London: printed for W. Strahan; and T. Cadell, in the Strand, 1776. First Edition. Quartos, 2 volumes; VG; bound in contemporary full tree calf, hand-tooled gilt and twin morocco labels with gilt titling to spines; occasional gathering with faint spotting; Volume 2 with the half-title, no half-title issued for volume 1; leaves measure 27.5 x 22 cm; Frank J. Farrell bookplate to both front pastedowns; ink initials to both front pastedowns; White binder's paste visible to both sets of hinges and spines, slight staining to boards, possible repair beneath; lower rear hinge of volume two beginning to separate; Volume 1: A4, a2, B-Z4, Aa-Zz4, 3A-3T4 (final blank presumed integral); Volume 2: [pi]2, B-Z4, Aa-Zz4, Aaa-Zzz4, 4A-4E4, 4F2; With the usual cancels: M3, Q1, U3, 2Z3, 3A4 and 3O4 in volume I, D1 & 3Z4 in volume II; Volume: 1:small closed tear 3F1; Vol 2: Small ink stain to G4, small tear to M2, errata corrected to 3O2, 3Q4;.
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London: Printed by S. Simmons, and are to be sold by T. Helder, at the Angel in Little Brittain, 1669. First Edition. Octavo; VG; bound in full morocco, spine paneled with gilt lettering; gilt text block; some wear and rubbing to binding; ffep through page A3 mostly loose, still attached through two pieces of string to the binding; A4, a4, A4-Z4, Aa4-Tt4, Vv2; small hole in middle of leaf Cc3, impacts text; a few leaves slightly stained. Bookplate of Thomas Jefferson McKee. McKee, 1840-1899, was a well-known book collector and lawyer from New York whose collection was auctioned off in 1900. In the auction, this copy was item number 3091. Autograph of Evert A. Duyckinck, 1839 on top blank margin of title. Evert Augustus Duyckinck, 1816-1878, was an American publisher and biographer. Among his work, he assisted Edgar Allan Poe in printing his Tales collection in 1845 and selected which stories to include. Duyckinck was also known to have lent Melville copies of his books, including a copy of the Decameron and a copy of Paradise Lost. Has the stamp of 'Lenox Library-Duplicate' on verso of title. The Lenox Library was a library incorporated and endowed in 1870, became a part of the founding collection of the New York Public Library in 1895, and opened to the public in this capacity in 1911. Of its collection in 1894, 15,000 of the 83,331 were from the collection of Evert Augustus Duyckinck. Simmons printed 1,200 first edition copies in 1667, and issued them over three years with varying title pages. The title pages have different years, with them reading 1667, 1668, or 1669. There is no known relationship between when a given copy of the text itself was printed, and the attached title page, making establishing priority difficult. This issue includes "Milton's synopsis of each book ("the Arguments" of Books 1–10), his defense of "the Verse," and a list of errata, adding sixteen pages of preliminary matter to the book. Simmons's note to the reader states that he had procured this explanation from Milton because readers of the poem had "stumbled" on first encountering it, asking "why the Poem Rimes not." Milton's strident defense of blank verse (unrhymed iambic pentameter) is printed in large type that fills two pages. His chosen meter, although no longer fashionable by 1667, was the dominant mode of Shakespeare's plays and is the closest to the natural rhythms of English speech. Samuel Johnson later commented sarcastically that, "finding blank verse easier than rhyme, [Milton] was desirous of persuading himself that it is better."" [Morgan Library] JG consignment; shelved case 0.
Witebergae [Wittenberg]: 1531. First Edition. Small quarto (7.125 x 5.5 inches; 182 x 140 mm.).  leaves. Signatures: A-E4 F6 G² h4 I-N4 O² P-2V4(-2V4, blank). Bound without blank leaf 2V4; 2A2 signed "A2." Printer and date of publication from colophon on 2V3 recto. Apologia Confessionis has separate title-page (G1 recto), with "Emenda" beneath the title. Decorative and historiated woodcut initials. Later quarter calf with black paper-covered boards; all edges trimmed and stained blackish-blue; plain endpapers, double-flyleaves at front, single at the rear. Front board detached but for single string at bottom; calf mostly gone; edges worn; corners softened; scuffing to boards; loose electrical tape affixed to bottom of rear board, curling over spine. Front free endpaper and first flyleaf completely detached. Repairs to inner hinges; label pulled up from front pastedown. Split between gatherings V and Z, starting between leaves 2T3 and 2T4, 2V2 and 2V3. Minor thumbsoiling scattered throughout text; some toning; occasional foxing. Text very good in just good binding. Housed in custom black cloth clamshell with red spine label stamped in gilt. [Augsburg Confession]. Confessio fidei exhibita invictiss. Imp. Carolo V. Caesari Aug. in Comiciis Augustae, Anno M. D. XXX. Addita est Apologia Confessionis [by Philipp Melancthon]. Beide, Deudsch und Latinisch. Wittenberg: [Impressum per Georgium Rhau, 1531]. First edition of the Augsburg Confession, containing the Latin texts of the Confessio and Melanchton's Apologia. Although the title-page states that it contains both the Latin and German texts, this first edition contains Latin text only (the German translation by Justus Jonas was added slightly later). Catalog entry tipped to front pastedown from "J. J. Lentnersche Hofbuchhandlung (E. Stahl), München," "Lager-Katalog Nr. 8." Annotations throughout the text in at least two, possibly as many as four different hands, including a couple of manicules. Several early ink ownership inscriptions on the title-page, the earliest that of "Theodorus Backhusius Possessor," who was pastor at Oldenberg (d. 1625); followed by "Vogt 1735," "JFG Olbers 1766" and "H. Meere." Recto of front free endpaper bears ink manuscript notes that seem to be from nineteenth-century New Testament commentator H. A. W. Meyer [Heinrich August Wilhelm Meyer (1800-1873)], dated 1868; verso with additional notes, signed by his son "Professor Dr. [Gustav] Meyer," dated "7 Januar 1883." Bookseller's ticket of Schaeffer & Koradi, Philadelphia. Neuser, Bibliographie, 8. See VD16 C 4734 and C 4735. Sold together with a copy of Neuser's Bibliographie der Confessio Augustana und Apologie, 1530-1580. Nieuwkoop: De Graaf Publishers, 1987.; BK consignment; shelved case 3.
Nürnberg: Verlegung des auxtoris Gedruckt bey Johann Ernst Adelbuler, 1731. Folio; G; bound in faded red cloth, faded titling to front cover; moderate wear, including fraying to corners, spine largely detached, remnants of cloth ties to boards; With title page, 42 pages of text in German, 14 maps of the celestial sphere, 77 terrestrial maps; all celestial and 73 terrestrial maps hand-colored contemporaneously; lacking allegorical frontispiece engraved by Casper Luyken and the portrait of Charles VI in black and white; the backs of the majority of maps with a child's drawings, majority in pencil, some crayon, circa 1880, very sparse pencil to the maps themselves; some scattered repair; title page missing the lower fore corner, does not impact text; With a fully global collection of maps, including the constellations, both the Copernican and Tychonic models of the orbits, maps of both hemispheres, Europe, Asia, Africa, and the Americas. Maps of North America do include the names of some Native American Tribes. Interestingly, the maps are inconsistent as to whether California is an island. The title vignette is a map of the world as seen from above the north pole, includes California as an island. All maps with emblematic cartouches and ornamented with engravings.; consignment; shelved map case.
