London: Printed by S. Simmons, and are to be sold by T. Helder, at the Angel in Little Brittain, 1669. First Edition. Octavo; VG; bound in full morocco, spine paneled with gilt lettering; gilt text block; some wear and rubbing to binding; ffep through page A3 mostly loose, still attached through two pieces of string to the binding; A4, a4, A4-Z4, Aa4-Tt4, Vv2; small hole in middle of leaf Cc3, impacts text; a few leaves slightly stained. Bookplate of Thomas Jefferson McKee. McKee, 1840-1899, was a well-known book collector and lawyer from New York whose collection was auctioned off in 1900. In the auction, this copy was item number 3091. Autograph of Evert A. Duyckinck, 1839 on top blank margin of title. Evert Augustus Duyckinck, 1816-1878, was an American publisher and biographer. Among his work, he assisted Edgar Allan Poe in printing his Tales collection in 1845 and selected which stories to include. Duyckinck was also known to have lent Melville copies of his books, including a copy of the Decameron and a copy of Paradise Lost. Has the stamp of 'Lenox Library-Duplicate' on verso of title. The Lenox Library was a library incorporated and endowed in 1870, became a part of the founding collection of the New York Public Library in 1895, and opened to the public in this capacity in 1911. Of its collection in 1894, 15,000 of the 83,331 were from the collection of Evert Augustus Duyckinck. Simmons printed 1,200 first edition copies in 1667, and issued them over three years with varying title pages. The title pages have different years, with them reading 1667, 1668, or 1669. There is no known relationship between when a given copy of the text itself was printed, and the attached title page, making establishing priority difficult. This issue includes "Milton's synopsis of each book ("the Arguments" of Books 1–10), his defense of "the Verse," and a list of errata, adding sixteen pages of preliminary matter to the book. Simmons's note to the reader states that he had procured this explanation from Milton because readers of the poem had "stumbled" on first encountering it, asking "why the Poem Rimes not." Milton's strident defense of blank verse (unrhymed iambic pentameter) is printed in large type that fills two pages. His chosen meter, although no longer fashionable by 1667, was the dominant mode of Shakespeare's plays and is the closest to the natural rhythms of English speech. Samuel Johnson later commented sarcastically that, "finding blank verse easier than rhyme, [Milton] was desirous of persuading himself that it is better."" [Morgan Library] JG consignment; shelved case 0.
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Witebergae [Wittenberg]: 1531. First Edition. Small quarto (7.125 x 5.5 inches; 182 x 140 mm.).  leaves. Signatures: A-E4 F6 G² h4 I-N4 O² P-2V4(-2V4, blank). Bound without blank leaf 2V4; 2A2 signed "A2." Printer and date of publication from colophon on 2V3 recto. Apologia Confessionis has separate title-page (G1 recto), with "Emenda" beneath the title. Decorative and historiated woodcut initials. Later quarter calf with black paper-covered boards; all edges trimmed and stained blackish-blue; plain endpapers, double-flyleaves at front, single at the rear. Front board detached but for single string at bottom; calf mostly gone; edges worn; corners softened; scuffing to boards; loose electrical tape affixed to bottom of rear board, curling over spine. Front free endpaper and first flyleaf completely detached. Repairs to inner hinges; label pulled up from front pastedown. Split between gatherings V and Z, starting between leaves 2T3 and 2T4, 2V2 and 2V3. Minor thumbsoiling scattered throughout text; some toning; occasional foxing. Text very good in just good binding. Housed in custom black cloth clamshell with red spine label stamped in gilt. [Augsburg Confession]. Confessio fidei exhibita invictiss. Imp. Carolo V. Caesari Aug. in Comiciis Augustae, Anno M. D. XXX. Addita est Apologia Confessionis [by Philipp Melancthon]. Beide, Deudsch und Latinisch. Wittenberg: [Impressum per Georgium Rhau, 1531]. First edition of the Augsburg Confession, containing the Latin texts of the Confessio and Melanchton's Apologia. Although the title-page states that it contains both the Latin and German texts, this first edition contains Latin text only (the German translation by Justus Jonas was added slightly later). Catalog entry tipped to front pastedown from "J. J. Lentnersche Hofbuchhandlung (E. Stahl), München," "Lager-Katalog Nr. 8." Annotations throughout the text in at least two, possibly as many as four different hands, including a couple of manicules. Several early ink ownership inscriptions on the title-page, the earliest that of "Theodorus Backhusius Possessor," who was pastor at Oldenberg (d. 1625); followed by "Vogt 1735," "JFG Olbers 1766" and "H. Meere." Recto of front free endpaper bears ink manuscript notes that seem to be from nineteenth-century New Testament commentator H. A. W. Meyer [Heinrich August Wilhelm Meyer (1800-1873)], dated 1868; verso with additional notes, signed by his son "Professor Dr. [Gustav] Meyer," dated "7 Januar 1883." Bookseller's ticket of Schaeffer & Koradi, Philadelphia. Neuser, Bibliographie, 8. See VD16 C 4734 and C 4735. Sold together with a copy of Neuser's Bibliographie der Confessio Augustana und Apologie, 1530-1580. Nieuwkoop: De Graaf Publishers, 1987.; BK consignment; shelved case 3.
Nürnberg: Verlegung des auxtoris Gedruckt bey Johann Ernst Adelbuler, 1731. Folio; G; bound in faded red cloth, faded titling to front cover; moderate wear, including fraying to corners, spine largely detached, remnants of cloth ties to boards; With title page, 42 pages of text in German, 14 maps of the celestial sphere, 77 terrestrial maps; all celestial and 73 terrestrial maps hand-colored contemporaneously; lacking allegorical frontispiece engraved by Casper Luyken and the portrait of Charles VI in black and white; the backs of the majority of maps with a child's drawings, majority in pencil, some crayon, circa 1880, very sparse pencil to the maps themselves; some scattered repair; title page missing the lower fore corner, does not impact text; With a fully global collection of maps, including the constellations, both the Copernican and Tychonic models of the orbits, maps of both hemispheres, Europe, Asia, Africa, and the Americas. Maps of North America do include the names of some Native American Tribes. Interestingly, the maps are inconsistent as to whether California is an island. The title vignette is a map of the world as seen from above the north pole, includes California as an island. All maps with emblematic cartouches and ornamented with engravings.; consignment; shelved map case.
[Rouen]: [n.p.], 1707. First Edition, First Issue. Quarto, , 204,  pages; VG; Bound in contemporary calf, spine gilt with raised bands, gilding faded and a bit rubbed, inner hinge front cover cracked but binding solid. Large folding table, "Formulaire qui peut servir pour tout un pays", at page 192.; Extremely Rare First Edition, First Issue, with B4 in an uncancelled state, on p. 16, a setier is given as weighing 170, rather than 240 pounds, "...le septier pesant net cent soixante & dix livres..."; BH consignment; shelved case 3.
