixteen pages of preliminary matter to the book. Simmons's note to the reader states that he had procured this explanation from Milton because readers of the poem had "stumbled" on first encountering it, asking "why the Poem Rimes not." Milton's strident defense of blank verse (unrhymed iambic pentameter) is printed in large type that fills two pages. His chosen meter, although no longer fashionable by 1667, was the dominant mode of Shakespeare's plays and is the closest to the natural rhythms of English speech. Samuel Johnson later commented sarcastically that, "finding blank verse easier than rhyme, [Milton] was desirous of persuading himself that it is better."" [Morgan Library] JG consignment; shelved case 0.
Witebergae [Wittenberg]: 1531. First Edition. Small quarto (7.125 x 5.5 inches; 182 x 140 mm.).  leaves. Signatures: A-E4 F6 G² h4 I-N4 O² P-2V4(-2V4, blank). Bound without blank leaf 2V4; 2A2 signed "A2." Printer and date of publication from colophon on 2V3 recto. Apologia Confessionis has separate title-page (G1 recto), with "Emenda" beneath the title. Decorative and historiated woodcut initials. Later quarter calf with black paper-covered boards; all edges trimmed and stained blackish-blue; plain endpapers, double-flyleaves at front, single at the rear. Front board detached but for single string at bottom; calf mostly gone; edges worn; corners softened; scuffing to boards; loose electrical tape affixed to bottom of rear board, curling over spine. Front free endpaper and first flyleaf completely detached. Repairs to inner hinges; label pulled up from front pastedown. Split between gatherings V and Z, starting between leaves 2T3 and 2T4, 2V2 and 2V3. Minor thumbsoiling scattered throughout text; some toning; occasional foxing. Text very good in just good binding. Housed in custom black cloth clamshell with red spine label stamped in gilt. [Augsburg Confession]. Confessio fidei exhibita invictiss. Imp. Carolo V. Caesari Aug. in Comiciis Augustae, Anno M. D. XXX. Addita est Apologia Confessionis [by Philipp Melancthon]. Beide, Deudsch und Latinisch. Wittenberg: [Impressum per Georgium Rhau, 1531]. First edition of the Augsburg Confession, containing the Latin texts of the Confessio and Melanchton's Apologia. Although the title-page states that it contains both the Latin and German texts, this first edition contains Latin text only (the German translation by Justus Jonas was added slightly later). Catalog entry tipped to front pastedown from "J. J. Lentnersche Hofbuchhandlung (E. Stahl), München," "Lager-Katalog Nr. 8." Annotations throughout the text in at least two, possibly as many as four different hands, including a couple of manicules. Several early ink ownership inscriptions on the title-page, the earliest that of "Theodorus Backhusius Possessor," who was pastor at Oldenberg (d. 1625); followed by "Vogt 1735," "JFG Olbers 1766" and "H. Meere." Recto of front free endpaper bears ink manuscript notes that seem to be from nineteenth-century New Testament commentator H. A. W. Meyer [Heinrich August Wilhelm Meyer (1800-1873)], dated 1868; verso with additional notes, signed by his son "Professor Dr. [Gustav] Meyer," dated "7 Januar 1883." Bookseller's ticket of Schaeffer & Koradi, Philadelphia. Neuser, Bibliographie, 8. See VD16 C 4734 and C 4735. Sold together with a copy of Neuser's Bibliographie der Confessio Augustana und Apologie, 1530-1580. Nieuwkoop: De Graaf Publishers, 1987.; BK consignment; shelved case 3.
Nürnberg: Verlegung des auxtoris Gedruckt bey Johann Ernst Adelbuler, 1731. Folio; G; bound in faded red cloth, faded titling to front cover; moderate wear, including fraying to corners, spine largely detached, remnants of cloth ties to boards; With title page, 42 pages of text in German, 14 maps of the celestial sphere, 77 terrestrial maps; all celestial and 73 terrestrial maps hand-colored contemporaneously; lacking allegorical frontispiece engraved by Casper Luyken and the portrait of Charles VI in black and white; the backs of the majority of maps with a child's drawings, majority in pencil, some crayon, circa 1880, very sparse pencil to the maps themselves; some scattered repair; title page missing the lower fore corner, does not impact text; With a fully global collection of maps, including the constellations, both the Copernican and Tychonic models of the orbits, maps of both hemispheres, Europe, Asia, Africa, and the Americas. Maps of North America do include the names of some Native American Tribes. Interestingly, the maps are inconsistent as to whether California is an island. The title vignette is a map of the world as seen from above the north pole, includes California as an island. All maps with emblematic cartouches and ornamented with engravings.; consignment; shelved map case.