[Rouen]: [n.p.], 1707. First Edition, First Issue. Quarto, , 204,  pages; VG; Bound in contemporary calf, spine gilt with raised bands, gilding faded and a bit rubbed, inner hinge front cover cracked but binding solid. Large folding table, "Formulaire qui peut servir pour tout un pays", at page 192.; Extremely Rare First Edition, First Issue, with B4 in an uncancelled state, on p. 16, a setier is given as weighing 170, rather than 240 pounds, "...le septier pesant net cent soixante & dix livres..."; In Le Projet d’une dixme royale (“Project for a Royal Tithe”), one of the 18th century’s most important writings on political reform, Sébastien Le Prestre de Vauban (1633-1707) suggested replacing existing taxes, which were unfair and offered limited yield, with a 10% income tax on all land and trade from which no one should be exempt. He substantiated his arguments with a mass of statistical documentation practically unprecedented and, in doing so, pioneered the use of statistics in economics. The idea, which occurred to Vauban as he made observations on his constant travels throughout the kingdom, was intended to help France overcome an economic crisis and keep its rank as a great power. As the situation worsened, in 1706 Vauban had his book secretly printed in François Maurry’s Rouen press and gave his entourage the first copies, bound in Paris at the widow Fétil’s. The French government, too deeply committed to the system of tax farming (i.e., selling the right to collect taxes to groups of financiers for a fixed sum), was reluctant and even unable to revoke the exemptions of the privileged classes. Their dependence on them, and lacking interest in fundamental reforms, led to the government suppressing the publication of his book. On February 14, 1707 the Privy Council ordered the destruction of all the copies, which had been published without permission. The ailing Vauban did not survive the affair, dying on March 30th. Subsequent searches of his home failed to turn up any other copies.; According to Boislisle, the first edition was printed in Rouen in 1706 at the initiative of the Abbé de Beaumont (who is actually credited with the authorship of the work by Boisguilbert). Vauban had the sheets bound by the widow of a certain Fétil, and took great pains that the book did not have any public circulation. It was prohibited on 14 February 1707, but apparently the police were only able to seize two copies. To the police, the binder declared she had had 264 copies in total, 12 bound in morocco, the rest in calf. The two copies seized at the Abbé de Beaumont's were described as in 'veau fauve' and marbled parchment. See Arthur Michel de Boislisle, La Proscription du projet de Dime Royale et la mort de Vauban (Mémoire lu à l'Académie des sciences morales et politiques), Paris, 1875.; A notable rarity, of 'an erudite economic work much in advance of its time, and distinguished both by accuracy of method and breadth of view' (Palgrave), 'creditable alike to the heart and the head of its illustrious author' (McCulloch). 'Though the book was published anonymously, and only a few copies issued (for circulation among friends), Vauban had to submit to the mortification of seeing it 'pilloried' by the parliament, while he himself incurred the displeasure of the king (Louis XIV).' (Palgrave).; The copy of the author himself contained four pages of manuscript in which statements were to be found which could not be printed and in which Vauban, among other things, clearly distinguishes between nobles which have earned their title and position by their actions, whether by their ancestors and by themselves and are an honour to the State, and those who have purchased their titles and are of no use at all to the State. [Les Collections Aristophil].; The Projet d'une Dixme Royale is an outstanding work in the field of public finance. Its two most notable features are its understanding of the central role of fiscal policy in economic reform - the result of an exceptionally comprehensive grasp of the economic process - and its use of detailed numerical data to substantiate conclusions. Schumpeter called the work 'unsurpassed, before or after, in the neatness and cogency of the argument . Purposeful marshalling of all the available data was the essence of his analysis. Nobody ever understood better the true relation between facts and argument. It is this that makes him an economic classis in the eulogistic sense of the work, and a forerunner of modern tendencies' (Schumpeter, History of Economic analysis, p. 204).; BH consignment; shelved case 3.
New York: Harper & Brothers, 1851. First Edition, First Issue. Octavo, 634pp.; G+; spine green cloth with gilt lettering; original publisher's cloth, original orange endpapers, with the publisher's circular device blindstamped on the front and rear boards; spine partially faded to tan, with gilt lettering also partially faded, some small brown discoloration to spine edge; endpapers have some discoloration; moderate foxing throughout; six pages of publisher's ads; binding slightly loose; top edge of front hinge of front board has a repaired tear; BAL 13664; HC consignment; Shelved Case 2.
Circa 1915-1947. The following original draft drawings and paintings by Marco Montedoro are being offered as a collection. They include original graphite, pen and ink, and watercolor paintings on paper and artist's board spanning the career of Marco Montedoro as a set and costume designer. The archive is a comprehensive representation of his professional career in Europe and the United States. Before he died, Montedoro gave his collection to his close friend Hella Arensen (ne Aronson), a German Jewish newspaper artist who emigrated from pre-war Nazi Germany to New York. Since Montedoro's death, the collection has remained in the Aronson family. Most images are signed by Montedoro, with an average size of 11" x 14", and are in varying condition. A full photographic gallery of this collection is available upon request. Montedoro's family of musicians considered him a child prodigy and sent him in his teens to Paris to study drawing and painting. He worked as an artist in Paris until 1913, when he became the artistic director of the Berlin Metropole. During WWI, he designed posters for Italian theaters and cinemas. Following the war, Montedoro returned to Paris to design costumes for the Palace, Ambassadeurs, Moulin Rouge, and Folies Bergère, including a 1927 show featuring Josephine Baker. During this period he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, Montedoro worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's genius is featured om Angelo Luerti's 2006 book 'Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940.
London: S. Simmons, 1674. Second Edition. 12mo, , 333 pages; VG; bound in full maroon straight-grained morocco, spine with elaborate gilt tooling, gilt lettering; gilt text block; two different gilt rolls along borders; gilt roll on board edges, turn-ins; marbled endpapers; top edge pages cut close, with the margin sometimes being removed in its entirety, and part of the title and page number cut in half; second free endpaper has two small slivers of paper glued on, containing previous auction/bookseller descriptions of this volume; Small bookplate on front pastedown, with the seal of the Merrill family. Ffep has the Lalique Bookplate Emilie: a 4.5 inches in length paper decorated with leaves and the large name Emilie in the design as well as the R. Lalique signature in the plain border area. The Lalique Bookplate was designed especially for the American heiress Emilie Grigsby. A 1912 auction sale of her library in New York City stated that every book in the auction contained the bookplate specially designed for her by Rene Lalique. frontispiece portrait engraved by Dolle. The first issue in which the Poem is divided into twelve books (in former issue it was in ten books only). Also for the first time appears Andrew Marvell's Commendatory Poem "On Paradise Lost" JG consignment; shelved case 0.