Circa 1915-1947. The following original draft drawings and paintings by Marco Montedoro are being offered as a collection. They include original graphite, pen and ink, and watercolor paintings on paper and artist's board spanning the career of Marco Montedoro as a set and costume designer. The archive is a comprehensive representation of his professional career in Europe and the United States. Before he died, Montedoro gave his collection to his close friend Hella Arensen (ne Aronson), a German Jewish newspaper artist who emigrated from pre-war Nazi Germany to New York. Since Montedoro's death, the collection has remained in the Aronson family. Most images are signed by Montedoro, with an average size of 11" x 14", and are in varying condition. A full photographic gallery of this collection is available upon request. Montedoro's family of musicians considered him a child prodigy and sent him in his teens to Paris to study drawing and painting. He worked as an artist in Paris until 1913, when he became the artistic director of the Berlin Metropole. During WWI, he designed posters for Italian theaters and cinemas. Following the war, Montedoro returned to Paris to design costumes for the Palace, Ambassadeurs, Moulin Rouge, and Folies Bergère, including a 1927 show featuring Josephine Baker. During this period he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, Montedoro worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's genius is featured om Angelo Luerti's 2006 book 'Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940.
London: S. Simmons, 1674. Second Edition. 12mo, , 333 pages; VG; bound in full maroon straight-grained morocco, spine with elaborate gilt tooling, gilt lettering; gilt text block; two different gilt rolls along borders; gilt roll on board edges, turn-ins; marbled endpapers; top edge pages cut close, with the margin sometimes being removed in its entirety, and part of the title and page number cut in half; second free endpaper has two small slivers of paper glued on, containing previous auction/bookseller descriptions of this volume; Small bookplate on front pastedown, with the seal of the Merrill family. Ffep has the Lalique Bookplate Emilie: a 4.5 inches in length paper decorated with leaves and the large name Emilie in the design as well as the R. Lalique signature in the plain border area. The Lalique Bookplate was designed especially for the American heiress Emilie Grigsby. A 1912 auction sale of her library in New York City stated that every book in the auction contained the bookplate specially designed for her by Rene Lalique. frontispiece portrait engraved by Dolle. The first issue in which the Poem is divided into twelve books (in former issue it was in ten books only). Also for the first time appears Andrew Marvell's Commendatory Poem "On Paradise Lost" JG consignment; shelved case 0.
Philadelphia: Carey, Lea & Blanchard, 1833. First U.S. Edition. Octavos, two volumes, 4 pages ads, x, 11-201 pages, -197; G; A mismatched set of the first American edition of this legendary novel.; Volume 1: bound in publishers paper boards, damaged tan label to spine, 1/4 bound, light brown-colored cloth and drab paper boards; moderate wear, including rubbing and shelfwear to boards, some peeling to corners, large amount of peeling to front head of spine, rear lower fore corner; front gutter largely open, with front board tenuously attached; original printed paper spine label partially present, but entirely illegible; half-title, title page present; moderate foxing throughout; pages entirely uncut; Volume 2: bound in early 3/4 calf, marble paper-covered boards, spine with black label, gilt titling; moderate wear to boards, including general rubbing, wear to corners, chip missing to third panel from bottom along rear hinge; moderate water-damage to volume, starting at the lower edge and extending upwards, covering approximately the entire lower half of the text block; small ink to ffep, ink drop to ffep, name in ink to title page, faint Circulating Library stamp to page 5, page 20 with 'Cursed Creator' penciled over, handwritten ink Circulating Library markings to page 65, ink name to page 81, top ink of page 99/100 cut and missing with title present and page numbers missing,; lacking half-title; consignment; shelved case 3.
Venetiis [Venice]: Luca Antoniu de Lucam Antonium de Giunta Florentinum, 1502. Octavo, 163 leaves; VG-; disbound, with both boards missing; Title page with 'Johan. Angeli pasted above title, 'Venetiis. 1502' and a horizontal line neatly handwritten below.; With a substantial number of woodcut illustrations depicting horoscopes, figures of the constellations, and planets.; Collation:, a-e8, f-r4, s-y8, z12, A-D8, last two leaves blank and lacking, (D9/D10); i3 labeled p4, m3 labeled k2; Leaves z3/z4 with minor repair; some tables have handwritten notes above them; Text in Latin; Shelved case 3.
[London]: Printed by Richard Bishop [and Robert Young], and are to be sold by Andrew Crooke, in St. Paules, Church-yard, 1640/1641. Second Folio Printing. Folios, 2 volumes; VG; rebacked with new calf spines, burgundy labels with gilt lettering, previous boards preserved; marbled endpapers; both volumes have previous owners name and information on sfep; For volume 1, the subsidiary plays each have separate dated title pages. That to "Poëtaster" has imprint "London, printed by Robert Young. M.DC.XL.". "Epigrammes" begins new pagination and register; otherwise pagination and register are continuous. Most of the parts have special title page with imprint: London, Printed by R. Bishop, 1640. "Poëtaster" has title page with imprint: "London, Printed by Robert Young, M.DC.XL.".; The title page is engraved and signed "Guliel[mus] Hole fecit".; Signatures: A-Kkk6 Lll4; 2A-2T6.; For volume 2, it consists of two volumes, 2 and 3, the former intended as a continuation of the first volume published in 1615. Vol. 2 was edited by the author, vol. 3 by Sir Kenelm Digby. The three plays comprising volume 2 ("Bartholmew [sic] Fayre", "The Diuell is an asse", and "The staple of nevves") each have separate title page with imprint "... printed by I[ohn]. B[eale]. for Robert Allot ... 1631"; "; Signatures: A6 B-M4 Aa-Cc4 2D-H4 2I6 N-Y4 Vol. 3 B-Q4, R2, S-X4, Y2, Z4, Aa-Oo4, Pp2, Qq4, 2A-K4, 2L2, 2M-R4, 3A-P4, 3Q2, 3R-V4. Closed tear to L4; CK consignment; shelved case 0.
London: Printed by J.M. for John Starkey, 1671. First Edition, Second Issue. Octavo, , 111, , 101  pages; VG; bound in polished diced brown calf, paneled spine with gilt ruled label and gilt lettering; blind roll to board edges; mild shelfwear; M1 has a small closed tear on the lower edge; complete collation with A², B-O⁸, P⁴, including rare N3 cancel leaf in Samson Agonistes, with fore edge wide and folded, license opposite title page (both with blank versos), Omissa followed by Errata and blank verso at rear; Second issue: With "loth" for "loah" on F2 Complete with license leaf and errata; JG consignment; shelved case 0.
Valladolid: Pedro de Espinosa y Antonio de Zamora, 1551. First Edition. Quarto, 186 leaves; VG; bound in full brown calf, spine with two black labels, gilt titling and stamping; rebacked with spine preserved; mild rubbing and wear to binding; marbled text block; title page with slight repair, last two leaves with very mild repair; Text in two columns, Gothic typography with 48 lines; Title page with large detailed wood engraved frontispiece in black and red hand-colored, many of the capitular engravings colored as well; scarce; shelved case 3.
New York: R. G. Newbegin Company, 1902. Edition Definitive, #a1. Large Octavos, 60 volumes; Fair to Good; Bound in contemporary red morocco, decorative gilt frames to boards surrounding a central tulip design in gilt with central green morocco onlay, green morocco tulip design doublures with red and purple morocco onlays, design and turn-ins tooled in gilt, green moiré silk free endpapers, marbled blanks following; all edges gilt. Spines faded; the last 16 volumes have significant damage to the bindings, primarily the lower edge, and 5 other volumes have noticeable chipping or wear; volume 46 has had the lower edge repaired;.