[Rouen]: [n.p.], 1707. First Edition, First Issue. Quarto, , 204,  pages; VG; Bound in contemporary calf, spine gilt with raised bands, gilding faded and a bit rubbed, inner hinge front cover cracked but binding solid. Large folding table, "Formulaire qui peut servir pour tout un pays", at page 192.; Extremely Rare First Edition, First Issue, with B4 in an uncancelled state, on p. 16, a setier is given as weighing 170, rather than 240 pounds, "...le septier pesant net cent soixante & dix livres..."; In Le Projet d’une dixme royale (“Project for a Royal Tithe”), one of the 18th century’s most important writings on political reform, Sébastien Le Prestre de Vauban (1633-1707) suggested replacing existing taxes, which were unfair and offered limited yield, with a 10% income tax on all land and trade from which no one should be exempt. He substantiated his arguments with a mass of statistical documentation practically unprecedented and, in doing so, pioneered the use of statistics in economics. The idea, which occurred to Vauban as he made observations on his constant travels throughout the kingdom, was intended to help France overcome an economic crisis and keep its rank as a great power. As the situation worsened, in 1706 Vauban had his book secretly printed in François Maurry’s Rouen press and gave his entourage the first copies, bound in Paris at the widow Fétil’s. The French government, too deeply committed to the system of tax farming (i.e., selling the right to collect taxes to groups of financiers for a fixed sum), was reluctant and even unable to revoke the exemptions of the privileged classes. Their dependence on them, and lacking interest in fundamental reforms, led to the government suppressing the publication of his book. On February 14, 1707 the Privy Council ordered the destruction of all the copies, which had been published without permission. The ailing Vauban did not survive the affair, dying on March 30th. Subsequent searches of his home failed to turn up any other copies.; According to Boislisle, the first edition was printed in Rouen in 1706 at the initiative of the Abbé de Beaumont (who is actually credited with the authorship of the work by Boisguilbert). Vauban had the sheets bound by the widow of a certain Fétil, and took great pains that the book did not have any public circulation. It was prohibited on 14 February 1707, but apparently the police were only able to seize two copies. To the police, the binder declared she had had 264 copies in total, 12 bound in morocco, the rest in calf. The two copies seized at the Abbé de Beaumont's were described as in 'veau fauve' and marbled parchment. See Arthur Michel de Boislisle, La Proscription du projet de Dime Royale et la mort de Vauban (Mémoire lu à l'Académie des sciences morales et politiques), Paris, 1875.; A notable rarity, of 'an erudite economic work much in advance of its time, and distinguished both by accuracy of method and breadth of view' (Palgrave), 'creditable alike to the heart and the head of its illustrious author' (McCulloch). 'Though the book was published anonymously, and only a few copies issued (for circulation among friends), Vauban had to submit to the mortification of seeing it 'pilloried' by the parliament, while he himself incurred the displeasure of the king (Louis XIV).' (Palgrave).; The copy of the author himself contained four pages of manuscript in which statements were to be found which could not be printed and in which Vauban, among other things, clearly distinguishes between nobles which have earned their title and position by their actions, whether by their ancestors and by themselves and are an honour to the State, and those who have purchased their titles and are of no use at all to the State. [Les Collections Aristophil].; The Projet d'une Dixme Royale is an outstanding work in the field of public finance. Its two most notable features are its understanding of the central role of fiscal policy in economic reform - the result of an exceptionally comprehensive grasp of the economic process - and its use of detailed numerical data to substantiate conclusions. Schumpeter called the work 'unsurpassed, before or after, in the neatness and cogency of the argument . Purposeful marshalling of all the available data was the essence of his analysis. Nobody ever understood better the true relation between facts and argument. It is this that makes him an economic classis in the eulogistic sense of the work, and a forerunner of modern tendencies' (Schumpeter, History of Economic analysis, p. 204).; BH consignment; shelved case 3.
New York: Harper & Brothers, 1851. First Edition, First Issue. Octavo, 634pp.; G+; spine green cloth with gilt lettering; original publisher's cloth, original orange endpapers, with the publisher's circular device blindstamped on the front and rear boards; spine partially faded to tan, with gilt lettering also partially faded, some small brown discoloration to spine edge; endpapers have some discoloration; moderate foxing throughout; six pages of publisher's ads; binding slightly loose; top edge of front hinge of front board has a repaired tear; BAL 13664; HC consignment; Shelved Case 2.
London: S. Simmons, 1674. Second Edition. 12mo, , 333 pages; VG; bound in full maroon straight-grained morocco, spine with elaborate gilt tooling, gilt lettering; gilt text block; two different gilt rolls along borders; gilt roll on board edges, turn-ins; marbled endpapers; top edge pages cut close, with the margin sometimes being removed in its entirety, and part of the title and page number cut in half; second free endpaper has two small slivers of paper glued on, containing previous auction/bookseller descriptions of this volume; Small bookplate on front pastedown, with the seal of the Merrill family. Ffep has the Lalique Bookplate Emilie: a 4.5 inches in length paper decorated with leaves and the large name Emilie in the design as well as the R. Lalique signature in the plain border area. The Lalique Bookplate was designed especially for the American heiress Emilie Grigsby. A 1912 auction sale of her library in New York City stated that every book in the auction contained the bookplate specially designed for her by Rene Lalique. frontispiece portrait engraved by Dolle. The first issue in which the Poem is divided into twelve books (in former issue it was in ten books only). Also for the first time appears Andrew Marvell's Commendatory Poem "On Paradise Lost" JG consignment; shelved case 0.
Venetiis [Venice]: Luca Antoniu de Lucam Antonium de Giunta Florentinum, 1502. Octavo, 163 leaves; VG-; disbound, with both boards missing; Title page with 'Johan. Angeli pasted above title, 'Venetiis. 1502' and a horizontal line neatly handwritten below.; With a substantial number of woodcut illustrations depicting horoscopes, figures of the constellations, and planets.; Collation:, a-e8, f-r4, s-y8, z12, A-D8, last two leaves blank and lacking, (D9/D10); i3 labeled p4, m3 labeled k2; Leaves z3/z4 with minor repair; some tables have handwritten notes above them; Text in Latin; Shelved case 3.
