London: Hodder & Stoughton, 1907. Second Edition. Quarto, 125 pages; VG; rebound in half red calf, boards are the original cloth from publisher's binding; spine paneled with gilt lettering and tooling; mild wear and rubbing to boards; mild rubbing to corners; with 50 color illustrations; mild foxing, does not impact plates; plates bound in rear, as usual; shelved case 3.
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Philadelphia: J.B. Lippincott Company, 1934. First American Edition. Octavo, 44 pages; G/G-; spine tan with blue lettering; dust jacket protected with a mylar covering, price cut; moderate wear and chipping to dust jacket, some water-staining; water-staining to boards near head of spine; illustrated plate on front board; illustrated endpapers; 4 color plates including frontispiece; shelved case 14.
New York: Doubleday, Page and Co., 1907. Limited Edition. Quarto; VG-; Quarter bound in cloth and paper; Gilt titling to spine; Gilt titling and designs to front board along with inset illustration on front; Some rubbing and fading along the edge of the boards, mostly at the upper; rounding of board corners, some fraying beginning; Binding starting at the upper edge of the title page, but still sturdy; Top edge gilt, all other edges deckle cut; Some toning to the pages; Book is numbered 119 of a limited edition of 550 edition number and "Doubleday Page & Co." Both written in red pen on limitation page; LP Consign. Shelved: Case 14.
Philadelphia, PA: J. B. Lippincott. Reprint. Octavo, 147 pages; VG; quarter rebound in green leather, paneled spine has gilt lettering and tooling; binding has minor wear along the top and bottom edges, with minimal bumping and scratching on the fore edge corners, has minimal fraying near the top of the spine, spine has heavy discoloration from sun exposure; pages have minor age toning; illustrated with full color plates; original owner's name is written on the ffep in pen; shelved case 4.
London: Heinemann, 1919. Limited de Luxe Edition, #392/850. Quarto, 109 pages; VG-; bound in green boards with brown leather spine; Limited edition of 850 copies, 525 on English hand made paper, 325 on Japanese vellum. This copy is No. 392. Some wear along the boards; scuffing, particularly to the rear board; corners are bumped and beginning to fray; Text block typically age-toned, especially along the deckle-cut edges; Some illustrations have light spotting and ink remnants from illustrations on the opposite page; Signed by Arthur Rackham on the limitations page; LM consignment; shelved case 3.
London: Doubleday, Page & Co., 1909. First Edition Thus. Quarto, 136 pages; VG; bound in full mid 20th century dark blue calf, paneled spine with gilt; marbled endpapers; interior clean; contains eleven (11) full-color tipped-in plates by Rackham, including frontispiece, protected by tissue guards; shelved Case 12.
London: George G. Harrap & Company, 1929. First Trade Edition. large 8vo., 231pp.; VG; bound in polished red calf, paneled spine with gilt tooling, two panels green with gilt lettering; boards have triple-ruled borders with circle decoration to the corners, inner gilt dentelles, single gilt edge-roll, all edges of text block gilt; mild rubbing to corners, head and tail of spine, small scar on front cover; red marbled endpapers; bound by Sangorski and Sutcliffe, London; interior clean, with no signs of age-toning or foxing; shelved case 12.
New York: The Heritage Press, 1940. Octavo; pp 190; G-/no-DJ; blue spine with gilt text; slipcase has noticeable soiling to exterior; limited editions club; some chips to corners; cloth has slightly sunned spine; some moderate wear to exterior; lightly rubbed edges; text block has red exterior edges; interior lightly toned; previous owner's bookplate to ffep; frontispiece with tissue guard; illustrated; tight binding.
New York: Doubleday, Page & Co., 1909. First Edition. Small quarto; G+/no-DJ; brown leather-bound spine with gilt text and black illustrations; cover has rubbing, chipping around edges, back board has small rip at hinge, binding has been reinforced inside, comes in protective plastic cover; textblock has edgewear, minor white spotting on fore edge, binding reinforced in front and back, tape residue at hinge of half title page, stamp on title page, smudging on endpapers and pastedowns, a few stains throughout, text and 40 color plates are all clean; pp 325; FLP Collection.
London: George G. Harrap, 1936. Limited Edition. Quarto; VG; Ivory leather boards; Gilt lettering to spine and boards with gilt illustration on front; Some bowing to boards, as is typical; Light wear to the edges and corners, rubbing; Binding secure; Light toning to the edges of the text block, interior clean; All illustrations clear; Book has been SIGNED by Rackham on the limitations page and is numbered 459 of an edition of 460. LP consignment, shelved case 14.
