Paris: Chez H. Agasse, 1805. 7, 114 plates; G; bound in full period tree-calf, paneled spine with two labels with gilt titling, gilt to panels; patterned endpapers; Page 7 and 'Addidion a l'explication des planches' both excised, trimmed on all edges, and loose within; Composition et Expression 1 (planche double) excised but present, Dessin 13 excised but present, Dessin 38 excised and missing, Gravure 8 excised and missing, Sculpture en Bois 1 excised, cut into pieces, with some pieces present; with 114/116 plates; shelved case 4.
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Boston and New York: Houghton Mifflin and Company, 1906. Large Paper Edition, #28/650. Quarto, 6 volumes; VG; bound in 3/4 dark green calf, spines and portions of boards sun-faded to brown, marbled boards and endpapers, front board of volume 2 was previously detached but has since been repaired (please see photos for details), paneled spines with one compartment gilt titling, others gilt; top edge of text block gilt, others uncut; Large-paper edition, number 28 of 650; with 35 illustrations by Flaxman, plus a matching pair of color/black and white frontispieces per volume; shelved above china section.
1840 - c.1860. Octavo, ; VG; bound in full pebbled green calf with gilt, paneled spine with gilt stamping and titling, marbled endpapers; bound by Riviere with their stamp; mild rubbing to hinges; Contains 12 original pen-and-ink drawings of a baby, each captioned and surrounded in a cartouche. Each leaf is mounted in the binding. Date presumed 1840 - c.1860, based on the binder's stamp; A unique collection of private baby drawings; shelved case 0.
New York: George R Lockwood, ND [1870?]. Early Edition. Quarto; VG-; 334 pages; Tooled leather with gilt titling on spine, raised bands; VOL. 2 ONLY; Full color plates intact, protected by tissue guards; Gilt edges; Sewn-in silk bookmark; Marbled endpapers; Bookstore bookplate on front pastedown; Scuffing and some fraying to the edges of the boards and spine; Bumping/fraying to the corners; Some foxing to the edges of the text block; Toning to pages as typical; PS Consignment, shelved case 10.
London: Hodder & Stoughton, 1907. Second Edition. Quarto, 125 pages; VG; rebound in half red calf, boards are the original cloth from publisher's binding; spine paneled with gilt lettering and tooling; mild wear and rubbing to boards; mild rubbing to corners; with 50 color illustrations; mild foxing, does not impact plates; plates bound in rear, as usual; shelved case 14.
London: The Trianon Press for The William Blake Trust, 1954. Limited Edition, #395/1600. Octavo, unpaginated; VG; bound in quarter tan calf, gilt titling to spine brown speckled paper-covered boards; top edge gilt; Housed in matching brown speckled paper-covered slipcase, tan calf edge; mild rubbing, primarily to spine, calf edges of slipcase; gift inscription to sfep; Printed on Arches pure rag paper, which was made to match what Blake originally used, and watermarked with his monogram; shelved case 0.
New York: D. Appleton and Company, 1974. Centennial Edition. Quarto, 568/576 pages; VG/VG; both volumes fully bound in pink cloth, spines have gilt lettering on red labels, front covers have embossing and gilt lettering; binding has minor shelf wear, with minimal bumping at the top and bottom of the spine and on the fore edge corners; pages have minor dust build up along the top edge; shelved Alcove 1.
Paris: Henry Creuzevault, 1953. Limited Edition, #15/140. Folio (10" x 15"), 52 leaves in 26 signatures in original paper folded cover (covered in a glassine protective wrapper); Fine; Bound in cloth sleeve covered in paper with a box enclosure. Number 15 of 140 copies, on Rives paper. Printed by Janine Daragnès on May 11, 1953. With 21 original etchings by Buffet, including 7 full page and 3 double-page, plus one on cover; plus a separate suite of 23 drawings, including 3 double-page drawings. Limited edition reissue of 1939 work, with illustrations by Bernard Buffet (1928-1999), signed by Giono and Buffet, with a foreword by Pierre Bergé.; shelved case 11.