Londini [London]; Oxonii [Oxford]: Impensis Brabazoni Aylmeri sub Signo Trium Columbarum, 1674/1672. First Edition. Octavo, VG-; bound in early paneled brown calf, front hinge repaired; spine paneled with no lettering; single gilt roll to board edges; first two endpapers and front pastedown have pencil writing; Epistolarum Familiarium: 3-155  +  pages bookseller's advertisements, collation: A2-8, B-I8, K1-7, lacking A1 and K8; F7 has a torn chip to lower fore corner; Epistlae Duare: 3-171 [172 blank] [173-182], Turkish and Arabic Index; collation: B2-8, C-H8, I-P4, Q8; lacking A1-4, B1, text supplied in contemporary manuscript hand on two blank leaves bound directly before B2; B2-C8 have some staining to lower and fore edge, text still legible; JG consignment; shelved case 0.
[London]: Printed by Richard Bishop [and Robert Young], and are to be sold by Andrew Crooke, in St. Paules, Church-yard, 1640/1641. Second Folio Printing. Folios, 2 volumes; VG; rebacked with new calf spines, burgundy labels with gilt lettering, previous boards preserved; marbled endpapers; both volumes have previous owners name and information on sfep; For volume 1, the subsidiary plays each have separate dated title pages. That to "Poëtaster" has imprint "London, printed by Robert Young. M.DC.XL.". "Epigrammes" begins new pagination and register; otherwise pagination and register are continuous. Most of the parts have special title page with imprint: London, Printed by R. Bishop, 1640. "Poëtaster" has title page with imprint: "London, Printed by Robert Young, M.DC.XL.".; The title page is engraved and signed "Guliel[mus] Hole fecit".; Signatures: A-Kkk6 Lll4; 2A-2T6.; For volume 2, it consists of two volumes, 2 and 3, the former intended as a continuation of the first volume published in 1615. Vol. 2 was edited by the author, vol. 3 by Sir Kenelm Digby. The three plays comprising volume 2 ("Bartholmew [sic] Fayre", "The Diuell is an asse", and "The staple of nevves") each have separate title page with imprint "... printed by I[ohn]. B[eale]. for Robert Allot ... 1631"; "; Signatures: A6 B-M4 Aa-Cc4 2D-H4 2I6 N-Y4 Vol. 3 B-Q4, R2, S-X4, Y2, Z4, Aa-Oo4, Pp2, Qq4, 2A-K4, 2L2, 2M-R4, 3A-P4, 3Q2, 3R-V4. Closed tear to L4; CK consignment; shelved case 0.
London: Printed by J.M. for John Starkey, 1671. First Edition, Second Issue. Octavo, , 111, , 101  pages; VG; bound in polished diced brown calf, paneled spine with gilt ruled label and gilt lettering; blind roll to board edges; mild shelfwear; M1 has a small closed tear on the lower edge; complete collation with A², B-O⁸, P⁴, including rare N3 cancel leaf in Samson Agonistes, with fore edge wide and folded, license opposite title page (both with blank versos), Omissa followed by Errata and blank verso at rear; Second issue: With "loth" for "loah" on F2 Complete with license leaf and errata; JG consignment; shelved case 0.
Valladolid: Pedro de Espinosa y Antonio de Zamora, 1551. First Edition. Quarto, 186 leaves; VG; bound in full brown calf, spine with two black labels, gilt titling and stamping; rebacked with spine preserved; mild rubbing and wear to binding; marbled text block; title page with slight repair, last two leaves with very mild repair; Text in two columns, Gothic typography with 48 lines; Title page with large detailed wood engraved frontispiece in black and red hand-colored, many of the capitular engravings colored as well; scarce; shelved case 3.
A signed abstract watercolor by Italian painter Afro Libio Basaldella (1912-1976), known as Afro. Signed “Afro” in lower right corner. Condition: very good. Minor denting and creasing to edges of painting, not impacting images. The edges of the sheet are unevenly trimmed. Slight marking to mat. Matted but not framed. Dimensions mat w 16 in x h 12 in sheet w 11 7/8 in x h 9 1/8 in.
Auburn: Derby and Miller, 1853. First Edition, First Printing. Octavo, 336 pages; G; bound in 3/4 red leather, pebbled dark green cloth boards, paneled spine with gilt and no titling; hinges cracked, some rubbing to binding; reinforcement to both front and rear gutters; gift inscription to second free endpaper; page 336 with significant damage, appears to have at one point been glued to something; Significantly foxed, as usual, with finger smudges and wear to pages, some fraying to scattered fore edges; With all seven wood engravings, including frontispiece portrait; true first printing of this scarce title, with no mention of "Thousand" at top of title page; lacking four-page catalogue; LB consignment; shelved case 1.