J. M. Dent & Co., 1907 . Second Edition (Edition de Luxe). tall thick 8vo., 549 pp., VG-; leather-bound, red boards, gilt lettering and motif to five-paneled spine; cocking to spine, no shelf lean; light scratching to boards, black scuff marks towards top edge of front board and hinge; rubbing with superficial material loss to bottom edge of boards; slight cocking to boards, boards shaken, binding intact; red top, age-toning/mild wear to text-block; starting hinge to verso of p. 549 and recto of bfep, closed tear towards top of bfep (stuck to back paste-down); mild age-toning and occasional foxing/creasing to interior (text legible), waving to endpapers; tipped-in full-color frontispiece and plates excellent and protected by tissue guards, plates affixed to a dark green thicker paper; pub. 1907 by J. M. Dent & Co. stated to title page; differences between First Dent & Co. Edition (pub. 1898) and this edition stated to Prefatory Note (p. v) by Rackham; "It has been the desire of the Publishers to here present the 'Ingoldsby Legends' in something like an 'Edition Definitive de Luxe" stated to Publishers' Note (p. "a3," technically p. vii); orange silk ribbon; LP consignment; shelved Case 12, Dupont. Heavy item: Please contact us for international/expedited shipping costs.
New York: Charles Scribner's Sons, 1907. Early Reprint. small quarto, 126 pages, G; bound in publisher's green cloth, gilt lettering to spine, gilt lettering and picture to front cover; significant rubbing to cloth on upper and lower edges of front and rear boards, hinges; ink stain to rear cover; front board slightly shaken; spine cocked; titled tissue-guards over plates; name in ink to ffep; HP consignment.
London: J.M. Dent and Co., 1909. Limited Edition. Quarto; VG; White cloth boards; Gilt titling to spine and boards, gilt illustration on front; Cloth ties to fore-edge; Upper edge gilt, deckle cut other edges; Some rubbing to boards, spine faded slightly; Corners bumped a bit; Some foxing to tissue guarding frontispiece, which has slightly affected the facing page; Book has been SIGNED by Rackham on the limitations page and numbered 418 of an edition of 750; This limited edition includes the illustration of Puck facing page 16, which is absent from the trade edition; LP Consignment. Shelved: Case 14.
London: Heinemann, 1921. First Thus. Quarto; VG; Bound in full leather by Sangorski and Sutcliffe with gilt lettering and designs; Raised bands on spine with titles in gilt; Satyr design on front board in leather and gilt; All edges gilt; End papers have been repaired at the gutters; Binding tight; Text block toned but free of marking; All illustrations guarded by tissue with text. Previous owners small bookplate on interior of rear end paper, gift inscription by previous owner in pen; Book is SIGNED by Rackham on the limitations page and numbered 460 of a limited edition of 550. LP Consign. Shelve: Case 14.
Philadelphia: J.B. Lippincott, 1931. Limited Edition, #184/275. Thin, small octavo in beige soft covers inside beige casing; VG; casing shows substantial soiling and shelf wear with lower side and spine opened; moderate soiling on book; covers slightly warped and slanted forward; front and back end pages fully illustrated in red color; previous owner's dedication on second front page; Rackham's signature on limitation page; gift inscription to half-title; vellum paper slightly warped and discolored, with occasional offsetting along spine; deckle edges; contains four full page colored illustrations on glossy paper and half page black and white illustrations; pp. 35; SL consignment; shelved in case 3.
London: Heinemann, 1913. Limited Edition, #199/1130. Large Quarto, 160 pages; VG-; bound in in white buckram with gilt text and illustrations on cover and spine; with frontispiece, 12 color tipped in plates, numerous black and white illustrations; Wear to the edges of the boards as well as some minor soiling; Edition limited to 1130 numbered copies, of which this is number 199. Signed by Rackham on the limitations page; LM consignment; shelved case 14.
London: George G. Harrap & Co. Ltd, 1929. Limited Edition, #449/775. Quarto. 231 pages; VG; bound in the publisher's original vellum boards, gilt title and tooling to spine and front board; pictorial endpapers, top edge of text block gilt; vellum with mild staining and wear; small wax initials to front pastedown; bookplate to verso of ffep; lacking original box; some pages uncut; illustrated with color frontispiece and 12 color plates, plus in-text black and white illustrations, number 449? of 575 copies for England signed by Arthur Rackham; shelved case 14.