A signed abstract watercolor by Italian painter Afro Libio Basaldella (1912-1976), known as Afro. Signed “Afro” in lower right corner. Condition: very good. Minor denting and creasing to edges of painting, not impacting images. The edges of the sheet are unevenly trimmed. Slight marking to mat. Matted but not framed. Dimensions mat w 16 in x h 12 in sheet w 11 7/8 in x h 9 1/8 in.
Auburn: Derby and Miller, 1853. First Edition, First Printing. Octavo, 336 pages; G; bound in 3/4 red leather, pebbled dark green cloth boards, paneled spine with gilt and no titling; hinges cracked, some rubbing to binding; reinforcement to both front and rear gutters; gift inscription to second free endpaper; page 336 with significant damage, appears to have at one point been glued to something; Significantly foxed, as usual, with finger smudges and wear to pages, some fraying to scattered fore edges; With all seven wood engravings, including frontispiece portrait; true first printing of this scarce title, with no mention of "Thousand" at top of title page; lacking four-page catalogue; LB consignment; shelved case 1.
London / Edinburgh: 1794-1833. Octavos, 28 volumes; VG; uniformly bound in full burgundy calf with gilt tooling by J. Clarke, each volume with two black labels with gilt lettering to spine; All volumes have some rubbing and wear to bindings, including wear to front hinges, parts of labels missing; top edges of text blocks gilt; This set contains the following volumes: Some Account of the Life and Publications of the Late Joseph Ritson, Esq. - Robert Triphook, London, 1824 [bound with] Northern Garlands (comprising 4 parts: The Bishopric Garland or Durham Minstrell, The Yorkshire Garland, The Northumberland Garland or Newcastle Nightingale, and The North-Country Chorister - R. Triphook, London, 1809/1810 [bound with] Gammer Gurton's Garland, R. Triphook, London, 1810; Ancient Songs, From the Time of King Henry the Third, to the Revolution - J. Johnson, London, 1790 (First Edition); The Life of King Arthur - Payne and Foss, London, 1825 (First Edition); Robin Hood - T. Egerton, London, 1795, Two Volumes (First Edition); Scotish Song - J. Johnson, London, 1714 [Really 1794], Two Volumes (First Edition); Annals of the Caledonians, Picts, and Scots - W. and D. Laing, Edinburgh, 1828, Two Volumes [Volume 1, rear board detached, tail panel missing] (First Edition); The Caledonian Muse: A Chronological Selection of Scotish Poetry from the Earliest Times - Robert Triphook, London, 1821; Poems, Written Anno MCCCLII. By Laurence Minot, J. H. Burn, London, 1825 (Second Edition); Memoirs of the Celts of Gauls - Payne and Foss, London, 1827 (First Edition); A Select Collection of English Songs, With Their Original Airs - F. C. and J. Rivington, London, 1813, Three Volumes (Second Edition); Ancient Songs and Ballads - Payne and Foss, London, 1829, Two Volumes (Second Edition); Ancient Engleish Metrical Romanceës - G. and W. Nicol, London, 1802, Three Volumes (First Edition); The English Anthology - T. and J. Egerton, London, 1793/1794, Three Volumes (First Edition); Fairy Tales, Now First Collected: To Which are Prefixed Two Dissertations: 1. On Pygmies. 2. On Fairies. - Payne and Foss, London, 1831 (First Edition); Pieces of Ancient Popular Poetry: From Ancient Manuscripts and Old Printed Copies - T. and J. Egerton, London, 1791 (First Edition); Bibliographia Poetica: A Catalogue of Engleish Poets - G. and W. Nicol, London, 1802 (First Edition); The Letters of Joseph Ritson - William Pickering, London, 1833, Two Volumes (First Edition); OF consignment.
Leipzig: Hugo Heller & Co.; Internationaler Psychoanalytischer Verlag, 1912-1934. Various, Some First Collected Editions, Some Rebound Periodicals. large Octavos, 14 volumes; VG; various bindings, volumes 1 and 2 3/4 bound, with burgundy leather spine, marbled boards, paneled spines with gilt lettering; volume 5 1/2 bound with brown cloth spine, green paper boards; volumes 4, 6-14, and 20 bound in full burgundy cloth, gilt lettering on spine; ex-library, with the markings of the Baltimore Psychoanalytic Society, including stamps on all three edges of all text blocks, bookplates on front pastedown, library pocket on rear pastedowns; all volumes have mild rubbing and shelfwear; Volume 1: 1912, contains I.1-I.5, , spine peeling and largely loose, repair to gutter of endpapers; Volume 2: 1913, contains II.1-II.6, plate for II.1 present, repair to gutter of endpapers; Volume 4: 1915/16, contains IV.1-IV.6; Volume 5: 1917-1919, contains V.1-V.5/6, front board detached, rear board and spine nearly detached; Volume 6: 1920, contains VI.1-VI.4; Volume 7: 1921, contains VII.1-VII.4, VII.1-3 on slightly green paper; Volume 8: 1922, contains VIII.1-VIII.4; Volume 9: 1923, contains parts 1-4; Volume 10: 1924, contains parts 1-4; Volume 11: 1925, contains parts 1-3, lacking part 4, contains the original periodicals, includes front three yellow covers, cover for part 1/2 has some repair to the edges; Volume 12: 1926, contains parts 1-4; Volume 13, 1927, contains parts 1-4; Volume 14: 1928, contains part 1, contains the original periodical, the front two pages have repair to the edges; Volume 20, 1934, contains part 4, contains the original periodical, with bright yellow front cover; Shelved room 11.
Paris: Henry Creuzevault, 1953. Limited Edition, #15/140. Folio (10" x 15"), 52 leaves in 26 signatures in original paper folded cover (covered in a glassine protective wrapper); Fine; Bound in cloth sleeve covered in paper with a box enclosure. Number 15 of 140 copies, on Rives paper. Printed by Janine Daragnès on May 11, 1953. With 21 original etchings by Buffet, including 7 full page and 3 double-page, plus one on cover; plus a separate suite of 23 drawings, including 3 double-page drawings. Limited edition reissue of 1939 work, with illustrations by Bernard Buffet (1928-1999), signed by Giono and Buffet, with a foreword by Pierre Bergé.; shelved case 11.
Vinegia [Venice]: Francesco Marcolini, 1552. First Edition. Quarto, , 120,  leaves; VG; bound in early full calf, paneled spine with gilt titling; wear, rubbing, and bumping to binding; ink 'Milano 16 x 1914' on lower fore corner of front pastedown, name on upper fore corner of ffep; bookseller description tipped in to ffep; small green line under 'D' in 'Doni' on title page; I1, P4, EE4 are cancels; small hole to middle of S4; E4 with small tear to lower fore edge, S3 had corner folded during printing, causing the lower fore corner of the plate to be missing; S4-end have very small wormholes to the upper edge of the gutter; EE4-end with water-staining and tide-marks; Book one (of two) only, as usual, comprising four parts in one volume. Large woodcut device on general title, smaller devices on section titles and 54 woodcuts, including three repeats. L2 recto with Hebrew type; RR consignment; shelved case 3;.