London / Edinburgh: 1794-1833. Octavos, 28 volumes; VG; uniformly bound in full burgundy calf with gilt tooling by J. Clarke, each volume with two black labels with gilt lettering to spine; All volumes have some rubbing and wear to bindings, including wear to front hinges, parts of labels missing; top edges of text blocks gilt; This set contains the following volumes: Some Account of the Life and Publications of the Late Joseph Ritson, Esq. - Robert Triphook, London, 1824 [bound with] Northern Garlands (comprising 4 parts: The Bishopric Garland or Durham Minstrell, The Yorkshire Garland, The Northumberland Garland or Newcastle Nightingale, and The North-Country Chorister - R. Triphook, London, 1809/1810 [bound with] Gammer Gurton's Garland, R. Triphook, London, 1810; Ancient Songs, From the Time of King Henry the Third, to the Revolution - J. Johnson, London, 1790 (First Edition); The Life of King Arthur - Payne and Foss, London, 1825 (First Edition); Robin Hood - T. Egerton, London, 1795, Two Volumes (First Edition); Scotish Song - J. Johnson, London, 1714 [Really 1794], Two Volumes (First Edition); Annals of the Caledonians, Picts, and Scots - W. and D. Laing, Edinburgh, 1828, Two Volumes [Volume 1, rear board detached, tail panel missing] (First Edition); The Caledonian Muse: A Chronological Selection of Scotish Poetry from the Earliest Times - Robert Triphook, London, 1821; Poems, Written Anno MCCCLII. By Laurence Minot, J. H. Burn, London, 1825 (Second Edition); Memoirs of the Celts of Gauls - Payne and Foss, London, 1827 (First Edition); A Select Collection of English Songs, With Their Original Airs - F. C. and J. Rivington, London, 1813, Three Volumes (Second Edition); Ancient Songs and Ballads - Payne and Foss, London, 1829, Two Volumes (Second Edition); Ancient Engleish Metrical Romanceës - G. and W. Nicol, London, 1802, Three Volumes (First Edition); The English Anthology - T. and J. Egerton, London, 1793/1794, Three Volumes (First Edition); Fairy Tales, Now First Collected: To Which are Prefixed Two Dissertations: 1. On Pygmies. 2. On Fairies. - Payne and Foss, London, 1831 (First Edition); Pieces of Ancient Popular Poetry: From Ancient Manuscripts and Old Printed Copies - T. and J. Egerton, London, 1791 (First Edition); Bibliographia Poetica: A Catalogue of Engleish Poets - G. and W. Nicol, London, 1802 (First Edition); The Letters of Joseph Ritson - William Pickering, London, 1833, Two Volumes (First Edition); OF consignment.
London: Printed by S. Simmons, 1674. Second Edition. 12mo., 333pp.; VG; spine paneled brown leather with gilt lettering and tooling; gilt panel at board edges; some bumping to corners, head and tail of spine; some wear to spine edges, spine edge between head and front board separated, front board slightly loose; frontispiece; small bookworm damage near spine at top edge of pages, 141-161, small amount of intermediate bookworm damage between pages 161 and the end some of which is in the text, some between pages 35 and 95 as an inch long scar that interferes with text; small amounts of other bookworm damage, mostly isolated to the top margin; interior clean of markings; JG consignment; shelved case 0.
Paris: Henry Creuzevault, 1953. Limited Edition, #15/140. Folio (10" x 15"), 52 leaves in 26 signatures in original paper folded cover (covered in a glassine protective wrapper); Fine; Bound in cloth sleeve covered in paper with a box enclosure. Number 15 of 140 copies, on Rives paper. Printed by Janine Daragnès on May 11, 1953. With 21 original etchings by Buffet, including 7 full page and 3 double-page, plus one on cover; plus a separate suite of 23 drawings, including 3 double-page drawings. Limited edition reissue of 1939 work, with illustrations by Bernard Buffet (1928-1999), signed by Giono and Buffet, with a foreword by Pierre Bergé.; shelved case 11.
London: S. Simmonsl John Starkey, 1678, 1671. Early and firsts. Octavo; VG; fine binding, dark blue leather spine with gilt lettering; raised bands; gilt highlights and block borders; ex library, book plate, Thomas Clifford Allbutt [1836-1925], an English physician and inventor of the clinical thermometer; endpapers, feathered; head-edge, gilt; board edges and inside borders, gilt fluting; professionally rebound; PARADISE LOST, third edition, 1678, 331 pp.; without portrait; --PARADISE REGAIN'D, 1671, 111 pp.; without licensing leaf; ---SAMSON AGONISTES, 1671, 101 pp.; minor shelf wear and bumping; text block, varied foxing; uneven printing; uneven original trim; edges, toning; pp.; split start, gutter; else very good; JG Consignment; Shelved in Case 0.
Philadelphia: Carey, Lea & Blanchard, 1833. First U.S. Edition. Octavo, 4 pages ads, x, 11-201 pages; G; bound in publishers paper boards, damaged tan label to spine, 1/4 bound, light brown-colored cloth and drab paper boards; moderate wear, including rubbing and shelfwear to boards, some peeling to corners, large amount of peeling to front head of spine, rear lower fore corner; front gutter largely open, with front board tenuously attached; original printed paper spine label partially present, but entirely illegible; half-title, title page present; moderate foxing throughout; pages entirely uncut; DL consignment; shelved case 3.
Berlin: Bey Haude und Spener, . Second Edition. 12mo., , 182,  pages; VG; bound in plain blue/gray paper wraps; housed in a custom ox-blood morocco card-deck style slipcase with lid; bookplate of Mark Dineley to front pastedown; Second edition, with the author's initials corrected on the title page and the date 1784 added to the bases of three plates.; finely engraved allegorical frontispiece; beautiful hand-tinted folding map of the North American colonies by Daniel Friedrich Sotzmann based on earlier work by William Faden the Younger; 12 engraved plates by artist Daniel Chodowiecki, engraved by Daniel Berger, depicting events from the Revolutionary War bound in throughout; engraved plate by Berger depicting five Revolutionary War figures; a double-plate by Berger depicting both the Libertas Americana medal and the Continental Currency dollar; and three vividly hand-tinted plates depicting the American flag and pennant, Gen. Washington with a guard, and a sharpshooter and infantryman.; text in German; RF consignment; shelved case 3.