New York: Rock Foundation, 1988. First Edition. Folios, 3 volumes, VG/no DJs as issued; gray cloth boards, black lettering to spines: very mild overall wear to boards, spines faded beige (lettering clear and legible); minimal wear to clean text-blocks; interiors clean; VOLUME 3.1 [COSMIC GAMES]; VOLUME 3.2 [THE LABYRINTH & OTHER PATHS TO OTHER WORLDS]; VOLUME 3.3 [THE WORLD TURNED UPSIDE DOWN]; frontispieces; volumes housed in VG- brown cloth slipcase; shelved front table.
Paris: The Black Sun Press, 1930. Limited Edition. #72/370. Oblong Quarto, 114 pages; VG/G; in printed tan wrappers, red and black lettering to spine; with original glassine, parts torn or tattered; interior clean, with minimal foxing; Illustrated with six original color lithographs by Marie Laurencin; Copy #72 of 370 of the European edition, and of that, one of 300 printed on Rives paper; SH consignment; shelved case 0.
New York: J. S. Redfield, 1847. Quarto, 112 pages; G; quarter bound in black cloth; spine has gold panel lining; binding has heavy wear, spine has severe cracking and detachment, with chunks missing at the top and bottom, has tearing along the sides; boards have bumping and fraying along the edges, have heavy discoloration small stain marks throughout; pages have severe age toning, have minor detachment at the front and back hinges, have minor foxing along the fore edge; shelved case 12.
London: Effingham Wilson, 1833. First Edition. Octavo, 105 pages; VG; in original printed paper covered boards, advertisement printed on back cover; housed in custom burgundy chemise and box, gilt titling to spine of box; paper spine threatening to separate at front hinge; mild wear to boards; With fourteen wood engravings by George Cruikshank, 11 of which are full-page with tissue guards, plus three vignettes; shelved case 10.
Paris: Librairie Floury, 1929. First Edition, 1/200. Quarto, 247,  VG/VG; protected in original waxed glassine, mild chipping; original etching as frontispiece, illustrated with sixteen full-page illustrations with paper-guards, ten in color, and numerous in-text black and white illustrations; limited to 200 copies; shelved case 11.
New York: Charles Scribner's Sons, 1975. First Edition, First Printing. 4to., 224pp.; VG/VG; spine tan with teal and black lettering; dust jacket protected with a mylar covering; minor bumping and shelfwear; price-clipped; the front pastedown, both sides of the ffep, and the half-title pages have inscriptions and drawings/doodles by the following cartoonists: Mort Gerberg, Sam Gross, Marvin Tannenberg, Dana Fradon, Bill Woodman, Jack Ziegler, Gahan Wilson, George Booth; shelved case 1.
Putney, VT: Year of Dog Press, 1972. Limited First Edition [#103/650]. Octavo, 69 pages, VG/VG-; red matte paper wrapper, gold and black lettering: mild fading mostly to spine; wear with mild fraying to head, tail, and corners; closed tear to head; scattered minor imperfections to wrapper; back cover of wrapper pasted to back board (possibly as issued); covers protected by plastic covering; plain uncovered boards, modern Coptic-style binding with adhesive: slight bumping to corners; light age-toning to text-block, deckle fore- and bottom-edges; interior clean, black lettering and color-woodcut illustrations printed on tan Nideggen mould-made paper stated to limitation page, No. 103 out of 650 copies; SIGNED by both editors/illustrators to limitation page; shelved Poetry Anthologies.
New York: Coward-McCann, Inc., 1930. First Edition, First Printing. Octavo, unpaginated; G/none; bound in publisher's orange cloth, blue lettering; boards shaken, moderate rubbing and wear to boards, including fraying to head and tail, smudging, teeth? marks to lower edge of front board; Inscribed twice by Gropper, the first on the title page, "On a vague visit Los Angeles, Aug. 10, 1937 in a trance," the second also on the title page, "Jan 15, 1931 To I. Klein my faithful model who posed for the fly-leaf. With love"; extremely scarce, especially signed; shelved case 2.