Berlin: Bey Haude und Spener, . Second Edition. 12mo., , 182,  pages; VG; bound in plain blue/gray paper wraps; housed in a custom ox-blood morocco card-deck style slipcase with lid; bookplate of Mark Dineley to front pastedown; Second edition, with the author's initials corrected on the title page and the date 1784 added to the bases of three plates.; finely engraved allegorical frontispiece; beautiful hand-tinted folding map of the North American colonies by Daniel Friedrich Sotzmann based on earlier work by William Faden the Younger; 12 engraved plates by artist Daniel Chodowiecki, engraved by Daniel Berger, depicting events from the Revolutionary War bound in throughout; engraved plate by Berger depicting five Revolutionary War figures; a double-plate by Berger depicting both the Libertas Americana medal and the Continental Currency dollar; and three vividly hand-tinted plates depicting the American flag and pennant, Gen. Washington with a guard, and a sharpshooter and infantryman.; text in German; RF consignment; shelved case 3.
New London [Connecticut]: T[imothy] Green, . Small Octavo,  pages; VG; with some support adhered along the spine; some rubbing and wear to fore edge, lower fore edge missing from rear cover, small amount of chipping to middle of front fore edge; interior with minor blotching and wear; The cover woodcut is a crude copy of the Revere engraving "The Able Doctor, or America Swallowing the Bitter Draught," showing tea being forced down America's throat, with the caption "Boston Cannonaded." Also includes the patriotic poems "Thoughts on Tyranny" and "The Unnatural Parent," and a long genealogy of George III tracing back to "William the Conqueror, who was a son of a whore"; RF consignment; extremely scarce; shelved case 3.
London: printed for William Rumbald in the Old Change, 1680. First Edition. Octavo, , 224 pages; VG; bound in 3/4 polished calf, marbled boards and endpapers; paneled spine with gilt rules on ridges, blind-stamping to panels, on black morocco label with gilt titling; text block red; mild wear and rubbing to extremities; small bookplate to front pastedown; note on page 224 stating 'Read [?] 1742'; Signatures: A-P⁸.; rare; shelved case 3.
Basilaea: Froben, 1549. Quarto, 518 pages; VG; spine brown leather with red label and gilt lettering; later brown leather boards with double-ruled borders, recent professional rebacking with new spine; general wear to boards; bookplate on front pastedown, partially torn off; small two line ink inscription on title page, dated 1589; printer's device on title page; verso of final leaf; complete collation: AA⁴, a-z⁶, A-T⁶, V⁸, A-B⁸, BB-CC⁶ DD⁸ (DD⁸, V⁸ blank); NM consignment; shelved case 3.
London: John Stockdale, 1787. First English Edition. Octavo; VG-; 382 pages; full brown leather binding paneled spine with burgundy label, gilt lettering; Professionally rebound; Lacking map; Fold-out table of Native American tribes intact; pages toned; a few spots of liquid at upper edge, text unaffected; JG Consignment; Shelved Case 1.
Londini [London]: Typis Du-Gardianis, 1651. Second Edition, Revised. Quarto, 263 pages; VG; bound in contemporary brown calf, plain paneled spine, mild soiling and wear; bind double-rule to boards, remnants of a gilt roll to board edges; no pastedown was ever applied to interior; A2, B-Z4, Aa-Ll4,  full blank leaves at end, complete; with errata leaf before title, woodcut armorial shields on title page, decorative head and tailpieces and decorated initial letters; no writing or marks of previous ownership; wide margins, approximately 2.25 cm on top edge, 4.5cm. on fore edge, 5cm on lower edge, with some minor variance.; JG consignment; shelved case 0.
1968-1974, 1980. Three large bound volumes containing a variety of 1960's counterculture newspapers. Thee are a total of 113 Issues. Volume 1 contains Issues of the Berkeley Barbs, starting at Vol. 6, No. 7, Issue 131, February 16-22, 1968 and running through Vol. 8, No. 7, Issue 183, February 14-21, 1969. It contains Issues 131-146, 149, 150, 152-159, 161, 162, 164-170, 172-176, 178-183, with 174 misnumbered as 173 and 178 done twice, being a total of 48 Issues. Volume 2 contains Issues of the Berkeley Barbs, starting at Vol. 8, No. 8, Issue 184, February 21-27 1969 and running through Vol. 10, No. 1, Issue 230, January 9-15, 1970. It contains Issues 184-204, Berkeley Tribe #2, 205-214, 216-221, 223, 225, 227-230, being a total of 43 issues of the Berkeley Barbs plus 1 issue of the Berkeley Tribe. This volume includes the special Barb on Strike issue, after which the staff launched their own rival newspaper, the Berkeley Tribe. Volume 3 contains a variety of issues from various magazines and newspapers, including: Rolling Stone, issue 120, October 1972, Berkeley Barb Vol. 15 No. 8 Issue 367, August 25-31 1972, National Enquirer Vol. 46 No. 20. January 16 1972, Rolling Stone Issue 82, May 13 1971, Rolling Stone Issue 80, April 15, 1971, Rolling Stone Issue 76, February 18 1974, Los Angeles Free Press, Issue 333, December 4 1970, The Organ, Vol. 1 Issue 2, September 1984, Tribe, Vol. 3 No. 11, Issue 63, September 18-25 1970, Earthtimes No. 2, May 1970, Earthtimes No. 1, April 1970, Rolling Stone No. 53, March 7, 1970, Los Angeles Free Press, Vol. 5 No. 46, Issue 226, November 15-21, 1968, Los Angeles Free Press Vol. 5 No. 29, Issue 209, July 19-25, 1968, Los Angeles Free Press, Vol. 5 No. 19, Issue 199, May 10-16 1968, Los Angeles Free Press Vol. 5 No. 16 Issue 196, April 19, 1968, San Fransisco Express Cities, Vol. 1 No. 12, April 11 1968, The Bay Guardian, Vol. 2 No. 9, April 5 1968, Los Angeles Free Press, Vol. 5 No. 9, May 1-7 1968, The Bay Guardian, Vol. 2 No. 8, February 28, 1968, Los Angeles Free Press Vol. 5 No. 7, Issue 187, February 16-22, 1968, The Bay Guardian, Vol. 2 No. 6, February 7, 1968 being a total of 22 Issues.
An untitled and undated primitive oil painting on board by self-taught artist Clementine Hunter (1887-1988), signed with the artist's monogram on the right edge of the painting. It depicts early 20th-century plantation workers socializing and relaxing. Condition: very good. Housed in rustic wooden frame without glass. A Nantucket art gallery stamp on verso. Dimensions Painting: w 18 in x h 24 in frame w 22 in x h 28 in.