New London [Connecticut]: T[imothy] Green, . Small Octavo,  pages; VG; with some support adhered along the spine; some rubbing and wear to fore edge, lower fore edge missing from rear cover, small amount of chipping to middle of front fore edge; interior with minor blotching and wear; The cover woodcut is a crude copy of the Revere engraving "The Able Doctor, or America Swallowing the Bitter Draught," showing tea being forced down America's throat, with the caption "Boston Cannonaded." Also includes the patriotic poems "Thoughts on Tyranny" and "The Unnatural Parent," and a long genealogy of George III tracing back to "William the Conqueror, who was a son of a whore"; RF consignment; extremely scarce; shelved case 3.
London: printed for William Rumbald in the Old Change, 1680. First Edition. Octavo, , 224 pages; VG; bound in 3/4 polished calf, marbled boards and endpapers; paneled spine with gilt rules on ridges, blind-stamping to panels, on black morocco label with gilt titling; text block red; mild wear and rubbing to extremities; small bookplate to front pastedown; note on page 224 stating 'Read [?] 1742'; Signatures: A-P⁸.; rare; shelved case 3.
Basilaea: Froben, 1549. 4to., 518pp.; VG; spine brown leather with red label and gilt lettering; later brown leather boards with double-ruled borders, recent professional rebacking with new spine; general wear to boards; bookplate on front pastedown, partially torn off; small two line ink inscription on title page, dated 1589; printer's device on title page; verso of final leaf; complete collation: AA⁴, a-z⁶, A-T⁶, V⁸, A-B⁸, BB-CC⁶ DD⁸ (DD⁸, V⁸ blank); NM consignment; shelved case 3.
London: John Stockdale, 1787. First English Edition. Octavo; VG-; 382 pages; full brown leather binding paneled spine with burgundy label, gilt lettering; Professionally rebound; Lacking map; Fold-out table of Native American tribes intact; pages toned; a few spots of liquid at upper edge, text unaffected; JG Consignment; Shelved Case 1.
Londini [London]: Typis Du-Gardianis, 1651. Second Edition, Revised. Quarto, 263 pages; VG; bound in contemporary brown calf, plain paneled spine, mild soiling and wear; bind double-rule to boards, remnants of a gilt roll to board edges; no pastedown was ever applied to interior; A2, B-Z4, Aa-Ll4,  full blank leaves at end, complete; with errata leaf before title, woodcut armorial shields on title page, decorative head and tailpieces and decorated initial letters; no writing or marks of previous ownership; wide margins, approximately 2.25 cm on top edge, 4.5cm. on fore edge, 5cm on lower edge, with some minor variance.; JG consignment; shelved case 0.
1968-1974, 1980. Three large bound volumes containing a variety of 1960's counterculture newspapers. Thee are a total of 113 Issues. Volume 1 contains Issues of the Berkeley Barbs, starting at Vol. 6, No. 7, Issue 131, February 16-22, 1968 and running through Vol. 8, No. 7, Issue 183, February 14-21, 1969. It contains Issues 131-146, 149, 150, 152-159, 161, 162, 164-170, 172-176, 178-183, with 174 misnumbered as 173 and 178 done twice, being a total of 48 Issues. Volume 2 contains Issues of the Berkeley Barbs, starting at Vol. 8, No. 8, Issue 184, February 21-27 1969 and running through Vol. 10, No. 1, Issue 230, January 9-15, 1970. It contains Issues 184-204, Berkeley Tribe #2, 205-214, 216-221, 223, 225, 227-230, being a total of 43 issues of the Berkeley Barbs plus 1 issue of the Berkeley Tribe. This volume includes the special Barb on Strike issue, after which the staff launched their own rival newspaper, the Berkeley Tribe. Volume 3 contains a variety of issues from various magazines and newspapers, including: Rolling Stone, issue 120, October 1972, Berkeley Barb Vol. 15 No. 8 Issue 367, August 25-31 1972, National Enquirer Vol. 46 No. 20. January 16 1972, Rolling Stone Issue 82, May 13 1971, Rolling Stone Issue 80, April 15, 1971, Rolling Stone Issue 76, February 18 1974, Los Angeles Free Press, Issue 333, December 4 1970, The Organ, Vol. 1 Issue 2, September 1984, Tribe, Vol. 3 No. 11, Issue 63, September 18-25 1970, Earthtimes No. 2, May 1970, Earthtimes No. 1, April 1970, Rolling Stone No. 53, March 7, 1970, Los Angeles Free Press, Vol. 5 No. 46, Issue 226, November 15-21, 1968, Los Angeles Free Press Vol. 5 No. 29, Issue 209, July 19-25, 1968, Los Angeles Free Press, Vol. 5 No. 19, Issue 199, May 10-16 1968, Los Angeles Free Press Vol. 5 No. 16 Issue 196, April 19, 1968, San Fransisco Express Cities, Vol. 1 No. 12, April 11 1968, The Bay Guardian, Vol. 2 No. 9, April 5 1968, Los Angeles Free Press, Vol. 5 No. 9, May 1-7 1968, The Bay Guardian, Vol. 2 No. 8, February 28, 1968, Los Angeles Free Press Vol. 5 No. 7, Issue 187, February 16-22, 1968, The Bay Guardian, Vol. 2 No. 6, February 7, 1968 being a total of 22 Issues.