Venetiis [Venice]: Luca Antoniu de Lucam Antonium de Giunta Florentinum, 1502. Octavo, 163 leaves; VG-; disbound, with both boards missing; Title page with 'Johan. Angeli pasted above title, 'Venetiis. 1502' and a horizontal line neatly handwritten below.; With a substantial number of woodcut illustrations depicting horoscopes, figures of the constellations, and planets.; Collation:, a-e8, f-r4, s-y8, z12, A-D8, last two leaves blank and lacking, (D9/D10); i3 labeled p4, m3 labeled k2; Leaves z3/z4 with minor repair; some tables have handwritten notes above them; Text in Latin; Shelved case 3.
Londini [London]; Oxonii [Oxford]: Impensis Brabazoni Aylmeri sub Signo Trium Columbarum, 1674/1672. First Edition. Octavo, VG-; bound in early paneled brown calf, front hinge repaired; spine paneled with no lettering; single gilt roll to board edges; first two endpapers and front pastedown have pencil writing; Epistolarum Familiarium: 3-155  +  pages bookseller's advertisements, collation: A2-8, B-I8, K1-7, lacking A1 and K8; F7 has a torn chip to lower fore corner; Epistlae Duare: 3-171 [172 blank] [173-182], Turkish and Arabic Index; collation: B2-8, C-H8, I-P4, Q8; lacking A1-4, B1, text supplied in contemporary manuscript hand on two blank leaves bound directly before B2; B2-C8 have some staining to lower and fore edge, text still legible; JG consignment; shelved case 0.
[London]: Printed by Richard Bishop [and Robert Young], and are to be sold by Andrew Crooke, in St. Paules, Church-yard, 1640/1641. Second Folio Printing. Folios, 2 volumes; VG; rebacked with new calf spines, burgundy labels with gilt lettering, previous boards preserved; marbled endpapers; both volumes have previous owners name and information on sfep; For volume 1, the subsidiary plays each have separate dated title pages. That to "Poëtaster" has imprint "London, printed by Robert Young. M.DC.XL.". "Epigrammes" begins new pagination and register; otherwise pagination and register are continuous. Most of the parts have special title page with imprint: London, Printed by R. Bishop, 1640. "Poëtaster" has title page with imprint: "London, Printed by Robert Young, M.DC.XL.".; The title page is engraved and signed "Guliel[mus] Hole fecit".; Signatures: A-Kkk6 Lll4; 2A-2T6.; For volume 2, it consists of two volumes, 2 and 3, the former intended as a continuation of the first volume published in 1615. Vol. 2 was edited by the author, vol. 3 by Sir Kenelm Digby. The three plays comprising volume 2 ("Bartholmew [sic] Fayre", "The Diuell is an asse", and "The staple of nevves") each have separate title page with imprint "... printed by I[ohn]. B[eale]. for Robert Allot ... 1631"; "; Signatures: A6 B-M4 Aa-Cc4 2D-H4 2I6 N-Y4 Vol. 3 B-Q4, R2, S-X4, Y2, Z4, Aa-Oo4, Pp2, Qq4, 2A-K4, 2L2, 2M-R4, 3A-P4, 3Q2, 3R-V4. Closed tear to L4; CK consignment; shelved case 0.
London: Printed by J.M. for John Starkey, 1671. First Edition, Second Issue. Octavo, , 111, , 101  pages; VG; bound in polished diced brown calf, paneled spine with gilt ruled label and gilt lettering; blind roll to board edges; mild shelfwear; M1 has a small closed tear on the lower edge; complete collation with A², B-O⁸, P⁴, including rare N3 cancel leaf in Samson Agonistes, with fore edge wide and folded, license opposite title page (both with blank versos), Omissa followed by Errata and blank verso at rear; Second issue: With "loth" for "loah" on F2 Complete with license leaf and errata; JG consignment; shelved case 0.
London: printed [by William Stansby] for Walter Burre [and are to be sold at his shop in Paules Church-yard at the signe of the Crane], 1614. First Edition. Folio; G+; bound in early diced brown calf, newly rebacked with new spine and corners, paneled with gilt lettering; housed in a custom brown buckram covered clamshell; With the Poem and the engraved title page. Both have been trimmed and inlaid, possibly having been married to this copy from another.; With 5 folding maps, Lacking 3 maps: the Arabian Desert (pages 414/415), Troy (452/453), and Troy (454/455). Maps trimmed incredibly close, with map of the Middle East impacted just slightly.; Lacking blank leaf 3K4 and terminal blank 7C6; 4G3r has the woodcut initial hand-colored, with the color bleeding over to the facing page; with the Errata leaf at the end; Printer’s name and bookseller’s address from colophon.; "The first part of the historie of the vvorld .. The third booke" (caption title) begins new pagination on 4A1r.; LD consignment; shelved case 4.
Valladolid: Pedro de Espinosa y Antonio de Zamora, 1551. First Edition. Quarto, 186 leaves; VG; bound in full brown calf, spine with two black labels, gilt titling and stamping; rebacked with spine preserved; mild rubbing and wear to binding; marbled text block; title page with slight repair, last two leaves with very mild repair; Text in two columns, Gothic typography with 48 lines; Title page with large detailed wood engraved frontispiece in black and red hand-colored, many of the capitular engravings colored as well; scarce; shelved case 3.
New York: R. G. Newbegin Company, 1902. Edition Definitive, #a1. Large Octavos, 60 volumes; Fair to Good; Bound in contemporary red morocco, decorative gilt frames to boards surrounding a central tulip design in gilt with central green morocco onlay, green morocco tulip design doublures with red and purple morocco onlays, design and turn-ins tooled in gilt, green moiré silk free endpapers, marbled blanks following; all edges gilt. Spines faded; the last 16 volumes have significant damage to the bindings, primarily the lower edge, and 5 other volumes have noticeable chipping or wear; volume 46 has had the lower edge repaired;.
A signed abstract watercolor by Italian painter Afro Libio Basaldella (1912-1976), known as Afro. Signed “Afro” in lower right corner. Condition: very good. Minor denting and creasing to edges of painting, not impacting images. The edges of the sheet are unevenly trimmed. Slight marking to mat. Matted but not framed. Dimensions mat w 16 in x h 12 in sheet w 11 7/8 in x h 9 1/8 in.
Auburn: Derby and Miller, 1853. First Edition, First Printing. Octavo, 336 pages; G; bound in 3/4 red leather, pebbled dark green cloth boards, paneled spine with gilt and no titling; hinges cracked, some rubbing to binding; reinforcement to both front and rear gutters; gift inscription to second free endpaper; page 336 with significant damage, appears to have at one point been glued to something; Significantly foxed, as usual, with finger smudges and wear to pages, some fraying to scattered fore edges; With all seven wood engravings, including frontispiece portrait; true first printing of this scarce title, with no mention of "Thousand" at top of title page; lacking four-page catalogue; LB consignment; shelved case 1.