A small oval original illustration of Venus and Cupid in white and black on a sepia ground. Pierre-Paul Prud’hon (1758-1823) was born in Burgundy and began studying painting at the age of sixteen. After working in Dijon and Paris, he spent the years of 1784-1787 in Italy, where he was influenced by the work of earlier Italian painters. On his return to France he became a supporter of the Revolution, and was later favored with commissions by Napoleon. Condition: very good; no evidence of damage. Matted and framed; not examined out of frame. Dimensions frame w 8 3/8 in x h 6 7/8 in image w 5 1/8 in x h 3 7/8 in.
London: Hutchinson, 1959. First English Edition, First Printing. Octavo, 480 pages; VG/VG; spine white with red titling; dust jacket now protected with a mylar covering, price uncut '50s net,' small closed tear to top edge of front panel, spine lightly toned, small chipping to head and tail of spine, light edgewear; [WITH] Popper Autograph Letter Signed to Lionel Charles Robbins, Two pages on one leaf, London School of Economics and Political Science letter head, Houghton Street, Aldwych, London, 10 December 1958. An important association copy, bringing together two stalwarts of the London School of Economics, with an ALS from the author to the British economist Lionel Charles Robbins (1898-1984), head of economics at the LSE, delightfully announcing: "I am sending you the first advance copy of The Logic of Scientific Discovery." JL consignment; shelved case 3.
Wittenburgii [Wittenberg]: Ioannem Gronenberg [Rhau-Grunenberg, Johann], 1508. First Edition. Quarto, 28 leaves; Near Fine; bound in marbled paper-covered boards; lacking leaves dd/ee and ff/gg; title page printed in black and red; small black ink stain to pages B/C; minor tide-marks to the fore and upper edges; wide margins; sticker with '809' on front cover; Per colophon: (Impressum Wittenburgii per Ioannem || Gronenberg. Anno M.D.VIII. || III Kalendas Ianua: ||); last leaf printed with Hebrew and Greek.; extremely scarce; PD consignment; shelved case 4.
Moscow: 1969. Collection of 34 posters and a cover sheet commemorating Lenin produced in 1969 in celebration of the centennial of Lenin's birth in 1870. Each poster measures 575x860mm (22-1/2x34"). The posters are 2- and 3-color on flat-finished 40lb wood-pulp stock and are in remarkable condition. Except for a corner fold here and there, and one that's got a bend in it about 2" from the end, and a few chips on the outer posters in the roll, these are in Very Fine condition.
Basileæ: In Officina Heruagiana [Johann Herwagen]; [Johannes Froben], 1538/1518. Octavo, a-x8, y7, A8, B4; VG; bound in 17th century calf, plain paneled spine; some rubbing and wear to binding, minor worming to binding; mild soiling to interior; Lacking y8-z8; The wanting leaves of the 1538 edition substituted after 350 with new pagination of 106-126 with the Galeomyomachia in Greek only from the 1518 Froben edition of Aesopi Phrygis vita et fabellæ, cum latina interpretatione. Early substitution, (i.e. 17th century or earlier) as the textblock is integral and the binding unrestored; Printer's device on title page and on verso of last leaf.; Wide margins; Second title page trimmed at top; small holes in upper and lower gutters of the entire first part from previous binding; Text in Greek and Latin on facing pages for the Aesop, Greek only for the Galeomyomachia Provenance to the recto and verso of the ffep, Fitzwilliam family provenance in several early hands, the largest stating playfully: "William Fitzwilliam not his Book, but John Fitzwilliam his booke"; Scattered marginalia and underlining, including extensive minute annotations in an early faded 16th century hand around the rear printer's mark, other minor annotations throughout, notably in English on Midas on page 315.; Scarce; PD consignment; shelved case 3.
Augspurg; Franckfurt an der Oder: Daniel Walders; Bey Jerem. Schreyen und J. C. Hartmanns, 1711/1712/1713. First Edition. Octavo; , 381, , , 358, , 412, VG; bound in contemporary full vellum, ink titling to spine; mild soiling to vellum; ink stain to part 2 page 66; folding tables tipped in to end of book 1, pages 67, 231, two to 309, five in total; ex-library, with removed label from spine, removed bookplate from front pastedown, small stamp to recto of first title page; extremely scarce; AG consignment; shelved case 3.
[London]: The Modern Press, 1886. First Edition. Thin Octavo, 164 pages; VG; housed in a burgundy wrapper and half morocco slip-case with gilt lettering to spine; in original green paper wraps, very slight wear to corners, inch long chip to tail of spine, small chip to head of spine; First separate issue, the smaller trimmed variant with the blank leaf bound at rear; Inscribed by Shaw: "This is the first reprint from the plates made from the pages of the magazine ToDay. The bookstalls would not stock it because it was not the right size for their counters. It did not sell well until it got into the hands of the pirates, who kept it going for years. It may still be going for all I know as I never succeeded in recapturing the plates. G. Bernard Shaw"; This inscription was written by Shaw for the former owner who was Frederick S. Bigelow, former editor for the Saturday Evening Post. He was in London in 1914 on a literary commission, and when visiting Shaw asked for the history of the little book. A typed note detailing his visit is included, and describes in brief his visit, including the view from Shaw's room overlooking the Thames and Shaw's interest in hearing his "account of seeing James J. Corbett, Ex-Champion, in the title role" of Cashel Byron's Profession.; RD consignment; shelved case 2.
Chicago: Ihnfinity Inc/Saturn Research, 1972. First Edition. Staplebound quarto; G+; 134 pages; Single sided pages with cardstock front cover; SIGNED by Sun Ra on half-title page (To RONALD from Sun Ra); Some wear, bumping to the corners; Toning to the front cover and exterior of the text block; Slight bending at the corners at the cover; Interior clean. shelved case 0.
Darmbstadii: Ex officina typographica Balthasaris Aulaeandri, 1621. Quarto, , 158, [2 blank], 64, 7 pages; VG; bound in full contemporary vellum, plain paneled spine, single piece of tape to tail of spine, chipping to tail of spine; minor worming to lower gutter from the ffep through I1 (page 66), pinprick worming from H3-T3; one letter in ink to front pastedown; blind-stamp to title page, N2; extremely scarce; shelved case 3.
Garden City, New York: Doubleday & Company, Inc., 1956. Limited Edition. Thick octavo, xi, , 594 pages; bound in publisher's blue cloth, black label to spine with gilt titling; wrapped in publisher's original glassine jacket, housed in publisher's VG- slipcase; top edge gilt. Slipcase inscribed by Harry Truman on the title label, as usual; Inscription on the half-title: "To Honorable Felix Frankfurter from Harry Truman. 5/5/56."; Volume 2 only; JB consignment; shelved case 5.