An untitled and undated primitive oil painting on board by self-taught artist Clementine Hunter (1887-1988), signed with the artist's monogram on the right edge of the painting. It depicts early 20th-century plantation workers socializing and relaxing. Condition: very good. Housed in rustic wooden frame without glass. A Nantucket art gallery stamp on verso. Dimensions Painting: w 18 in x h 24 in frame w 22 in x h 28 in.
A small oval original illustration of Venus and Cupid in white and black on a sepia ground. Pierre-Paul Prud’hon (1758-1823) was born in Burgundy and began studying painting at the age of sixteen. After working in Dijon and Paris, he spent the years of 1784-1787 in Italy, where he was influenced by the work of earlier Italian painters. On his return to France he became a supporter of the Revolution, and was later favored with commissions by Napoleon. Condition: very good; no evidence of damage. Matted and framed; not examined out of frame. Dimensions frame w 8 3/8 in x h 6 7/8 in image w 5 1/8 in x h 3 7/8 in.
Wittenburgii [Wittenberg]: Ioannem Gronenberg [Rhau-Grunenberg, Johann], 1508. First Edition. Quarto, 28 leaves; Near Fine; bound in marbled paper-covered boards; lacking leaves dd/ee and ff/gg; title page printed in black and red; small black ink stain to pages B/C; minor tide-marks to the fore and upper edges; wide margins; sticker with '809' on front cover; Per colophon: (Impressum Wittenburgii per Ioannem || Gronenberg. Anno M.D.VIII. || III Kalendas Ianua: ||); last leaf printed with Hebrew and Greek.; extremely scarce; PD consignment; shelved case 4.
London: Printed by Miles Fletcher, for Richard Bently, 1688. Fourth Edition, Variant Imprint, First Folio Edition, First Illustrated Edition. Folio, [i], 343, ; VG-; newly rebound in full speckled calf, paneled spine with gilt lettering and tooling; with frontispiece, plates 1-11, lacking plate 12; facsimile of plate 12 bound in; frontispiece has some rubbing and wear; plate 1 has been trimmed along the upper and fore edges, does not impact illustration, but does impact the plate mark; chip missing on plate 6, does not impact illustration; archival repair to rear of plates 4, 9, 11; two names in ink on title page; title page missing small chip on lower fore corner; some pages have mild smudging or staining; verso of The Verse has a pencil biography of Milton.; JG consignment; shelved case 0.
Basileæ: In Officina Heruagiana [Johann Herwagen]; [Johannes Froben], 1538/1518. Octavo, a-x8, y7, A8, B4; VG; bound in 17th century calf, plain paneled spine; some rubbing and wear to binding, minor worming to binding; mild soiling to interior; Lacking y8-z8; The wanting leaves of the 1538 edition substituted after 350 with new pagination of 106-126 with the Galeomyomachia in Greek only from the 1518 Froben edition of Aesopi Phrygis vita et fabellæ, cum latina interpretatione. Early substitution, (i.e. 17th century or earlier) as the textblock is integral and the binding unrestored; Printer's device on title page and on verso of last leaf.; Wide margins; Second title page trimmed at top; small holes in upper and lower gutters of the entire first part from previous binding; Text in Greek and Latin on facing pages for the Aesop, Greek only for the Galeomyomachia Provenance to the recto and verso of the ffep, Fitzwilliam family provenance in several early hands, the largest stating playfully: "William Fitzwilliam not his Book, but John Fitzwilliam his booke"; Scattered marginalia and underlining, including extensive minute annotations in an early faded 16th century hand around the rear printer's mark, other minor annotations throughout, notably in English on Midas on page 315.; Scarce; PD consignment; shelved case 3.
1645. An original print by Rembrandt van Rijn, bearing the artist’s name and the year 1645 in the lower right corner. This print appears to be a printing of the second state, as the hat of the figure closer to the viewer is shaded, but the hat of the figure farther from the viewer is not. Condition: excellent. Dimensions w 8.74 in x h 5 1/8 in.
[London]: The Modern Press, 1886. First Edition. Thin Octavo, 164 pages; VG; housed in a burgundy wrapper and half morocco slip-case with gilt lettering to spine; in original green paper wraps, very slight wear to corners, inch long chip to tail of spine, small chip to head of spine; First separate issue, the smaller trimmed variant with the blank leaf bound at rear; Inscribed by Shaw: "This is the first reprint from the plates made from the pages of the magazine ToDay. The bookstalls would not stock it because it was not the right size for their counters. It did not sell well until it got into the hands of the pirates, who kept it going for years. It may still be going for all I know as I never succeeded in recapturing the plates. G. Bernard Shaw"; This inscription was written by Shaw for the former owner who was Frederick S. Bigelow, former editor for the Saturday Evening Post. He was in London in 1914 on a literary commission, and when visiting Shaw asked for the history of the little book. A typed note detailing his visit is included, and describes in brief his visit, including the view from Shaw's room overlooking the Thames and Shaw's interest in hearing his "account of seeing James J. Corbett, Ex-Champion, in the title role" of Cashel Byron's Profession.; RD consignment; shelved case 2.