London / Edinburgh: 1794-1833. Octavos, 28 volumes; VG; uniformly bound in full burgundy calf with gilt tooling by J. Clarke, each volume with two black labels with gilt lettering to spine; All volumes have some rubbing and wear to bindings, including wear to front hinges, parts of labels missing; top edges of text blocks gilt; This set contains the following volumes: Some Account of the Life and Publications of the Late Joseph Ritson, Esq. - Robert Triphook, London, 1824 [bound with] Northern Garlands (comprising 4 parts: The Bishopric Garland or Durham Minstrell, The Yorkshire Garland, The Northumberland Garland or Newcastle Nightingale, and The North-Country Chorister - R. Triphook, London, 1809/1810 [bound with] Gammer Gurton's Garland, R. Triphook, London, 1810; Ancient Songs, From the Time of King Henry the Third, to the Revolution - J. Johnson, London, 1790 (First Edition); The Life of King Arthur - Payne and Foss, London, 1825 (First Edition); Robin Hood - T. Egerton, London, 1795, Two Volumes (First Edition); Scotish Song - J. Johnson, London, 1714 [Really 1794], Two Volumes (First Edition); Annals of the Caledonians, Picts, and Scots - W. and D. Laing, Edinburgh, 1828, Two Volumes [Volume 1, rear board detached, tail panel missing] (First Edition); The Caledonian Muse: A Chronological Selection of Scotish Poetry from the Earliest Times - Robert Triphook, London, 1821; Poems, Written Anno MCCCLII. By Laurence Minot, J. H. Burn, London, 1825 (Second Edition); Memoirs of the Celts of Gauls - Payne and Foss, London, 1827 (First Edition); A Select Collection of English Songs, With Their Original Airs - F. C. and J. Rivington, London, 1813, Three Volumes (Second Edition); Ancient Songs and Ballads - Payne and Foss, London, 1829, Two Volumes (Second Edition); Ancient Engleish Metrical Romanceës - G. and W. Nicol, London, 1802, Three Volumes (First Edition); The English Anthology - T. and J. Egerton, London, 1793/1794, Three Volumes (First Edition); Fairy Tales, Now First Collected: To Which are Prefixed Two Dissertations: 1. On Pygmies. 2. On Fairies. - Payne and Foss, London, 1831 (First Edition); Pieces of Ancient Popular Poetry: From Ancient Manuscripts and Old Printed Copies - T. and J. Egerton, London, 1791 (First Edition); Bibliographia Poetica: A Catalogue of Engleish Poets - G. and W. Nicol, London, 1802 (First Edition); The Letters of Joseph Ritson - William Pickering, London, 1833, Two Volumes (First Edition); OF consignment.
Leipzig: Hugo Heller & Co.; Internationaler Psychoanalytischer Verlag, 1912-1934. Various, Some First Collected Editions, Some Rebound Periodicals. large Octavos, 14 volumes; VG; various bindings, volumes 1 and 2 3/4 bound, with burgundy leather spine, marbled boards, paneled spines with gilt lettering; volume 5 1/2 bound with brown cloth spine, green paper boards; volumes 4, 6-14, and 20 bound in full burgundy cloth, gilt lettering on spine; ex-library, with the markings of the Baltimore Psychoanalytic Society, including stamps on all three edges of all text blocks, bookplates on front pastedown, library pocket on rear pastedowns; all volumes have mild rubbing and shelfwear; Volume 1: 1912, contains I.1-I.5, , spine peeling and largely loose, repair to gutter of endpapers; Volume 2: 1913, contains II.1-II.6, plate for II.1 present, repair to gutter of endpapers; Volume 4: 1915/16, contains IV.1-IV.6; Volume 5: 1917-1919, contains V.1-V.5/6, front board detached, rear board and spine nearly detached; Volume 6: 1920, contains VI.1-VI.4; Volume 7: 1921, contains VII.1-VII.4, VII.1-3 on slightly green paper; Volume 8: 1922, contains VIII.1-VIII.4; Volume 9: 1923, contains parts 1-4; Volume 10: 1924, contains parts 1-4; Volume 11: 1925, contains parts 1-3, lacking part 4, contains the original periodicals, includes front three yellow covers, cover for part 1/2 has some repair to the edges; Volume 12: 1926, contains parts 1-4; Volume 13, 1927, contains parts 1-4; Volume 14: 1928, contains part 1, contains the original periodical, the front two pages have repair to the edges; Volume 20, 1934, contains part 4, contains the original periodical, with bright yellow front cover; Shelved room 11.
London: Printed by S. Simmons, 1674. Second Edition. 12mo., 333pp.; VG; spine paneled brown leather with gilt lettering and tooling; gilt panel at board edges; some bumping to corners, head and tail of spine; some wear to spine edges, spine edge between head and front board separated, front board slightly loose; frontispiece; small bookworm damage near spine at top edge of pages, 141-161, small amount of intermediate bookworm damage between pages 161 and the end some of which is in the text, some between pages 35 and 95 as an inch long scar that interferes with text; small amounts of other bookworm damage, mostly isolated to the top margin; interior clean of markings; JG consignment; shelved case 0.
Paris: Henry Creuzevault, 1953. Limited Edition, #15/140. Folio (10" x 15"), 52 leaves in 26 signatures in original paper folded cover (covered in a glassine protective wrapper); Fine; Bound in cloth sleeve covered in paper with a box enclosure. Number 15 of 140 copies, on Rives paper. Printed by Janine Daragnès on May 11, 1953. With 21 original etchings by Buffet, including 7 full page and 3 double-page, plus one on cover; plus a separate suite of 23 drawings, including 3 double-page drawings. Limited edition reissue of 1939 work, with illustrations by Bernard Buffet (1928-1999), signed by Giono and Buffet, with a foreword by Pierre Bergé.; shelved case 11.
London: S. Simmonsl John Starkey, 1678, 1671. Early and firsts. Octavo; VG; fine binding, dark blue leather spine with gilt lettering; raised bands; gilt highlights and block borders; ex library, book plate, Thomas Clifford Allbutt [1836-1925], an English physician and inventor of the clinical thermometer; endpapers, feathered; head-edge, gilt; board edges and inside borders, gilt fluting; professionally rebound; PARADISE LOST, third edition, 1678, 331 pp.; without portrait; --PARADISE REGAIN'D, 1671, 111 pp.; without licensing leaf; ---SAMSON AGONISTES, 1671, 101 pp.; minor shelf wear and bumping; text block, varied foxing; uneven printing; uneven original trim; edges, toning; pp.; split start, gutter; else very good; JG Consignment; Shelved in Case 0.
Philadelphia: Carey, Lea & Blanchard, 1833. First U.S. Edition. Octavo, 4 pages ads, x, 11-201 pages; G; bound in publishers paper boards, damaged tan label to spine, 1/4 bound, light brown-colored cloth and drab paper boards; moderate wear, including rubbing and shelfwear to boards, some peeling to corners, large amount of peeling to front head of spine, rear lower fore corner; front gutter largely open, with front board tenuously attached; original printed paper spine label partially present, but entirely illegible; half-title, title page present; moderate foxing throughout; pages entirely uncut; DL consignment; shelved case 3.