[numerous publishers]. This is a collection of poetry, writings, ephemera, and broadsides of American poet, author, environmentalist, editor, and songwriter Michael Rothenberg. There are twenty one images of all the items within this listing. If you do not see them all on your selected buying platform, due to image upload restrictions, please contact the seller for additional information. This listing is for the following items: Broadsides: A Lesson in Limits: Poem by Michael Rothenberg, illustrated by Nancy Davis, printed by Andrew Hoyem. Broadside clean with minimal wear. Rothenberg's Signature on bottom corner of broadside. Elegy for the Dusky Seaside Sparrow: Broadside is clean, save for some faint markings on rear and some edgewear. Writing/illustration side clean. Penciled signature and limitation note on bottom corner. Angels: design, artwork and printed by Jim Sherraden, in limited edition by Hatch Show Prints as part of the museum resources of The Country Music Foundation. Broadside clean with minimal wear, some color transfer on rear side. Writing/illustration side still has gloss to it. Rothenberg ink signature and limitation note on bottom edge, along with signatures of printer Jim Sherraden and Craig Allen in pencil along bottom corner. Favorite Songs: Clean and glossy broadside, some rubbing to bottom right corner (see photo). Conversation at Lunch: Clean and flat broadside. Penciled signature on bottom edge. Whether a Moon: Clean and flat broadside. Penciled signature and printed limitation notes on bottom edge of rear face. Another Day Trip: Clean broadside, folded as a pamphlet. Signatures of both Rothenberg and Saltzwedel as well as limitation notes on rear side of folded portion. Books and Pamphlets: Man/Women: written by Joanne Kyger and Michael Rothenberg. Published by Big Bridge Press in 1988. Clean with some edgewear. Hand-stitched binding. 46Pp. Numbered 43/50 and signed by Kyger and Rothenberg at rear. Jujitsu with Others #1: written by Michael Rothenberg et al. Published information and date unspecified. Staplebound. Clean with some edgewear. Signed in pencil by Rothenberg on title page. Indefinite Detention: A Dog Story: written by Michael Rothenberg. Published by Shabda Press in 2014. Clean copy with Rothenberg's signature in pencil on title page. ISBN: 9780985315160. Drawing the Shade: written by Michael Rothenberg and illustrated by Donatella D'Angelo. Published by Dos Madres in 2016. Clean copy with minimal shelfwear to exterior. Signed in pencil by Rothenberg on title page. ISBN: 9781939929563. Choose: written by Michael Rothenberg. published by Big Bridge Press in 2009. Clean copy with slight rubbing to gloss on covers, faint markings on rear cover. Signed in pencil by Rothenberg on title page. ISBN: 9781878471086. Jungian Quartet & other poems: written by Michael Rothenberg. Published by dPress in 2006. Staplebound. Clean with some edgewear to covers. Signed in pencil by Rothenberg on title page. The Fighter Still Remains: selected and edited by George Kimball and John Schulian. Published by Fore Angels Press in 2010. Clean, but has two scratches on rear cover. Contains the story "My History of Boxing" by Rothenberg. Signed in pencil by Rothenberg on p44. ISBN: 9780979994753. Lindsay's Book: written by Michael Rothenberg, iIlustrations by Jim Spitzer. Published by Big Bridge Press in 2016. Clean with some minor shelf and edge wear, slight bowing on front cover near fore edge, rubbing to top corner. Signed by Rothenberg on half-title page. ISBN: 9781878471093. On Lake Jackson (Oyster Boat Vol.1 Issue 2): published by Small Craft Advisory Press 2018. Contains text from Rothenberg's poem "On Lake Jackson". Signed by Rothenberg in pencil on copyright panel (see photo). Indefinite Detention: A Dog Story: written by Michael Rothenberg. Published by Ekstasis Editions in 2013. Clean copy with some minor shelfwear and small purple markings on front inside cover and front endpaper. Rothenberg's signature in pencil on title page. ISBN: 9781771710039. Overtime – Selected Poems: written by Philip Whalen, Edited by Michael Rothenberg with Introduction by Leslie Scalapinio. Published by Penguin Poets in 1999. Clean with some minor shelfwear and rubbing to corners, minor creasing to spine. Rothenberg's signature in pencil on title page. ISBN: 014058918X. Collected Poems of Philip Whalen: edited by Michael Rothenberg, foreword by Gary Snyder. Published by Wesleyan University Press in 2007. Clean with some minor shelfwear to covers. Signed in pencil by Rothenberg on title page. ISBN: 0819568597. The Collected Poems of Ann Fields: edited by Michael Rothenberg, introduction by William Dickey. Published by Big Bridge Press in 1994. Clean with some minor shelfwear to covers. Signed in pencil by Rothenberg on title page. ISBN: 1878471023. Edition limited to 500 copies, not one of the first 400. Nightmare of the Violins: written by Michael Rothenberg. Published by Twowindows Press in 1986. Clean copy with minimal shelfwear. Picture shows faint inscription on title page "It's the same (fog?) but different indians MR" but there is also an inscription on the half title page "For Alex, Donna and sooner or later Alexandria. Love Michael" and Rothenberg's signature on the limitation page (226 copies, but not one on of the first 26). What the Fish Saw: written by Michael Rothenberg with illustrations by Nancy Davis. Published by Twowindows Press. No print date established. Clean copy with minor wear to exterior and corners. Limitations page numbered 9/200 and signed by Rothenberg, Davis, and Don Gray. Murder: written by Michael Rothenberg. Published by Paper Press in 2013. Clean copy with minimal wear, most of it to the corners. Title page signed in pencil by Rothenberg. ISBN: 9780615839523. Epigenesis on Temple Mount. written by Michael Rothenberg. Published by Rapture Press in 2006. Clean copy with minimal wear, most of it to the corners. Title page signed in pencil by Rothenberg. Benvenuto Nella Contea di Sonoma: written by Michael Rothenberg. Published by Camion Press in 2019. Clean copy. Monk Daddy: written by Michael Rothenberg. Published by Blue Press in 2003. Clean copy. Signed on both the half title and title pages by Rothenberg. Grown up Cuba: written by Michael Rothenberg. Published by Editions Il Begatto in 2003. Clean copy. Signed on title page by Rothenberg. Unnumbered copy of 108 total. Man/Women: written by Joanne Kyger and Michael Rothenberg. Published by Twowindows Press in 1987. Clean with some edgewear. Saddle-stitched binding. 