Boston: Bullfinch Press, 1997. First North American Edition. Folio; G/G- Hardcover w/ Dustjacket; Bronze spine with Black and White text; Dustjacket covered by brodart, some edgewear, some shelfwear, open tear along tail edge of front cover near bottom corner, large closed tear along head edge of rear cover; open tear along head edge of rear cover and spine, small open tears along spine edges, small open tears at corners of both covers, large crease on front cover, creases on rear cover; Boards strong, slight cocking to spine, some edgewear, some shelfwear, bumping and rubbing to corners; Textblock has markings in pencil on many pages and on rear endpaper, some edgewear along fore edge; 287 pp Oversized order. Additional shipping and handling may be necessary for expedited/international orders. Economy international shipping unavailable due to size/weight restriction(s).
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Austin: University of Texas Press, 1985. First University of Texas Press edition. Quarto; First University of Texas Press edition; VG/VG; Hardcover with DJ; DJ spine, black with white print; DJ clean and bright; Boards in brown cloth with gold print, clean and strong; Text block clean and tight; Signed in ink by the author on the half-title page; 256 pages, frontispiece, illustrated (chiefly b&w). [Shelf: Sculpture] [NOTE: Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates.].
United States: Johnstown Flood Museum, 1989. Reprint. Reprint; Quarto; VG/VG-; Spine is blue/green with white text, every word is a different color; DJ has general shelf wear, light rubbing to edges, design is clear; Boards have general shelf wear, edge-wear, light rubbing to corners, joints and hinges are strong; Text block has general signs of handling, content is clear; pp 110; Additional shipping cost may be necessary for expedited and international shipping.
New York: Ruder Finn Press, 2010. First Edition. square 4to., 517 pp., VG-/VG-; DJ, red spine with white lettering; approx. 1/2" closed tear to bottom edge of front cover; wear/creasing to corners, closed tear to bottom corner of front cover; "$85.00 US" to back cover; pale yellow cloth boards, depressed pale yellow lettering to spine; back board cocked; bumping to corners, particularly to bottom corner of back board; black scuffing to bottom edges of boards; text-block somewhat waved, black scuff mark to fore-edge; interior clean, many glossy plates of Henry's works; INSCRIBED to ffep: "Glen / Well finally this is it. Let me know what you think. Thank you for all you have done for the ISC - you have consistently pulled rabbits out of a hat month after month for years. You know I have always had a deep respect for what you do even if we don't always agree. All the very best / Peace and good health, John Henry / Feb. 2011"; "ISC" likely stands for International Sculpture Center, a non-profit based in Hamilton, NJ, of which Henry is a Chairman Emeritus; "Glen" likely refers to Glenn Harper, Executive Editor of Sculpture, the ISC's monthly magazine, with offices based in Washington, DC, who wrote a review of Henry's book posted to Sculpture magazine's website in March 2011; John Raymond Henry is a contemporary sculptor best known for monumental and large-scale public artworks, including the largest contemporary metal sculpture in the United States; copy includes sealed DVD affixed to back paste-down; shelved Front Table.