Berlin: Bey Haude und Spener, . Second Edition. 12mo., , 182,  pages; VG; bound in plain blue/gray paper wraps; housed in a custom ox-blood morocco card-deck style slipcase with lid; bookplate of Mark Dineley to front pastedown; Second edition, with the author's initials corrected on the title page and the date 1784 added to the bases of three plates.; finely engraved allegorical frontispiece; beautiful hand-tinted folding map of the North American colonies by Daniel Friedrich Sotzmann based on earlier work by William Faden the Younger; 12 engraved plates by artist Daniel Chodowiecki, engraved by Daniel Berger, depicting events from the Revolutionary War bound in throughout; engraved plate by Berger depicting five Revolutionary War figures; a double-plate by Berger depicting both the Libertas Americana medal and the Continental Currency dollar; and three vividly hand-tinted plates depicting the American flag and pennant, Gen. Washington with a guard, and a sharpshooter and infantryman.; text in German; RF consignment; shelved case 3.
New London [Connecticut]: T[imothy] Green, . Small Octavo,  pages; VG; with some support adhered along the spine; some rubbing and wear to fore edge, lower fore edge missing from rear cover, small amount of chipping to middle of front fore edge; interior with minor blotching and wear; The cover woodcut is a crude copy of the Revere engraving "The Able Doctor, or America Swallowing the Bitter Draught," showing tea being forced down America's throat, with the caption "Boston Cannonaded." Also includes the patriotic poems "Thoughts on Tyranny" and "The Unnatural Parent," and a long genealogy of George III tracing back to "William the Conqueror, who was a son of a whore"; RF consignment; extremely scarce; shelved case 3.
London: printed for William Rumbald in the Old Change, 1680. First Edition. Octavo, , 224 pages; VG; bound in 3/4 polished calf, marbled boards and endpapers; paneled spine with gilt rules on ridges, blind-stamping to panels, on black morocco label with gilt titling; text block red; mild wear and rubbing to extremities; small bookplate to front pastedown; note on page 224 stating 'Read [?] 1742'; Signatures: A-P⁸.; rare; shelved case 3.
Basilaea: Froben, 1549. 4to., 518pp.; VG; spine brown leather with red label and gilt lettering; later brown leather boards with double-ruled borders, recent professional rebacking with new spine; general wear to boards; bookplate on front pastedown, partially torn off; small two line ink inscription on title page, dated 1589; printer's device on title page; verso of final leaf; complete collation: AA⁴, a-z⁶, A-T⁶, V⁸, A-B⁸, BB-CC⁶ DD⁸ (DD⁸, V⁸ blank); NM consignment; shelved case 3.
London: John Stockdale, 1787. First English Edition. Octavo; VG-; 382 pages; full brown leather binding paneled spine with burgundy label, gilt lettering; Professionally rebound; Lacking map; Fold-out table of Native American tribes intact; pages toned; a few spots of liquid at upper edge, text unaffected; JG Consignment; Shelved Case 1.
Londini [London]: Typis Du-Gardianis, 1651. Second Edition, Revised. Quarto, 263 pages; VG; bound in contemporary brown calf, plain paneled spine, mild soiling and wear; bind double-rule to boards, remnants of a gilt roll to board edges; no pastedown was ever applied to interior; A2, B-Z4, Aa-Ll4,  full blank leaves at end, complete; with errata leaf before title, woodcut armorial shields on title page, decorative head and tailpieces and decorated initial letters; no writing or marks of previous ownership; wide margins, approximately 2.25 cm on top edge, 4.5cm. on fore edge, 5cm on lower edge, with some minor variance.; JG consignment; shelved case 0.
1968-1974, 1980. Three large bound volumes containing a variety of 1960's counterculture newspapers. Thee are a total of 113 Issues. Volume 1 contains Issues of the Berkeley Barbs, starting at Vol. 6, No. 7, Issue 131, February 16-22, 1968 and running through Vol. 8, No. 7, Issue 183, February 14-21, 1969. It contains Issues 131-146, 149, 150, 152-159, 161, 162, 164-170, 172-176, 178-183, with 174 misnumbered as 173 and 178 done twice, being a total of 48 Issues. Volume 2 contains Issues of the Berkeley Barbs, starting at Vol. 8, No. 8, Issue 184, February 21-27 1969 and running through Vol. 10, No. 1, Issue 230, January 9-15, 1970. It contains Issues 184-204, Berkeley Tribe #2, 205-214, 216-221, 223, 225, 227-230, being a total of 43 issues of the Berkeley Barbs plus 1 issue of the Berkeley Tribe. This volume includes the special Barb on Strike issue, after which the staff launched their own rival newspaper, the Berkeley Tribe. Volume 3 contains a variety of issues from various magazines and newspapers, including: Rolling Stone, issue 120, October 1972, Berkeley Barb Vol. 15 No. 8 Issue 367, August 25-31 1972, National Enquirer Vol. 46 No. 20. January 16 1972, Rolling Stone Issue 82, May 13 1971, Rolling Stone Issue 80, April 15, 1971, Rolling Stone Issue 76, February 18 1974, Los Angeles Free Press, Issue 333, December 4 1970, The Organ, Vol. 1 Issue 2, September 1984, Tribe, Vol. 3 No. 11, Issue 63, September 18-25 1970, Earthtimes No. 2, May 1970, Earthtimes No. 1, April 1970, Rolling Stone No. 53, March 7, 1970, Los Angeles Free Press, Vol. 5 No. 46, Issue 226, November 15-21, 1968, Los Angeles Free Press Vol. 5 No. 29, Issue 209, July 19-25, 1968, Los Angeles Free Press, Vol. 5 No. 19, Issue 199, May 10-16 1968, Los Angeles Free Press Vol. 5 No. 16 Issue 196, April 19, 1968, San Fransisco Express Cities, Vol. 1 No. 12, April 11 1968, The Bay Guardian, Vol. 2 No. 9, April 5 1968, Los Angeles Free Press, Vol. 5 No. 9, May 1-7 1968, The Bay Guardian, Vol. 2 No. 8, February 28, 1968, Los Angeles Free Press Vol. 5 No. 7, Issue 187, February 16-22, 1968, The Bay Guardian, Vol. 2 No. 6, February 7, 1968 being a total of 22 Issues.
An untitled and undated primitive oil painting on board by self-taught artist Clementine Hunter (1887-1988), signed with the artist's monogram on the right edge of the painting. It depicts early 20th-century plantation workers socializing and relaxing. Condition: very good. Housed in rustic wooden frame without glass. A Nantucket art gallery stamp on verso. Dimensions Painting: w 18 in x h 24 in frame w 22 in x h 28 in.
A small oval original illustration of Venus and Cupid in white and black on a sepia ground. Pierre-Paul Prud’hon (1758-1823) was born in Burgundy and began studying painting at the age of sixteen. After working in Dijon and Paris, he spent the years of 1784-1787 in Italy, where he was influenced by the work of earlier Italian painters. On his return to France he became a supporter of the Revolution, and was later favored with commissions by Napoleon. Condition: very good; no evidence of damage. Matted and framed; not examined out of frame. Dimensions frame w 8 3/8 in x h 6 7/8 in image w 5 1/8 in x h 3 7/8 in.
Wittenburgii [Wittenberg]: Ioannem Gronenberg [Rhau-Grunenberg, Johann], 1508. First Edition. Quarto, 28 leaves; Near Fine; bound in marbled paper-covered boards; lacking leaves dd/ee and ff/gg; title page printed in black and red; small black ink stain to pages B/C; minor tide-marks to the fore and upper edges; wide margins; sticker with '809' on front cover; Per colophon: (Impressum Wittenburgii per Ioannem || Gronenberg. Anno M.D.VIII. || III Kalendas Ianua: ||); last leaf printed with Hebrew and Greek.; extremely scarce; PD consignment; shelved case 4.