46Pp. Signed by Rothenberg on title page. Stated second edition. Letters, Postcards & Baguette: Paris/Spring '98: written by Michael Rothenberg. Published by Nancy V. Davis with no date. Clean copy. Signed on title page by Rothenberg. An interesting note, the title page is on the left side and is opposite of the first page. Rear panel explicitly states this is a "hand made book" with a fun illustration of a hand, presumably made by Nancy. Favorite Songs: written by Michael Rothenberg. Published by Blue Press in 1990. Clean copy with minimal wear along the exterior. Inscribed "Thank you for supporting 100TPC Michael Rothenberg 6.23.2012" on title page. ISBN 1878471007. My Youth as a Train: written by Michael Rothenberg. Published by Foothills Publishing in 2010. Clean copy with some wear along the exterior, rubbing to corners. Signed by Rothenberg on title page. ISBN 9780941053976. Wake Up and Dream: written by Michael Rothenberg. Published by MadHat Press in 2017. Clean copy with minimal wear along the exterior. Signed by Rothenberg on title page. Stated first printing. ISBN 9781941196489. Goofbook: written by Philip Whalen, edited by Michael Rothenberg. Published by Big Bridge Press in 2001. Clean copy with minimal wear along the exterior. Signed by Rothenberg on editor's note page, opposite of copyright page. ISBN 1878471074. Invisible Idylls: Written by Philip Whalen, inroduction by Joanne Kyger, edited by Michael Rothenberg. Published by Big Bridge Press in 2013. Clean copy with minimal wear along the exterior, creasing along top-right corner of front cover, front cover slightly bowed (see photo). Signed by Rothenberg on title page, opposite of copyright page. ISBN 9781878471109. Unhurried Vision: written by Michael Rothenberg. Published by La Alameda Press in 2003. Clean copy with minimal shelfwear along the exterior. Signed by Rothenberg on title page. ISBN 188880940X. Detencion Indefinida un Cuento de Perros: written by Michael Rothenberg. Published by Varsek Ediciones in 2017. Clean copy with minimal shelfwear along the exterior, slight bumping to top-right corners. Signed by Rothenberg on title page. Text entirely in Spanish. ISBN 9788494634260. Sapodilla: written by Michael Rothenberg. Published by Swan World in 2016. Clean copy with minimal shelfwear along the exterior. Signed by Rothenberg on title page. Text in English with printing/bibliographic information in French. ISBN 9782849244357. The Paris Journals: written by Michael Rothenberg with introduction by Joanne Kyger. Published by Fish Drum Inc. in 2000. Clean copy with minimal shelfwear along the exterior, Fish Drum Inc. Address on copyright page striken through with blue ink lines. Signed by Rothenberg on title page. ISBN 1929495056. David's Copy - The Selected Poems of David Meltzer: introduction by Jerome Rothenberg with editing and forward by Michael Rothenberg. Published by Penguin Poets in 2005. First Printing. Clean copy with minimal external wear. Signed by Michael Rothenberg on title page. ISBN: 0143036181. Way More West – New and Selected Poems: written by Edward Dorn, introduction by Dale Smith with editing and forward by Michael Rothenberg. Published by Penguin Poets in 2007. First Printing. Clean copy with minimal external wear. Signed by Rothenberg on title page. ISBN: 9780143038696. As Ever – Selected Poems: written by Joanne Kyger, introduction by David Meltzer with editing and forward by Michael Rothenberg. Published by Penguin Poets in 2002. First Printing. Clean copy with minimal external wear. Signed by Rothenberg on title page. ISBN: 0142001120. Continuous Flame – A Tribute to Philip Whalen: Edited by Michael Rothenberg and Suzi Winson. Published by Fish Drum Inc. in 2004. Clean copy with minimal shelfwear along the exterior and a few notable scratches on face of rear cover, Fish Drum Inc. Signed by Rothenberg on title page. ISBN 1929495056. Punk Rockwell: written by Michael Rothenberg. Published by Tropical Press in 2001. Clean copy with general shelfwear and scratches to covers, rubbing to corners, slight bumping to tail edge of spine. Signed by Rothenberg on title page. ISBN: 9780966617320. Botanicals edited/published by Michael Rothenberg The Bromeliads: written by Leon Duval, edited by Michael Rothenberg and Robert W. Read. Published by Big Bridge Press in 1990. Clean with some edgewear. A very clean copy with minimal wear. Signed in pencil by Rothenberg on title page (see photo). Bromeliaceae Andreanae: written by Edouard Andre', edited by Michael Rothenberg and Robert W. Read. Clean with protective and decorative clear plastic jacket with the title printed on the front cover. Book clean with minimal wear. Signed in pencil by Rothenberg on limitation page at rear of book. Audio Recordings by Michael Rothenberg Dystopic Relapse: Released by Tribal Records. Dated 2019. Disc appears clean. Signature on rear outside flap (embossed and does not appear printed, assumed in white ink). Under the Spell: Released by BMI Drums of Grace Music. Dated 2002. Disc appears clean. Signature on rear outside flap (embossed and does not appear printed, assumed in white ink) similar to the previous disc listing. The books and other printed publications listed here are first editions, unless explicitly stated otherwise. If you have any questions regarding the items listed within this grouping, please do not hesitate in contacting the seller for additional information. Attn: Oversized item. Please contact the seller if you are planning on making an expedited/international purchase. Economy International shipping unavailable due to size/weight restrictions. Please contact seller for details before purchasing. Set shelved on bookshelves in the upstairs offices, perpendicular to the large window past the two large rooms. MR consignment.
New York: Macmillan, 1912. First American Edition, First Printing. Octavo, 838 pages; VG-;bound in Publisher's blue cloth boards with gilt lettering; Some wear along the edges; Corners bumped and beginning to fray; Some light tearing beginning on the spine crown and tail; Spine slightly faded with some minor scuffing and a stain, text unaffected; Upper gilt edge of text block is worn; Text block typically toned; Bookplate on front paste down, with "1928" date in ink; Binding sturdy; DS consignment; Shelved case 3.
London: William Roybould, 1660. First Edition. 12mo, 359 pages; VG; 3/4 bound in modern burgundy leather, burgundy cloth boards, paneled spine with gilt bands and gilt lettering; top edge of text block gilt; , 459 [i.e. 359], , page 359 misnumbered 459; title page in red and black; page 103/104 (leaf H4) has both corners torn out, text impacted; with frontispiece of Oliver Cromwell; JG consignment; shelved case 0.
London: Macmillan & Co Ltd, 1961. First Edition, First Printing. Octavo, 170 pages; VG/VG; in pictorial dust jacket, blue/green spine with black and red titling; mild rubbing and wear, particularly to head and tail of spine; dust jacket protected with a mylar covering, price uncut '13s 6d net'; Inscribed on the ffep by Muriel Spark, "For Rachel MacKenzie / with love / from Muriel" JM consignment; shelved case 3.
New York: Printed by James Parker, 1767. 8vo., 479pp., 148pp.; G+; contemporary leather binding, spine paneled brown leather, top three of six panels have significant amount of leather gone, showing binding underneath; back board splitting from text but still attached, missing leather continues from spine onto back bard, upper quadrant next to spine missing leather; text good with some individual foxing stains; 479 pages of hymns, followed by 148 pages including 143 pages of text, title page and verso, statement of purpose of the printing and a page containing musical scales for individuals desirous of participating in singing the hymns; Inscription by Jacob R. Hardenburgh on ffep attesting to the books purchase for the use of the Bedminster Congregation dated 1774 with later inscriptions by two other church members. Hardenburgh was the first appointed President of Queen's College (Rutgers University); EH consignment; shelved case 3.
London: J. Newberry, 1758. First Edition, Second Issue. 16mo; G+; Contemporary calf with plain paneled spine; housed in a custom gray cloth clamshell; Front board separated, with ffep through first map attached to front board; lacking title page; sticker to front pastedown 'Sold by J. Manning, book-seller, in Launceston'; with frontispiece, preface leaf, B & W maps, index leaf;; All 52 maps are not tinted, all black and white. Book does not have Africa error or printed correction on index (second issue); Consignment; Shelved Case 3.