Philadelphia: Lindsay & Blakiston, 1854. First Edition. Quarto, 300 pages; G-; rebound in modern burgundy cloth, gilt to spine, original light brown crushed morocco boards with gilt-stamped decorations attached to front covers; all edges gilt; marbled endpapers; lacking illuminated additional title page and frontispiece; fore edge of title page and four following pages with tape on the fore edge; some finger-staining and sparse pencil; illustrated throughout with 10 chromolithographs depicting some of the birds mentioned in the book; shelved case 4.
New York: Watson-Guptill Publications, 2001. Limited Edition, #244/1000. Square quarto, 132 pages; VG in VG slipcase; bound in black cloth, gilt titling to spine; mild shelfwear; Signed by both Greg and Tim Hildebrandt on the limitation page, #244/1000; large fold-out poster bound in rear; shelved front table.
London: R. Faulder, New Bond Street; And J. Egerton, Whitehall, 1794. Quarto, xvi, 183 pages, VG; beautifully bound in an elaborate full morocco-gilt Kelliegram binding, featuring an eight-color morocco inlaid cover portrait to the front board and a seven-color morocco inlaid cover portrait to the rear; rebacked with spine preserved; mild bumping to corners, slight rubbing to spine; marbled endpapers; all edges gilt; gilt Kelliegram signature stamped to the rear board's lower turn-in; With 57 plates, some aquatint, one folding; The front inlay is Count Viviani, from plate 3, page 34, the rear inlay is from plate 1 page 25.; Consignment; shelved case 3.
Nürnberg: Verlegung des auxtoris Gedruckt bey Johann Ernst Adelbuler, 1731. Folio; G; bound in faded red cloth, faded titling to front cover; moderate wear, including fraying to corners, spine largely detached, remnants of cloth ties to boards; With title page, 42 pages of text in German, 14 maps of the celestial sphere, 77 terrestrial maps; all celestial and 73 terrestrial maps hand-colored contemporaneously; lacking allegorical frontispiece engraved by Casper Luyken and the portrait of Charles VI in black and white; the backs of the majority of maps with a child's drawings, majority in pencil, some crayon, circa 1880, very sparse pencil to the maps themselves; some scattered repair; title page missing the lower fore corner, does not impact text; With a fully global collection of maps, including the constellations, both the Copernican and Tychonic models of the orbits, maps of both hemispheres, Europe, Asia, Africa, and the Americas. Maps of North America do include the names of some Native American Tribes. Interestingly, the maps are inconsistent as to whether California is an island. The title vignette is a map of the world as seen from above the north pole, includes California as an island. All maps with emblematic cartouches and ornamented with engravings.; consignment; shelved map case.
Mexico: Carral y Carral, 1945. First Edition. Elephant Folio; VG; The complete folio set of frontispiece, 52 playing cards and three jokers. boards have interior water staining, not impacting text; The illustrations are generally in G+ or better condition, with the 7 of spades having a small closed tear and some water-damage to the edges of some plates; A full description of each cartoon is written on the interior of the boards; LH consignment; shelved case 11.
Lausanne: Andre Gonin, 1943. Limited Edition, #159/174. 136 pages plus indices. Text in French. Small folio, loose-bound in salmon-colored wraps with black title and device on front, housed in a protective outer cover of paper-covered cloth boards with a gilt title on the spine. Included are 21 original engravings, 11 of which are full-page. The volume is signed by the engraver and the publisher (André Gonin), and is a limited edition (edition number 159/174). Condition: Very Good. There is some loss of paper covering at the joints of the outer cover, along with water staining at bottom left and general light marking and discoloration. The inner wraps have a 1 ¼ in. split to the bottom front joint and very minor wear to the corners and the head of the spine. The text block shows light age-toning and some foxing to pages, especially at the fore-edges. Dimensions 11.125 x 15 x 1.25 inches Shelved case 11.
In aedibus Story-Scientia: Gandavi [Ghent], 1968. Limited Edition, #418/675. Folio, unpaginated; VG; bound in full vellum covered boards, gilt titling to spine, gilt illustration to front board; some vellum separating from the pastedowns, as expected; mild rubbing and wear to binding; This publication was issued to commemorate the hundred and fiftieth anniversary of the foundation of the State University of Ghent. This edition is limited to six hundred and seventy-five copies, of which seventy-five were numbered I to LXXV, and printed for the University Council, and six hundred, numbered 1 to 600, were to be offered for sale, of which this is #418; shelved front case.