London: Printed by Miles Fletcher, for Richard Bently, 1688. Fourth Edition, Variant Imprint, First Folio Edition, First Illustrated Edition. Folio, [i], 343, ; VG-; newly rebound in full speckled calf, paneled spine with gilt lettering and tooling; with frontispiece, plates 1-11, lacking plate 12; facsimile of plate 12 bound in; frontispiece has some rubbing and wear; plate 1 has been trimmed along the upper and fore edges, does not impact illustration, but does impact the plate mark; chip missing on plate 6, does not impact illustration; archival repair to rear of plates 4, 9, 11; two names in ink on title page; title page missing small chip on lower fore corner; some pages have mild smudging or staining; verso of The Verse has a pencil biography of Milton.; JG consignment; shelved case 0.
Moscow: 1969. Collection of 34 posters and a cover sheet commemorating Lenin produced in 1969 in celebration of the centennial of Lenin's birth in 1870. Each poster measures 575x860mm (22-1/2x34"). The posters are 2- and 3-color on flat-finished 40lb wood-pulp stock and are in remarkable condition. Except for a corner fold here and there, and one that's got a bend in it about 2" from the end, and a few chips on the outer posters in the roll, these are in Very Fine condition.
Basileæ: In Officina Heruagiana [Johann Herwagen]; [Johannes Froben], 1538/1518. Octavo, a-x8, y7, A8, B4; VG; bound in 17th century calf, plain paneled spine; some rubbing and wear to binding, minor worming to binding; mild soiling to interior; Lacking y8-z8; The wanting leaves of the 1538 edition substituted after 350 with new pagination of 106-126 with the Galeomyomachia in Greek only from the 1518 Froben edition of Aesopi Phrygis vita et fabellæ, cum latina interpretatione. Early substitution, (i.e. 17th century or earlier) as the textblock is integral and the binding unrestored; Printer's device on title page and on verso of last leaf.; Wide margins; Second title page trimmed at top; small holes in upper and lower gutters of the entire first part from previous binding; Text in Greek and Latin on facing pages for the Aesop, Greek only for the Galeomyomachia Provenance to the recto and verso of the ffep, Fitzwilliam family provenance in several early hands, the largest stating playfully: "William Fitzwilliam not his Book, but John Fitzwilliam his booke"; Scattered marginalia and underlining, including extensive minute annotations in an early faded 16th century hand around the rear printer's mark, other minor annotations throughout, notably in English on Midas on page 315.; Scarce; PD consignment; shelved case 3.
1645. An original print by Rembrandt van Rijn, bearing the artist’s name and the year 1645 in the lower right corner. This print appears to be a printing of the second state, as the hat of the figure closer to the viewer is shaded, but the hat of the figure farther from the viewer is not. Condition: excellent. Dimensions w 8.74 in x h 5 1/8 in.
[London]: The Modern Press, 1886. First Edition. Thin Octavo, 164 pages; VG; housed in a burgundy wrapper and half morocco slip-case with gilt lettering to spine; in original green paper wraps, very slight wear to corners, inch long chip to tail of spine, small chip to head of spine; First separate issue, the smaller trimmed variant with the blank leaf bound at rear; Inscribed by Shaw: "This is the first reprint from the plates made from the pages of the magazine ToDay. The bookstalls would not stock it because it was not the right size for their counters. It did not sell well until it got into the hands of the pirates, who kept it going for years. It may still be going for all I know as I never succeeded in recapturing the plates. G. Bernard Shaw"; This inscription was written by Shaw for the former owner who was Frederick S. Bigelow, former editor for the Saturday Evening Post. He was in London in 1914 on a literary commission, and when visiting Shaw asked for the history of the little book. A typed note detailing his visit is included, and describes in brief his visit, including the view from Shaw's room overlooking the Thames and Shaw's interest in hearing his "account of seeing James J. Corbett, Ex-Champion, in the title role" of Cashel Byron's Profession.; RD consignment; shelved case 2.
[numerous publishers]. This is a collection of poetry, writings, ephemera, and broadsides of American poet, author, environmentalist, editor, and songwriter Michael Rothenberg. There are twenty one images of all the items within this listing. If you do not see them all on your selected buying platform, due to image upload restrictions, please contact the seller for additional information. This listing is for the following items: Broadsides: A Lesson in Limits: Poem by Michael Rothenberg, illustrated by Nancy Davis, printed by Andrew Hoyem. Broadside clean with minimal wear. Rothenberg's Signature on bottom corner of broadside. Elegy for the Dusky Seaside Sparrow: Broadside is clean, save for some faint markings on rear and some edgewear. Writing/illustration side clean. Penciled signature and limitation note on bottom corner. Angels: design, artwork and printed by Jim Sherraden, in limited edition by Hatch Show Prints as part of the museum resources of The Country Music Foundation. Broadside clean with minimal wear, some color transfer on rear side. Writing/illustration side still has gloss to it. Rothenberg ink signature and limitation note on bottom edge, along with signatures of printer Jim Sherraden and Craig Allen in pencil along bottom corner. Favorite Songs: Clean and glossy broadside, some rubbing to bottom right corner (see photo). Conversation at Lunch: Clean and flat broadside. Penciled signature on bottom edge. Whether a Moon: Clean and flat broadside. Penciled signature and printed limitation notes on bottom edge of rear face. Another Day Trip: Clean broadside, folded as a pamphlet. Signatures of both Rothenberg and Saltzwedel as well as limitation notes on rear side of folded portion. Books and Pamphlets: Man/Women: written by Joanne Kyger and Michael Rothenberg. Published by Big Bridge Press in 1988. Clean with some edgewear. Hand-stitched binding. 46Pp. Numbered 43/50 and signed by Kyger and Rothenberg at rear. Jujitsu with Others #1: written by Michael Rothenberg et al. Published information and date unspecified. Staplebound. Clean with some edgewear. Signed in pencil by Rothenberg on title page. Indefinite Detention: A Dog Story: written by Michael Rothenberg. Published by Shabda Press in 2014. Clean copy with Rothenberg's signature in pencil on title page. ISBN: 9780985315160. Drawing the Shade: written by Michael Rothenberg and illustrated by Donatella D'Angelo. Published by Dos Madres in 2016. Clean copy with minimal shelfwear to exterior. Signed in pencil by Rothenberg on title page. ISBN: 9781939929563. Choose: written by Michael Rothenberg. published by Big Bridge Press in 2009. Clean copy with slight rubbing to gloss on covers, faint markings on rear cover. Signed in pencil by Rothenberg on title page. ISBN: 9781878471086. Jungian Quartet & other poems: written by Michael Rothenberg. Published by dPress in 2006. Staplebound. Clean with some edgewear to covers. Signed in pencil by Rothenberg on title page. The Fighter Still Remains: selected and edited by George Kimball and John Schulian. Published by Fore Angels Press in 2010. Clean, but has two scratches on rear cover. Contains the story "My History of Boxing" by Rothenberg. Signed in pencil by Rothenberg on p44. ISBN: 9780979994753. Lindsay's Book: written by Michael Rothenberg, iIlustrations by Jim Spitzer. Published by Big Bridge Press in 2016. Clean with some minor shelf and edge wear, slight bowing on front cover near fore edge, rubbing to top corner. Signed by Rothenberg on half-title page. ISBN: 9781878471093. On Lake Jackson (Oyster Boat Vol.1 Issue 2): published by Small Craft Advisory Press 2018. Contains text from Rothenberg's poem "On Lake Jackson". Signed by Rothenberg in pencil on copyright panel (see photo). Indefinite Detention: A Dog Story: written by Michael Rothenberg. Published by Ekstasis Editions in 2013. Clean copy with some minor shelfwear and small purple markings on front inside cover and front endpaper. Rothenberg's signature in pencil on title page. ISBN: 9781771710039. Overtime – Selected Poems: written by Philip Whalen, Edited by Michael Rothenberg with Introduction by Leslie Scalapinio. Published by Penguin Poets in 1999. Clean with some minor shelfwear and rubbing to corners, minor creasing to spine. Rothenberg's signature in pencil on title page. ISBN: 014058918X. Collected Poems of Philip Whalen: edited by Michael Rothenberg, foreword by Gary Snyder. Published by Wesleyan University Press in 2007. Clean with some minor shelfwear to covers. Signed in pencil by Rothenberg on title page. ISBN: 0819568597. The Collected Poems of Ann Fields: edited by Michael Rothenberg, introduction by William Dickey. Published by Big Bridge Press in 1994. Clean with some minor shelfwear to covers. Signed in pencil by Rothenberg on title page. ISBN: 1878471023. Edition limited to 500 copies, not one of the first 400. Nightmare of the Violins: written by Michael Rothenberg. Published by Twowindows Press in 1986. Clean copy with minimal shelfwear. Picture shows faint inscription on title page "It's the same (fog?) but different indians MR" but there is also an inscription on the half title page "For Alex, Donna and sooner or later Alexandria. Love Michael" and Rothenberg's signature on the limitation page (226 copies, but not one on of the first 26). What the Fish Saw: written by Michael Rothenberg with illustrations by Nancy Davis. Published by Twowindows Press. No print date established. Clean copy with minor wear to exterior and corners. Limitations page numbered 9/200 and signed by Rothenberg, Davis, and Don Gray. Murder: written by Michael Rothenberg. Published by Paper Press in 2013. Clean copy with minimal wear, most of it to the corners. Title page signed in pencil by Rothenberg. ISBN: 9780615839523. Epigenesis on Temple Mount. written by Michael Rothenberg. Published by Rapture Press in 2006. Clean copy with minimal wear, most of it to the corners. Title page signed in pencil by Rothenberg. Benvenuto Nella Contea di Sonoma: written by Michael Rothenberg. Published by Camion Press in 2019. Clean copy. Monk Daddy: written by Michael Rothenberg. Published by Blue Press in 2003. Clean copy. Signed on both the half title and title pages by Rothenberg. Grown up Cuba: written by Michael Rothenberg. Published by Editions Il Begatto in 2003. Clean copy. Signed on title page by Rothenberg. Unnumbered copy of 108 total. Man/Women: written by Joanne Kyger and Michael Rothenberg. Published by Twowindows Press in 1987. Clean with some edgewear. Saddle-stitched binding. 46Pp. Signed by Rothenberg on title page. Stated second edition. Letters, Postcards & Baguette: Paris/Spring '98: written by Michael Rothenberg. Published by Nancy V. Davis with no date. Clean copy. Signed on title page by Rothenberg. An interesting note, the title page is on the left side and is opposite of the first page. Rear panel explicitly states this is a "hand made book" with a fun illustration of a hand, presumably made by Nancy. Favorite Songs: written by Michael Rothenberg. Published by Blue Press in 1990. Clean copy with minimal wear along the exterior. Inscribed "Thank you for supporting 100TPC Michael Rothenberg 6.23.2012" on title page. ISBN 1878471007. My Youth as a Train: written by Michael Rothenberg. Published by Foothills Publishing in 2010. Clean copy with some wear along the exterior, rubbing to corners. Signed by Rothenberg on title page. ISBN 9780941053976. Wake Up and Dream: written by Michael Rothenberg. Published by MadHat Press in 2017. Clean copy with minimal wear along the exterior. Signed by Rothenberg on title page. Stated first printing. ISBN 9781941196489. Goofbook: written by Philip Whalen, edited by Michael Rothenberg. Published by Big Bridge Press in 2001. Clean copy with minimal wear along the exterior. Signed by Rothenberg on editor's note page, opposite of copyright page. ISBN 1878471074. Invisible Idylls: Written by Philip Whalen, inroduction by Joanne Kyger, edited by Michael Rothenberg. Published by Big Bridge Press in 2013. Clean copy with minimal wear along the exterior, creasing along top-right corner of front cover, front cover slightly bowed (see photo). Signed by Rothenberg on title page, opposite of copyright page. ISBN 9781878471109. Unhurried Vision: written by Michael Rothenberg. Published by La Alameda Press in 2003. Clean copy with minimal shelfwear along the exterior. Signed by Rothenberg on title page. ISBN 188880940X. Detencion Indefinida un Cuento de Perros: written by Michael Rothenberg. Published by Varsek Ediciones in 2017. Clean copy with minimal shelfwear along the exterior, slight bumping to top-right corners. Signed by Rothenberg on title page. Text entirely in Spanish. ISBN 9788494634260. Sapodilla: written by Michael Rothenberg. Published by Swan World in 2016. Clean copy with minimal shelfwear along the exterior. Signed by Rothenberg on title page. Text in English with printing/bibliographic information in French. ISBN 9782849244357. The Paris Journals: written by Michael Rothenberg with introduction by Joanne Kyger. Published by Fish Drum Inc. in 2000. Clean copy with minimal shelfwear along the exterior, Fish Drum Inc. Address on copyright page striken through with blue ink lines. Signed by Rothenberg on title page. ISBN 1929495056. David's Copy - The Selected Poems of David Meltzer: introduction by Jerome Rothenberg with editing and forward by Michael Rothenberg. Published by Penguin Poets in 2005. First Printing. Clean copy with minimal external wear. Signed by Michael Rothenberg on title page. ISBN: 0143036181. Way More West – New and Selected Poems: written by Edward Dorn, introduction by Dale Smith with editing and forward by Michael Rothenberg. Published by Penguin Poets in 2007. First Printing. Clean copy with minimal external wear. Signed by Rothenberg on title page. ISBN: 9780143038696. As Ever – Selected Poems: written by Joanne Kyger, introduction by David Meltzer with editing and forward by Michael Rothenberg. Published by Penguin Poets in 2002. First Printing. Clean copy with minimal external wear. Signed by Rothenberg on title page. ISBN: 0142001120. Continuous Flame – A Tribute to Philip Whalen: Edited by Michael Rothenberg and Suzi Winson. Published by Fish Drum Inc. in 2004. Clean copy with minimal shelfwear along the exterior and a few notable scratches on face of rear cover, Fish Drum Inc. Signed by Rothenberg on title page. ISBN 1929495056. Punk Rockwell: written by Michael Rothenberg. Published by Tropical Press in 2001. Clean copy with general shelfwear and scratches to covers, rubbing to corners, slight bumping to tail edge of spine. Signed by Rothenberg on title page. ISBN: 9780966617320. Botanicals edited/published by Michael Rothenberg The Bromeliads: written by Leon Duval, edited by Michael Rothenberg and Robert W. Read. Published by Big Bridge Press in 1990. Clean with some edgewear. A very clean copy with minimal wear. Signed in pencil by Rothenberg on title page (see photo). Bromeliaceae Andreanae: written by Edouard Andre', edited by Michael Rothenberg and Robert W. Read. Clean with protective and decorative clear plastic jacket with the title printed on the front cover. Book clean with minimal wear. Signed in pencil by Rothenberg on limitation page at rear of book. Audio Recordings by Michael Rothenberg Dystopic Relapse: Released by Tribal Records. Dated 2019. Disc appears clean. Signature on rear outside flap (embossed and does not appear printed, assumed in white ink). Under the Spell: Released by BMI Drums of Grace Music. Dated 2002. Disc appears clean. Signature on rear outside flap (embossed and does not appear printed, assumed in white ink) similar to the previous disc listing. The books and other printed publications listed here are first editions, unless explicitly stated otherwise. If you have any questions regarding the items listed within this grouping, please do not hesitate in contacting the seller for additional information. Attn: Oversized item. Please contact the seller if you are planning on making an expedited/international purchase. Economy International shipping unavailable due to size/weight restrictions. Please contact seller for details before purchasing. Set shelved on bookshelves in the upstairs offices, perpendicular to the large window past the two large rooms. MR consignment.