New York: Macmillan, 1912. First American Edition, First Printing. Octavo, 838 pages; VG-;bound in Publisher's blue cloth boards with gilt lettering; Some wear along the edges; Corners bumped and beginning to fray; Some light tearing beginning on the spine crown and tail; Spine slightly faded with some minor scuffing and a stain, text unaffected; Upper gilt edge of text block is worn; Text block typically toned; Bookplate on front paste down, with "1928" date in ink; Binding sturdy; DS consignment; Shelved case 3.
London: William Roybould, 1660. First Edition. 12mo, 359 pages; VG; 3/4 bound in modern burgundy leather, burgundy cloth boards, paneled spine with gilt bands and gilt lettering; top edge of text block gilt; , 459 [i.e. 359], , page 359 misnumbered 459; title page in red and black; page 103/104 (leaf H4) has both corners torn out, text impacted; with frontispiece of Oliver Cromwell; JG consignment; shelved case 0.
London: Macmillan & Co Ltd, 1961. First Edition, First Printing. Octavo, 170 pages; VG/VG; in pictorial dust jacket, blue/green spine with black and red titling; mild rubbing and wear, particularly to head and tail of spine; dust jacket protected with a mylar covering, price uncut '13s 6d net'; Inscribed on the ffep by Muriel Spark, "For Rachel MacKenzie / with love / from Muriel" JM consignment; shelved case 3.
New York: Printed by James Parker, 1767. 8vo., 479pp., 148pp.; G+; contemporary leather binding, spine paneled brown leather, top three of six panels have significant amount of leather gone, showing binding underneath; back board splitting from text but still attached, missing leather continues from spine onto back bard, upper quadrant next to spine missing leather; text good with some individual foxing stains; 479 pages of hymns, followed by 148 pages including 143 pages of text, title page and verso, statement of purpose of the printing and a page containing musical scales for individuals desirous of participating in singing the hymns; Inscription by Jacob R. Hardenburgh on ffep attesting to the books purchase for the use of the Bedminster Congregation dated 1774 with later inscriptions by two other church members. Hardenburgh was the first appointed President of Queen's College (Rutgers University); EH consignment; shelved case 3.
London: J. Newberry, 1758. First Edition, Second Issue. 16mo; G+; Contemporary calf with plain paneled spine; housed in a custom gray cloth clamshell; Front board separated, with ffep through first map attached to front board; lacking title page; sticker to front pastedown 'Sold by J. Manning, book-seller, in Launceston'; with frontispiece, preface leaf, B & W maps, index leaf;; All 52 maps are not tinted, all black and white. Book does not have Africa error or printed correction on index (second issue); Consignment; Shelved Case 3.
London: John Murray, 1859. Third Edition. Octavo; G+; Green spine with gilt lettering; 429 pages with two fold outs and pages of advertisements.; Darwin's contribution present and corrected on page 268. NOTES: The first edition of 1849 had a transposition error in Darwin's essay, some later states included a corrected text in a rear pocket. The second edition was issued in 1851, with no offprint of Darwin's article. This is the third edition, complete. Fold out maps are present, with some slight tears to the rear map.; Book has been repaired with original green cloth still present; Some cloth missing from the spine, lettering still present but worn; Former library book with bookplate from the Royal Navy on front paste down and faded ink stamp on title page; Boards show wear along the edges, corners bumped and beginning to fray. Pages are age toned, as is typical with some minor spotting, mostly at the beginning and on the fold outs; Interior otherwise clean and free of marking.; shelved case 10.
New York: G.P. Putnam's Sons, 1895. The Author's Autograph Edition, #202/500. Octavos, 40 volumes; VG; uniformly bound in the publisher's original three quarters green morocco, marbled boards, paneled spines with gilt text and tooling, top edges gilt; marbled endpapers; 13 volumes with sunned spines; very mild wear to bindings; One of 500 sets, this is number 202, all volumes with limitation pages; this set contains page 209 of original manuscript of The Alhambra tipped in to volume one of The Alhambra, with several edits by Irving in ink.; shelved above HC Fiction.
Philadelphia: Prichard and Hall, 1788. First American Edition. Octavo, , 244,  pages; G; bound in contemporary mottled brown leather, flat spine with gilt bands and lettering; chipping to head of spine; rubbing and bumping to corners; front hinge shaken, with lower half detached; an unrestored copy, no signs of repair to binding; collation: [A]2, [B]4, C-G4, H3/4, I4, K1-3, L4, M-Z4, 2A-2I4, lacking H1/2, K4, L1-L3 (corresponds to pages 49-52, 71-78); L4 and M1 partially loose; title page has a strip torn off at the head, does not impact text; name written on title page; first and last few leaves and pastedowns have light to moderate browning in irregular along edges, probably from binder's glue; mild foxing throughout; lacking folding demographic Table of Virginia Indians; map on page 20 present; 4 pages of ads in rear as called for; JG consignment; shelved case 1.