Paris: Durand Ainé, Marcand D'Estampes, 1832. Quarto, unpaginated; VG; bound in 3/4 red calf, marbled boards; gilt stamping and titling to spine; head and tail both have some glue repair, head with drop of glue showing, chipping to head and tail of spine' some rubbing and wear to binding; bookplate to front pastedown; with 70 beautifully colored plates, some mild foxing, primarily to edges; list of plates bound in rear; MW consignment; shelved case 11.
London: Hidgson, Boys, and Graves, n.d . First Edition. Folio, unpaginated; VG; bound in full gilted and blind brown morocco, paneled spine with gilt lettering; marbled endpapers, all edges gilt; bookplate of the Baron Northwick to the front pastedown; with 37 plates, edges of some plates foxed; MM consignment; shelved above Mythology.
Londres [i.e. Paris?]: 1779. Octavo, , 182 pages; VG; bound in period red morocco, rebacked with paneled gilt spine preserved; some wear to boards; text bock gilt; marbled endpapers; front pastedown with two bookplates and an old catalogue description; With a half-title and an additional engraved titlepage; illustrated with 29 plates inset, including the 'petits pieds' plate; The imprint is false; probably printed in Paris.; shelved case 3.
London: Halton and Truscott Smith Ltd., 1924. Limited Edition (58/1000). Quarto, 36 pages + 86 plates; VG-; bound in full dark blue cloth, spine has gilt lettering, front cover has gilt lettering and tooling; binding has minor wear along the top and bottom edges, has bumping on the fore edge corners, spine has moderate discoloration; pages have gilt along the top edge, have minor age toning; shelved front table.
Paris: Editions Excelsior, 1930. Limited Edition, #141/302. Large octavo, 192 pages; VG; housed in matching red cardboard chemise and slipcase with gilt; chemise has tape repair; pages are loose in gatherings, as issued; with 14 original etchings loose in rear, 14 colored illustrations, and colored headbands and vignettes; Limited edition of 302 numbered copies. One of 265 copies on vellum of Rives, of which this is number 141; scarce; shelved case 11.
London: Heinemann, 1921. Limited Edition, #460/550. Quarto; VG; Bound in full leather by Sangorski and Sutcliffe with gilt lettering and designs; Raised bands on spine with titles in gilt; Satyr design on front board in leather and gilt; All edges gilt; End papers have been repaired at the gutters; Binding tight; Text block toned but free of marking; All illustrations guarded by tissue with text. Previous owners small bookplate on interior of rear end paper, gift inscription by previous owner in pen; Book is SIGNED by Rackham on the limitations page and numbered 460 of a limited edition of 550. LP Consignment; Shelved case 14.
Circa 1915-1947. The following original draft drawings and paintings by Marco Montedoro are being offered as a collection. They include original graphite, pen and ink, and watercolor paintings on paper and artist's board spanning the career of Marco Montedoro as a set and costume designer. The archive is a comprehensive representation of his professional career in Europe and the United States. Before he died, Montedoro gave his collection to his close friend Hella Arensen (ne Aronson), a German Jewish newspaper artist who emigrated from pre-war Nazi Germany to New York. Since Montedoro's death, the collection has remained in the Aronson family. Most images are signed by Montedoro, with an average size of 11" x 14", and are in varying condition. A full photographic gallery of this collection is available upon request. Montedoro's family of musicians considered him a child prodigy and sent him in his teens to Paris to study drawing and painting. He worked as an artist in Paris until 1913, when he became the artistic director of the Berlin Metropole. During WWI, he designed posters for Italian theaters and cinemas. Following the war, Montedoro returned to Paris to design costumes for the Palace, Ambassadeurs, Moulin Rouge, and Folies Bergère, including a 1927 show featuring Josephine Baker. During this period he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, Montedoro worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's genius is featured om Angelo Luerti's 2006 book 'Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940.