London: William Heinemann, 1908. Limited Edition, #857/1000. Quarto, 134 pages; VG; bound in publisher's gold-pictorial full vellum, top edge gilt, others untrimmed; yellow silk ties; mild rubbing and wear to vellum; Limited to 1000 numbered copies for sale in Great Britain and Ireland, this is copy #857 signed by Rackham; with 40 color plates mounted on heavy brown paper with lettered tissue-guards and 30 drawings in black and white; shelved case 14.
Philadelphia: J.B. Lippincott Company, 1932. First American Edition. 8vo., 47pp.; VG/G+; spine white with black lettering; dust jacket protected with a mylar covering, price uncut; some chipping to corners, large chip to head of spine extending onto rear board, chipping to upper edge; pages slightly age-toned; interior clean; Originally written in 1841 for twelve-year-old Effie Gray. It was published in book form in 1851, and became an early Victorian classic which sold out three editions. A fairy tale that illustrates the triumph of love, kindness, and goodness over evil, as well as a fable, a fabricated origin myth and a parable. Ruskin was the leading English art critic of the Victorian era, as well as an art patron, draughtsman, watercolorist, a prominent social thinker and philanthropist. This edition is Illustrated by Arthur Rackham. Hardcover with dust jacket. 47 pages; shelved Window or case 14.
London: William Heinemann, 1908. First Edition. Quarto, 134 pages; VG; rebound in half tan calf, boards are the original cloth from publisher's binding; spine paneled with gilt lettering and tooling; mild wear and rubbing to boards; mild rubbing to corners; with 40 color illustrations; mild foxing, does not impact plates; shelved case 3.
London: William Heinemann, 1929. First Edition, Ninth Printing. Small Quarto, 134 pages; VG; bound in sea-foam blue cloth, gilt lettering to spine; mild rubbing to boards; with 40 tipped-in color plates and black and white illustrations and designs by Arthur Rackham; captioned tissue guards; small bookseller's sticker to rear pastedown; shelved case 14.
New York: Macmillan, 1918. Limited Edition. Octavo; VG; White cloth boards with gilt lettering on the spine; Boards have light edge wear, minimal rubbing; Binding tight; Text block toned, previous owner's name on limitations page, otherwise free of marking, all illustrations clear; Upper edge gilt with some light scratches, bottom corner of text block thumbed; Book is numbered 245 of a limited edition of 250; LP Consignment. Shelved: Case 14.
New York: Abaris Books, Inc., 1978. First Abaris Edition. Small Quarto; pp 200; G/G-; creamy yellow spine with burgundy red text; dust jacket has slight soiling to exterior; several chips to edges, as is; mylar wraps; cloth shows some foxing to head edge; some rubbing wear to edges; strong boards; text block has slight shelf wear to exterior edges; interior clean; frontispiece; profusely illustrated;.
London & New York: William-Heinemann & Doubleday, Page and Co., 1928. Octavo: G+/no-DJ: Brown spine with black text: Boards have general shelfwear, age toning most prevalent along spine, some fraying and bumping of corners and head and tail of spine, front paste down has previous owner's bookplate, spine is slightly shaken: Textblock has darkened with age, pages are free of markings, folds or tears, foxing around perimeter of pages and on blank pages, many lovely color illustrations: 161 pp. EB/ND.
London: Heinemann, 1911. Limited Edition. Quarto; VG-; Vellum binding; Silk ties to front fore edge; Gilt lettering on spine, gilt design to front; Some bowing to boards as is typical for this edition; Upper edge gilt, all other edges deckle cut; Binding is tight; Text block is toned, but free of marking; All images clean; Book has been SIGNED by Rackham and is numbered 944 of an edition of 1150. This volume contains the second and third days of the Ring of the Niblung Trilogy: Siegfried and The Twilight of the Gods. Shelved Case 14, Dupont.
London: William Heinemann, 1910. First Edition Thus. Quarto, 159 pages; VG-; rebound in quarter red calf, marbled boards and endpapers, paneled spine with gilt tooling and lettering; sun-darkening to spine; wear to hinges, with front board starting on both ends; rubbing to boards; with thirty-four full page coloured mounted plates; shelved case 12.