Augsburg, Bavaria, Germany: Joseph Wolffischen, 1783. folio, 750pp., 24pp. index, 136pp.; VG; bound in brown leather, paneled spine with no lettering; front board decorated with metal in the four corners, diamond in the center; remnants of two clasps present, two metal hooks on fore edge of front board, two torn leather strips bound into rear board; moderate rubbing to boards; newer endpapers; title page has had a strip of paper approximately 1.25 inches (3.5cm.) high torn off of the bottom, primarily including the entirety of the publication information. It has been repaired with the backing of another sheet on that portion. There is a small tear in the middle of the page that is backed by a piece of paper on the verso, and so barely impacts the legibility of the words; complete collation: endpaper, title page, 2pp. table of contents, 4pp., 750pp., 24pp. index, title page, 6pp., 136pp.; separate title page with separate pagination; page 110 misprinted as 100, 160 as 142, 217 as 21, 271 as 217, 523 as 532, 524 as 534, 554 as 454, 732 as 571, only the page number impacted; small repairs on pages 165/166, 571/572, 633/634, 649/650, 687/688, 701/702, 705/706, 719/720, 1/2; illustrated pages beginning parts two and three on pages 165 and 567. The pagination between pages 566-571 appear to be missing a page, as is usual with this edition; ffep partially detached; profusely illustrated with over 800 black and white woodcut illustrations, including genre scenes, individual plants and animals, and distilling apparatus; Adam Lonicer was a German botanist who studied at Marburg and the University of Mainz, obtaining his Magister degree at sixteen years of age. After becoming a Doctor of Medicine in 1554, he became the town physician in Frankfurt am Main. His true interest though was herbs and the study of botany. His first important work on herbs, the Kräuterbuch, was published in 1557, with a large part dealing with distillation. He married Magdalena Egenolff, the daughter of Christian Egenolff, his Frankfurt publisher and a printer who specialized in herbals. The work that made his name famous is this popular herbal, the Kräuterbuch. Lonicer provides us with one of the early descriptions of local flora as well as being one of the first to differentiate deciduous trees from conifers. shelved case 4.
Londini [London]: Johannis Darby, 1690. First Edition. Octavo, xxxvi, 510 pages; VG: bound in full polished brown calf, paneled spine with red label and gilt lettering, gilt date on tail of spine; light scuff marks; title page soiled, frayed at outer blank edges, neatly backed, upper fore corner missing, slightly impacts double-ruled border but all text intact; leaves A3, A4, A5 frayed on edges; This is probably one of the few and Thick paper copies, as it is 1/4 inch taller than regular copies in contemporary calf, and the sheets bulk slightly over 1/4 inch thicker than regular paper copies. Collation: title page, A3-A8, a8, b2, B-Z8, Aa-Kk8, possibly missing either preliminary black A1 or page following title page; "Paradisum amissum", "Paradisum recuperatum", and "Samsonem Agonisten" each have separately dated title pages; pagination and register are continuous.; Wickenheiser 1759, Wing H2362, M2158, Coleridge 184, not in Kohler JG consignment; shelved case 0.
1890. Autograph Manuscript, Four pages in French, 4.25" x 6.5", Lille; [ca. May-June] 1890. Poem, consisting of 23 stanzas [24th stanza crossed out], written by Bernard for his sister Madeleine when he was in Lille during the months of May-June 1890. In his poem, Bernard reminisces about their strolls in Pont-Aven, where they traveled together in the summer of 1888, "in the time of the time of the prophet Gauguin?" [His sister was for a time in love with Gauguin], and refers to places they visited and experiences they shared. He ends the poem with reflections on Lille's inhabitants, their clothing and appearances, and what secrets they conceal.; Consignment; shelved case 0.
London: Privately printed by Bernard Quaritch, 1880. First Edition, Second Issue. Thin Quarto; VG-; Original yellow paper wraps bound in 3/4 green leather and cloth boards; Gilt lettering on spine; Thought by most to be written, not translated by Richard Burton, an early transcription of Sufi ideas; First and second issues thought to number only around 200-250 copies; Cracking at the hinges beginning, some separation of the boards and binding; bumping and fraying at the corners; Small tears and creasing to original wraps (tape repairs); Some spotting/foxing throughout, though text is clean; 33 pages. GP consignment, shelved in case 0.
London: printed for William Crooke, at the Green-Dragon without Temple-Bar, 1691. Octavo, , 69, , 38,  ads; VG; bound in 19th century speckled calf by Zaehnsdorf, newly rebacked in similar leather, burgundy label with gilt titling; boards with moderate rubbing and wear, double-ruled gilt border, turn-ins; marbled endpapers; all edges of text block gilt; "A pastoral dialogue concerning friendship and love. Occasion’d by the death of the Honourable J.T." has separate dated title page and pagination; register is continuous.; Extremely scarce; shelved case 3.
London: George Newnes, 1902. First Edition, First Printing. Octavo, 358 pages; VG; bound in publisher's red cloth stamped in gold and black; housed in an ox-blood cloth slipcase; mild rubbing to binding; red still bright; ffep has upper fore corner missing; gutter webbing beginning to show at half-title; with frontispiece and 15 full-page illustrations by Sidney Paget; First printing, with 'you' for 'your' on page 13; EH consignment; Shelved case 3.
Basileæ: In officina Frobeniana, 1542. Folio, , 816 pages,  pages index; VG; bound in contemporary full vellum, paneled spine with faded ink lettering to head of spine, full tooling to boards, partial beveling to edges; bound with two clasps, majority of lower clasp missing, upper clasp present; slight scraping to text block from clasp; woodcut printer's device on title page and verso of final leaf; woodcut initials; colophon on verso of final leaf; text in Latin with sections in Greek; wide margins; no bookplates or previous owners markings; index in rear; This edition is part 2 of "Nouum Testamentum iam quintum ac postremum accuratissima cura recognitum à Des. Erasmo Roterodamo cum annotationibus ... Basileae, 1541 [1542 - cf. colophon].; consignment; shelved case 4.