London: Hodder & Stoughton, 1914 (nd). First Edition. Quarto; VG; Blue boards and spine with gilt lettering and designs; Minor wear to the edges, some bumping at the corners; Pictorial end papers; Some age toning to the pages, but interior is bright and clean; All tipped in color plates (25) are present with descriptive tissue guards; mild and hard-to-see signs of repair to gutters of endpapers; LP Consign; Shelved Case 14, Dupont.
London: Hodder & Stoughton, 1910. Edition de Luxe, #233/1000. Large Quarto, 128 pages; VG-; bound in half red calf, red cloth boards, gilt tooling and lettering to spine; fading to spine; top edge of text block gilt; first gathering (including title page) loose; SIGNED by Dulac on limitation page, #233/1000; With 30 color plates by Dulac; shelved case 13.
New York: Century Co., . Limited Edition, #25/150. Large Quarto, 159 pages; VG; bound in white cloth, gilt pictorial and titling; top edge gilt; front gutter beginning to weaken; wear to the edges of the boards as well as some minor soiling; With frontispiece, 12 color tipped in plates mounted on heavy paper with captioned tissue-guards, 1 black and white tipped in plate mounted on heavy paper with captioned tissue-guard, 85 black and white illustrations; Variant of the British Limited Edition, this version intended for sale in the United States. The title page is largely identical, with the publisher and place changed, and the binding is also largely identical with the publisher changed on the spine and the windmill on the real cover not present. This variant also has one additional tipped in plate, a black and white illustration entitled 'Little Bo-peep'; Edition limited to 150 numbered copies, of which this is number 25. Signed by Rackham on the limitation page; LC consignment; shelved case 14.
London: George G. Harrap & Co. Ltd, 1929. Limited Edition, #449/775. Quarto. 231 pages; VG; bound in the publisher's original vellum boards, gilt title and tooling to spine and front board; pictorial endpapers, top edge of text block gilt; vellum with mild staining and wear; small wax initials to front pastedown; bookplate to verso of ffep; lacking original box; some pages uncut; illustrated with color frontispiece and 12 color plates, plus in-text black and white illustrations, number 449? of 575 copies for England signed by Arthur Rackham; shelved case 14.
London: William Heinemann, 1908. Limited Edition, #857/1000. Quarto, 134 pages; VG; bound in publisher's gold-pictorial full vellum, top edge gilt, others untrimmed; yellow silk ties; mild rubbing and wear to vellum; Limited to 1000 numbered copies for sale in Great Britain and Ireland, this is copy #857 signed by Rackham; with 40 color plates mounted on heavy brown paper with lettered tissue-guards and 30 drawings in black and white; shelved case 14.
New York: Abbeville press, 1979. Limited Edition (373/3000). Small Folio, 487 pages; VG; fully bound in grey cloth, spine has gilt lettering, front cover has gilt tooling around a pasted on image; binding has minimal shelf wear, has minimal bumping on the fore edge corners; pages clear; signed by the author on the limitation page; shelved front table.
Washington, DC: National Gallery of Art, 2013. First Edition, Second Printing. Quarto, 315 pages; VG/VG; spine is gray with black lettering; dust jacket has minor shelf wear and creasing along the top and bottom edges; binding has minimal shelf wear, has minimal detachment on the inner spine; contains several fold out illustrations, pages clear; shelved front table.
London: William Heinemann, 1929. First Edition, Ninth Printing. Small Quarto, 134 pages; VG; bound in sea-foam blue cloth, gilt lettering to spine; mild rubbing to boards; with 40 tipped-in color plates and black and white illustrations and designs by Arthur Rackham; captioned tissue guards; small bookseller's sticker to rear pastedown; shelved case 14.
London: Heinemann, 1911. Limited Edition. Quarto; VG-; Vellum binding; Silk ties to front fore edge; Gilt lettering on spine, gilt design to front; Some bowing to boards as is typical for this edition; Upper edge gilt, all other edges deckle cut; Binding is tight; Text block is toned, but free of marking; All images clean; Book has been SIGNED by Rackham and is numbered 944 of an edition of 1150. This volume contains the second and third days of the Ring of the Niblung Trilogy: Siegfried and The Twilight of the Gods. Shelved Case 14, Dupont.