Ephrata: Verlags der Bruderschafft, 1748. First Edition. Large thick folio; VG; bound in contemporary black leather, metal corners and broken hinges, repaired with new plain black leather paneled spine; some foxing throughout; some mild wear to fore edge of text block; with engraved frontispiece and title page vignette; collation: , A-G4, A-Z4, 2A-2Z4, 3A-3O4, A-Z4, 2A-2Z4, 3A-3Z4, 4A-4Z4, 5A-5Z4, 6A-6G4; text in German.; MW consignment; shelved in Case 4.
New York: Macmillan, 1912. First American Edition, First Printing. Octavo, 838 pages; VG-;bound in Publisher's blue cloth boards with gilt lettering; Some wear along the edges; Corners bumped and beginning to fray; Some light tearing beginning on the spine crown and tail; Spine slightly faded with some minor scuffing and a stain, text unaffected; Upper gilt edge of text block is worn; Text block typically toned; Bookplate on front paste down, with "1928" date in ink; Binding sturdy; DS consignment; Shelved case 3.
London: William Roybould, 1660. First Edition. 12mo, 359 pages; VG; 3/4 bound in modern burgundy leather, burgundy cloth boards, paneled spine with gilt bands and gilt lettering; top edge of text block gilt; , 459 [i.e. 359], , page 359 misnumbered 459; title page in red and black; page 103/104 (leaf H4) has both corners torn out, text impacted; with frontispiece of Oliver Cromwell; JG consignment; shelved case 0.
London: Macmillan & Co Ltd, 1961. First Edition, First Printing. Octavo, 170 pages; VG/VG; in pictorial dust jacket, blue/green spine with black and red titling; mild rubbing and wear, particularly to head and tail of spine; dust jacket protected with a mylar covering, price uncut '13s 6d net'; Inscribed on the ffep by Muriel Spark, "For Rachel MacKenzie / with love / from Muriel" JM consignment; shelved case 3.
New York: Printed by James Parker, 1767. 8vo., 479pp., 148pp.; G+; contemporary leather binding, spine paneled brown leather, top three of six panels have significant amount of leather gone, showing binding underneath; back board splitting from text but still attached, missing leather continues from spine onto back bard, upper quadrant next to spine missing leather; text good with some individual foxing stains; 479 pages of hymns, followed by 148 pages including 143 pages of text, title page and verso, statement of purpose of the printing and a page containing musical scales for individuals desirous of participating in singing the hymns; Inscription by Jacob R. Hardenburgh on ffep attesting to the books purchase for the use of the Bedminster Congregation dated 1774 with later inscriptions by two other church members. Hardenburgh was the first appointed President of Queen's College (Rutgers University); EH consignment; shelved case 3.
London: J. Newberry, 1758. First Edition, Second Issue. 16mo; G+; Contemporary calf with plain paneled spine; housed in a custom gray cloth clamshell; Front board separated, with ffep through first map attached to front board; lacking title page; sticker to front pastedown 'Sold by J. Manning, book-seller, in Launceston'; with frontispiece, preface leaf, B & W maps, index leaf;; All 52 maps are not tinted, all black and white. Book does not have Africa error or printed correction on index (second issue); Consignment; Shelved Case 3.
London: John Murray, 1859. Third Edition. Octavo; G+; Green spine with gilt lettering; 429 pages with two fold outs and pages of advertisements.; Darwin's contribution present and corrected on page 268. NOTES: The first edition of 1849 had a transposition error in Darwin's essay, some later states included a corrected text in a rear pocket. The second edition was issued in 1851, with no offprint of Darwin's article. This is the third edition, complete. Fold out maps are present, with some slight tears to the rear map.; Book has been repaired with original green cloth still present; Some cloth missing from the spine, lettering still present but worn; Former library book with bookplate from the Royal Navy on front paste down and faded ink stamp on title page; Boards show wear along the edges, corners bumped and beginning to fray. Pages are age toned, as is typical with some minor spotting, mostly at the beginning and on the fold outs; Interior otherwise clean and free of marking.; shelved case 10.
New York: G.P. Putnam's Sons, 1895. The Author's Autograph Edition, #202/500. Octavos, 40 volumes; VG; uniformly bound in the publisher's original three quarters green morocco, marbled boards, paneled spines with gilt text and tooling, top edges gilt; marbled endpapers; 13 volumes with sunned spines; very mild wear to bindings; One of 500 sets, this is number 202, all volumes with limitation pages; this set contains page 209 of original manuscript of The Alhambra tipped in to volume one of The Alhambra, with several edits by Irving in ink.; shelved above HC Fiction.
Philadelphia: Prichard and Hall, 1788. First American Edition. Octavo, , 244,  pages; G; bound in contemporary mottled brown leather, flat spine with gilt bands and lettering; chipping to head of spine; rubbing and bumping to corners; front hinge shaken, with lower half detached; an unrestored copy, no signs of repair to binding; collation: [A]2, [B]4, C-G4, H3/4, I4, K1-3, L4, M-Z4, 2A-2I4, lacking H1/2, K4, L1-L3 (corresponds to pages 49-52, 71-78); L4 and M1 partially loose; title page has a strip torn off at the head, does not impact text; name written on title page; first and last few leaves and pastedowns have light to moderate browning in irregular along edges, probably from binder's glue; mild foxing throughout; lacking folding demographic Table of Virginia Indians; map on page 20 present; 4 pages of ads in rear as called for; JG consignment; shelved case 1.