London: John Murray, 1859. Third Edition. Octavo; G+; Green spine with gilt lettering; 429 pages with two fold outs and pages of advertisements.; Darwin's contribution present and corrected on page 268. NOTES: The first edition of 1849 had a transposition error in Darwin's essay, some later states included a corrected text in a rear pocket. The second edition was issued in 1851, with no offprint of Darwin's article. This is the third edition, complete. Fold out maps are present, with some slight tears to the rear map.; Book has been repaired with original green cloth still present; Some cloth missing from the spine, lettering still present but worn; Former library book with bookplate from the Royal Navy on front paste down and faded ink stamp on title page; Boards show wear along the edges, corners bumped and beginning to fray. Pages are age toned, as is typical with some minor spotting, mostly at the beginning and on the fold outs; Interior otherwise clean and free of marking.; shelved case 10.
New York: G.P. Putnam's Sons, 1895. The Author's Autograph Edition, #202/500. Octavos, 40 volumes; VG; uniformly bound in the publisher's original three quarters green morocco, marbled boards, paneled spines with gilt text and tooling, top edges gilt; marbled endpapers; 13 volumes with sunned spines; very mild wear to bindings; One of 500 sets, this is number 202, all volumes with limitation pages; this set contains page 209 of original manuscript of The Alhambra tipped in to volume one of The Alhambra, with several edits by Irving in ink.; shelved above HC Fiction.
Philadelphia: Prichard and Hall, 1788. First American Edition. Octavo, , 244,  pages; G; bound in contemporary mottled brown leather, flat spine with gilt bands and lettering; chipping to head of spine; rubbing and bumping to corners; front hinge shaken, with lower half detached; an unrestored copy, no signs of repair to binding; collation: [A]2, [B]4, C-G4, H3/4, I4, K1-3, L4, M-Z4, 2A-2I4, lacking H1/2, K4, L1-L3 (corresponds to pages 49-52, 71-78); L4 and M1 partially loose; title page has a strip torn off at the head, does not impact text; name written on title page; first and last few leaves and pastedowns have light to moderate browning in irregular along edges, probably from binder's glue; mild foxing throughout; lacking folding demographic Table of Virginia Indians; map on page 20 present; 4 pages of ads in rear as called for; JG consignment; shelved case 1.
Augsburg, Bavaria, Germany: Joseph Wolffischen, 1783. folio, 750pp., 24pp. index, 136pp.; VG; bound in brown leather, paneled spine with no lettering; front board decorated with metal in the four corners, diamond in the center; remnants of two clasps present, two metal hooks on fore edge of front board, two torn leather strips bound into rear board; moderate rubbing to boards; newer endpapers; title page has had a strip of paper approximately 1.25 inches (3.5cm.) high torn off of the bottom, primarily including the entirety of the publication information. It has been repaired with the backing of another sheet on that portion. There is a small tear in the middle of the page that is backed by a piece of paper on the verso, and so barely impacts the legibility of the words; complete collation: endpaper, title page, 2pp. table of contents, 4pp., 750pp., 24pp. index, title page, 6pp., 136pp.; separate title page with separate pagination; page 110 misprinted as 100, 160 as 142, 217 as 21, 271 as 217, 523 as 532, 524 as 534, 554 as 454, 732 as 571, only the page number impacted; small repairs on pages 165/166, 571/572, 633/634, 649/650, 687/688, 701/702, 705/706, 719/720, 1/2; illustrated pages beginning parts two and three on pages 165 and 567. The pagination between pages 566-571 appear to be missing a page, as is usual with this edition; ffep partially detached; profusely illustrated with over 800 black and white woodcut illustrations, including genre scenes, individual plants and animals, and distilling apparatus; Adam Lonicer was a German botanist who studied at Marburg and the University of Mainz, obtaining his Magister degree at sixteen years of age. After becoming a Doctor of Medicine in 1554, he became the town physician in Frankfurt am Main. His true interest though was herbs and the study of botany. His first important work on herbs, the Kräuterbuch, was published in 1557, with a large part dealing with distillation. He married Magdalena Egenolff, the daughter of Christian Egenolff, his Frankfurt publisher and a printer who specialized in herbals. The work that made his name famous is this popular herbal, the Kräuterbuch. Lonicer provides us with one of the early descriptions of local flora as well as being one of the first to differentiate deciduous trees from conifers. shelved case 4.
Londini [London]: Johannis Darby, 1690. First Edition. Octavo, xxxvi, 510 pages; VG: bound in full polished brown calf, paneled spine with red label and gilt lettering, gilt date on tail of spine; light scuff marks; title page soiled, frayed at outer blank edges, neatly backed, upper fore corner missing, slightly impacts double-ruled border but all text intact; leaves A3, A4, A5 frayed on edges; This is probably one of the few and Thick paper copies, as it is 1/4 inch taller than regular copies in contemporary calf, and the sheets bulk slightly over 1/4 inch thicker than regular paper copies. Collation: title page, A3-A8, a8, b2, B-Z8, Aa-Kk8, possibly missing either preliminary black A1 or page following title page; "Paradisum amissum", "Paradisum recuperatum", and "Samsonem Agonisten" each have separately dated title pages; pagination and register are continuous.; Wickenheiser 1759, Wing H2362, M2158, Coleridge 184, not in Kohler JG consignment; shelved case 0.
Unique, ca 1956-1970 Collection of over 70 objects, mostly postcards in a 1960s era photo album, related to famous ocean liners and other ships many of which met their end in tragedy. Postcards of ships ranging from the USS Maine, to RMS Titanic and Lusitania as well as coastal, riverine and lake steamers, and shipboard-cancelled envelopes. Included is a full-page magazine ad for the Andrea Doria and a copy of Life Magazine from 1956b featuring the tragedy of the Andrea Doria. 12.5" x 12.75", 10 album pages plus magazine. Condition is Good +, most of the postcards being in plastic sleeves rather than glued in to the album. Room 429.
Warszawa: Pax/Archbishop's Documentation Center for Church Affairs, 1957/1953. CI, KTÓRZY PRZESZLI PRZEZ DACHAU (DUCHOWNI W DACHAU): Domagala, Jan, Warszawa: Pax, 1957 Octavo, 391 pages; G-;In original wraps, covered in aluminum foil; front gutter open.; Note taped to ffep, "From American Ambassador Lodge / Warszawa"; Book description taped to ffep; Some markings in blue ink, primarily check marks, mostly to the section on "Rzymsko-Katolicy" (Roman Catholics) and "Duchowni Innych Narodowošci" (Clergy of Other Nationalities); INDEX 1996 SACERDOTUM POLONORUM A GERMANIS AA.1939-1945 OCCISORUM / SPIS 1996 KSIĘŻY POLSKICH ZABITYCH W LATACH 1939-1945 PRZEZ NIEMCÓW (LIST OF 1996 POLISH PRIESTS KILLED IN 1939-1945 BY GERMANY): Wykonano w Arcybiskupim Ośrodku Dokumentacji dla Spraw Kościoła w Polsce w listopadzie 1953 r. w nakładzie 200 egzemplarzy (nr.3) (Made at the Archbishop's Documentation Center for Church Affairs in Poland in November 1953 with a circulation of 200 copies (No. 3)) Octavo, 67 leaves; G-; In original wraps, covered in aluminum foil; front gutter open; typed linguistic note in German/Polish taped to title page; nearly all names are marked with a blue ink checkmark, with some also marked with a pencil 'x';.